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Warehouse Live
Houston, TX
10.14.12
© Rebekah Stearns Photography
Do not use without permission- rebekahs.photogrphy@gmail.com
Questionaire 2/4
Manzanar War Relocation Center was one of ten internment camps during WWII. Many of the people sent here were native-born American citizens. They were not spies. They were not saboteurs. They were not criminals. They were not prisoners of war. They were not foreign agents. They were held prisoner here for no reason other than their Japanese heritage.
Manzanar is located just outside of Independence, CA, about half way between Reno and Los Angeles along US 395. The remains of the camp are now a National Historic Site, which is open to the public and free. There is a museum about the Japanese Internment of WWII and life in the camps. A self-guided auto tour will take you through the site of the camp.
The Richman Brothers Company was originally founded by Jewish-Bavarian immigrant Henry Richman Sr. and his brother-in-law and business partner Joseph Lehman in Portsmouth, Ohio, in 1853. In an effort to become closer to a bustling city, both to expand their operations and customer base, the two men relocated with their families and business to Cleveland, Ohio, in 1879. Originally named the Lehman-Richman Company, the operation took on the moniker the Richman Brothers Company in 1904 after both Henry Richman Sr. and Joseph Lehman had retired and transferred ownership of the company to Henry Sr.’s three sons Nathan, Charles and Henry Jr.
After having a presence in the region for nearly forty years, the Richman Brothers Company commissioned their first Cleveland factory to be built at 1600 East 55th Street after previously retrofitting their operations into several other pre-existing structures throughout the city. Designed by The Christian Schwarzenberg and Gaede Company and constructed by Hunkin-Conkey Construction Co., the building was designated the “Best Built Factory in Cleveland in 1917” by the Cleveland Chamber of Commerce. Later additions were added onto the structure in 1924 and 1927, which completed the 650,000 square feet of interior space still present on the site.
The factory quickly became a landmark on the East 55th Street landscape as a result of its domineering size, both inside and out. With fifteen-foot-high ceilings, large-scale windows, and even the world’s largest cutting tables at the time, measuring sixty feet long, the structure provided Richman Brothers’ employees with working conditions previously unheard of in the garment industry.
Not only were Clevelanders familiar with the building, so, too, was the federal government. After entry into World War I, the federal government approached the brothers with a proposition to turn the site over to a military occupation to be used as a hospital for returning injured soldiers. After only one year of owning the building, in 1918 the Richman Brothers readily agreed to allow the government to utilize the structure as needed, making Cleveland the first city in the country to place such a building at the government’s disposal without expense.
Their commitment to the war effort was just one element of the Richman Brothers’ reputable business practices. As a family owned and operated company, the Richman Brothers ensured that each person under their employ felt as though they were part of a family. The first industrial organization to do so, the Richman Brothers Company offered two weeks paid vacation for all employees. Similarly, the company also instituted paid maternity leave, set a thirty-six hour work week, utilized no time clocks, and offered corporate stock options. To assist employees during times of personal distress, The Richman Brothers Foundation was created which provided no interest loans to employees as needed. The brothers were viewed as such progressives that the federal government based many workplace regulation laws off of Richman standards.
The Richman Brothers also tirelessly fought to keep the unions out of their company. Pressures mounted around the middle of the twentieth century, which resulted in the company releasing a statement saying, “The union plan . . . has been one to crush our business. We think this is wrong . . . to put this kind of pressure on our family.” Confident in their business practices, the Richman Brothers believed the union to be unnecessary and felt it would restrict the benefits they were able to offer their employees.
While the name of the company implies that all three brothers were equally in control of the company, it is Nathan Richman who is credited with maintaining the company’s standards and growing the business into one of the largest men’s clothing retailers in the country. At the time of his death in 1941, two thousand employees gathered at the open-casket services to bid farewell to the last surviving Richman brother.
After Nathan’s death the company remained under the ownership of one of his nephews, who continued to successfully grow and expand the business. In 1969, the Richman Brothers merged with F. W. Woolworth Company, who kept the Richman brand viable for another three decades. As the industry changed sharply in the late 1980s, the bloated conglomerate Woolworth began to shutter some of its subsidiaries. In 1990, the Richman Brothers Company was deemed financially unstable and was completely liquidated by 1992. Since that time, the structure on East 55th Street has remained vacant with many unsuccessful reuse projects proposed to redevelop the site.
Road Sign on New Road "HEDON - Historic Market Town" has been relocated from the other side of the road.
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There is an incredible amount of junk along the access "road" to the Rackerby water tank. Apparently one of the residents of this property is named, Russell. Which is probably why this street sign was stolen and moved 45 (road) miles from the Town of Paradise to this place. FJ0764
As we paddle through the high marsh, we approach Boy Scout Island, a small uninhabited island in the middle of the marshy bend of the May River. This great blue heron had been perching on a limb of an overhanging live oak and as we drew closer, left his perch to alight on the other side of the island...
Bluffton, South Carolina
Warehouse Live
Houston, TX
10.14.12
© Rebekah Stearns Photography
Do not use without permission- rebekahs.photogrphy@gmail.com
Tri Valley Recyclers is a premier office mover, committed to help making your business move as simple as possible. Our services include the moving/relocation of:
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- Laboratories
- Factories / Warehouses
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- Corporate Suites
- Hotel Furniture
- Trade show equipment
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Also,our relocation specialists can assist in setting your priorities, developing a relocation plan and helping with all aspects of your move.
Running a business is a lot of work. Let us take care of your relocation, so you can focus on what's most important to you.
