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It's basically reflective bubble wrap. But, it increases the case temperatures in the Replicator enough to prevent ABS prints from warping.
Matter in, objects out.
It's such a lovely bright green hope, that we can produce everything efficiently, economically, locally, and in an environmentally sound manner.
Egret at dusk at Hayward Regional Shoreline, December 2020
Photo of the Day for 04/17/2022
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For my niece.
He is sting on a roll of 2" painter's for scale (and comfort).
www.southquay3d.com/index.php?route=information/informati...
This barn is on property once owned by my wife's family The Sarchette's a couple generations ago. They actually founded Cambridge OH. They were from the Isle of Guernsey and their homes were built of stone and replicate those found in Guernsey.
This image is replicating the lighting effect seen in the photograph 'a light in the dark.'.
The lighting effect seen in the original image has a single light source originating directly in front of and shining almost directly towards the camera. The light shines through a stained glass window and is filtered through decorative woodwork. The light then comes to rest on the floor making interesting reflections in the polished floorboards as well as up the sides of the church pews. The image can be broken down into a central light source with the bottom half of the image displaying a lot of reflection and the top half not showing reflection.
To recreate this, I made a model consisting of a cardboard tube with a paper snowflake and sheet of trace paper on the end. The light is shone through the tube from the snowflake end and the camera took the image down the tube towards the light. The trace paper represents the glass and the paper snowflake represents the decorative woodwork the light was filtered by. The model also features small diamonds of colour to represent the stained glass in the original image. The bottom half of the cardboard tube was constructed using reflective paper to create the effect of the light hitting the floorboards and up the sides of the pews. The top half of the tube was made using matt white paper to give the reflection and end point and create the non-reflective top part of the image.
A combination of a shutter speed of 1/250 and an f-stop value of 4.5 was used to create an image that showcased the reflective light but also allowed darker portions of the image to contrast. Due to the very reflective nature of the cardboard used, a very quick shutter speed was necessary to control the amount of light that was bouncing around the model.
We took this from the island in the middle of the road, to show without streetlight interference that we had the right church.
PrintMAKER: Digital Printmaking Studio at the MIA!
Gallery 240
July 14–Sept 1, 2013
Free
Dive into this interactive experience inspired by contemporary prints in the exhibition It’s New / It’s Now.
Create a basic composition, manipulate it with a few easy to use digital tools, replicate and share it with the world. Fun for all ages and levels of experience.
Replication of the cover art for an issue of the comic RASL by Jeff Smith. The challenge was to replicate the work of someone famous and published like him.
Sometimes I assemble a cast of characters, just to brainstorm ideas. I like this bunch, especially Rudy, the fabulous poodle, and Barry, the pet taco. I drew Marmalade's head a few times because, as I've mentioned previously, I'm not too great at cats and I need practice. I can usually do it once (he looks alright here, in the full-body drawing) but when I try to replicate it they look weird, like here, where the two extra heads are kind of off in their dimensions.
Duplicate with two changes. The client wanted the height of the island top and the edge to match the existing countertops.
On assignment for Brooklyn Vegan. Check out the full gallery by clicking here.
© Jessica Amaya - All rights reserved
DO NOT REPLICATE WITHOUT PERMISSION