View allAll Photos Tagged remote

Stark and beautiful.

 

This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Rollei RPX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Stac Pollaidh and Loch Lurgainn

 

7 Days of Shooting/Week #12/One Word/Shoot Anything Saturday

Taken on a remote shoot with Artemis © Craig Lindsay 2024. All rights reserved.

 

Model: Artemis Fauna

purpleport.com/portfolio/artemis

www.artemisfauna.com/

 

In the remote desert of Southeastern Utah lies a stunning geological formation that rises almost cathedral-like from the eroded landscape below — Factory Butte. Located off Highway 24 between Torrey and Hanksville, just east of Capitol Reef National Park, this 6,302 foot monolith was once home to dusty coal miners. These days its surrounding lunar badlands provide a wonderland for amateur and professional photographers alike — an endless vista of colorful desert flora, orange pockmarked sandstone and centuries of relentless erosion.Factory Butte is the most recognizable feature of a large area of stark, barren land either side of the Fremont River known as the Upper Blue Hills, bordered by Capitol Reef to the west, the Henry Mountains to the south, San Rafael Swell to the north and the San Rafael Desert to the east. The ground leading to the peak looks like roots or branches have sprouted beneath the soil, giving the barren desert an alien appearance.You can wander across the badlands and explore the strange terrain, or climb the 6,302-foot summit to look out over the vast, empty grounds below. During different times of the day, the colors change across the range, going from reds and orange to deep purples and blues as the sun goes down. You might be the only person visiting the remote region, which gives it an even more desolate feeling, like what you would expect to find on the actual moon. A big thank you to everyone who took time to comment and a look at my photo. Much appreciated!

Are always a delight to discover... with a wee lochan thrown in as bonus.

I don't really like the fact that I am holding the remote here, or the fact that you can see it, but it's ok for now. Well, I had this remote for about three or four months, and went out this evening to test out the distance since I put new batteries in it. I think the batteries that came with it were already worn out. This remote is said to have an 100 foot range. I wasn't very far from the camera a this point, but I did manage to capture a few shots at a farther distance, though I was not in focus in those shots. So here is a non-smiling self portrait. I like to look serious, especially if I am taking test shots. I hate when I look mean and hope I don't look as such in this photo, but if so, you all know I'm a nice guy. lol Any ways, I like how this turned out even though it was getting darker and darker by the minute. I meant to go earlier, but a few things got in the way.

Early morning view of remoteness at its best. Tongaririo National Park can be just seen on the horizon.

The now disused 'Our Lady of the Braes' Roman Catholic Church, aka Lochailort Chapel or Polnish Chapel.

 

Built to serve the now deserted townships of Ardnish and Polnish, this lone monument to the former inhabitants of the empty landscape has a poignant significance. (M Miers) The church also featured in the film Local Hero starring Burt Lancaster.

 

© 2013 John Lawson. Please do not use this image in any way without asking me first.

Available for 'Request to Licence' with Getty Images - see 'additional info' on this image.

The bus driver became a remote figure on the Routemaster as he was sealed off in his cab from the rest of the vehicle.

The AEC RM1 Routemaster was set into service in 1956 in Crystal Palace, London.

Wonderful narrow mountain roads lead through the almost green Gran Canaria countryside with its huge rocks.

By remote shooting with Playboy Cybergirl Muirina Fae, model/hair/makeup

 

Last year I participated in a remote workshop shoot with model @muirinafae and coordinator @darwinimages. Because I was operating in completely unfamiliar waters, using methods and gear completely new to me and a model 3400 km away from me, I learned a great deal. Plus I gained a newfound appreciation for my old familiar gear! :-)

 

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an all day Yak... by the end of the trip we were really tired . Beautiful wild Florida. Amazingly there's only one house along all of Gum Slough with a few more at the main springhead.

The remote control of the sunscreens - very necessary in an office with windows on three sides.

Remote beach on the west shore of Molokai island.

Pressing the remote, keeping it in your pocket, & getting in position before the shutter goes off. Gets tiring after a while. So, I let the remote appear in the shot.

 

I've finally got myself a remote control for the Nikon. (I did Day 1 on the Canon using the remote but since then they've all been 10 second dashes or arm's length points...)

