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New growth of this tree was fairly low to the ground hence being able to get these shots in the woodland of Hodsock Priory, Nottinghamshire.
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© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs. All of my images can be purchased...... Visit my website, coastal and countryside images at...... www.timwoodgallery.com
This is a replica I recreated for my camera collection. This rig is like the ones used by the back-seat pilot/observer as high speed (jet) forward air controllers operating at the time (1969) over Laos. I worked with these "Misty FACs" at Phu Cat Air Base, Vietnam.
Background print shows typical photographs.
The Empress Nūr Jahān built I'timād-Ud-Daulah's Tomb, sometimes called the "Baby Tāj", for her father, Mirzā Ghiyās Beg, the Chief Minister of the Emperor Jahāngīr. Located on the left bank of the Yamuna river, the mausoleum is set in a large cruciform garden, criss-crossed by water courses and walkways. The are of the mausoleum itself is about 23 m2 (250 sq ft), and is built on a base that is about 50 m2 (540 sq ft) and about one meter high. On each corner are hexagonal towers, about thirteen meters tall. Small in comparison to many other Mughal-era tombs, it is sometimes described as a jewel box. Its garden layout and use of white marble, pietra dura, inlay designs and latticework presage many elements of the Tāj Mahal.
The walls are white marble from Rajasthan encrusted with semi-precious stone decorations – cornelian, jasper, lapis lazuli, onyx, and topaz in images of cypress trees and wine bottles, or more elaborate decorations like cut fruit or vases containing bouquets. Light penetrates to the interior through delicate jālī screens of intricately carved white marble.
Many of Nūr Jahān's relatives are interred in the mausoleum. The only asymmetrical element of the entire complex are the tombs of her father and mother, which have been set side-by-side, a formation replicated in the Taj Mahal.
“Hype Fazon's racer is a perfect match for his own pomposity: an over-the-top ship plastered with the names and logos of his many high-end sponsors. Beyond its extravagance, the racer boasts wings that can shift angles for maximum maneuverability while speeding through turns.”
~ Star Wars databank
A flashy racer that was surprisingly easy to design and build. The hardest part was replicating the sponsor decals into custom stickers, thankfully this was possible by concept art made available on starwars.com
It’s a beautiful and simple ship that I hope one day gets the LEGO set treatment. I just really want a Hype Fazon minifigure.
Home Federal Savings/Pacific Mercantile Bank Building
The Perpetual Savings and Loan building is a striking tower of stacked white arches with trailing greenery, sited prominently along Wilshire Boulevard in Beverly Hills. It was designed by seminal architect Edward Durell Stone in the New Formalist style he popularized in the early 1960s, and represents an important step in his re-visioning of historical Classical, Moorish, and Indo-Islamic styles through a Modern lens.
Completed in 1962, the eight-story Perpetual Savings building is a simple glass-skinned high-rise completely sheathed in a pierced concrete screen of repeating parabolic arches. It has been described as Venetian Modern, and indeed it stands like a simplified palazzo, complete with front plaza containing four flagpoles and a dramatic circular fountain. Some people see another Italian influence: the Mussolini-commissioned Palazzo della Civilta Italiana in Rome, known as the "Square Colosseum" for its Fascist replication of the ancient arena's arches on a square tower.
bringing water from below to above. One, self replicating.
The other ceases to duplicate the moment thoughts about it disappear.
What are we to make of the difference between things that manifest without thought, and those that manifest only with thought?
One could answer: "Thought itself is a thoughtless manifestation, i.e., thought grows into existence through no effort of its own."
To put it more clearly, a mind that thinks, grows into existence before it can think.
Would this be right?
I wanted to create a unique interpretation of the iconic Gotham city from the Batman Mythology instead of attempting to replicate an existing version. This Gotham is structured vertically with three distinct districts in Gotham stacked on top of each other.
To find out more about the MOC you can watch the MOC showcase: www.youtube.com/watch?v=OJWKq4jIwP8
Inspiration for the outfit came from elsewhere but when I first saw it, I knew I had to create my own version of it.
