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Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
ENGLISH
These images show the unboxing and setup of the MakerBot Replicator 2 personal 3D printer.
SVENSKA
Dessa bilder visar uppackningen och igångsättning av MakerBot Replicator 3D-skrivare.
I feel like I need to finish this EOS-M Photo Project so here I am. Hopely this time I can finish this project for sure.
Nothing special about this photo anyway, just trying an old photo illusion. enjoy :)
Strobe Info: diffused Speedlite 580EXII on camera right, above the objects. triggered via PocketWizard.
Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
4208.
My rendition of one of Sonic Youth's album covers.
I used a corner of the room and light coming from one direction to give the dark shadow down the side, and burnt my candle down until it was the right height. Once on the computer I darkened the image, added a little sepia/B&W, then softened it, textured it, and wrote the title on. All done on Picmonkey.
ODT: 4/11/2013:Design your own album cover.
52 in 2013: Week 9: Album Cover.
Epiphany and Elevate textures by Kim Klassen.
Project 365: #57
Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Bull Livestock Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Sadly, Shakaland has now permanently closed in 2025
www.southafrica.net/au/en/travel/article/aha-shakaland-ho...
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Tourist at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Sadly, Shakaland has now permanently closed in 2025
www.southafrica.net/au/en/travel/article/aha-shakaland-ho...
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Philippines: Iligan City
Farmers were trained and hired to apply the Sloping Agricultural Land Technology (SALT). The ILO AusAid emergency employment programme used SALT to rebuild farming communities after Tropical Storm Washi (Sendong). SALT helps increase productivity and prevents floods or damages to crops. The ILO hopes to replicate this programme in areas hard hit by Typhoon Haiyan (Yolanda). Find out more: www.ilo.org/yolanda
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
Photography Marcel Crozet / ILO 19-11-2013
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
"Well, I have finally dug into the deep pool of hot-roddery fog and dug out a couple of V8 Coupes.
For a group focusing on hot rods and modified vehicles, most model presented are pretty stock.
Here I present two modified 1932 V8 Ford Coupes:
Lime: a recreation of Lego Nr. 8302 'Rod Riders'
Orange: a recreation of Lego Nr. 8641 'Flame Glider'
Both models in Lego are substantially the same, as are their minland recreations shown here. The cars wear the circa early 1930's Ford 2-door coupe body, chopped (reducing the roof height) and channeled (lowering the car on its chassis rails). The wheelbase has been increased at the front, and the radiator cowl moved forward. A colouring of the curved windscreen part provides a lovely rear fender form.
Both cars are fitted with the vee-four lego piston engine (replicating the V8 package), driving the rear axle. As with the Lego Racre set, both Rods are fitted with massively oversized Supercharger cowls. The engines differ in their head treatment.
I think the form still needs some development, but its not too bad for an early try.
This Lego model had been created in Lego Digital Designer for Flickr LUGNuts 54th Build Challenge - ""LEGO Set Overhaulin"" - celebrating all things Lego with recreations of original sets.
Hot Rods Ahoy!!"
The Rider memorial window by Lawence Lee 1959, showing the Virgin & Child surrounded by histoical vignettes.
Southwark Cathedral is unique among English Anglican cathedrals in being separated by little more than a mile and the River Thames from it's neighbouring diocesian church, St Paul's. This odd arrangement derives from Southwark being a young diocese, since despite being one of London's oldest churches, it has only had cathedral status since 1905. Surprisingly the new Southwark diocese wasn't even carved out of the London one, since everything south of the Thames had traditionally been part of the Diocese of Winchester.
The site goes back to Roman times, with remains of a villa beneath the present building. A church has probably existed here since the 10th century (first recorded in the Domesday book in 1086) though the present cruciform building is mostly the result of 13th century rebuilding. The church was then known as St Mary Overie ('over the river') and served a college of priests.
Following the Reformation it was stripped of it's collegiate function and redesignated as the parish church of St Saviour. For a while the parishoners rented the building from the Crown until they were able to buy it for their own use in 1614. Certain chapels ceased to be used and the building suffered a long decline, culminating in the early 19th century when neighbouring London Bridge was being rebuilt, and road enlargement encroached on the churchyard. There were calls to demolish the church but luckily preservationists won the day, though two projecting chapels were lost at this time.
Though the east end was repaired the neglect had taken it's toll on the nave and in 1832 it's roof was removed, leaving it open to the elements for seven years until it was tragically demolished and replaced with a cheap and nasty brick substitute. Happily this was itself replaced in 1890 by the present nave by Sir Arthur Blomfield, a very successful attempt to replicate the surviving medieval choir which restored harmonyt and dignity to the building in preparation for it's rise to cathedral rank in 1905.