 

I was just messing about with the remote and the 50mm lens and came up with this one - which I rather like. It's sort of how I think I look..?

 

And I certainly look more cheerful than yesterday eh..?

There is only a remote chance that the remote will work in this remote location

CP 4420 and CP 4431 shove intermodal loads into a ramp track at CPKC Bensenville intermodal yard as the sun sets behind some clouds. August 2025

Indonesia's remote Sumba Island is renowned for many things, but perhaps most famously for its uniquely shaped mangroves, often referred to as 'dancing trees.' These trees appear to sway gracefully with the setting sun, creating an enchanting visual experience.

What makes these 'dancing trees' so extraordinary is their distinctive form. Their gentle curves, when viewed from just the right angle with the sunset in the background, resemble human silhouettes dancing in a mesmerizing and captivating manner, unlike any other trees I’ve ever seen.

 

Sumba Indonesia

 

SonyA7Rv using a 12-24mm 2.8 lens with CPL and ND Filters

DJI Mavic 2 Pro

 

#sumba #sumbaindonesia #travel #travels #adventure #adventuretravel #sonyalpha #sonyphotography #sonya7iv #sonya7ivphotography #landscape #landscapephotography #nisi #nisifilters #leofoto #leofototripod #SmallRig #gopro #drone #DJI #djimavic2pro #landscapephotography #landscape #documentary #documentaryphotography

 

Link in Youtube for 4K Video

youtu.be/gQnXkzR1IpE?si=fLTT_QbJNYV3A5RG

 

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This my new conceptual play list about fenomena Remote School

 

youtu.be/8KNIxvh0Th4

Rome: Fosse Ardeatine- dettaglio

This trip from Abriachan to Kiltarlity was a new route for me and I enjoyed it very much. It felt very remote and unspoiled and so it should remain.

Working from Home – O'Devaney Gardens, Dublin

 

If you think that this picture is magic, it's maybe that there's a trick to it.

 

Back in Yangshuo, China, I was looking for the best opportunity to take an above average sunset picture.

And given the spectacular nature of the surrounding area, it should have been fairly easy.

 

Well, it wasn't, mostly because it's impossible to climb on those limestone peaks to get a clear view. But no need to panic.

 

So I'm riding my rented bike. The sunset show has already begun. I'm sweating because the more it goes, the more I think that this entreprise will surely fail. When I see a dilapilated building on the side of the road.

 

In it, it seems possible to reach the roof so I'm going, only to find myself in the company of the picture enthousiasts club of Yangshuo, about eight people, all equiped with cameras ranging from brand new and extremely expensive to a hundred years old and unbuyable.

 

And from there, not only do we overlook a picturesque pond in front of the limestone peaks, but the group is also connected to the chinese man on the bamboo raft with talky walkies.

 

That helps if you want that man going a bit on the right, a bit on the left, raising an arm, or taking whatever position that would look good in a picture.

 

So there you, that's the trick.

Welcome to the remote controlled perfection.

In this view there are no buildings, roads, footpaths or any sign of people apart from our insignificant tents to the bottom left. Standing in this place and knowing that it has looked this for thousands of years is a fantastic experience, particularly with an absolute firecracker of a sunset!

The workshop participants almost enjoyed this as much as me!

By remote shooting with Playboy Cybergirl Muirina Fae, model/hair/makeup

 

On Saturday I participated in a remote workshop shoot with model @muirinafae and coordinator @darwinimages. Because I was operating in completely unfamiliar waters, using methods and gear completely new to me and a model 3400 km away from me, I learned a great deal. Plus I gained a newfound appreciation for my old familiar gear! :-)

 

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By remote shooting with Playboy Cybergirl Muirina Fae, model/hair/makeup

 

On Saturday I participated in a remote workshop shoot with model @muirinafae and coordinator @darwinimages. Because I was operating in completely unfamiliar waters, using methods and gear completely new to me and a model 3400 km away from me, I learned a great deal. Plus I gained a newfound appreciation for my old familiar gear! :-)

 

Follow me on Instagram!

This is the most remote Police Station in Tasmania. The staff here are responsible for the Tasmanian Central Highlands. Crime is not the issue up here (apart from the occasional stock wrangler). Most of the work has to do with keeping safety and search and rescue operations.

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