View allAll Photos Tagged remote
Another image I took one early morning in beautiful Pearse valley Motueka on New Zealands South island. It was an incredibly atmospheric morning with cloud and deep fog scattered around the surrounding mountains. The house was full of character, though it was foreboding in this setting it was home to a lovely Kiwi/Alaskan couple I had the pleasure of staying with.
As always thanks for your comments and Faves.
Remote controlled car racing
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The Beatles - A Day In The Life
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www.youtube.com/watch?v=usNsCeOV4GM
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The Smiths - How Soon Is Now? (Official Music Video)
Finally done.. Total creature of circumstance on this one. Paint supply, colors, caps, just tried to go with the flow with no real plan.
Painted on multiple HOT sunny days with random Florida mid-day storms and to top it off there was a bee colony inside the wall.
This wall tried me and it got personal. In the end I prevailed. What doesn't kill you...
The Fishing Village of Crovie, established by families cleared from inland estates in the late eighteenth century. Is in Aberdeenshire, Scotland.
This very remote hoodoo is the most precariously balanced one I've ever seen. I guess it'd be nicer if I'd shot it in photogenic light rather than documentary style, but oh well.
© 2018 Christian Madsen
A view of Lahaul & Spiti valley from the Manali -Leh highway.The Bhaga river flows through the valley and meets the Chandra river to form the Chandrabhaga or Chenab.The little settlement is Darcha , the northernmost permanent settlement on the Manali-Leh highway.It is situated at an elevation of about 11000 feet above sea level.
The Milky Way arcs over the incredibly remote village of François, Newfoundland. Nestled into the top of an ocean fjord, François (pronounced "fran-sway") is an isolated village that is only accessible by ferry. No roads lead here, and there are no cars in town. The town has paths and boardwalks that are just large enough for ATVs, but you can walk from end to end in a few minutes. It's a 4 hour ferry ride to get here, with a stop in Grey River, another remote village.
The moon had risen just a few minutes before I started this panorama, which is why the sky is very orange on the right part of the horizon. It was also astronomical twilight so the sky was still very blue.
I hiked up to this view with the intention of using my NIKKOR 14-24mm f/2.8 lens for this shot, but when I was lightening my pack before the hike I goofed and forgot to include the FTZ lens adapter, so I ended up having to use the Z 14-30mm f/4 S lens, which is a great lens but at f/4 I was only getting half as much light, and less light means more noise, but it still worked out. If I was doing star stacking for a single shot it really wouldn't have mattered, but for panoramas I do single shots for each segment of the panorama since star stacking each segment would take a very long time and cause the Milky Way to move quite a bit more between the start and end of the panorama.
Nikon Z 7 with NIKKOR Z 14-30mm f/4 S lens @ 14mm, f/4, ISO 3200, 20 seconds, 10 shots for this panorama. I used the Nodal Ninja RD16-II rotator with 30 degree click stops to make panning the camera very easy, no headlamp required to look at the panning base to manually find the next 30 degree increment.
Visit my website to learn more about my photos and video tutorials: www.adamwoodworth.com
K625-18 waits for a new crew on the west side of North Baltimore while a remote job pulls forward for some head room as it switches the intermodal facility. CSX Willard Subdivision. North Baltimore, OH. February 20, 2022.
One of my favorite beaches near my home town, Dartmouth, Nova Scotia, Canada. It is in a remote-ish area. Not many visitors there as compared to the nearby touristy Lawrencetown Beach.
I'm going to crank up the wayback machine over the next week or two and share some of my favourite back country locations from my wilderness backpacking days. Yep, this is me, in 1994 in the Purcell Wilderness of British Columbia, on a solo trip. After the hike in, I spent four nights at the other end of the lake, and on one of those days I worked my way along the shore to the glacier.
I didn't stay long at this spot. Glaciers are alive; there is constant shifting from the stress of ice grinding against rock. At this spot, I would hear small skittering sounds and then a rock would fly off the ice edge above me, usually pebble sized but occasionally the size of a baseball or larger. It made me slightly nervous! From here I found an access point at the edge of the glacier, out of this frame to the left, and got up onto the ice.
Wildlife was scarce in this remote place of ice and rock, but my campsite in an alpine meadow, near some talus slopes, had resident Hoary Marmots, Golden-mantled Ground Squirrels, Pikas, and at least one weasel that climbed up on my boot, stood on its hind legs and peered upward at my face, trying to figure out what I might be. I had a 300mm lens on at the time, so no shot!
These were the days of film. I would be hesitant to bring today's high end gear into a rugged place like this on an extended trip; too many plastic components and ultra-sensitive electronics. Back then, if a camera quit working, I could zip into the nearest city and pick up a used body for $150 (I had to do this at least twice). Image quality was determined by the lens, not the body - unlike today, when sensor quality is equally important.
Nikon FE2, tripod, self-timer, 24mm lens, exposure unrecorded. Scanned from the original Fujichrome Velvia slide (ISO 50). Photographed at Lake of the Hanging Glacier in the Purcell Mountains of BC (Canada). Don't use this image on websites, blogs, or other media without explicit permission ©1994 James R. Page - all rights reserved.
polaroid classic instax mini90 fujifilm film analog #analog #film #filmisnotdead #polaroid #southcarolina #greece #greek #art #arts
Stark and beautiful.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Rollei RPX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
OBSERVE Collective
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Hi everyone todays painting is of something I heard some friends talking about that I found interesting its something I don't believe in, its called (Remote Vewing) they say a person can gather information about a distant or unseen target using paranormal means, in particular, extra-sensory perception (ESP) or sensing with the mind.I don't know alot about remote viewing because to be frank I think its just wasting time, then again may bee I can see what your doing right now in the comfort of my living room,and just let me say I think your curtains don't match your carpet or is that a rug? steve. p.s. you can watch the you tube video here to learn more www.youtube.com/watch?v=sN9nIMgdpuw
He watches the remote feed from the Raptor Sentry Drone's optical systems as it closes in for the kill. The frightened Federation officers known as Nova Team don't know what to make of it, excellent.
Originally, he had his doubts about this latest construct, however it's proven itself to be an effective tool. Perhaps the Supreme Commander was right to commission more of these…
To learn more about Nova Team's other adventures visit their album: flic.kr/s/aHskpavQh5
I don't really like the fact that I am holding the remote here, or the fact that you can see it, but it's ok for now. Well, I had this remote for about three or four months, and went out this evening to test out the distance since I put new batteries in it. I think the batteries that came with it were already worn out. This remote is said to have an 100 foot range. I wasn't very far from the camera a this point, but I did manage to capture a few shots at a farther distance, though I was not in focus in those shots. So here is a non-smiling self portrait. I like to look serious, especially if I am taking test shots. I hate when I look mean and hope I don't look as such in this photo, but if so, you all know I'm a nice guy. lol Any ways, I like how this turned out even though it was getting darker and darker by the minute. I meant to go earlier, but a few things got in the way.