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Hard Reset
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Habibs Dhimmi Dienstmädchen Sunjazulma hat das Standardtraining deutscher Dienstmädchen für arabische Haushalte durchlaufen und kann
vollständig in allen Bereichen verwendet werden. Die Dhimmi Dienstmagd Sunjazulmaa ist in der erstklassigen Dhimmi Dienstädchenschule für arabische Haushalte in Duisburg ("DDarabH,Duisburg") Marzahn ausgebildet worden. Dienstmädchen der "DDarabH,Duisburg" genügen sogar den strengen Anforderungen Saudi Arabiens!
“La crisis se produce cuando lo viejo no acaba de morir y cuando lo nuevo no acaba de nacer”. Bertolt Brecht.
www.facebook.com/juanboadophoto
Strobist Info:
- Canon 550D + 50mm
- 2 x Yongnuo 460-II (Softbox & Umbrella)
Well I was wrong about them not resetting and organizing the shelves. Kmart has updated the toys department now. Just in time for easter.
Wellsville, NY. March 2018.
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St Stephen, Norwich, Norfolk
St Stephen is the odd one out of Norwich's big medieval churches, a great sprawling beast unkempt on its sloping site, with none of the precision and politeness of St Andrew or St Peter Mancroft, or the identikit smaller churches whose parishes pack central Norwich like Larkin's squares of wheat. The offset tower, forming what is effectively a three-storey porch at the west end of the north side, is unique among larger medieval churches in East Anglia, and by the time you get to the east end of the north aisle, there is so much below floor level that the aisle is almost two storeys high. The elaborate transept, and the stone facing of clerestory, chancel and tower, give a sense of a building that has been cobbled together, a vast labyrinthine structure out of the pages of Gormenghast, perhaps.
When I first visited St Stephen about twenty years ago I had a devil of a job trying to see inside. Unusually for a large medieval church in a city centre, though not unusually for Norwich I'm afraid, it was hardly ever open. When I did finally enter the building it was to see St Stephen in the last days of its old sleepy incarnation. The church had found itself finds itself at one of the entrances of Norwich's new massive identikit shopping mall, the Chapelfield Centre, and its graveyard has become a walkway to the doors. Suddenly, it needed to awaken from its slumber.
You step down into the porch, which is long enough for its vaulted ceiling to have two splendid bosses at its junctions. The first shows the martyrdom of St Stephen, two figures above slamming large stones down onto the unfortunate proto-martyr's head. The other is more curious. A figure on the left wearing a crown or possibly a martyr's laurels holds his cloak, while on the left a man reaches around to pull a woman away from a massive devil standing at the top of a pillar. Because St Stephen is so often paired with St Lawrence, this is generally assumed to be St Lawrence - but doing what?
There was a church here in the 14th century, and the ground plan was probably similar. What we see today externally is almost all the work of the early 16th century, a large late medieval church on the eve of the Reformation. Indeed, there is some evidence that the nave was not finished until the reign of Edward VI, which may explain why they stopped putting angels on the hammerbeam corbels. The curious detailing on the tower is probably the result of a remodelling in the early 17th century. When I'd first been this way I remember that I entered a fairly gloomy interior, but as my eyes become accustomed to the light there was inevitably a comparison with another very late medieval church of broadly similar size, Lavenham in Suffolk, particularly in the tracery of the arcades. There is no break between the nave and chancel, a fine hammerbeam roof stretching away into the distance.
St Stephen underwent a wholesale restoration by Diocesan architect Richard Phipson in the 1870s. Phipson was not a bad architect, but he tended to observe the letter of medievalism rather than the spirit. In addition, Phipson liked to design for High Church worship, and in the 19th Century St Stephen was very much in the Low Church tradition. But in the first decades of the 21st Century, this church underwent a major reordering, and today is full of light and colour, and devoid of Phipson's dour furnishings. The nave was converted into an activity area, and the west end given kitchens, toilets and the like. A new 'Area of Worship' was built into what is now the chancel, a semi-circle of chairs facing into the sanctuary. This reordering was in no small way due to the presence of the Chapelfield shopping centre, for suddenly the church found itself engulfed by crowds scurrying through to the shops. The building is now open every day, glass doors replacing the old wooden ones at the west end, and the west end of the nave has been turned into a café.
