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This is my attempt at replicating the Pagani Zonda Cinque in LEGO bricks. The Zonda is one of my top 5 favorite cars, so I had to include one in my LEGO collection. This is actually my third attempt at building the Zonda (see my previous versions here and here). With this version, I think I've improved the overall shape of the car by increasing the width at the rear of the car to 17 studs (the front of the car is 16 studs wide).

 

As you can see, this creation was inspired by Firas Abu-Jaber's own Zonda. I tried to replicate the Zonda's shape using different methods from Firas' Zonda, but in the end some areas, such as the front simply could not be made better (Firas' version is near perfect).

 

Also, if anyone has a set of Ferrari FXX rims and is willing to sell, please let me know (prices on Bricklink are so high for this piece)! Those rims would look a lot better on this car than these silver ones I have.

One photo of a glowing micro-hotplate (try to guess which is the original) is replicated many times. Each replica has been enhanced in a different colour.

Colorized transmission electron micrograph of numerous HIV-1 virus particles (teal) replicating from a segment of a chronically infected H9 T cell (purple). Image captured at the NIAID Integrated Research Facility (IRF) in Fort Detrick, Maryland. Credit: NIAID

Replications of the Venus de Milo appear 28 times in this painting.

There is an optical illusion - a toreador (man's face is just about discernable).

Among other things, it symbolises his wifes disapproval of the Spanish tradition of bull fighting.

(View larger to see notes on the image)

Just visible through the window is the boat that is a memorial to Gala after her death, It is part of a large visual pun, that will appear in later images.

 

en.wikipedia.org/wiki/The_Hallucinogenic_Toreador

 

Dali was a contraversial character who was known for his egotism and immoral behaviour, as well as his eccentric charm. Some of his artistic works reflect his questionable attitudes and are offensive to many. These images are ones that I personally, choose not to admire or reproduce. However, I do appreciate many of his art works and how they contribute to the richness of our human experience.

In replicating this fifth-gen stealth fighter, I was aiming for:

– Smooth: nearly studless in form.

– Integrated: packing in a host of features.

– Fresh: incorporating new pieces and techniques.

and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)

 

The 1:40 scale replica includes:

– Opening cockpit that holds pilot, control panel, and joystick

– Hidden weapon bays in fuselage for stealth missions

– Optional exterior loadout for air-to-ground attacks

– Retracting landing gear that supports the model

– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL

– Stable Technic display stand and brick-built name plaque.

 

This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]

 

A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!

 

Let me know what you guys think!

Tried to replicate this. =) Meanwhile the no sleeping plan is going perfectly! My bats are blooming, people are afraid to leave their homes and world domination is just a Flaming Moe away.

 

Kidding. I have found ze secret. Bed time stories. So, who wants to come read for me tonight?

This is a converted Norev model that has been repainted white. The model has had a fluorescent yellow and matt black bonnet wrap added.

 

I have fitted livery to replicate one of their driving school cars. It includes the older design force crests in the rear windows. The model has accurate index plates, a 2D Models lightbar and airwave aerial on the roof.

 

I’ve added silver LEDs to the bottoms of the side mirrors, grill, side and rear windows. I had to recreate the red reflectors on the rear bumper after respraying it.

“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”

“The Eye Moment photos by Nolan H. Rhodes”

nrhodesphotos@yahoo.com

www.flickr.com/photos/the_eye_of_the_moment

  

"Henry VI gifted Prescot to KIng's College Cambridge which he founded; this sculpture replicates his crown shown in a commemorative stained glass window at King's College Cambridge. Ferdinando, 5th Earl of Derby's players, known as Strange's Men performed Henry Vi Part I at the Rose Theatre in 1592."

 

en.wikipedia.org/wiki/Lord_Strange's_Men

 

en.wikipedia.org/wiki/Ferdinando_Stanley,_5th_Earl_of_Derby

 

en.wikipedia.org/wiki/Upstart_Crow

 

Prescot Shakespeare Theatre aka Shakespeare Theatre North.

Just when I thought I'd used up all of my luck for finding rare piston singles, I stumble upon this magnificent Sierra at little old Lučko. Fairly atypical by the standards of the company, the Sport/Musketeer/Sierra family was Beech's attempt at replicating the success of Piper's legendary PA-28 Cherokee series. The first model of the bunch - the 19 Sport - was a cheap-and-cheerful four seater with a 150 or 160 HP engine that was pitted against the basic PA-28-161 Warrior. Next in line was the 23 Musketeer, which could boast between 180 and 200 HP and a constant speed prop - making it a match for the PA-28-180 Archer. At the top of the line however stood the 24 Sierra, essentially a Musketeer with retractable gear that had hoped to take on the extremely popular PA-28R Arrow.

 

Sadly though, none of these models had managed to make a significant impact on the market, partly because they were made to Beech standards - and therefore more expensive - and partly because this segment of the market had never been the company's forte. This turn of events would repeat again with the introduction of the 76 Duchess, a twin-engine Sierra that had mirrored the twin engine Arrow, Piper's still-in-production-in-2017 PA-44 Seminole...

 

Apart from their honeycomb wing construction which drastically reduced the need for drag-inducing rivets, the Sierra is also notable for its gear retraction system, in which - as can be seen - the main wheels retract outboard rather than inboard, forward or back.

Face the facts of being what you are, for that is what changes what you are.

Soren Kierkegaard

 

www.youtube.com/watch?v=EGl41fFWcnk

Faithful replications of the Doge's Palace, the Bridge of Sighs , the Campanile Tower , and St. Mark's Square offer awe-inspiring sights and sounds true to the crown jewel of Europe. Don't miss the quarter-mile Grand Canal set in a frescoed sunset sky where gondoliers serenade their passengers on the romantic ride of a lifetime

Trying to replicate an image by Ryan Matthew Smith published in Modernist Cuisine: The Art and Science of Cooking.

 

STROBIST INFO: One SB-900 through an Apollo Micro softbox, pointed to the background, commanded by D90 pop-up flash. Manual at 1/16 power.

What is the truth about Darwinian, progressive (microbes to human) evolution?

Although we are told it is an irrefutable, scientific fact .....

the real fact, as we will show later, is that there is no credible mechanism for such progressive evolution.

