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A composite of 1 wideangle image and several moon shoots, merged in PS.
The moon is way bigger here than it was in reality. This gives you more detail on the different phases.
The spot of the wide angle view and the moon images is exactly the same even though the angle is slighty different
Same photo as earlier B&W version. A bit of color enhancement from ColorEFXPro.
www.flickr.com/photos/9408773@N02/48898498068/in/dateposted/
ꒌ НАЛИЧЈЕ ПОСТ-ИНДУСТРИЈСКОГ друштва —Тачан моменат заласка сунца (које је заклоњено зградом са леве стране овог кадра), мразно ветровито вече пред Божић Јелинима и Сиријцима.
► █░▓ CHRISTMAS EVE day-to-night border line. The very moment of astronomical sunset. The Sun was blocked by the nearby shipyard. It was the first clear sunset this winter here (after December solstice launch last Sunday afternoon). It took place at 231°, which is the southernmost place on the horizon in the whole year's season cycle. Just to the left beyond this frame.
This is a strange capture, a compound of extremely busy lower half and the negative space in the upper half. A mayhem. This might work better in total monochrome. There is too much to name everything. Lower left the shipyard offices. To the right behind the trees a narrow strip of Avelingen, the Boven Merwede right riverbank. Behind the river: De Werken shipyards. Further behind: De Biesbosch. In the background De Dordtse Biesbosch.
► The symbolism of this borderline industrial landscape may be obvious. The conclusion of Advent, the Christmas Eve is telling you: look at the world on the ground! It's one big mess, or made mess, skyline pollution, waterline pollution, wiring, heavy machinery dissecting the Earth, a conundrum of human attempts to reach happiness through pandemonium of tumultuous undertakings and enterprises. Most of which are destructive, or at best ludicrous. But not far from it — just a little higher — there is peace and calm, invariable space of original perfection, the gentle clear skies, the vestibule of Heaven. How many of us turn our eyes away from the ground and up into the free areas above?
Lumix G9 / Leica 100-400mm f4.0-6.3 fully zoomed in (800 mm the full-frame equivalent). Underexposed ⅓ of a stop. Handheld with support. Aperture priority f/9 resulting in 1/80 of a sec for ISO fixed at 200. AWB, sooc jpeg edited in Photos 10.0. Uncompressed, slightly cropped from 4:3 format, + Flickr B&W/'Sepia' filter (~30%). It was unattainable to get rid of the excessive orange sky colour without deteriorating the rest.
~SHORTCUTS~ ...→Press [F11] and [L] key to engage Full Screen (Light box) mode with black background ↔ Press the same key or [Esc] to return... →Press [F] to "Like" (Fave)... →Press [C] to comment.
To start the slideshow: go to my ᴘʜᴏᴛᴏsᴛʀᴇᴀᴍ. At the upper right of the screen – right next to the 'search' magnifying glass🔍 – click the small ‚play‘▶️ ᴀʀʀᴏᴡ inside the symbol of a ᴍᴏɴɪᴛᴏʀ️ rectangle.
File name: P1015691 (4).jpg
Same as here after a "little" gimping to fill out the missing spots. Just don't zoom in too much ;-)
Check out the stereographic projection or see an immersive version with interactive viewer.
Another shot, another moment, another angle of the same pier in the same place; Ocean Beach (OB) San Diego. I love this night picture and plan to print it for my mother if she likes it. So I'm posting it here so she can take a look at it.
- Michael Rader
Same cat as previous image "After dark, the cat rules the road," different day on Trok San Chao Rong Kueak Alley.
Same story, different day.
I don't know why but I really like this shot!
It makes me think...