Elephant #135, Gerald, has been relocated from the staff entrance to Selfridges, so as not to cause offence. It features leaves cut out from photographs of intimate body parts. He was on display this evening to the public at the Elephant Parade headquarters on London's Gower Street.
While relocating from the Canadian Pacific around Bensenville to the BNSF around Hinsdale, I spied a westbound pulling from Proviso while crossing the Geneva Sub at Elmhurst. A faded filthy SD70M helped to hammer home the reason why I usually stay away from Union Pacific. At least the little berry things on the tree make things interesting.
8/18/17 by Nancy Doran, Wildlife and Heritage Service
Wildlife biologists relocate a nuisance bear in Westernport
"Relocation" is a piece composed of two photographs of the same size side by side. In both photos, I am seen wearing a white dress shirt and black jeans. In the left photo, I am smiling, wearing red lipstick and on the left sleeve of my shirt, there are red pieces of fabric and 5 pieces of red yarn sewn on. There is also red and crimson food dye dripping on the sleeve. My hands are in a prayer position in front of the center of my torso. In the right photo, the dress shirt is plain, but my hair is messy and my eyes are dark with makeup. My face is distressed and my arms are by my side. Both photos are edited to have low saturation and to appear very dark and moody. The photos are also slightly grainy and have high sharpness. The concept behind this piece is self-harm and how people use it to try to turn their emotional pain into physical pain, but it's not an effective method. The mood of this piece is very dark and gory as it shows one bleeding out. It also shows irony, as in the middle photo, I am seen smiling while I'm 'bleeding out.' This piece is a self-reflective piece as it discusses my personal experience and struggle with depression and self-harm and how I've grown to learn that it is not effective and just causes more harm than one started with. This is portrayed as I tell a story through these pieces: the first photo shows me, clean, but in extreme mental distress. The second photo shows me bleeding and feeling at ease and experiencing a break from feeling miserable. The last photo shows me bleeding and in distress, tying in the message that self-harm is not a suitable coping mechanism to get rid of mental distress and just causes more harm that the beginning.
August 8-12, 2015: Konnarock Crew 1 working with the Smoky Mountain Hiking Club on a relocation near Swim Bald. Bonus: Photos of the 2015 Konnarock End of Season Party!
Relocated to a spot along the Root River State Trail, on a former Milwaukee Road railroad right-of-way.
Seen in the Prescott Costco parking lot, I could not resist photographing this truck. Interesting career I'll bet. Hope we never need this service.
Alisal Recycler is a premier office mover, committed to help making your business move as simple as possible. Our services include the moving/relocation of:
Offices
Laboratories
Factories / Warehouses
Store fixtures
Corporate Suites
Hotel Furniture
Trade show equipment
I'm having a bunch of people over today for my daughter's birthday party, and the first thing I did was move all my dolls into my room. They are currently chilling in the rocking chair. :) their shelves look so empty! But I don't feel like spending the whole party worrying about them.
Greatest thing. This 113 year old sequoia was planted in Boise and instead of chopping it down, they are relocating it across the street. It's hard to tell but they have created a circle of boards around the tree to make a HUGE rootball that they will air lift out and slowly move it across the way. I live that this city has such respect for our environment.
Private Institutions Panel Discussion
Representatives of private institutions focusing on strengthening and resourcing the emerging new arts community and new ways of working; building and sustaining connections and collaborations with displaced or relocated Ukrainian cultural practitioners.
Video in English
***
ArtsLink Assembly 2022: Greener Grass? Cultivating Transborder Connections Between Ukrainian Cultural Communities is a platform for Ukrainian artists, curators, and cultural leaders to share perspectives and ideas for the future of the cultural life of the country.
Curators of this Assembly
Lia Dostlieva, Donetsk, Ukraine, currently in Poznan, Poland
Andrii Dostliev, Donetsk, Ukraine, currently in Poznan, Poland
Anna Gaidai, Lviv, Ukraine, currently in Vienna, Austria
Yulia Kostereva, Yuriy Kruchak, Open Place, Kyiv, Ukraine; Yulia currently in Warszawa, Poland, Yuriy in Kyiv
Mariia Volchonok, Anastasiia Manuliak, Ukrainian Institute, Kyiv, Ukraine
Curatorial statement in Ukrainian and English
With commissioned work, dialogues, presentations, and panel discussions, the ArtsLink Assembly brought together over forty key Ukrainian artists and cultural leaders to reflect on what needs to happen now, and what strategic decisions are needed for the future.
Acknowledgements
ArtsLink Assembly 2022 was hosted by Ujazdowski Castle Center for Contemporary Art, Warszawa, Poland.
ArtsLink Assembly 2022 was made possible by support from the Culture of Solidarity-EUNIC Ukraine Fund, in partnership with the European Cultural Foundation and EUNIC with core financing led by the Goethe Institut; the Trust for Mutual Understanding; and the Kirby Family Foundation.
ArtsLink Assembly 2022 is produced by CEC ArtsLink (New York, USA) and Ukrainian Institute (Kyiv, Ukraine), in partnership with Open Place (Kyiv, Ukraine).
Warsaw, Poland
Ujazdowski Castle Centre for Contemporary Art, 2022
Photo by Dominika Jaruga
Courtesy of CEC ArtsLink
Join us
www.facebook.com/OpenPlacePlatform
www.youtube.com/OpenPlaceComUa
www.youtube.com/OpenPlaceChannel
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Warehouse Live
Houston, TX
10.14.12
© Rebekah Stearns Photography
Do not use without permission- rebekahs.photogrphy@gmail.com