View allAll Photos Tagged replication
Our animated android named Rogg replicated a bottle of coco using the replicator behind him. Rogg misunderstands double meanings of words from Earth. He is a co-co-host of the talk show airing on television in 14 U.S. Cities/Markets with Star Trek news and Interviews. This segment was an animated portion shot to use Rogg in the Ambassadors quarters, while the live action talk show hosts are on the bridge.
A screenshot from the live action TV talk show "A Captain's Log" in the 16th episode. Designed in Winter 2022 by Ian H. Stewart.
The original picture from year 1970 by Simo Rista that I was trying to replicate: www.helsinkikuvia.fi/record/hkm.HKMS000005:km0000o0im/
This was just a quick one although I originally hoped this spot would actually be kind of nicer to replicate. When I started browsing those original pictures with FDT shots in mind, it was spring and the threes didn't really have any leaves. As they blocked the view less, more things that have not changed were visible.
Oh well... At least this one shows the changes quite well: The trees have grown! And I wanted to do this spot today because it was cloudy and the original is taken on a cloudy day as well.
This is on my regular route to/from work.
Safety note: The small road is for pedestrians and cyclists. There is very good visibility downwards. Visibility to the other direction is not quite as good, but I counted seconds how long it takes from when a cyclist appears to my view from that direction to when he/she is aproximately on the camera spot... It took a bit more than the 10 second timer I used.
Trying to replicate Rurouni Kenshin pose using my recently-paint-built Perfect Grade Gundam Kit.
Picture shot with Nikon D80 with Tamron Macro Lense
For this model I have sought to replicate the Lego Creator Classic Pickup as is - rather than morph it into a particular vehicle brand. For the basis of the pickup, I used my early 1950s Ford F1 model as a basis.
The Ford F1 was the first in a long line of best-sellers in the segment for Ford Motor Company, having replaced the pre-War truck models with a much more sophisticated and comfortable vehicle.
When I first designed the Base Ford F1 vehicle, more than a decade ago, I was broadly unfamiliar with the vehicle proportions (you don't see many driving around these days). For this significant update of the model, I have included a much taller cabin and windshield, along with more sculpting of the front fenders and hood. The Lego model also featured squarer rear fenders as well.
This scale does not permit the usage of the (rather clever) lift in/out wooden tray extenders, bu t I have sought to achieve a similar (but slimmer) effect with 3mm circular rods and some of the new end connectors.
I am also quite pleased with the outcome of the design of the front grille at the smaller scale, particularly as the official set executes this (generic) part of the truck very effectively.
which one to choose for the ANSH group pool- duckies or sprinkles?? oddly enough i think not the duckies.
ANSH scavenger4 "Replicate 1 0 0 by using objects" (bonus)
the bonus ducky pic for today ~grin~
124/365 aDaD "a duck a day" day112
the whole aDaD album is here:
Replicating the other side of the model after solving one side is easy to build. Attaching it? A half hour.
Replicating Red Necks
Despite its chilling temperatures, the Arctic tundra is a hotbed of reproduction. Many avian species, like the Red-necked Phalarope seen flying across frigid waters, seem oblivious to the cold, and, in fact, fly from potentially warmer waters to the Alaskan tundra to breed each summer season. For many, it is the only time that they spend significant time on land. Many pass the winter months out at sea and out of sight for most humans. It’s a wet and chilling concept for landlubbers like us, but is it the norm for these animals. The effects of global warming and Arctic drilling have yet to be determined. Most certainly, oil spills could spell disaster for some species that depend upon finite areas for their reproduction. Spills in the Arctic would be almost impossible to clean up, leading to death and destruction on epic scales. Perhaps we need to temper our red necked ways when it comes to exploring for petroleum in vital areas of the globe. #RedNeckedPhalarope
It was not my intention here to replicate an actual member of the Malcolm Group fleet, but I did become aware of the existence of similar vehicle during the production of this image. The rear body is different and there are subtle differences in the lettering but I am pleased with the overall similarity. And, of course, it has ensured the credibility of the final product.
This is my second collaboration with Dutch photographer Martin Vonk, who provided the base image of a Dutch-registered vehicle. Further versions are in preparation in alternative liveries (15-Mar-14)
See my WH Malcolm Group set here:
www.flickr.com/photos/northernblue109/sets/72157644051857...
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www.flickr.com/photos/northernblue109/6046035749/in/set-7...
The original - I am not sure why I find these symettry images so personally satisfying - my brain must be wierd
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
My attempt to replicate the most-produced fully tracked armoured German fighting vehicle during World War II. Commonly known as the StuG III, it started its career as mobile assault gun but quickly revealed itself as an excellent tank destroyer.
This StuG III Ausf. G is an early production model and this can be seen by the gun mantlet shape and the absence of machine gun on top of the roof.
