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Custom bookcase with a file drawer on the bottom
Dark glaze with a satin lacquer top coat
vintage hardware
built in poplar
Product Features
14"d x 32"w x 82"Tall
Replication of photo done by Barbara Kruger. Original can be seen here:
1.bp.blogspot.com/_SFyGGFZWxtQ/TPql45pBmbI/AAAAAAAADlk/zV...
CD and DVD Replication: Replication is the method used to produce quantities one thousand and up CD's or DVD's. A "glass master" of your original is made which in turn "stamps" the data onto blank media. The disc is then printed and lacquered for protection. Replication generally takes a much longer time then duplication because of the necessary added steps which can add 7-14 days for completion. Another factor is that a "clean room" environment must be maintained for proper "Mastering". The slightest piece of lint, dirt, etc. can flaw the master, with the defect carried over to the stamped copies.
CD and DVD Duplication
Duplication is the standard way quantities of 1 - 30,000 CD's or DVD's are produced. The original disc is placed in a reader, which then copies the data onto a hard drive. The master is ejected and blank discs are then loaded into the system. Your data is burned (transferred) to the blank discs. The information is verified and the copy then accepted or rejected. Because disc burn speed has increased greatly over the years, it is now possibly to duplicate large quantities of DVD's in a very short time.
Natural breeding and in vitro culture are methods used to select and cultivate coffee and cocoa varieties of interest.
replicated from Presurfer so that I can display it on my blog
(http://presurfer.meepzorp.com/archive/2006_10_01_archive.html#116002793644785530)
Natural breeding and in vitro culture are methods used to select and cultivate coffee and cocoa varieties of interest.
I tried to replicate the front lens swing of a monorail camera here. The image is made of telve or so frames exactly the same, but with focus shifted gradually along the trumpet. These were then brought together to give depth of field throughout the image. This is hard because each time you focus, the frame size changes slightly, requiring a scaling of every image to the exact pixel before merging can start.
Wearing a Vest is one of the best options to go for a Halloween Party, and We have come up with a unisex vest which is a replica of Property of Joker Batman. So hold on and get your best at a Discounted sale.
Check here: bit.ly/37S0P8v
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
TOKYO
Artificial intelligence risks taking Japanese anime artists' jobs but nothing can replicate Hayao Miyazaki, the creative lifeblood of the studio behind classics such as "Spirited Away", his son told AFP.
Thanks to ChatGPT's new image generator, the internet is awash with pictures imitating Studio Ghibli's whimsical style, raising fresh debate over potential copyright infringements.
Movies such as "My Neighbor Totoro" and "Howl's Moving Castle" are famous for their lush nature and fantastical machinery, painstakingly drawn by hand.
While the studio has not commented directly on the image trend, Goro Miyazaki, 58, predicted that artificial intelligence could one day replace animators.
"It wouldn't be surprising if, in two years' time, there was a film made completely through AI," he said in an interview last week.
But whether audiences would want to watch a fully AI-generated animation is another matter, he added.
Despite the rapid changes, new technology also brings "great potential for unexpected talent to emerge", added Goro, Studio Ghibli's managing director.
He was speaking at the Ghibli atelier in western Tokyo, days before the San Francisco-based ChatGPT maker OpenAI released its latest image generator.
OpenAI, which is already facing a barrage of copyright lawsuits, said generating images in the style of individual living artists is banned, but "we do permit broader studio styles".
"Our goal is to give users as much creative freedom as possible," the U.S. company said.
Japan is grappling with a shortage of skilled animators, partly because most spend years in low-paid jobs to learn the ropes.
Digitally savvy Gen Z may be also less enthusiastic about the manual labour involved, Goro said.
"Nowadays, the world is full of opportunities to watch anything, anytime, anywhere," making it harder to imagine making a living from the physical act of drawing, he added.
Goro's father founded Studio Ghibli with Isao Takahata in 1985, a year after directing the post-apocalyptic "Nausicaa of the Valley of the Wind".
After Takahata's death in 2018, Hayao -- now 84 and a heavy smoker -- continued to create films with 76-year-old producer Toshio Suzuki.
"If those two can't make anime or can't move, then what happens?" Goro said when asked about Ghibli's future. "It's not like they can be replaced."