 

Classical Darwinism: Evolution by creeps.

What was the evolutionary idea that Darwin popularised?

Put simply ...

Darwin believed that there was unlimited variability in the gene pool of all living things, which would enable the gradual transformation of a first, self-replicating, living cell, through many years of natural selection, into every living thing, including humans.

However, the changes possible were well known by selective breeders to be strictly limited.

 

This is because the changes seen in selective breeding are due to the shuffling, deletion and emphasis, or duplication, of genetic information already existing in the gene pool (micro-evolution). There is no viable mechanism for creating new, beneficial, genetic information required to create entirely new body parts ... anatomical structures, biological systems, organs etc. (macro-evolution).

 

Darwin rashly ignored the limits which were well known to breeders (even though he selectively bred pigeons himself, and should have known better). He simply extrapolated the strictly limited, minor changes observed in selective breeding to major, unlimited, progressive changes able to create new structures, organs etc. through natural selection, over an alleged, multi-million year timescale.

 

Of course, the length of time involved made no difference, the existing, genetic information could not increase of its own accord, no matter how long the timescale. Natural selection can only select from that which is already there, it cannot create any new information.

 

That was a gigantic flaw in Darwinism, and opponents of Darwin's ideas tried to argue that changes were limited, as selective breeding had demonstrated. But, because Darwinism had so quickly and widely acquired a status more akin to an ideology than objective science, belief in the Darwinian idea outweighed the verdict of observational and experimental science. Thus classical Darwinism became firmly established as scientific orthodoxy for nearly a century.

 

Opponents continued to argue all this time, that Darwinism could not be supported scientifically, and should not even merit the status of a scientific theory, but they were ostracised and dismissed as cranks, weirdoes or religious fanatics.

 

Finally however, it was discovered that the opponents of Darwin were perfectly correct - and that constructive, genetic changes (progressive, macro-evolution) would require the creation of new, genetic information.

 

This looked like the ignominious end of Darwinism, as there was no credible, natural mechanism able to create new, constructive, genetic information. And Darwinism should have been consigned to the dustbin of history,

 

However, rather than ditch the whole idea as unscientific nonsense, the vested interests in Darwinism had become so important, with numerous, lifelong careers and an ideological agenda which depended on the Darwinian belief system, a desperate attempt was made to rescue it from its justified demise.

 

A mechanism had to be invented to explain the origin of new, constructive information.

 

That mechanism was 'mutations'. Mutations are ... literally, genetic, copying MISTAKES.

 

Enter Neo-Darwinism: Evolution by freaks.

 

Because the majority of the public had already been convinced that classical Darwinism was a scientific fact, and that anyone who questioned it was undoubtedly a crank, all that had to be done, as far as the public was concerned, was to give the impression that the ‘theory’ had been refined and updated in the light of modern science.

 

The true fact that classical Darwinism had always been demonstrably wrong and was fatally flawed from the outset, was kept quiet. This meant that the opponents of Darwinism, who had been correct all along, and who were the real champions of science, continued to be ridiculed and vilified as cranks and scorned by the mass media and the establishment.

 

The new developments were portrayed simply as an updating of the ‘theory’. The impression was given that there was nothing wrong with Darwin’s original idea of progressive (macro) evolution, it had simply 'evolved' and 'improved' in the light of greater knowledge ....

A sort of progressive evolution of the whole idea of evolution.

 

This new, 'improved' Darwinism became known as Neo-Darwinism.

 

So, what is Neo-Darwinism? And did it really solve the fatal flaws of the Darwinian idea?

 

Neo Darwinism is progressive, macro evolution - as Darwin had proposed, but based on the (ludicrous) idea that random mutations (which are accidental, genetic, copying mistakes) selected by natural selection, can provide the constructive, genetic information capable of creating entirely new features, anatomical structures, organs, and biological systems. In other words, it is macro-evolution based on a belief in the progression from microbes to humans through billions of random, genetic, copying MISTAKES, accumulated over many millions of years.

 

However, there is no evidence for it, and it should be classed as unscientific nonsense, it defies logic, the laws of probability and Information Theory.

 

It is understandable that people can be confused, because they know that 'micro'-evolution is an observable fact, which everyone accepts. It is a disgrace that evolutionists cynically exploit that confusion by citing obvious examples of micro-evolution such as: the Peppered Moth, Darwin's finches, so-called superbugs etc., as evidence of macro-evolution.

 

Such examples are not evidence of macro-evolution at all. The public is being hoodwinked and lied to. There are no observable examples or evidence of macro-evolution, and no examples of a mutation, or a series of mutations, capable of creating new anatomical structures, organs etc. and that is a fact. It is no wonder that the distinguished entomologist, W R Thompson wrote in the preface to the 1959 centenary edition of Darwin's Origin of the Species, that ... “the success of Darwinism was accompanied by a decline in scientific integrity.”

 

Micro-evolution is just the small changes which take place, through natural selection or selective breeding, but only within the strict limits of the built-in variability of the existing gene pool. Any constructive changes, outside the extent of the existing gene pool, requires a credible mechanism for the creation of new, beneficial, constructive, genetic information. That is essential for ‘macro’ evolution. And that is a massive problem.

 

Micro evolution does not involve or require the creation of any new, genetic information. Therefore, micro evolution and macro evolution are entirely different. Apart from the idea that both require natural selection, there is no other connection, whatever evolutionists may claim.

 

Once people fully understand that the differences they see in various, dog breeds, for example, are just limited micro-evolution (selection of existing, genetic information) and nothing to do with progressive macro-evolution, they realise that they have been fed an incredible story.

A dog will always remain a dog, it can never be selectively bred into some other creature, the extent of variation is constrained by the limitations of the existing, genetic information in the gene pool of the dog genus, and fully, informed evolutionists know that is an irrefutable fact.

 

To explain further.... Neo-Darwinian, macro evolution is the incredible idea that everything in the genome of humans, and every living thing past and present (apart from the original genetic information in the very first living cell) , is purely the result of the accumulation of billions of genetic, copying mistakes..... mutations accrued upon previous mutations, and on - and on - and on.