My model is inspired by the various existing models (BrickMania, Custom-Bricks...). Stickers are from BKM and CB, tracks are from CB. Minifig is from BKM.
This gorgeous bacterial polysome was recently published in Cell. You can think of it as a 9-head programmable nanofabricator.
The ribosome reads the digital code of mRNA and manufactures most of what we care about in our bodies from a sequential concatenation of amino acids into proteins. The ribosome is a wonderful existence proof of the power and robustness of molecular machines. It is roughly 20nm on a side and consists of only 99 thousand atoms.
The numbered ribosomes are shown tightly bound to a single mRNA strand at the core, with each mRNA making its own protein. The two major subunits of each ribosome are blue and yellow. The nascent protein chains being cranked out in close proximity to each other are green and red.
The researchers conclude: “this arrangement maximizes the distance between nascent chains on adjacent ribosomes, thereby reducing the probability of intermolecular interactions that would give rise to aggregation and limit productive folding.”
To me it looks like hyperbolic crochet. (I’ll post a comparison image below)
…a mesmerizing image to behold during the Synthetic Genomics board meeting today. Another example of perceiving beauty in the accumulated complexity of simple iterative algorithms… like a 3D cellular automata from Wolfram or a hyperbolic coral reef.
Replicating Batman from the 90s cartoon is a bit more difficult than you'd think because of his colors. I mean, sometimes his cape and cowl are black, sometimes they have dark blue highlights. The inside lining of his cape is definably blue, though. This pic shows the weirdness of his colors. So, would this minifig here make the best BTAS Batman, or should it just stay all blue?
After successfully replicating a LUT that I liked from another image processing program, I realized it might work well on some photos I took last May around the Perigord Noir region of France.
From a message shared with a friend here on Flickr -
RawTherapee is free - rawtherapee.com/
You'll need to add Pat David's HaldCLUT film emulation collection - rawpedia.rawtherapee.com/Film_Simulation
Relatedly, if you already use the Gimp (see: www.gimp.org/ ) their most recent versions include 32bit floating-point color-space precision settings. I've been waiting 18 years for this (which is why I went with RawTherapee some years back as it was built to have a large color space to work in).
To get film emulation and some other interesting LUTs into the Gimp, check out G'Mic - patdavid.net/2013/08/film-emulation-presets-in-gmic-gimp/
G'Mic site - gmic.eu/
Decim8 is an iPhone app that degrades photos by introducing digital artifacts that replicate a damaged file.
The same effect can produce very different results each time you execute it. I've provided 3 samples of each one so that you can get a better idea of what the effect is doing. I think it's probably most important to note what Decim8 does when no effect is chosen. These contrast and color variations come into play no matter what effect (or combination of effects) you place on top of them.
Notes: for some reason the "VETH" effect stopped working during my testing. Deleting and re-installing the app brought it back. Also, "randomizing" the effects(available from the camera screen) not only selects a random combination of effects but shuffles their order too. I only mention it because the app also doesn't store any EXIF data and it caused some confusion when I was trying to figure out which effect went with which photo.
Full res version (1700x1000) here: files.gregmills.com/decim8grid_12.jpg
In replicating this fifth-gen stealth fighter, I was aiming for:
– Smooth: nearly studless in form.
– Integrated: packing in a host of features.
– Fresh: incorporating new pieces and techniques.
and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)
The 1:40 scale replica includes:
– Opening cockpit that holds pilot, control panel, and joystick
– Hidden weapon bays in fuselage for stealth missions
– Optional exterior loadout for air-to-ground attacks
– Retracting landing gear that supports the model
– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL
– Stable Technic display stand and brick-built name plaque.
This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]
A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!
Let me know what you guys think!
A scene replicating what could possibly have been witnessed at Derby roundhouse in the traction transitional period 1962-63 when 43106 was allocated to Saltley, Wellingborough and Kettering sheds, with a 204hp shunter on the turntable. Ivatt 4MT 2-6-0 43106 brews up (not precisely aligned under the 'smoke jack'!) on Barrow Hill shed on 23 September 2015.
© Copyright Gordon Edgar - No unauthorised use
Replication of "Ol Spot Mortimer's" cabin originally constructed in 1869 at this site. Mortimer, a shoemaker from New York, came to Dakota Territory after hearing stories of the rich fur trade in the Big Sioux Valley. In 1869, he found his way to Oakwood Lake and discovered a trapper's paradise. Otter, beaver, mink, muskrat, and fox were abundant. Mortimer built this cabin and lived here for the next five years.
By 1874, Mortimer experienced declining harvests from his traplines. Turning his attention to the areas valuable timber, he built a sawmill and played an important role in providing the lumber for building houses and area businesses.