With thanks to a wonderful submissive, this amazing angora and rabbit fur cardigan was purchased for me and what an incredible compliment to this overall outfit it makes. Needless to say, its a divine piece to wear too
I am going to make yet another attempt to post more on here throughout 2021 but given all the other false starts in years past, you probably know already not to hold me to it ;)
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
www.flickr.com/photos/the_eye_of_the_moment
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.” www.flickr.com/photos/the_eye_of_the_moment
“The Eye Moment photos by Nolan H. Rhodes” nrhodesphotos@yahoo.com
Here is a part of Thor´s ship where O´Neill meets the Replicators. (5x22 Revelations)
I copied the Replicators from legomocs because I think it´s the best possible solution on a minifigure-scale www.flickr.com/photos/legomocs2/6371277299/in/dateposted/
Neural Synapses
This is a not-quite scientific replication of the way the brain actually works!
Yes it was gimongous photoshopped, but I don't use Photoshop. I don't have the software. My method is more primitive, and I can't remember now what I did.
Original Photos
Original Art
Replicating a scene that could have been any time during the 1980’s, Class 104 unit (M50455 and M50517) returns back to Bury from Heywood complete with DISLEY in the destination blind a location which lost its turn back service long ago.
This once common sight in the North West of England and the Manchester Suburbs is now unfortunately just confined to the East Lancashire Railway.
These two vehicles both entered service in 1957 as three car sets, in separate units and saw action across England & Scotland before being taken out of service in September 1992 & May 1990 respectively.
June 2014, Nieciecza village. Lo-fi photos (16 mm film) from Lomography DIANA BABY 110. Well, the film was expired/outdated, 'cause this time I used some non-Lomography.org 110 film for my lo-fi photography adventures. Hence not too much of contrast (cry, cry!!!) but also - hence some most strange effects. What I mean exactly - some round light-flares on several photos, hehe. But they look so bizarre that finally I decided to leave the photos in the collection after all. ;) Sometimes they look like kinda UFO or some "strange second sun". ;) Anyway I didn't make the effect by purpose and now I even wouldn't know how to replicate it later, haha. ;) Anyway, it passed almost a year since I took last time the DIANA BABY in my hands, so I have to admit this lomo-trip was really nice & pleasant.
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs.
© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
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In replicating this fifth-gen stealth fighter, I was aiming for:
– Smooth: nearly studless in form.
– Integrated: packing in a host of features.
– Fresh: incorporating new pieces and techniques.
and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)
The 1:40 scale replica includes:
– Opening cockpit that holds pilot, control panel, and joystick
– Hidden weapon bays in fuselage for stealth missions
– Optional exterior loadout for air-to-ground attacks
– Retracting landing gear that supports the model
– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL
– Stable Technic display stand and brick-built name plaque.
This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]
A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!
Let me know what you guys think!
Please add COMMENTS and FAVES. I hope to replicate as soon as possible!!! :)
More info about on en.wikipedia.org/wiki/Rome
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© All rights reserved.
This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
All of my images can be purchased......
Visit my website, coastal and countryside images at......
© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
All of my images can be purchased...... Visit my website, coastal and countryside images at......
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Think I've done this shot before with a number of Scania Omnicitys but by 2023, they were largely gone. Daf SB200/Wright Pulsars like Arriva 1478 NK61CYP were much more common in Richmond market place.
AAW November 26 - December 2: Iconic Shot
WIT: Well, I've always admired this iconic shot of the Apple iPod, so I thought I would try to replicate it. Peter Belanger, the photographer, had a really elaborate set-up for the shot, with lots of clamps, little speed lights, and all manner of equipment, so I had to improvise. I used a black background, and set the phone up on my Gorilla Pod, wrapping the legs around the phone so it would stand up (it's the first time I've used the Pod since I got it as a gift many years ago, haha!).
I put my camera on a timer, so I would have the hands to set up my mag light and my phone's flashlight (a Samsung, by the way), to light the iPhone close to the way it was in the original photo. In post, I converted to bw, cropped, and increased the contrast so the black would look darker, and the light would be more highlighted.
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs.
“The Eye Moment photos by Nolan H. Rhodes”
“Theeyeofthemoment21@gmail.com”
“www.flickr.com/photos/the_eye_of_the_moment”
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.”
We're here is studying and exploring reflectionism and related
palindromic phenomena.
My idea was to show palindromes in genetics. Unfortunately my electron microscope is in the repair shop, so I had to use some ordinary kitchen forks to illustrate the concept.