 

Although evolutionists don’t like to state it this way, Neo-Darwinism actually proposes that the complete genome (every scrap of genetic information in the DNA) of every living thing that has ever lived was created by a long series of cumulative mistakes ... mistakes upon previous mistakes .... upon previous mistakes .... upon previous mistakes etc. etc. In other words, the complete genome of every living thing is made up of nothing more than an incredibly long chain of mistakes. That is the mind-boggling truth about the neo-Darwinian, evolution story. For obvious reasons, it is something evolutionists would prefer you not to think about too much.

 

When we do think about it, we soon realise that what is actually being proposed is that, apart from the original information in the first living cell (and evolutionists have yet to explain how that original information magically arose?) - every additional scrap of genetic information for all - biological features, anatomical structures, systems and processes that exist, or have ever existed in living things, such as:

skin, bones, bone joints, shells, flowers, leaves, wings, scales, muscles, fur, hair, teeth, claws, toe and finger nails, horns, beaks, nervous systems, blood, blood vessels, brains, lungs, hearts, digestive systems, vascular systems, liver, kidneys, pancreas, bowels, immune systems, senses, eyes, ears, sex organs, sexual reproduction, sperm, eggs, pollen, the process of metamorphosis, marsupial pouches, marsupial embryo migration, mammary glands, hormone production, melanin etc. .... have been created entirely from scratch, by an incredibly long series of small, accumulated mistakes ... mistake - upon mistake - upon mistake - upon mistake - over and over again, millions of times.

That is ... every body part, system and process of all living things are the result of literally billions of genetic MISTAKES of MISTAKES, accumulated over many millions of years.

 

Incredibly, what we are asked to believe is that something like a vascular system, reproductive organs, or something like the process of insect metamorphosis, developed in small, random, incremental steps, with every step being the result of a copying mistake, and with each step being able to provide a significant survival or reproductive advantage in order to be preserved and become dominant in the gene pool.

 

If you believe that ... you will believe anything.

 

Even worse, evolutionists have yet to cite a single example of a positive, beneficial, mutation which adds constructive information to the genome of any creature. Yet they expect us to believe that we have been converted from an original, single, living cell into humans by an incredibly, vast accumulation of these imaginary, beneficial mutations.

 

Conclusion:

 

Progressive, microbes-to-man evolution is impossible - there is no credible mechanism to produce all the new, genetic information which is essential for that to take place.

 

The evolution story is an obvious fairy tale presented as scientific fact.

 

However, nothing has changed - those who dare to question Neo-Darwinism are still portrayed as idiots, retards, cranks, weirdoes, anti-scientific ignoramuses or religious fanatics.

 

Want to join the club?

 

What about the fossil record?

 

The formation of fossils.

 

Books explaining how fossils are formed frequently give the impression that it takes many years of build up of layers of sediment to bury organic remains, which then become fossilised.

 

Therefore many people don't realise that this impression is erroneous, because it is a fact that all good, intact fossils require rapid burial in sufficient sediment to prevent decay or predatory destruction.

 

So it is evident that rock containing good, undamaged fossils was laid down rapidly, sometimes in catastrophic conditions.

 

The very existence of intact fossils is a testament to rapid burial and sedimentation.

 

You don't get fossils from slow burial. Organic remains don't just sit around on the sea bed, or elsewhere, waiting for sediment to cover them a millimetre at a time, over a long period.

 

Unless they are buried rapidly, they would soon be damaged or destroyed by predation and/or decay.

 

The fact that so many sedimentary rocks contain fossils, indicates that the sediment that created them was normally laid down within a short time.

 

Another important factor is that many large fossils (tree trunks, large fish, dinosaurs etc.) intersect several or many strata (sometimes called layers) which clearly indicates that multiple strata were formed simultaneously in a single event by grading/segregation of sedimentary particles into distinct layers, and not stratum by stratum over long periods of time or different geological eras, which is the evolutionist's, uniformitarian interpretation of the geological column.

 

In view of the fact that many large fossils required a substantial amount of sediment to bury them, and the fact that they intersect multiple strata (polystrate fossils), how can any sensible person claim that strata or, for that matter, any fossil bearing rock, could have taken millions of years to form?

What do laboratory experiments and field studies of recent, sedimentation events show? sedimentology.fr/

 

You don't even need to be a qualified sedimentologist or geologist to come to that conclusion, it is common sense.

 

Rapid formation of strata - some recent, field evidence:

www.flickr.com/photos/101536517@N06/sets/72157635944904973/

 

Evolution - multi-million year timescale debunked.

Rapid strata formation in soft sand (field evidence).

www.flickr.com/photos/truth-in-science/39554035561

 

All creatures and plants alive today, which are found as fossils, are the same in their fossil form as the living examples, in spite of the fact that the fossils are claimed to be millions of years old. So all living things today could be called 'living fossils' inasmuch as there is no evidence of any evolutionary changes in the alleged multi-million year timescale. The fossil record shows either extinct species or unchanged species, that is all.

When no evidence is cited as evidence:

www.flickr.com/photos/101536517@N06/15157133658

 

The Cambrian Explosion.

Trilobites and other many creatures appeared suddenly in some of the earliest rocks of the fossil record, with no intermediate ancestors. This sudden appearance of a great variety of advanced, fully developed creatures is called the Cambrian Explosion. Trilobites are especially interesting because they have complex eyes, which would need a lot of progressive evolution to develop such advanced features However, there is no evidence of any evolution leading up to the Cambrian Explosion, and that is a serious dilemma for evolutionists.

 

Trilobites are now thought to be extinct, although it is possible that similar creatures could still exist in unexplored parts of deep oceans.

 

See fossil of a crab unchanged after many millions of years:

www.flickr.com/photos/101536517@N06/12702046604/in/set-72...

 

Fossil museum: www.flickr.com/photos/101536517@N06/sets/72157641367196613/

 

What about all the claimed scientific evidence that evolutionists have found for evolution?

The evolutionist 'scientific' method has resulted in a serious decline in scientific integrity, and has given us such scientific abominations as:

 

Piltdown Man (a fake),

 

Nebraska Man (a pig),

 

South West Colorado Man (a horse),

 

Orce man (a donkey),

 

Embryonic Recapitulation (a fraud),

 

Archaeoraptor (a fake),

 

Java Man (a giant gibbon),

 

Peking Man (a monkey),

 

Montana Man (an extinct dog-like creature)

 

Nutcracker Man (an extinct type of ape - Australopithecus)

 

The Horse Series (unrelated species cobbled together),

 

Peppered Moth (faked photographs)

 

The Orgueil meteorite (faked evidence)

 

Etc. etc.

