View allAll Photos Tagged reverse
While everyone else was awed by the sunset from the Vista House, I was photographing the windows behind them.
This shoot was inspired again by Linder's 'she she' series. However as my other shoots were mainly headshots, I decided to expand my inspiration, and do abstract full body shots in our home studio. There is no photo where you can see the full models' face, adding to the abstraction of the photos. I thoroughly enjoyed this shoot.
Title: Reverse Ladder Tracks Next to RIP track
Descriptive Information: hdl.handle.net/1813.001/20988244
Date: Ca. 1961
Photographer: Vickers, Sanford
Creator: Brotherhood of Locomotive Engineers (BLE)
Image ID: 5003pb62f019
Collection: U.S. President's Railroad Commission Photographs (#5003 P)
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. catherwood.library.cornell.edu/kheel
Collection Information: http://rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html
Copyright: The content in the "U.S. President's Railroad Commission Photographs Collection" (Kheel Center collection: #5003 P) is believed to be in the public domain, and is presented by Cornell University Library under the Guidelines for Using Text, Images, Audio, and Video from Cornell University Library Collections [www.library.cornell.edu/about/inside/policies/public-domain]. These images have been digitized from items in the Kheel Center for Labor-Management Documentation & Archives at Cornell University Library. More information about the physical collection can be found here: rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item.
Should have read instructions...
OK, so it is working but barely bottom is cracked and leaking due to high pressure. will fix for next season. propped up and caught what was leaking
Here's a look at the cut-down foam interior of the plate. We were a bit rushed on this project, so I didn't have time to sculpt in the internal detail. Painting and drybrushing the foam provided a bit of detail, but if I'd been thinking when cutting out the excess, I would have cut in some internal ribs using the foam cutter.
Full project details can be found here:
modernsynthesist.blogspot.com/2011/04/old-strains-tyranid...
Another reverse macro shot. This time, I have manual aperture. These flower buds are about 4mm in diameter.
Used a yashica 50mm reverse mounted to a Canon EOS.
Ribeye on sale at Tom Thumb - 2.5" thick - cooking until inside is 120-125F then sear at 500F + using some mesquite wood for smoke wood - seasoned with some Holy Cow by Meat Church - some home-made steak season.
Huckleberry Railroad Rio Grande 464 is backing onto his train for the first ride of the day. Fireman John M has an eye on the move.
Reverse mounted my 50mm prime with the 55-200 zoom lens.
No auto focus and the photo has a visible vignette effect.
I'm quite excited about the cheap macro capabilities of this new arrangement.
Looking forward to capture some insects as well :)
Praktica B200 + Pentacon Prakticar 50/1.8
Kodak Tri-X 400
Fomadon R09 (1+25) 8 min
Shot through reversed Pentacon Prakticar 135/2.8
No after editing other than inverting and cropping in Photoshop.
The back of the coin my husband was given by a man he worked with on the sub when it was in the yards. He felt very honored to be given this momento.
"Reverse Psychology" by Charles Ludlum, directed by Marina Pareja. -- Dating a psychiatrist can drive you crazy. Dating your husband's psychiatrist will drive you crazier!
Alternative Theatre Festival 2013 - July 11-13 & 18-20.
Back side of a Roly Poly Bug. Reverse Lens Macro. Canon T2i with kit lens [EF-S 18-55m] and reversing ring.
Since I am on leave and have some time on my hands I decided to experiment a bit with my camera and lenses. For this shot I removed my macro lens and held it reversed in front of the sensor. The lens was focused to infinity and the camera body was on a tripod. Focus was achieved by moving the whole lens with my left hand and shooting with the right. Exposure was done manually (by trial and error). I like the dreamy look I achieved.