Learn more about palindromes as substrates for multiple pathways of recombination in Escherichia coli.
Long DNA palindromes are sites of genome instability (deletions, amplification, and translocations) in both prokaryotic and eukaryotic cells. In Escherichia coli, genetic evidence has suggested that they are sites of DNA cleavage by the SbcCD complex that can be repaired by homologous recombination. Here we obtain in vivo physical evidence of an SbcCD-induced DNA double-strand break (DSB) at a palindromic sequence in the E. coli chromosome and show that both ends of the break stimulate recombination. Cleavage is dependent on DNA replication, but the observation of two ends at the break argues that cleavage does not occur at the replication fork. Genetic analysis shows repair of the break requires the RecBCD recombination pathway and PriA, suggesting a mechanism of bacterial DNA DSB repair involving the establishment of replication forks.
(Science Direct; SbcCD Causes a Double-Strand Break at a DNA Palindrome in the Escherichia coli Chromosome; John K.Eykelenboom, John K.Blackwood, EwaOkely, David R.F.Leach)
I actually built Poe's Black One first, but obviously had to go back and build an accompanying fighter in standard grey.
Honestly, this isn't really an attempt to replicate the film model exactly. It's more me reinterpreting the official set through the lens of pmiaki's always excellent X-Wing instructions.
I'm rather pleased at how it's turned out, especially since I adore the T-70 design. The only disappointment is that I couldn't include a full astromech - only the body. The underside loading on the film version rather limited me on that score and it couldn't do it without compromising the shape.
Oh, this is supposed to be Jess Pava piloting since I gave Snap Wexley the M-Wing.
The geek version of "The best thing I make is reservations."
That's a Sciences badge from TOS!
Hand-dyed potholder, make during one of my crazy crafty binges.
I replicate a lighting style to create the shadow.Black and white make the image timeless. I don't care about the softness of the image. It adds interest. Dont you think so?
“The Eye Moment photos by Nolan H. Rhodes”
“Theeyeofthemoment21@gmail.com”
“www.flickr.com/photos/the_eye_of_the_moment”
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright lawelectrrics.”
Clever Little Flower...... Only has one purpose in life and that is to replicate itself globally. Since living here in Germany I have actually grown (no pun intended) to like these little guys that seem to pop up everywhere and brighten the lawns of so many. Some of my friends back in the states spend hours digging them up, mowing them down and spraying all kinds of herbicide on them. What they don't seem to understand is this perfect little plant will always be here and will come to visit their manicured lawns each year through the calmest spring and summer winds . I think for now I will simply do what my local neighbors do, which is enjoy the color they bring to the lawn and the smiles they put on our faces.
Hope all my friends and followers on flickr have a wonderful spring! :)
There were many occasions when a driver might need a ticket roll or a ticket machine exchange or some kind of light maintenace issue, and I recall a spare driver woudl be dispatched with an RH and would often come down from Nugent Indiustrial Estate (OB) to assist the R3 at the stand. Here is my Dad standing in a recreation pose of that memory. RH1 "Kestrel" C501DYM and OV2 ""Hurricane" C526DYT are at Station Square, Petts Wood.
Photo (c) TomG.2016.
I had been planning to shoot this morning's sunrise at the Owens River right outside Bishop, but I ended up waking up at 3:30 AM and was unable to get back to sleep. So, while lying there, I decided to venture up to this spot. I'm really glad I did! I found some wonderful patterns on the frozen lake and even had some very high clouds to pick up a bit of sunrise light.
Today’s snowflake proves a point: even rare features, given nearly infinite chances to be created, will show up often in snowflakes. The circular-shaped bubble in the center of this tiny snowflake is the feature I’m talking about, but you’ll need to view large to get a better look!
Yesterday’s snowflake was beautiful and important in many ways, and some of the same features are present in this much smaller crystal. There is an interesting “paint blotch” feel to the central bubble, but it still maintains a few key features. The “corners” of the bubble protrude more than the sides, and this is replicated in reverse further out, where a new bubble forms.
In this expanded fractal, it’s the corners that stayed solid for longer, until the bubble in the ice eventually caught hold of everything. The snowflake then encountered a period of snow growth (see the inner hexagon? This is thicker than the rest of the ice), followed by more bubble formations all the while still maintaining a hexagonal footprint.