 

Anyone can call anything 'science' ... it doesn't make it so.

 

All these examples were trumpeted by evolutionists as scientific evidence for evolution.

 

Do we want to trust evolutionists claims about scientific evidence, when they have such an appalling record?

 

Just how good are peer reviews of scientific papers?

www.sciencemag.org/content/342/6154/60.full

 

Want to publish a science paper?

www.nature.com/nature/journal/v434/n7036/full/nature03653...

 

www.nature.com/news/publishers-withdraw-more-than-120-gib...

 

Piltdown Man and Nebraska Man were even used in the famous, Scopes Trial as positive evidence for evolution.

 

Piltdown Man reigned for over 40 years, as a supreme example of human evolution, before it was exposed as a crudely, fashioned fake.

 

Is that 'science'?

 

Punctuated Equilibrium: Evolution by Jerks.

The ludicrous Hopeful Monster Theory and so-called Punctuated Equilibrium (evolution in big jumps) were invented by evolutionists as a desperate attempt to explain away the lack of fossil evidence for evolution. They are proposed methods of evolution which, it is claimed, need no fossil evidence. They are actually an admission that the required fossil evidence does not exist.

 

Piltdown Man... it survived as alleged proof of evolution for over 40 years in evolution textbooks and was taught in schools and universities, it survived peer reviews etc. and was used as supposed irrefutable evidence for evolution at the famous Scopes Trial..

_____________________________________________

A pig, a horse and a donkey!

 

The pig ....

Nebraska Man, this was a single tooth of a peccary. it was trumpeted as scientific evidence for the evolution of humans. Highly imaginative artists impressions of an ape-like man appeared in newspapers magazines etc.

Having been 'discovered' 3 years prior to the Scopes Trial, it was resurrected, and given renewed publicity, shortly before the trial - presumably, in order to influence the trial and convince the public of the scientific evidence for evolution.. Such 'scientific' evidence is enough to make any genuine, respectable scientist weep.

 

The horse ....

South West Colorado Man, another tooth .... of a horse this time... also hailed as ‘scientific’ evidence for human evolution.

 

The donkey ....

Orce man, loudly proclaimed by evolutionists to be scientific evidence of an early hominid, based on the discovery of a tiny fragment of skullcap. This is now believed to have most likely come from a donkey, but even if it was human. such a tiny fragment is certainly not any evidence of human evolution, as it was claimed. A symposium which had been planned to discuss this alleged human 'missing link' had to be embarrassingly cancelled when it was identified as being very similar to a donkey skull.

_________________________________________

 

Embryonic Recapitulation, the evolutionist zealot Ernst Haeckel (who was a hero of Hitler) published fraudulent drawings of embryos and his theory was readily accepted by evolutionists as proof of evolution. Even after he was exposed as a fraudster, evolutionists still continued to use his fraudulent evidence in books and publications on evolution, including school textbooks, until very recently.

 

Archaeoraptor, A so-called feathered dinosaur from the Chinese fossil faking industry. It managed to fool credulous evolutionists, because it was exactly what they were looking for. The evidence fitted the wishful thinking.

 

Java Man, Dubois, the man who discovered Java Man and declared it a human ancestor ..... admitted much later that it was actually a giant gibbon, however, that spoilt the evolution story which had been built up around it, so evolutionists were reluctant to get rid of it, and still maintained it was a human ancestor. Dubois had also 'forgotten' to mention that he found the bones of modern humans at the same site.

 

Peking Man, made up from monkey skulls which were found in an ancient limestone burning industrial site where there were crushed monkey skulls and modern human bones. Drawings were made of Peking Man, but the original skull conveniently disappeared. So that allowed evolutionists to continue to use it as evidence without fear of it ever being debunked.

 

The Horse Series, unrelated species cobbled together, They were from different continents and were in no way a proper series of intermediates, They had different numbers of ribs etc. and the very first in the line, is similar to a creature alive today - the Hyrax.

 

Peppered Moth, moths were glued to trees to fake photographs for the peppered moth evidence. They don't normally rest on trees in daytime. In any case, the selection of a trait which is part of the variability of the existing gene pool, is not progressive evolution. It is just normal, natural selection within limits, which no-one disputes.

 

The Orgueil meteorite, organic material and even plant seeds were embedded and glued into the Orgueil meteorite and disguised with coal dust to make them look like part of the original meteorite, in a fraudulent attempt to fool the world into believing in the discredited idea of spontaneous generation of life, which is essential for progressive evolution to get started. The reasoning being that, if it could be shown that there was life in space, spontaneous generation must have happened there and could therefore be declared by evolutionists as being a scientific fact.

 

Is macro evolution even science? The answer to that has to be an emphatic - NO!

 

The usual definition of science is: that which can be demonstrated and observed and repeated. Evolution cannot be proved, or tested; it is claimed to have happened in the past, and, as such, it is not subject to the scientific method. It is merely a belief.

 

Of course, there is nothing wrong with having beliefs, especially if there is a wealth of evidence to support them, but they should not be presented as scientific fact. As we have shown, in the case of progressive evolution, there is a wealth of evidence against it. Nevertheless, we are told by evolutionist zealots that microbes to man evolution is a fact and likewise the spontaneous generation of life from sterile matter. They are deliberately misleading the public on both counts. Evolution is not only not a fact, it is not even proper science.

 

You don't need a degree in rocket science to understand that Darwinism has damaged and undermined science.

However, what does the world's, most famous, rocket scientist (the father of modern rocket science) have to say?

 

Wernher von Braun (1912 – 1977) PhD Aerospace Engineering

 

"In recent years, there has been a disturbing trend toward scientific dogmatism in some areas of science. Pronouncements by notable scientists and scientific organizations about "only one scientifically acceptable explanation" for events which are clearly outside the domain of science -- like all origins are -- can only destroy the curiosity of those who must carry on the future work of science. Humility, a seemingly natural product of studying nature, appears to have largely disappeared -- at least its visibility is clouded from the public's viewpoint.