This is a good setting for the large range of memorials from the 17th to the 19th centuries that flank the aisle walls, set between the windows and peering out into the light. Some of them are simply vast, reaching up to the roof. Mostly they are to local worthies, and it is no surprise that such a central and prominent parish has provided many mayors of the city. The proximity of the hospital meant that this also came to be regarded as the doctors' church, and several of the tombs have medical imagery - snakes and staffs, and the like. The 1972 memorial to Elizabeth Coppen is worthy of note for it is one of only a handful in Norfolk that is made out of artificial Coade stone.
But there are some enticing medieval survivals, and St Stephen's great treasure is its range of brasses. There are no less than nine fine figure brasses, including several pairs. The loveliest is set in a little box under a cover behind the organ. The floor has been raised here, but you can take off the trapdoor and see beneath it a pretty little brass of a lady. Curiously, the inscription tells us that it is Elenor Buttrey, last Prioress of Campsey Ashe Abbey in Suffolk, but I don't think that can be right. The figure looks at least a hundred years earlier (Prioress Buttrey died in 1547, at the start of the ultra-protestant reign of Edward VI) and in addition to the style of her dress, there are two little pilgrims sitting on the ground at her feet, telling their rosaries. It is exquisite, but it would have been anathema to the early Anglicans, and so I think that this inscription and figure did not originally belong together. Other brasses are to members of the Brasyer, Cappe and Mingay families, who provided mayors of Norwich in the 15th and early 16th centuries. The Brasyers are famous in bellringing circles because they owned Norwich's main bell foundry, and produced many East Anglian bells that are still rung today. The figures are set in the sanctuary and at the far west end of the nave.
Phipson reset the font at the entrance to the north transept, creating a kind of baptistery. This is now the setting for some of St Stephen's fine 20th century windows. In the early 1950s, Alfred Wilkinson created a sequence of scenes from the life of Christ that are set here and in the south aisle depicting the nativity, the crucifixion and the resurrection. Wilkinson may also be responsible for the war memorial window, which includes a depiction of Norwich Cathedral.
There is actually a fair amount of medieval glass in the vast east window, but it is mostly fragmentary, and mixed in with later continental glass and some 19th century glass. The overall effect is quite pleasing, though. It was all removed during the war, which is why this window did not suffer the fate of the windows in the aisles and at the west end.
As part of the reordering, the parish planned for most of the gravestones to the west of the church to be leveled and the area to be landscaped, but fortunately Norwich City Council's planning committee rejected this and the gravestones were retained. It is perhaps a mark of how quickly fashions change that surely nobody would think of suggesting such an action today.
this is, unfortunately, the best picture of my works in the '@night' exhibition, that took place during the 'reset_2.0 festival', in summer this year, in münster.
I found this new location today on the way to my mom's house. It's hard to tell, but there was a light dusting of snow flurries coming down that was so pretty. I just wanted to make a quick stop to get my selfie out of the way so I wouldn't have to think about it while I was there working on her computer. I ended up being there hours setting up the new computer we got her for Christmas and resetting up her wireless and her Tivo. But I think I got everything reinstalled and working, I just have to migrate her files from the old computer. Got home late, made myself dinner, threw in some laundry and worked on my image.
My psych class starts on Wednesday!
For Flickr Group Roulette - Happy Sliders Sunday!
For Sliders Sunday - you really need to hit the L.
16/365
16/35-day 365 recovery program
After the opening of the stunt show, some stagehands come out to reset things. This guy is rolling what looks like a heavy boulder back up a hill. Apparently, it's pretty light :)
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