View allAll Photos Tagged render
tareas realizadas: modelado, renderizado y postproducción
autores: Darío Rosciano, Nicolás Bertola y Gustavo Baranovsky
cliente-propietario: Ardis3d.com
Side of a building once housing mental cases in Beechworth...now falling apart from years of neglect...a delight for a photographer !
tareas realizadas: modelado, renderizado y postproducción
autores: Nicolás Bertola
cliente-propietario: Capitalinas
Photograph from an album of images of flora, such as flowers and shrubs, largely rhododendron, azalea and roses, lawns, borders, trees and hedges, and funeral floral tributes, in the City of London Cemetery and Crematorium, on Aldersbrook Road, Newham, London, run by the City of London Corporation.
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This photo is one of thousands, mostly rendered with DxO Optics Pro Elite, of various subjects and locations, with over 1,000 at the City of London Cemetery, under Creative Commons Attribution-Share Alike 4.0 International licence. See: City of London Cemetery and Acabashi at Wikimedia. Republishing in whole, part, form or adaptation in any media is allowed, but only if the text 'Photo © Acabashi' is clearly stated. If this attribution is not given, the licence for follow-on use is automatically revoked. See: legal code conditions This file has been released under a license which is incompatible with Facebook's licensing terms. It is not permitted to upload this file, or any variation of this file, to social media platforms.
Union Pacific SD45 #3620 modeled in Sketchup and rendered in D5 Render. Also weathered in D5 Render. Original model took a year to complete.
Finally, the renderers are able to start working. Thunderstorms aside, hopefully the render should be finished by the end of this week.
Rendering sketch di una copertura in alluminio RSC-S. L'impressione è quella di trovarsi di fronte all'istantaneità di uno schizzo atto a illustrare la struttura architettonica.
i3pixel - Virtual Communication
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RENDER: Opening Reception
For more information visit: www.cmp.ucr.edu/
Render explores the moving image as a physical and phenomenological processes in contemporary art. It examines the intermingling of the materiality of video and technology in which artists use pixels and particle units from film to produce a new layer of mediated work. Commonly used in computer editing programs, “rendering” is a required process to generate and solidify special effects and transitions. Consequently, the works in the exhibition apply artistic uses of translating visual data from analog to the digital, and vice versa. The exhibition will be presented on the main floor of UCR/California Museum of Photography and on the Culver Center of the Art’s Digital Mural screens on the building’s façade that faces the pedestrian mall.