 

Extrapolation backward in time until there are no physical artifacts of certainty that can be examined, requires sophisticated guessing which scientists prefer to refer to as "inference." Since hypotheses, a product of scientific inference, are virtually the stuff that comprises the cutting edge of scientific progress, inference must constantly be nurtured. However, the enthusiasm that encourages inference must be matched in degree with caution that clearly differentiates inference from what the public so readily accepts as "scientific fact." Failure to keep these two factors in balance can lead either to a sterile or a seduced science. 'Science but not Scientists' (2006) p.xi"

 

And the eminent scientist, William Robin Thompson (1887 - 1972) Entomologist and Director of the Commonwealth Institute of Biological Control, Ottawa, Canada, who was asked to write the introduction of the centenary edition of Darwin's 'Origin', wrote:

 

"The concept of organic Evolution is very highly prized by biologists, for many of whom it is an object of genuinely religious devotion, because they regard it as a supreme integrative principle. This is probably the reason why the severe methodological criticism employed in other departments of biology has not yet been brought to bear against evolutionary speculation." 'Science and Common Sense' (1937) p.229

 

“As we know, there is a great divergence of opinion among biologists … because the evidence is unsatisfactory and does not permit any certain conclusion. It is therefore right and proper to draw the attention of the non-scientific public to the disagreements about evolution. But some recent remarks of evolutionists show that they think this unreasonable ......

This situation, where scientific men rally to the defence of a doctrine they are unable to define scientifically, much less demonstrate with scientific rigor, attempting to maintain its credit with the public by the suppression of criticism and the elimination of difficulties, is abnormal and unwise in science.”

 

Prof. W. R. Thompson, F.R.S., introduction to the 1956 edition of Darwin's 'Origin of the Species'

 

"When I was asked to write an introduction replacing the one prepared a quarter of a century ago by the distinguished Darwinian, Sir Anthony Keith [one of the "discoverers" of Piltdown Man], I felt extremely hesitant to accept the invitation . . I am not satisfied that Darwin proved his point or that his influence in scientific and public thinking has been beneficial. If arguments fail to resist analysis, consent should be withheld and a wholesale conversion due to unsound argument must be regarded as deplorable. He fell back on speculative arguments."

 

"He merely showed, on the basis of certain facts and assumptions, how this might have happened, and as he had convinced himself he was able to convince others."

 

"But the facts and interpretations on which Darwin relied have now ceased to convince."

 

"This general tendency to eliminate, by means of unverifiable speculations, the limits of the categories Nature presents to us is the inheritance of biology from The Origin of Species. To establish the continuity required by the theory, historical arguments are invoked, even though historical evidence is lacking. Thus are engendered those fragile towers of hypothesis based on hypothesis, where fact and fiction intermingle in an inextricable confusion."—*W.R. Thompson, "Introduction," to Everyman’s Library issue of Charles Darwin, Origin of Species (1958 edition).

 

"The evolution theory can by no means be regarded as an innocuous natural philosophy, but rather is a serious obstruction to biological research. It obstructs—as has been repeatedly shown—the attainment of consistent results, even from uniform experimental material. For everything must ultimately be forced to fit this theory. An exact biology cannot, therefore, be built up."—*H. Neilsson, Synthetische Artbildng, 1954, p. 11

 

www.trueorigin.org/

 

Berkeley University law professor, Philip Johnson, makes the following points: “(1) Evolution is grounded not on scientific fact, but on a philosophical belief called naturalism; (2) the belief that a large body of empirical evidence supports evolution is an illusion; (3) evolution is itself a religion; and, (4) if evolution were a scientific hypothesis based on rigorous study of the evidence, it would have been abandoned long ago.”

 

To end with a more jocular quote, it has been said that:

"If Classical Darwinism is evolution by creeps and punctuated equilibrium is evolution by jerks, then neo Darwinism is evolution by freaks".

 

The real theory of everything

www.flickr.com/photos/truth-in-science/34295660211

 

www.flickr.com/photos/truth-in-science/39554035561/in/dat...

This is my attempt at replicating the Pagani Zonda Cinque in LEGO bricks. The Zonda is one of my top 5 favorite cars, so I had to include one in my LEGO collection. This is actually my third attempt at building the Zonda (see my previous versions here and here). With this version, I think I've improved the overall shape of the car by increasing the width at the rear of the car to 17 studs (the front of the car is 16 studs wide).

 

As you can see, this creation was inspired by Firas Abu-Jaber's own Zonda. I tried to replicate the Zonda's shape using different methods from Firas' Zonda, but in the end some areas, such as the front simply could not be made better (Firas' version is near perfect).

 

Also, if anyone has a set of Ferrari FXX rims and is willing to sell, please let me know (prices on Bricklink are so high for this piece)! Those rims would look a lot better on this car than these silver ones I have.

Virus replication

Viruses replicate only in living cells. The use of the term 'replicate' infers that the process of virus multiplication is different from that of micro-organisms and tissue cells which divide by binary fission with or without mitotic division of their genetic components. Whilst the mode of entering the host cell varies from virus to virus the mode of replication is considered to be similar for all and has been most completely worked out for bacteriophage. The viral nucleic acid upon entering the cell takes over control of the cellular metabolic processes and codes for the separate synthesis of viral nucleic acid and protein which later combine to form the mature virus particle. The virus yield from a cell infected with a single virus particle varies widely but often ranges from 10 to 100 particles.

The host cell must be capable of supporting this sequence of steps in viral replication. Many viruses have a single or limited host cell requirement; others may replicate in a range of different host cells but the quantity of virus produced in each cell type may differ widely.

Viruses may be propagated in susceptible animals, plants or micro-organisms, or in tissue cultures made from animal or plant tissues.

When using animals it is necessary to consider:

(1) their natural susceptibility to infection or immune status to the virus;

(2) the possibility of latent infection with the same or other virus (often the challenge of another virus stimulates a latent virus to become active, as occurs with herpes simplex in man, the cause of the common cold sore on the lips which often erupts when the patient is challenged by a common cold virus);

(3) the most suitable route of inoculation which is usually related to the affinity of the virus for particular tissues. Infection is recognized by characteristic signs and symptoms of disease.

