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This is the sum total of all buildings for the Nerlerit Inaat airport and all of the surroundings, with Hurry Inlet and the snow-covered mountains of Liverpool Land in the background, East Greenland. The nearest village for hundreds of miles around is Ittoqqortoormiit (population 450) at the bottom tip of Liverpool Land. iPhone photo.
03/01/2020 www.allenfotowild.com
Early winter can be a great time for photography in Grasslands. The tourists are gone, wildlife is still active, it isn't too cold, and snowfall is minimal. One day in December I bounced over the frozen ruts in my Corolla and made it up into the hills in a remote southern part of the park's west block. The low sun and mixed cloud cover created an interesting, always-changing background component, and from up in the hills I could see for miles and miles. Somewhere in the distance - not too far, about five miles (8 km), the Frenchman River pours across the border into Montana. It was here that Sitting Bull crossed the Medicine Line in 1877, hounded by US Cavalry, to seek sanctuary in Canada.
To reach the cliff edge where I shot this view of the badlands, I had to hike about a hundred yards from my car; no big deal. By then I was starting to encounter snow drifts along the road, and so I decided this was far enough, and turned back.
Despite what the Flickr map may say, this photo was made on the Canadian side of the international boundary.
Photographed in Grasslands National Park, Saskatchewan (Canada). Don't use this image on websites, blogs, or other media without explicit permission © 2019 James R. Page - all rights reserved.
Monument Valley, Arizona
Camera: Pentax 645z (Medium format digital)
Lens: HD PENTAX-DA 645 28-45mm F4.5ED AW SR
Macro 1X con apilamiento de foco por control remoto del anillo de enfoque
Macro 1X by focus stacking using the focus ring remote control
2016-03-23_18-51-22 M=A R=8 S=4
Ingredientes:
-Nikon D600 + Nikor 105mm macro 1X
-Helicon Remote para control automático de la pila de foco mediante el anillo de enfoque (por medio de USB)
-Helicon Soft para apilamiento de foco (38 shots, Method A, R=8, S=4)
-Helicon lo puedes bajar a prueba durante 1 mes gratis, o una licencia para un año por 50€, controla casi todas las Nikon y Canon mediante USB. Existen otros proveedores de soft para stacking (apilamiento), p. ej. Zerene, ControlMyNikon o Canon, Combine Z, etc
-Opcional: impresora 3D (Up Plus 2) para la fabricación de focos, soportes, mesa de trabajo, etc. Puedes utilizar el sencillo 123D Design (free soft) para diseñar las piezas.
Receta:
-Montamos el bodegón con sujeto y fondo
-Lo iluminamos con 4 o 5 micro-focos de leds. Los focos se pueden diseñar e imprimir utilizando una impresora 3D y después montar los leds (alta luminosidad y 5300K), la alimentación es de 12vdc para grupos de 3 o 4 leds. La ventaja frente al uso de flash, es que se pueden dirigir los focos y componer la iluminación antes del disparo, además del volumen que se consigue jugando con la iluminación.
-Disparamos las fotografías utilizando, p. ej., Helicon Remote: Helicon controla el enfoque con el movimiento del anillo de enfoque antes de disparar cada foto, todo el proceso de toma de fotos es automático, se pueden ver videos en youtube
-Para 1X se necesitan de 20 a 100 fotos, según valor de f, focal utilizada y profundidad de campo necesaria, lo calcula el soft automáticamente. Se suele utilizar el punto dulce de la lente (normalmente en el entorno de f5.6) para optimizar los resultados
-Apilamos el stack de n fotografías utilizando Helicon Soft
-Utilizamos Lightroom o similar para eliminar “halos” y “artefactos”
-Una vez se tiene práctica, todo el proceso puede durar 30 min
pepo
/ POOR ENGLISH
Macro 1X by focus stacking using the focus ring control
How do you can do it :
Ingredients:
-Nikon D600 + 105mm macro nikor 1X
-Helicon Remote control for automatic focus stack using the camera focus ring (using USB)
-Helicon Soft Focus Stacking (56 shots, Method B, R = 8, S = 4)
-Helicon: You can download a free trial for 1 month, or a license for a year for € 50, it controls almost many Nikon and Canon via USB. There are other suppliers of soft for stacking, p. ex. Zerene, ControlMyNikon or Canon, Combine Z, etc.