(My PhD is killing me)
Same head & body Briannon & Freya
wearing {Le'La} Emilia Dress & Butterfly Shoes in Plain
DOUX - HAIR - Cece [BLOGGER PACK]
Same stairs as seen in these two photos taken a couple of years ago in visible light with an unmodified camera:
Note: I originally posted this photo cropped to 2:3, but didn't really like the result, so I decided to replace it with the original 3:4 format it was shot with. Despite the native aspect ratio of Micro 4/3s cameras being 3:4, I mostly shoot 2:3. I always set one of the my cameras' custom buttons as a shortcut for the aspect ratio though, which I change depending on the requirements of the composition (I don't like to crop in post-processing). So here it is, the photo restored to my original vision of the scene...
Lens: TTArtisan 25mm f/2.0
Same Place, Different World
Infrared photography has a way of revealing the world in a completely unexpected light—literally. What you’re seeing here isn’t snow, though it may look like a winter scene. This was taken in full sunlight, with spring foliage reflecting infrared light in a way that renders it bright and frosty. It’s one of the strange and beautiful qualities of infrared landscapes become dreamlike, even alien.
With infrared photography, the visible light spectrum is blocked and only infrared light is permitted to pass. The sky shifts to deep bronze, vegetation glows in near white, and shadows fall in unusual ways. It’s all very surreal—and that’s part of the magic.
Same location, same time of year as yesterday’s image, but an entirely different mood. That’s one of the things I love about photography—how a slight change in method can open up a whole new way of seeing.
Pitt Lake British Columbia Canada
Website: www.sollows.ca
Contact and links: www.linktr.ee/jsollows
i was trying to pay homage to the great children's storybooks with this one, is there anything more delightful than sliding into a good book or watching your children do the same?
Same tulips as those previously posted as 'Car Tulips' but after a very late 2-3" wet April snowfall. These were weighted down and bent over but much of the snow had already melted and fallen off of them. Not shot from the car this time. :) Quick handheld snaps. The snow completely melted away by early afternoon. Hard freeze the next two mornings, hope they survive.
Same watercolour but with the addition of a plant - which, being in focus (simultaneously with the background), is something the camera alone cannot do!
Although taking photos of lightning at 240 fps lacks resolution of a dSLR time exposure, it more than makes up for the incredible detail it achieves. Case in point above:
29 movie frames were used in the top image (stacked and lightened in Photoshop) (excluding all but the brilliant cloud to ground (GC) image at bottom). While the bottom image is dramatic with its illuminated foreground, the finer (fainter) step leaders are all but lost by the overwhelming brilliance of the CG. This is why night images of lightning with a dSLR are a lot more difficult to capture. Each bolt varies in brightness, contrast with background, structure, distance, etc.
For slow motion clip: www.youtube.com/watch?v=GhPOcNax2zw.
Picture of the Day
Same limestone cliff as in my previous picture.
The beach I'm standing on is called Phra Nang Cave' Beach. It's in Krabi, Thailand.
Can we have the same weather in Anglesey next week as we did in October please.
Newborough Warren on a stunning October day.
Same Monday morning but on the other side of the house. A truly amazing sunrise sky , with every where you looked at the sky, being these vibrant colours.
The first day of spring sunrise of the same view different day. We may be expecting rain at some point according to the weather network. With the wide angle lens you can see the creek that I often photograph to the bottom left of your screen.
Canon EOS 1DS Mark III with a Canon EF 24-70 f2.8L lens.
I want to thank you for taking the time to visit my little space here on Flickr. I may not be quick to acknowledge your visit or any comments as well as visit your space. Rest assured I will do my utmost to catch up. After this weekend things should be back to normal for us - whatever normal is ;-)
Recent escapees from WA ACB4405 and ACB4406 lead 4857 empty grain through Belford bound for Nevertire.
2022-03-20 Aurizon ACB4405-ACB4406 Belford 4857
Same day as the car engines roared thru town the skies were filled with these fun little guys just buzzin' around.
With our 40th Annual Lompoc Fly-In it just keeps getting better and bigger -- this year saw a lot of red planes plus a lot of white planes as well as the familiar Piper Cub yellow.
They make good use of those 65 horsepower 'engines'
Note the creeping vineyards overtaking our hills along with the powerlines for our new Wind Farm.