 

VIRUS DISEASES OF VERTEBRATE ANIMALS

General considerations of virus infection

Unlike the majority of plant virus diseases most animal virus diseases cannot be diagnosed solely on their signs and symptoms. Viruses do not produce exotoxins and the diseases they cause are the direct result of their primary and secondary replication cycles within the various tissue cells of the animal body. An understanding of how this replication occurs in tissue cells provides an understanding of the disease processes taking place in the animal body as a whole. Replication is studied in in vitro systems of animal tissue cultures.

The replication of viruses in tissue cells leads to the biological malfunctioning of those cells and if large numbers of cells are involved malfunctioning of the organ generally follows. This may result in the death of the animal.

Some animal viruses replicate in a limited range of tissue cells, e.g., influenza virus replicates only in cells of the respiratory tract, while others replicate in a wide variety of tissue cells, e.g., smallpox virus in cells of the skin, lungs, and other internal tissues. The latter category of viruses can therefore spread to other susceptible tissues by blood-borne dissemination from a primary site of infection. The presence of virus in the blood stream is not necessarily an indication of wide tissue susceptibility since viruses with a limited tissue range may 'spill-over' into the blood stream following replication in the susceptible tissues.

As with other microbial diseases the severity of a virus disease depends upon the size of the infecting dose, the state of health of the animal, its age, sex, and degree of immunity. The various aspects of the epidemiology of animal virus diseases are considered elsewhere.

In replicating this fifth-gen stealth fighter, I was aiming for:

– Smooth: nearly studless in form.

– Integrated: packing in a host of features.

– Fresh: incorporating new pieces and techniques.

and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)

 

The 1:40 scale replica includes:

– Opening cockpit that holds pilot, control panel, and joystick

– Hidden weapon bays in fuselage for stealth missions

– Optional exterior loadout for air-to-ground attacks

– Retracting landing gear that supports the model

– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL

– Stable Technic display stand and brick-built name plaque.

 

This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]

 

A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!

 

Let me know what you guys think!

This is my attempt at replicating the Pagani Zonda Cinque in LEGO bricks. The Zonda is one of my top 5 favorite cars, so I had to include one in my LEGO collection. This is actually my third attempt at building the Zonda (see my previous versions here and here). With this version, I think I've improved the overall shape of the car by increasing the width at the rear of the car to 17 studs (the front of the car is 16 studs wide).

 

As you can see, this creation was inspired by Firas Abu-Jaber's own Zonda. I tried to replicate the Zonda's shape using different methods from Firas' Zonda, but in the end some areas, such as the front simply could not be made better (Firas' version is near perfect).

 

Also, if anyone has a set of Ferrari FXX rims and is willing to sell, please let me know (prices on Bricklink are so high for this piece)! Those rims would look a lot better on this car than these silver ones I have.

Singh-Ray I-Ray IR filter on a 5DMKII...canvas texture to replicate a painting

 

my first attempt at color IR

  

All of my images are under protection of all applicable copyright laws. Unauthorized use and/or duplication of this material without express and written permission from myself is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to dK.i Photography and Edward Kreis with appropriate and specific direction to the original content (website). I can be contacted through the contact link provided on this website.

 

In the meantime, please visit my page @ edward-kreis.artistwebsites.com

 

You can also find me on Facebook

In replicating this fifth-gen stealth fighter, I was aiming for:

– Smooth: nearly studless in form.

– Integrated: packing in a host of features.

– Fresh: incorporating new pieces and techniques.

and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)

 

The 1:40 scale replica includes:

– Opening cockpit that holds pilot, control panel, and joystick

– Hidden weapon bays in fuselage for stealth missions

– Optional exterior loadout for air-to-ground attacks

– Retracting landing gear that supports the model

– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL

– Stable Technic display stand and brick-built name plaque.

 

This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]

 

A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!

 

Let me know what you guys think!

In replicating this fifth-gen stealth fighter, I was aiming for:

– Smooth: nearly studless in form.

– Integrated: packing in a host of features.

– Fresh: incorporating new pieces and techniques.

and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)

 

The 1:40 scale replica includes:

– Opening cockpit that holds pilot, control panel, and joystick

– Hidden weapon bays in fuselage for stealth missions

– Optional exterior loadout for air-to-ground attacks

– Retracting landing gear that supports the model

– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL

– Stable Technic display stand and brick-built name plaque.

 

This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]

 

A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!

 

Let me know what you guys think!

Replicating the scene out of the brilliant movie Love, Actually, in which a young Andrew Lincoln serenades an equally young Keira Knightley with giant cue cards. In this case I have used insults from a couple of Shakespeare's plays as the messages, although they are very unlikely to woo the fair hand of the damsel.

 

We're Here looks at I believe in holidays & other calendrical observances.

I just got back from 3 days photographing the South West of Western Australia . The South West is an amazing place for photographers there is such diversity with the scenery from rolling vine yards , to farms , to rugged coast to sandy white beach's with crystal clear blue water .

 

Spent the three days camping down there and it was cold and wet got into the negatives (which is cold for WA ) but the Light was great so didn't mind .

 

This morning I woke up not knowing where to photograph . Drove the Boat ramp at Dunsbrough , having no clouds around I quickly made the decision to drive to Yallingup and was glad I did . Had pretty good light and even had a rainbow .

 

Read more at ... kirkhille.wordpress.com/

 

This was a 4 image manual blend in photoshop .

 

Taken with the Canon 5D MKII , 24 -70mm F2.8 Lens and Lee Soft grad .6 filter

  

My webiste is nearing completion as well so I have start a fan page which I will post specials deals and information on my photography

www.facebook.com/pages/Kirk-Hille-Photography/27572925343...

 

I have had a few requests for larger size image for the use as wallpapers computer . So over the next few weeks will resize and uplpad selected images to my blog: kirkhille.wordpress.com/ at the wallpaper page on (Link on the top right) which people will be able to use .

 

Blog: www.kirkhille.wordpress.com

 

website : www.kirkhillephotography.com

 

Face book : www.facebook.com/pages/Kirk-Hille-Photography/27572925343...