-optional: 3D (Up Plus 2) printer to manufacture light bulbs, brackets, desk, etc. You can use the friendly 123D Design (free soft) for pieces designing.
Recipe:
-Ilumination with 4 or 5 micro-LED bulbs. The lighters can be designed and printed using a 3D printer and then mount the LED´s (high brightness and 5300K), the power is 12VDC for groups of 3 or 4 LEDs. The advantage over use of flash, is that you can positioning the lights and lighting make up before shooting, in addition to the volume to be achieved by playing with these lighting.
-Shot photographs using, p. eg Helicon Remote. Helicon controls the approach to the movement of the focus ring before the photo shot, the whole process of taking pictures is automatic, you can watch videos on youtube
-For 1X do you needed 20-100 photos, depending on value of f, focal and deep of field needed, automatically calculated by the soft. Often used the sweet spot of the lens (usually in the vicinity of f5.6) to optimize results
-Now we stack of shots using Helicon Soft
-We can use Lightroom or the like to remove "halos" and "artifacts"
-Once you have practice, the whole process can take 30 min
-And sorry my English, please.
pepo
Part of my fox remote photography series. Red Fox jumping under the moon on an overcast night. Taken with Canon T3i and motion sensor. This photo has a few issues and I had to address the ghost effect of the long exposure (transparency of the fox). I used a brush to repair it a little. I just couldn't discard this shot.
Went with a friend last Saturday to Ightham Mote, a National Trust property in a rather remote location to the east of Sevenoaks. We found it to be not that well signposted (the way we came), but it was well worth finding. Built around 1320, it's the most complete medieval moated manor house in England. This together with some lovely grounds and gardens make for a great day out.
Remote times books lighted with a remote flash
Strobist Info:
One single flash @1/128 power. 12 O'clock High.
Radio remote controller.
Some find the road out west on Ardnamurchan pretty intimidating. But turn on to the little roads that lead out to the lighthouse at the end, or to the heavenly white sand beach at Sanna, and the road becomes even more of an adventure. However park your car at the side of the road and head off into the crater of the ancient Ardnamurchan volcano and things become a whole lot more desolate and remote. Over a hill and far away, where there has never been electricity or a road, and you find a place called Glendrian, Glendryen, Glendrain....all of them, where there was once a thriving crofting community. And it's site is now a Scheduled Monument giving Guardian readers and amazing insight into what post-Brexit Britain would look like.
Glendrian is a depopulated settlement of post-medieval date. It is located on the Ardnamurchan Peninsular on the West Coast of Scotland, situated within a ring of hills forming the caldera of the former volcanic crater of Ben Hiant. The exceptional preservation of the settlement remains, including cruck-slots within house walls, led to the scheduling of the settlement, which is considered to be of regional and national importance.
Settlement at Glendrian was first documented in the early 17th century, in 1618, when 8 families were recorded living there. From 1723, the population grew, jumping from 29 people to 39 in 1841 and 47 in 1861. The census records show a decrease in the population after this however, and it was during the mid-19th century that the smaller townships on the Ardnamurchan peninsular, including Glendrian, were cleared for larger sheep farms. The population fell to 20 in 1881 and 11 in 1901. By the 1930s, only two houses were occupied, and by the 1940s, the settlement was completely deserted.
Glendrian does not appear on Roy’s Military Maps of 1747-55, but it does appear on Bald’s map of 1806, on which it comprised 17 buildings, two enclosures, fields and walls. By the time of the 1st Edition OS 6 Inch map of 1876, three unroofed buildings, 17 roofed buildings, 6 enclosures and field systems were present. More buildings were depicted as unroofed on the 1896 2nd Edition OS 6 inch map, with only 8 roofed. A walkover survey was undertaken in 2011 in advance of a bracken control programme and this revealed many more features than mapped however, including previously unrecorded shielings, enclosures and boundaries. A total of 43 individual features were identified; more than half of these related to use of the landscape and transhumance including areas of rig and furrow cultivation and boundary walls, but the rest were structures and features associated directly with the post-medieval settlement, including houses, a revetted spring, a sheep fank and numerous enclosures.