Today the church is a haven of peace in one of the most unsympathetic settings of any English cathedral, hemmed in by roads, car parks and a railway viaduct that passes through the former churchyard! Somewhat choked by all this developement, the exterior looks mostly Victorian, thanks to the new nave and general refacing of the older parts, except for the 15th century central tower.The interior however is a delight, and transports the visitor back to the 1200s, despite the newness of the nave and it's aisles, which blend beautifully with the medieval choir and transepts. The focal point of the interior is the high altar screen of c1520, adorned with niches containing statues (all Victorian replacements).
There are many tombs and monuments in the cathedral spanning all periods and styles, and several have been recoloured (thanks to a slightly over enthusiastic campaign in the 1960s). The most notable tombs include that of the poet John Gower (14th century) in the north aisle, and 16th century Anglican divine, Bishop Lancelot Andrewes in the choir.There is a modern monument to Shakespeare bearing his effigy (he is believed to have worshipped here,being close to the Globe and Rose theatres, his brother Edmund is buried nearby). Further medieval and later monuments are in the choir aisles, and a rich collectionn of Baroque wall tablets adorn the transepts.
The furnishings are generally Victorian, whilst the stained glass is mostly later, the most prominent being Ninian Comper's 1950s east window of Christ in glory and Henry Holiday's superb Pre-Raphaelite west window on the theme of Creation. Most of the Victorian glass was lost to wartime bombing, in it's place we have some fine modern windows in the south choir aisle by Lawrence Lee and Alan Younger, and the Shakespeare window by Christopher Webb.
Lawrence Lee's 1959 window in the south choir aisle, with the Madonna & Child at the centre surrounded by historical vignettes.
At the west end is a display of medieval wooden roof bosses from the old nave (more have been reintegrated into the tower ceiling, which has a modern design by George Pace). To the north a large suite of rooms has recently been constructed to serve the cathedral's administrative functions.
I feel like replicating yourself is such a 15 year old thing to do when you first learn how to use photoshop, but I never did it then, so im doing it now! I just wanted to take a picture with this huge trunk i came across and ended up doing this! I'd like to thank the same log for being a wonderful tripod!
Inspired by
Zulu Tribal Chief at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
from Jerome Agel's book 'The Making of Kubrick's 2001'
The original 1968 Doug Trumbull interview in American Cinematographer can now be found here online on page4
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
PERISTYLE MICHIGAN CITY, IND
Date: Circa 1910
Source Type: Postcard
Publisher, Printer, Photographer: E. C. Calvert
Postmark: None
Collection: Steven R. Shook
Remark: This structure was completed in Michigan City, LaPorte County, Indiana's Washington Park in 1893 with funding provided by John Barker. The building was intended to replicate at building at the 1893 World's Columbian Exposition in nearby Chicago. Barker was owner of the Haskell & Barker Car Company in Michigan City, a major manufacturer of railcars and founded in 1855. Barker became to amass significant wealth during the Civil War when his company was awarded government contracts to supply railcars of the Union war effort.
This structure was razed in 1969.
Copyright 2021. Some rights reserved. The associated text may not be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of Steven R. Shook.
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
ENGLISH
These images show the unboxing and setup of the MakerBot Replicator 2 personal 3D printer.
SVENSKA
Dessa bilder visar uppackningen och igångsättning av MakerBot Replicator 3D-skrivare.
ENGLISH
These images show the unboxing and setup of the MakerBot Replicator 2 personal 3D printer.
SVENSKA
Dessa bilder visar uppackningen och igångsättning av MakerBot Replicator 3D-skrivare.
How to replicate a MySQL database on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
The 3D model: www.thingiverse.com/thing:11705
The 3D printer: bit.ly/1sJQB0d
For more information creative-tools.com
A Cadillac User Experience (CUE) iPad app is demonstrated in a Cadillac XTS. The app allows consumers to “test-drive” the CUE information and entertainment system on an iPad, replicating many of the controls and features of the CUE center stack. The CUE center screen and control panel feature the first automotive use of capacitive touch and familiar multi-touch gestures. (Photo by Jeffrey Sauger for Cadillac)
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
ENGLISH
These images show the unboxing and setup of the MakerBot Replicator 2 personal 3D printer.
SVENSKA
Dessa bilder visar uppackningen och igångsättning av MakerBot Replicator 3D-skrivare.
Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998