 

Twitter :http://twitter.com/Kirkhille

 

Various images of mine are for sale on various finishes and sizes from Gloss and lustre, Metallic and Fuji Flex prints. Laminating and Mounting are available and framing service are available for local customers. Any enquires please contact me by email at kirkhille (@) westnet . com . au . For more information on my photographs you can visit my blog at kirkhille.wordpress.com/

All images are © Kirk Hille, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent

In replicating this fifth-gen stealth fighter, I was aiming for:

– Smooth: nearly studless in form.

– Integrated: packing in a host of features.

– Fresh: incorporating new pieces and techniques.

and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)

 

The 1:40 scale replica includes:

– Opening cockpit that holds pilot, control panel, and joystick

– Hidden weapon bays in fuselage for stealth missions

– Optional exterior loadout for air-to-ground attacks

– Retracting landing gear that supports the model

– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL

– Stable Technic display stand and brick-built name plaque.

 

This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]

 

A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!

 

Let me know what you guys think!

In camera composite using the average method.

“The Eye Moment photos by Nolan H. Rhodes”

“Theeyeofthemoment21@gmail.com”

“www.flickr.com/photos/the_eye_of_the_moment”

“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.”

"

Colorized transmission electron micrograph of numerous HIV-1 virus particles (blue) replicating from a segment of a chronically infected H9 T cell (gold). Image captured at the NIAID Integrated Research Facility (IRF) in Fort Detrick, Maryland. Credit: NIAID

AKA: Microbus, Transporter, Bus, Combi

 

I built this VW for the LUGNuts 100th challenge. I chose #74 and was assigned to 'Steampunk-ify any Fiat 500 or VW Microbus.'

www.flickr.com/groups/lugnuts/discuss/72157664118792946/

 

I chose to go with the microbus because I thought it leant itself very well to the Wild West. Back in the 1800s, countless people traveled westward in wagons. For the steampunk version of this story, I imagined legions of microbuses traveling cross-country.

 

I based my model off of the camper variants, such as the Campmobile:

aacalibrary.tumblr.com/post/90557981962/circa-1966

 

That variant had a pop-up fiberglas top, and I attempted to replicate this with hero factory parts and minifigure capes.

 

It does have an interior, albeit the space is very tight. The front of the car has dark red "velvet" seats, a steering wheel, and gauges. There are also seats and a table within the main body of the vehicle.

 

The display diorama for the vehicle was exactly how I envisioned a steampunk VW would be used.

 

You might notice a familiar face and one of his new toys. ;-) There is also a hovering steam-powered droid named Sprocket.

 

The cactus design is based off the ones from the LEGO movie, but I tried to add my own unique touch with some flowering cacti.

 

Thanks to LUGNuts, this is my first official steampunk MOC. What a fun challenge!

Experimenting with some of my old photos

Italien / Südtirol - Südtiroler Archäologiemuseum

 

Ötzi-Replicate

 

Ötzi-Replik

 

South Tyrol Museum of Archaeology (German: Südtiroler Archäologiemuseum; Italian: Museo archeologico dell'Alto Adige) is an archaeological museum in the city of Bolzano, South Tyrol, Italy. It is the home of the preserved body of Ötzi the Iceman.

 

The museum was specifically established in 1998 to house "Ötzi", a well-preserved natural mummy of a man from about 3300 BC (53 centuries ago). This is the world's oldest natural human mummy, a wet mummy, as opposed to mummies preserved by dry conditions in a desert environment. It has offered an unprecedented view of Chalcolithic (Copper Age) European culture. The world's oldest complete copper age axe was found among his extensive equipment which also comprised a rather complex fire lighting kit and a quiver loaded with twelve arrows, only two of which were finished, clothing and a flint knife complete with its sheath.

 

The body is held in a climate controlled chamber within the museum at a temperature of -6 Celsius and 98% humidity, replicating glacier conditions in which it was found. Along with original finds there are models, reconstructions and multimedia presentations showing Ötzi in the context of the early history of the southern Alpine region.

 

Converted from a 19th-century bank building, the museum covers the history and archaeology of the southern Alpine region from the Palaeolithic and Mesolithic (15,000 B.C.) up to 800 A.D. In 2006, the museum hosted an exhibition on the mummies of the Chachapoyas culture.

 

(Wikipedia)

 

Das Südtiroler Archäologiemuseum ist ein archäologisches Museum in Bozen (Südtirol). Das Museum ist der Ausstellungsort des „Mannes vom Tisenjoch“, besser bekannt als „Ötzi“. Es zieht zu allen Jahreszeiten zahlreiche Besucher an und gehört zu den führenden archäologischen Museen Italiens.

 

Neben der Gletschermumie „Ötzi“ nebst dessen Beifunden präsentiert das Museum bedeutende Funde aus dem Südtiroler Raum. Die ältesten Exponate stammen aus der Altsteinzeit, die jüngsten aus der Karolingerzeit. Modelle, Rekonstruktionen, Raumbilder, Videos und interaktive Multimediastationen geben einen Einblick in die frühe Vergangenheit des südlichen Alpenraumes. Die Ausstellungsräume sind diachronisch angeordnet. So befindet sich Ötzi und seine Zeit im ersten Stock, während sich die Fundstücke aus der römischen Antike und der Völkerwanderungszeit im dritten Stock befinden.

 

Von 12. August bis 15. November 2006 fand in dem Museum die Sonderausstellung Wolkenmenschen mit Mumien der Chachapoya statt. 2009 zeigte das Museum in der Sonderschau Mumien. Der Traum vom ewigen Leben konservierte Körper aus der ganzen Welt, darunter einbalsamierte ägyptische Mumien und Moorleichen. Anlässlich des 20-Jahr-Jubiläums des Ötzi-Fundes befasste sich die Sonderausstellung Ötzi20 vom 1. März 2011 bis 13. Januar 2013 mit der wissenschaftlichen Erforschung und dem Kultcharakter des Mannes aus dem Eis.