Although a walkover survey does not record sufficient detail for a full assessment and discussion of sites, at Glendrian, it did discover clear evidence of modification and development through time to the settlement. Houses were of varied style and contained evidence for different phases. For example, some buildings had clearly had extensions and additional rooms attached to the pre-existing structures, and the construction of fireplaces within some of the houses were likely related to the latest phase of use. Additionally, the boundary walls and enclosures were all of drystone construction, but these construction techniques varied and these structures also exhibited characteristics of modification.
The level of preservation at Glendrian is considered to be exceptional, especially when compared to similar types of settlements in the Highlands, as most do not usually preserve evidence of modification and phasing through time. In light of this, the site represents a valuable resource into understanding the changes that took place in post-medieval settlement and economy in the Highlands during the 18th and 19th centuries, and a closer study of the architecture of Glendrian would allow for an interesting study into vernacular Highland settlements.
Its the road where I stood and took this shot. No approach roads, high in Himalayas, an absolute treat to watch this remote region of the Changpa tribe.
It would be true to say this small waterfall was in the middle of nowhere. It was lovely to stop and find this waterfall away from the main road.
A shot taken near Nenthead last December. I have managed to miss nearly all of the snow this winter due to work or lockdown. This is one of the few images that I have managed to get with snow in.
This is a very intimate, remote and minimalist shot taken on September 7th 2012, at 6:58 a.m. from the summit of mount Rocciamelone (3.538 m), Italy.
The delicate misty early morning light makes the landscape almost surreal.
I love to photograph the mountains from a more elevated vantage point. First for the pleasure of being there, secondly because it's a way to vary a bit from the usual landscape compositions already seen several times.
The remote lands involved here are the mount Fraiteve (2.701 m), right in the middle of the image, then we have the whole mountain range of the Assietta (2.566 m), Cottian Alps.
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©Roberto Bertero, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
Death Valley National Park, California
Camera: Pentax 645z (Medium format digital)
Lens: HD Pentax-DA 645 28-45mm F4.5ED AW SR
This one for me creates a sense of being alone in an area far away from any other people, a nearly abandoned, ghostly location. One could feel that as an uncomfortable, even scary feeling, but for me it is kind of peaceful, serene, and quiet.
When I headed out to this rock this morning there wasnt really any flow around it...... that didnt last long ...... I dunked my remote at the same time...... so am off to buy yet another.....lol
A fine colour-contrasting double star at the head of the swan. Seen here against the backdrop of the Milky Way.
Imaged using iTelescope T24 at the Sierra Remote Observatory in California. Equipment: Planewave 24" (0.61m) CDK @ f/6.5; FLI PL09000 CCD; Planewave Ascension 200HR mount. Total imaging time: 22 minutes through LRGB filters.
I think this was an image from the east side of Iceland but I doubt I could find it again. One of those places you stop for a brew & then travel on.
Remote Froglet (Crinia remota)
I wish I could have got a more artistic looking picture of him doing something, but these fellas are tiny and very flighty.
It doesn't need the text like my previous picture, and arguably it detracts from the picture; however I'm in the mood for hover text.
Hopefully my ID is right, while I'm interested in them, frogs aren't exactly my forte haha
The remote landscape of the Aksu-Zhabagly Nature Reserve in Kazakhstan. The white trees are native wild fruit trees in blossom. This region is the origin of most of our common fruit trees.
Loriga is a village and parish in the municipality of Seia, Guarda district (Portugal). It has 36.52 square kilometers area, 1053 residents and population density of 28.8 hab./km². It has a village attached, Fontão. It is part of the Natural Park of "Serra da Estrela"
l'improbable toucher
Dernières nouvelles de l'Éther La Panacée - Montpellier 2014
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