View allAll Photos Tagged remote
We called this the "Remote Camp" site.
Oglala National Grassland, Nebraska, about a mile south of the border with South Dakota.
Please SUBSCRIBE to my YOUTUBE Channel to follow my work : www.youtube.com/channel/UC43AUA1vEtzqySEEIt_je6Q
Ladakh ("land of high passes") is a region in the Indian state of Jammu and Kashmir that currently extends from the Siachen Glacier in the Karakoram range to the main Great Himalayas to the south, inhabited by people of Indo-Aryan and Tibetan descent. It is one of the most sparsely populated regions in Jammu and Kashmir and its culture and history are closely related to that of Tibet. Ladakh is renowned for its remote mountain beauty and culture.
Stark and beautiful.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Rollei RPX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
Taken on a remote shoot with Artemis © Craig Lindsay 2024. All rights reserved.
Model: Artemis Fauna
I don't really like the fact that I am holding the remote here, or the fact that you can see it, but it's ok for now. Well, I had this remote for about three or four months, and went out this evening to test out the distance since I put new batteries in it. I think the batteries that came with it were already worn out. This remote is said to have an 100 foot range. I wasn't very far from the camera a this point, but I did manage to capture a few shots at a farther distance, though I was not in focus in those shots. So here is a non-smiling self portrait. I like to look serious, especially if I am taking test shots. I hate when I look mean and hope I don't look as such in this photo, but if so, you all know I'm a nice guy. lol Any ways, I like how this turned out even though it was getting darker and darker by the minute. I meant to go earlier, but a few things got in the way.
Finally done.. Total creature of circumstance on this one. Paint supply, colors, caps, just tried to go with the flow with no real plan.
Painted on multiple HOT sunny days with random Florida mid-day storms and to top it off there was a bee colony inside the wall.
This wall tried me and it got personal. In the end I prevailed. What doesn't kill you...
The now disused 'Our Lady of the Braes' Roman Catholic Church, aka Lochailort Chapel or Polnish Chapel.
Built to serve the now deserted townships of Ardnish and Polnish, this lone monument to the former inhabitants of the empty landscape has a poignant significance. (M Miers) The church also featured in the film Local Hero starring Burt Lancaster.
© 2013 John Lawson. Please do not use this image in any way without asking me first.
Available for 'Request to Licence' with Getty Images - see 'additional info' on this image.
Visit my NEW WEB WWW.DAVIDFRUTOS.NET
Press "L"
Member of FONAMUR (Fotógrafos de Naturaleza de Murcia).
You can follow my work on [ND Magazine] [500px] [Art Limited] [Google+] [Twitter] [Instagram] [Facebook]
Revista LNH, nº 28 ya disponible.
Revista LNH (Issue 28 now avaliable).
Tomada en Portmán (Murcia) - España.
Canon EOS 5D Mark II
329"
f6.3
ISO 100
Canon 17-40mm @ 29mm
Big Stopper
Singh-ray GND 0.9 Galen Rowell
Giottos MT9271 + Ball Head MH 1300 + Remote control.
Silver Efex Pro 2
The bus driver became a remote figure on the Routemaster as he was sealed off in his cab from the rest of the vehicle.
The AEC RM1 Routemaster was set into service in 1956 in Crystal Palace, London.
Wonderful narrow mountain roads lead through the almost green Gran Canaria countryside with its huge rocks.
We stayed in Charles Town while we visited Harpers Ferry, West Virginia.
This train depot in Charles Town West Virginia has been moved and converted to what appears to be a private residence.
By remote shooting with Playboy Cybergirl Muirina Fae, model/hair/makeup
Last year I participated in a remote workshop shoot with model @muirinafae and coordinator @darwinimages. Because I was operating in completely unfamiliar waters, using methods and gear completely new to me and a model 3400 km away from me, I learned a great deal. Plus I gained a newfound appreciation for my old familiar gear! :-)
Pressing the remote, keeping it in your pocket, & getting in position before the shutter goes off. Gets tiring after a while. So, I let the remote appear in the shot.
I've finally got myself a remote control for the Nikon. (I did Day 1 on the Canon using the remote but since then they've all been 10 second dashes or arm's length points...)
I was just messing about with the remote and the 50mm lens and came up with this one - which I rather like. It's sort of how I think I look..?
And I certainly look more cheerful than yesterday eh..?
CP 4420 and CP 4431 shove intermodal loads into a ramp track at CPKC Bensenville intermodal yard as the sun sets behind some clouds. August 2025
If you think that this picture is magic, it's maybe that there's a trick to it.
Back in Yangshuo, China, I was looking for the best opportunity to take an above average sunset picture.
And given the spectacular nature of the surrounding area, it should have been fairly easy.
Well, it wasn't, mostly because it's impossible to climb on those limestone peaks to get a clear view. But no need to panic.
So I'm riding my rented bike. The sunset show has already begun. I'm sweating because the more it goes, the more I think that this entreprise will surely fail. When I see a dilapilated building on the side of the road.
In it, it seems possible to reach the roof so I'm going, only to find myself in the company of the picture enthousiasts club of Yangshuo, about eight people, all equiped with cameras ranging from brand new and extremely expensive to a hundred years old and unbuyable.
And from there, not only do we overlook a picturesque pond in front of the limestone peaks, but the group is also connected to the chinese man on the bamboo raft with talky walkies.
That helps if you want that man going a bit on the right, a bit on the left, raising an arm, or taking whatever position that would look good in a picture.
So there you, that's the trick.
Welcome to the remote controlled perfection.
In this view there are no buildings, roads, footpaths or any sign of people apart from our insignificant tents to the bottom left. Standing in this place and knowing that it has looked this for thousands of years is a fantastic experience, particularly with an absolute firecracker of a sunset!
The workshop participants almost enjoyed this as much as me!