 

Das Gebäude in der Museumstraße, gegenüber dem Bozner Stadtmuseum gelegen, war als Sitz der Österreichischen (k.k.) Nationalbank kurz vor dem Ersten Weltkrieg errichtet worden. Von 1919 bis in die 1990er beherbergte es die Bozner Niederlassung der italienischen Nationalbank (Banca d’Italia). Das Museum wurde nach umfangreichen Sanierungsarbeiten 1998 eröffnet. Die Bozner Museumstraße, in der sich das Archäologiemuseum befindet, wurde nach dem 1905 eröffneten Bozner Stadtmuseum benannt, in dem sich vor der Eröffnung des Archäologiemuseums ein Teil der Ausstellungsstücke zur Urgeschichte befand. Die restlichen Ausstellungsstücke wurden aus ganz Südtirol zusammengetragen.

 

Das Museum ist eine eigenständige Institution innerhalb der Südtiroler Landesmuseen; zuvor war es mit dem Naturmuseum Südtirol zusammengeschlossen. Direktorin des Museums ist Angelika Fleckinger.

 

(Wikipedia)

Blog | Website | Twitter | Google+ | Tumblr | 500px | Facebook

 

Playing with some Lightroom film presets that replicates Fuji FP 100c with an image I took in Hoi An, Vietnam. I don't shoot this type of film, so I can't say if they've done a good job or not of replicating the look. Seeing as how I shot this at 3200 ISO, the grain structure is probably really out of whack.

 

ISO: 3200

Shutter: 1/250 second

Aperture: F/1.4

Camera: Olympus OM-D

Lens: Panasonic Lumix 25mm F/1.4

//Lieutenant Raven's Log

 

//ENTER//

 

 

It almost feels wrong to be back in the field. Myself and my brothers in Blackbird have been training with Cuy'val Dar for so long, I almost forgot what a real combat scenario feels like. There's an exhilaration in it that no simulation can really replicate.

 

There's also a danger no simulation can really replicate.

 

Thank whatever the Force is that we in Blackbird are more than prepared for that.

 

Aerial insertion. Secure a station. Didn't see too much complication in it, and I was right not to. I did take issue with the Legion-mandated plan of action, though. We were supposed to land in a commandeered Separatist shuttle, then storm out onto the landing pad, blasters alight. Fierfek, I wasn't thrilled with that. Command doesn't have the same bead on a situation that boots on the ground do. So I made a call. 66 kept the shuttle approaching the landing pad, exchanging codes with the Vandosian air control tower, while Fi, Rook, and I dropped out of the shuttle up in the clouds.

 

We've got aerial modules for a reason, right?

 

We dropped down under the station, and caught them as they were focused on 66 landing the Sheathipede. I came up under a precarious maintenance walkway, Rook flew up from under the landing pad itself, and Fi came around from the side.

 

The ambush went perfectly. That's my team. I knocked a Vandosian onto his back with my momentum and blasted him. Rook blasted one off the roof, and Fi caught one that was climbing up the ladder-conserving fuel, I assume. The Vandosian gave him a bit of a run-around--dodged the first attack--but Fi snuck his vibroknife through the rungs of the ladder and into the Vandosian's neck.

 

One more came out onto the pad from inside the station, but a blast from each of us made short work to him. Wasn't long after that that 66 landed the Sheathipede.

 

We moved some crates and set up a defensive position. Now was the difficult part: Holding the pad and keeping the Vandosians attention. Now everything came down to my brothers in the rest of the legion.

 

 

//Lieutenant Raven's Log

 

//END//

“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”

“The Eye Moment photos by Nolan H. Rhodes”

nrhodesphotos@yahoo.com

www.flickr.com/photos/the_eye_of_the_moment

. . . just messing, trying to replicate a Thai movie scene in grainy black and white. Taken with my D300, so it was fun to take a very good quality 12mp colour picture and deteriorate it to get this look.

 

A typical Bangkok scene, with traffic clogged up and not moving, backed up almost 700 meters.

 

Anyone who knows Bangkok knows of the preponderance of the ubiquitous7eleven stores almost everywhere, often with several being on the same block. Here you can see 3 all within an area of a hundred square meters, and 2 directly opposite each other.

 

Today's other post, Phom Phet Fort, is here.

Colorized transmission electron micrograph of numerous HIV-1 virus particles (purple) replicating from a segment of a chronically infected H9 T cell (pink). Image captured at the NIAID Integrated Research Facility (IRF) in Fort Detrick, Maryland. Credit: NIAID

Replicating the look & feel of an old Vanity Fair ad, back when they knew how to make legendary lingerie for women.

Scary, abandoned build replicating the infamous Bates house from the Psycho movie. Made of 100% Mesh that is custom created by us.

Large entry leading to separate Livingroom, Dining and Kitchen on the 1st floor.

2nd floor has 2 Bedrooms and a bathroom and an open area in the hallway.

3rd level has a huge Attic which is reached by a pull down ladder in the upper hallway

  

Package includes:

1 rezzer box for the Old house.

18 optional props including Mother skeleton, spiderwebs and blood that are not attached to the house (77 prims in total).

1 long outdoor steps leading to the house.

  

Floor plan size: Front width= 21.5 meters

Side length= 28.5 meters

Height= 18 meters

  

(This pack only includes the Old version as pictured, and is Copy Only, not Modify).

 

Marketplace Link

 

In World shop

For this model I have sought to replicate the Lego Creator Classic Pickup as is - rather than morph it into a particular vehicle brand. For the basis of the pickup, I used my early 1950s Ford F1 model as a basis.

 

The Ford F1 was the first in a long line of best-sellers in the segment for Ford Motor Company, having replaced the pre-War truck models with a much more sophisticated and comfortable vehicle.

 

When I first designed the Base Ford F1 vehicle, more than a decade ago, I was broadly unfamiliar with the vehicle proportions (you don't see many driving around these days). For this significant update of the model, I have included a much taller cabin and windshield, along with more sculpting of the front fenders and hood. The Lego model also featured squarer rear fenders as well.

 

This scale does not permit the usage of the (rather clever) lift in/out wooden tray extenders, bu t I have sought to achieve a similar (but slimmer) effect with 3mm circular rods and some of the new end connectors.

 

I am also quite pleased with the outcome of the design of the front grille at the smaller scale, particularly as the official set executes this (generic) part of the truck very effectively.

Replicating the efforts of Stratford Depot, the GreaterAnglia 90 has been decorated with Union Flag, SIlver Roof and named 'Diamond Jubilee'.

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