After the death of his wife, Mortimer left Oakwood Lakes and moved to Yankton, Dakota Territory. He later re-married and returned to the cabin. Later in 1886, he sold the cabin and 1,200 acres for $1,800. (Story from a sign at the cabin).
Replicated crane (none-operational copy of one built and used from about 1949) beside the main passenger ship terminal, Station Pier, Port Melbourne.
Melbourne, Victoria, Australia.
The Cloud Forest replicates the cool moist conditions found in tropical mountain regions between 1,000 metres (3,300 ft) and 3,000 metres (9,800 ft) above sea level, found in South-East Asia, Middle- and South America. It features a 42-metre (138 ft) "Cloud Mountain", accessible by an elevator, and visitors will be able to descend the mountain via a circular path where a 35-metre (115 ft) waterfall provides visitors with refreshing cool air.
The "cloud mountain" itself is an intricate structure completely clad in epiphytes such as orchids, ferns, peacock ferns, spike- and clubmosses, bromeliads and anthuriums. It consists of a number of levels, each with a different theme.
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This is a replicated cabin on the same site as the original cabin of Ol' Spot Mortimer. Mortimer was a shoemaker in New York, but eventually moved west to trap furs along the Missouri River in what is currently the Yankton SD area. While there, he heard stories of the fur rich Big Sioux Valley. However, the apprehension and terror of the Minnesota Uprising of 1862 had made the Big Sioux Valley virtually a no-man's land. The state of Minnesota offered a bounty for scalps of renegade Indians, and prospective white settlers feared another uprising. For 8 years, settlers and Indians alike shunned the area to avoid another conflict. Nevertheless, in 1869, Sam Mortimer arrived at Oakwood Lakes and found a trapper's paradise. Otter, mink, muskrat, and fox could be taken in great numbers. Mortimer, called 'Ol Spot, built a cabin at this site and lived here for the next 5 years. After 1869, white settlers began to arrive in ever increasing numbers. Trapping was of great value to these settlers as the furs could provide income until the first crops could be harvested. 1871 proved to be a peak year for trappers in this area. In 1874, Mortimer found that he could no longer depend on a profitable harvest from his trap lines. He sold 100 acres of timber from his land for $100 per acre to new settlers who were hard pressed to find logs for fuel and buildings. A pioneer reported that some of the oak trees were over 3 ft in diameter. In September of '74, Mortimer sold his claim, abandoned his Indian women, and returned to Vermillion, Dakota Territory, where he married a white widow with several children. In 1877, Sam and his new family returned to this site at Oakwood Lakes. Sam tried farming, but soon discovered he was more adept at trapping. Another pioneer wrote of the growing population in the Oakwood vicinity. He noted that in 1876, at the first 4th of July celebration, about 20 people attended, but 2 years later, about 400 attended. The population explosion may not have been agreeable to 'Ol Spot Mortimer, as he sold his 1,200 acres of land for $1,800 in 1886. Some claim he moved west with his family where the frontier was still unsettled. (Story taken from a sign at the cabin)
The original work is on the third floor.
Artist of the original work: Pablo Picasso
Title: The Studio (L'Atelier)
Date of original work: June 1934
For artist Pablo Picasso, who painted himself in the left, it was a cubist world. That is until it came to his model, muse and mistress, Marie-Thérèse Walter, who is at the center of his painting.
So let me ramble on for a moment: What does this all mean to me? This painting shows me that reality and life are difficult to represent, stylize and emphasize. Picasso intuitively realized in this painting that his cubism didn't do justice to the apple of his eye — the model that he was having an affair with. (I can guess what was on his mind when I look at his painting but I wonder what the true story was.)
My attempt at a photo shows Picasso's stylistic clash alongside an in-motion woman awaiting an elevator.
To the art scholars out there, I apologize for this. This painting probably represents something completely different to you than it does to my untrained eyes. To me, it tells me that no matter how masterful one gets, there are limitations and needed adaptations. If the master Picasso saw fit to follow his gut and adapted, then I have to follow mine. In my own rough stabs at photography, I've caught the exact moment in two dimensions but choices had to be made at what I wanted to convey. I've framed the painting and the woman a certain way. Her motion is blurred because of a slow shutter speed. The elevator buttons are slightly unfocused because it is just beyond the narrow depth of field that is focused on the painting — on the elevator door. I've saturated the colors, brightened the whites and darkened the blacks. Yet I still have not caught her or this scene clearly. But do I want her clearly? No. Her blurred back is exactly the point.
End of ramble.
Launched yesterday, from the brilliant mind of the creator of the Mclaren F1 Supercar is the GMA T.50.
The T.50 replicates the three-seat, central driving position seen in the F1 of 30 years ago, and reprises many of that vehicles central themes, incuding a high-output naturally-aspirated V12 engine. the T.50 uses a 4.0 L developed by Cosworth engineering in the UK. The V12 has peak power of 487 kW @ 11,500 rpm, and peak torque (low by current supercar standards) of 467 Nm @ 9,000 rpm.