Despite his age, Hayao won his second Oscar last year with "The Boy and the Heron" -- likely his last feature film.
Anime cartoons are usually for children, but Takahata and Hayao, men "from the generation that knew war", included darker elements that appeal to adults, Goro said.
"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "smell of death" that permeates the films. "That's actually what makes the work so deep."
For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude that my father's generation had," Goro said.
Even "Totoro", with its cuddly forest spirit creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.
As the Ghibli-style AI images proliferated, a 2016 video of Hayao resurfaced that many said showed his disdain for the technology.
"I strongly feel that this is an insult to life itself," the director says in the short clip, taken from a documentary.
However, he was in fact reacting to an AI-assisted computer graphic of a zombie-like creature, which he calls "extremely unpleasant" in the full footage.
Goro joined Studio Ghibli in 1998 and directed animations including the 2006 feature "Tales from Earthsea" and 2011's "From Up on Poppy Hill".
He also oversaw the development of the Ghibli Museum and newly opened Ghibli Park in Japan.
Goro enjoyed drawing as a boy and said he learned a lot watching his father's and Takahata's work, although he didn't think he could live up to their talent.
"My mother, who was also an animator, told me not to pursue this career because it's a tough and busy job," Goro said, adding that his father was rarely at home. "But I always wanted to do something creative."
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Patron-client relationship .
The very premise of the scheme replicates the patron-client relationship, which has reduced tribal communities into recipients of charity, instead of recognition as owners of the land and its resources. The related provisions of the Bill constitute an outright assault on the constitutional rights given to the tribal communities, in particular in Fifth Schedule areas. .
The Bill gives legal sanction to the arbitrary rights of governments, both at the Centre and the States, to give different types of licences and leases from reconnaissance to exploration, prospecting and finally extraction without any procedure for even consulting, leave alone taking the consent of tribal .
communities. The only reference to consultation (not consent), is for the .
grant of licences for minor minerals (but not major) in Fifth and Sixth .
Schedule areas where the gram sabha or the District council, as the case may be shall be consulted. Thus even the provisions under other laws such as the .
Panchayat Extension (to Schedule Areas) Act (PESAA), which mandates consultation with the gram sabhas, are violated by the complete absence of any consultative process prior to the granting of lease for major minerals, which are the main sites of tribal deprivation. In another provision for notification of giving leases in forest areas and wildlife areas, the State .
government has to take all necessary permissions from the owners of the land and those having occupation rights. Thus an unwarranted .
differentiation is made between the rights of tribal communities in Fifth Schedule non-forest areas and forest areas. However even in the case of forest areas there is no provision for what would happen in case the owner does not give permission. .
In Fifth Schedule areas, the law prohibits transfer of tribal held land to non-tribals. Different States have also enacted such laws like 70/1 in Andhra Pradesh, the Chotanagpur Tenancy Act and the Santhal Parganas Tenancy Act in Jharkhand. None of the mining companies that gets leases is owned by adivasis. Presumably this was the reason why in the Samata case, the Supreme Court held that sale, transfers and even leases of tribal land to non-tribals are illegal. It directed that governments should consider a mechanism to include cooperative societies of tribal communities for mining operations. The Bill overrides the Samata judgment. Tribal cooperatives have been disqualified in the list of those eligible to get a lease for mining of major minerals, which can only be companies registered under the relevant laws. It is only for minor minerals and small deposits in the Fifth and Sixth Schedule areas that the State government may (not shall) consider tribal cooperatives for getting the lease. An earlier draft of the Bill in 2010 had included a provision for a guaranteed stake of tribal communities in mining companies. The provision had said the company
will allot free shares equal to 26 per cent through the promoters quota. South African law under the Broadbased Black Economic Empowerment Act has a provision of mandatory sale of 26 per cent shares in all mining companies to historically socially disadvantaged sections. But in India, caving in to pressure from mining lobbies, the earlier provision has been replaced with a token allotment of one share per member of the affected family. .