The contrast in this image comes from multiple layers of ice. Where a bubble / cavity in the ice exists, you have multiple ice surfaces on either side of the bubble, which can all reflect additional light back to the camera. Bubbles then become brighter, and “solid” ice becomes darker. The contours of the ice surface and bubble thickness can also be seen when using reflected light from a ring flash, giving a snowflake its sparkle.
Snowflakes like this are difficult to measure. You can’t exactly put a ruler next to it and get accurate results, but you can use a bit of math to figure it out. If you know the physical size of the camera sensor horizontally in millimeters (36mm), the number of pixels across this same distance (5184px) and the magnification factor of the lens, you can calculate the number of pixels per millimeter and measure the snowflake.
The last value of this equation is tricky to find. Most lenses do not report this value, but one lens does: The Canon MP-E 65mm F/2.8 1x-5x Macro lens. It can be adjusted from 1:1 to 5:1 magnification, and reports this to an accuracy of one decimal point in metadata…. But not just any metadata.
The metadata area where this value is recorded is in a part of the file called “makernotes”; This is where non-standard metadata is stored. Things like extended GPS information, picture-style settings, what level of JPG compression is set, what mode the flash was used in, etc. All of this information can be valuable in many instances… and is sadly stripped out of your images whenever you process them. Adobe software (and many others) remove the makernotes data so that you would need to refer back to a RAW file or an unedited JPG to retrieve them using special software like Phil Harvey's excellent exiftool software: www.sno.phy.queensu.ca/~phil/exiftool/ - I used this software to pull out the magnification factor value for all my RAW images, and completed the algebraic equation. Measuring top-to-bottom, this snowflake is 1.04mm in size. Why is this important?
I measured every single one of my fully focus-stacked snowflakes and included them in a single print, representing over 2500 hours of work across five years. You can see the final image here, titled "The Snowflake": skycrystals.ca/poster/ - the print looks absolutely fantastic, and a worthy conversation piece in any home. :)
For more fun physics and more photography techniques than you though could be written about snowflakes, also check out Sky Crystals: skycrystals.ca/book/ - it has everything you need to photograph and discover this magic for yourself.
P.S. In "The Snowflake" print, look for this snowflake above the "W".
Avatar costumes replicated by Alpha Auer for the project "Russian Avant-garde" in sl.
LM: slurl.com/secondlife/LEA8/22/102/56
El Lissitzky (Russian artist and graphic designer, 1890 - 1941) created his series of architectonic figures after seeing a production of “Victory Over the Sun”, the futuristic Russian opera with music by Mikhail Matyushin (Russian painter and composer, 1861 – 1934) and costumes/stage designed by Kasimir Malevich (Russian painter and art theoretician, 1879 – 1935). Paired up with Malevich’s set design and costumes, this pro-technological phonosemantic opera inspired Lissitzky to recreate figures of the opera’s main protagonists as suprematist automatons.
Out with Ectro testing out Dennis Calvert's circle machine style. Usually i can't do this, since i'm alone, but i convinced Ectro that we should try it out. The tunnel was so foggy from the temperature difference between the inside and outside that we had to use a air blower to keep the lens un-fogged each minute and a half or so. This was about the longest photo we could take at about a minute.
This bronze sculpture replicates the famous painting, Washington Crossing The Delaware by Emanuel Leutze. It depicts Gen. George Washington leading the Continental Army on a dangerous nighttime crossing of the Delaware River on December 25, 1776, to attack Hessian troops stationed at Trenton. His attack was a final, desperate effort to gain a victory after months of defeats had reduced the Army to a small, exhausted, and demoralized force. Washington’s success at Trenton reinvigorated the American cause and kept the Revolution alive.
The painting captures the drama, danger, and desperation of the river crossing, even though a number of details are historically inaccurate, such as the type of boat. The artist, Emanuel Leutze, grew up and was trained in Philadelphia, but created the painting in 1850 after he returned to his native Germany. The painting was a sensation when it was displayed in America the following year. ~ www.hmdb.org/m.asp?m=106149
Day Trip, 4/6/2019, Philadelphia, PA
Panasonic DMC-GF2
LUMIX G VARIO 14-42/F3.5-5.6
ƒ/8.0 19.0 mm 1/60 160
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