This shortfall in torque is less of an issue due to the T.50's low 986 kg kerb weight. This is achieved via a lightweight an compact carbon-fibre monocoque body, and the inclusion of significant amounts of lightweight and strong titanium in the engine.
One very cool feature is the gullwing engine covers, seen previously on the deTomaso Mangusta back in the early 1970s.
The major new party trick seen in the T.50 is the 8.5 kW electric fan-forced ground-effect aerodynamics. The fan is powered from a 48-Volt electrical systems (the generator sits at the end of the engine crankshaft). This permits stable, high-speed cornering without the resultant aerodynamic drag generated by large wings mounted on the top-side of the body.
The GMA T.50 is due in 2022, limited to 100 cars, and priced at 2.36M Pounds.
Every Wednesday morning I have a web conference call with one of my customers to review status of their orders. The process involves me logging onto their vendor portal and then sharing my screen while we do the review so we both see the same thing at the same time. This morning when I shared my screen it began to replicate itself over and over and no matter what I did it would not stop. While my jaw was dropping I was grabbing my phone to get a picture. This is exactly as it was taken no photoshopping here:) oh yes in case you are wondering the only way I got it to stop was by logging off the web meeting. By the way no virus it was all caused by the web meeting connection.
The Replicator did a surprisingly good job on this complex surface. There was some drooping in the steepest overhangs, but I wasn't sure it would work at all.
Colorized transmission electron micrograph of numerous HIV-1 virus particles (blue) replicating from a segment of a chronically infected H9 T cell (red). Image captured at the NIAID Integrated Research Facility (IRF) in Fort Detrick, Maryland. Credit: NIAID
The Cloud Forest replicates the cool moist conditions found in tropical mountain regions between 1,000 metres (3,300 ft) and 3,000 metres (9,800 ft) above sea level, found in South-East Asia, Middle- and South America. It features a 42-metre (138 ft) "Cloud Mountain", accessible by an elevator, and visitors will be able to descend the mountain via a circular path where a 35-metre (115 ft) waterfall provides visitors with refreshing cool air.
The "cloud mountain" itself is an intricate structure completely clad in epiphytes such as orchids, ferns, peacock ferns, spike- and clubmosses, bromeliads and anthuriums. It consists of a number of levels, each with a different theme.
This is my attempt at replicating the Pagani Zonda Cinque in LEGO bricks. The Zonda is one of my top 5 favorite cars, so I had to include one in my LEGO collection. This is actually my third attempt at building the Zonda (see my previous versions here and here). With this version, I think I've improved the overall shape of the car by increasing the width at the rear of the car to 17 studs (the front of the car is 16 studs wide).
As you can see, this creation was inspired by Firas Abu-Jaber's own Zonda. I tried to replicate the Zonda's shape using different methods from Firas' Zonda, but in the end some areas, such as the front simply could not be made better (Firas' version is near perfect).
Also, if anyone has a set of Ferrari FXX rims and is willing to sell, please let me know (prices on Bricklink are so high for this piece)! Those rims would look a lot better on this car than these silver ones I have.
Colorized transmission electron micrograph of numerous HIV-1 virus particles (teal) replicating from a segment of a chronically infected H9 T cell (purple). Image captured at the NIAID Integrated Research Facility (IRF) in Fort Detrick, Maryland. Credit: NIAID
Replications of the Venus de Milo appear 28 times in this painting.
There is an optical illusion - a toreador (man's face is just about discernable).
Among other things, it symbolises his wifes disapproval of the Spanish tradition of bull fighting.
(View larger to see notes on the image)
Just visible through the window is the boat that is a memorial to Gala after her death, It is part of a large visual pun, that will appear in later images.
en.wikipedia.org/wiki/The_Hallucinogenic_Toreador
Dali was a contraversial character who was known for his egotism and immoral behaviour, as well as his eccentric charm. Some of his artistic works reflect his questionable attitudes and are offensive to many. These images are ones that I personally, choose not to admire or reproduce. However, I do appreciate many of his art works and how they contribute to the richness of our human experience.
In replicating this fifth-gen stealth fighter, I was aiming for:
– Smooth: nearly studless in form.
– Integrated: packing in a host of features.
– Fresh: incorporating new pieces and techniques.
and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)
The 1:40 scale replica includes:
– Opening cockpit that holds pilot, control panel, and joystick
– Hidden weapon bays in fuselage for stealth missions
– Optional exterior loadout for air-to-ground attacks
– Retracting landing gear that supports the model
– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL
– Stable Technic display stand and brick-built name plaque.
This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]
A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!
Let me know what you guys think!