There are other issues such as compensation and compensatory jobs in lieu of lost livelihood which are inadequate and also ambiguous. With cuts in permanent jobs and widespread contractual and casual work in the mining sector, the promise of employment to land losers cannot be taken at its face value. Seen together with the pending Land Acquisition Bill which specifically excludes the issue of leasing tribal land, this Bill not only buries the ownership rights of tribal communities but facilitates the easy entry of international and domestic corporates to Fifth Schedule and tribal-dominated mineral-rich areas to plunder the natural resources of our country. India, which is a signatory to many international conventions on the protection of tribal rights, is violating these conventions and adding to the burden of historical injustice. The Bill, in its present form, should and must be opposed and resisted. Concerned movements should work together for an alternative model which will recognise the ownership and other rights of tribal communities in mining in Fifth Schedule and tribal areas through effective legal mechanisms. .
(Brinda Karat is a member of the Polit Bureau of the Communist Party of India Marxist.) .
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www.thehindu.com/multimedia/dynamic/01083/15TH_EDPAGE_SKE....
The proposed liberalisation of the mining and minerals sector is an assault on the rightful owners of the land and its resources. .
Tribal and indigenous communities across the world have been asserting their rights to the mineral wealth often found under the land they own or possess or have traditional rights to. They have been historically denied even a share of that huge wealth, leave alone legal rights of ownership. Under the contemporary deregulated neo-liberal policy framework, the exploitation and plunder of natural resources, including minerals, by domestic corporates and multinational mining companies has intensified. But the resistance by affected communities across the world has also grown and is reflected, over the years, in the establishment of an international framework through ILO and U.N. Conventions, which recognise in varying degrees the rights of indigenous and tribal communities to ownership, control and management of land and resources traditionally held by them either individually or as a community; the right to a decisive role in decision making for development needs in their areas; and the right to prior, free and informed consent to any projects in their areas. While these are encouraging advances won by the struggles and immense sacrifices of tribal communities, what is important is their translation into legal instruments in member countries. The issue has immediate relevance for India, as the UPA government has introduced a Mining and Minerals (Development and Regulation) Amendment Bill, 2011 (MMDRA), which is presently before the Parliamentary Standing Committee. .
Promoting privatisation .
In India, ownership of minerals lies with the State. However, the Central government which has control over all major minerals like iron ore, bauxite, copper, coal and most State governments which have control over minor minerals like sand, stone, granite, etc., have promoted privatisation through leasing mines to private companies apart from handing over captive mines of iron ore and bauxite to steel and aluminium corporates like the Tatas and Birlas. According to a recent report compiled for the industry by Ernst and Young, of the 4.9 lakh hectares of land given out in mining leases in 23 States by the end of 2009, 95 per cent of the leases comprising 70 per cent of the land were given to private companies. .
The MMRDA Bill aims to further deregularise and liberalise the mining sector and encourage privatisation based on the recommendations of the Hoda Committee. It introduces the concept of high technology reconnaissance, prospecting and exploration licences, and easy terms of conversion to mining leases to encourage the entry of FDI and foreign companies. It also gives weightage, in the allocation of leases, to a set of criteria which favour such companies and also allows them activity on much larger tracts of land than previously. This has adverse implications for equity, the environment and growth. .
While these aspects need comprehensive analysis, here we focus on those provisions, which claim to address the rights of tribal communities. There is a provision that makes it mandatory for coal mining companies to give funds amounting to 26 per cent of the profits. For other major minerals, an annual amount, which is the equivalent of the royalty paid in the financial year, must be given. While the principle of mandatory payment by companies is necessary, the problem in the MMRDA is that these funds are to be under the control of a district mineral foundation dominated by mine owners and the bureaucracy with a nominal representation of local communities. Interestingly, in the U.S. where the Federal Government had set up trusts to manage funds paid by companies using the land on reserves owned by Native Indians, the government was recently forced to pay a compensation of $1.2 billion to 41 Native American communities for mismanagement of the assets of the trust and is expected to have to pay another $3.4 billion in a similar case. When the affected people do not have a decisive say in the management of such funds, as in the case of the proposed district mineral foundation in the MMRDA Bill, mismanagement is inevitable. Also, rates of royalties in India are notoriously low. Until recently, for example, the royalty for one tonne of iron ore fixed by the Central government for Orissa was just Rs. 26. With a low extraction cost of only Rs. 250 to 300 per tonne and a high market price around Rs. 7,000 a tonne, mining companies made huge profits. While royalty rates have been recently increased, it is still a pittance compared to the profits companies make. .
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Please do not remove till 20-05-12 .
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