View allAll Photos Tagged relocation
"Relocation" is a piece composed of two photographs of the same size side by side. In both photos, I am seen wearing a white dress shirt and black jeans. In the left photo, I am smiling, wearing red lipstick and on the left sleeve of my shirt, there are red pieces of fabric and 5 pieces of red yarn sewn on. There is also red and crimson food dye dripping on the sleeve. My hands are in a prayer position in front of the center of my torso. In the right photo, the dress shirt is plain, but my hair is messy and my eyes are dark with makeup. My face is distressed and my arms are by my side. Both photos are edited to have low saturation and to appear very dark and moody. The photos are also slightly grainy and have high sharpness. The concept behind this piece is self-harm and how people use it to try to turn their emotional pain into physical pain, but it's not an effective method. The mood of this piece is very dark and gory as it shows one bleeding out. It also shows irony, as in the middle photo, I am seen smiling while I'm 'bleeding out.' This piece is a self-reflective piece as it discusses my personal experience and struggle with depression and self-harm and how I've grown to learn that it is not effective and just causes more harm than one started with. This is portrayed as I tell a story through these pieces: the first photo shows me, clean, but in extreme mental distress. The second photo shows me bleeding and feeling at ease and experiencing a break from feeling miserable. The last photo shows me bleeding and in distress, tying in the message that self-harm is not a suitable coping mechanism to get rid of mental distress and just causes more harm that the beginning.
8/18/17 by Nancy Doran, Wildlife and Heritage Service
Wildlife biologists relocate a nuisance bear in Westernport
An excellent photojournal of the relocation of American citizens:
yourlocaladda.com/forum/wallpapers-77/world-war-ii-intern...
In the early part of World War II, 110,000 persons of Japanese ancestry were interned in relocation centers by executive order No. 9066, issued on February 19, 1942.
Manzanar, the first of ten such concentration camps, was bounded by barbed wire and guard towers, confining 10,000 persons, the majority being American citizens.
May the injustices and humiliation suffered here as a result of hysteria, racism, and economic exploitation never emerge again.
(Words from the sign posted at Manzanar.)
This is a part of California/Nevada 2012 Photo Trip.
Road Sign on New Road "HEDON - Historic Market Town" has been relocated from the other side of the road.
New arrivals to the relocation settlement are under considerable pressure to get their houses built, especially during typhoon season. Each family is given $1,000 and a plot of land. Some build for themselves, others hire contractors, but being new to the area, many lack a social network and are vulnerable to exploitation.
Demolition stopped briefly as this Raccoon relocated. Kudos to the amazing demolition crew.
Demolition of Central Park site, located between Dundas Street East and Oak Street, bound by Sackville Street to the west and Sumach Street to the east
Regent Park
Toronto
April 2011
NPWS, Sea World, ORRCA and Sea Life Aquarium staff capture and relocate the dugong back to QLD with the help of the RAAF and Merimbula community.
Photo: NPWS/C.Dickmann
Shearing Shed, relocated from Murray Downs Homestead nr Swan Hill
now at Shear Outback, The Australian Shearers' Hall of Fame
Hay, NSW, Australia
© Dirk HR Spenneman 2009, All Rights Reserved
Warehouse Live
Houston, TX
10.14.12
© Rebekah Stearns Photography
Do not use without permission- rebekahs.photogrphy@gmail.com
Relocated to a Gest Street location near the UPS office after the History Center moved from Mount Adams
BCA Architects recently relocated its corporate headquarters to the Eagle Body Manufacturing building, an historic building constructed in 1921, and is located in downtown San Jose premiere arts and cultural district. BCA Architects partnered with the Redevelopment Agency to renovate and modernized the 16,385-square-foot building by adding 4,000 square feet of structural upgrades, facade improvement and building system upgrades to accommodate the office use. The San Jose Redevelopment Agency contributed $630,000 to the $3.1 million historic preservation project. During the past two decades, the San Jose Redevelopment Agency has invested more than $152 million to rehabilitate and preserve 110 historic properties.
Additionally, the Agency has invested more than $120 million towards improvements in the SoFA district. Some noted projects include street improvements and beautification, renovation of the historic California Theatre; assistance to galleries—Anno Domini Gallery, MACLA, Works/San José Gallery, San Jose Museum of Quilts & Textiles, San Jose Institute of Contemporary Art, and performance centers—City Lights Theater Company and San Jose Stage. www.sjredevelopment.org
These San Jose Redevelopment Agency photographs are being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the San Jose Redevelopment Agency.
"Relocation" is a piece composed of two photographs of the same size side by side. In both photos, I am seen wearing a white dress shirt and black jeans. In the left photo, I am smiling, wearing red lipstick and on the left sleeve of my shirt, there are red pieces of fabric and 5 pieces of red yarn sewn on. There is also red and crimson food dye dripping on the sleeve. My hands are in a prayer position in front of the center of my torso. In the right photo, the dress shirt is plain, but my hair is messy and my eyes are dark with makeup. My face is distressed and my arms are by my side. Both photos are edited to have low saturation and to appear very dark and moody. The photos are also slightly grainy and have high sharpness. The concept behind this piece is self-harm and how people use it to try to turn their emotional pain into physical pain, but it's not an effective method. The mood of this piece is very dark and gory as it shows one bleeding out. It also shows irony, as in the middle photo, I am seen smiling while I'm 'bleeding out.' This piece is a self-reflective piece as it discusses my personal experience and struggle with depression and self-harm and how I've grown to learn that it is not effective and just causes more harm than one started with. This is portrayed as I tell a story through these pieces: the first photo shows me, clean, but in extreme mental distress. The second photo shows me bleeding and feeling at ease and experiencing a break from feeling miserable. The last photo shows me bleeding and in distress, tying in the message that self-harm is not a suitable coping mechanism to get rid of mental distress and just causes more harm that the beginning.
Data Centre relocation’s can be needed for several reasons, often business changes or company growth can require a physical shift in location to better accommodate a larger workforce and supporting infrastructure. For More Information visit: www.bell-integration.com
Historic Mulberry Creek Bridge in Schulenburg, Texas. The bridge is a wrought iron, single-span Pratt bedstead pony truss. It was built in 1888 by the Missouri Valley Bridge and Iron Works and its sub-contractor, A. J. Tullock and Company. It was originally located on Schulenburg-Flatonia Road over the West Navidad River, before being moved in the early 1920s to County Road 291 (Hermis Road) over Mulberry Creek. The bridge was listed on the National Register of Historic Places in 1975 (NRHP No. 75001976). It was also designated as a State Antiquities Landmark in 1981 and as a Recorded Texas Historic Landmark in 1990.
The bridge was moved to its current location in Wolters Park in Schulenburg in 2001 where it serves as a pedestrian bridge over Schulenburg Creek. It was relisted on the National Register of Historic Places in 2013 (NRHP No. 13000888 as the Bedstead Truss Bridge).
Although the “full scale” calendar shows early June, on the Eastport Branch it’s already the glory of autumn. Time for a photo session along the cliffs of Chatham Gorge to see what might pass by under the clear skies, but it’s already late afternoon the sun is starting to go down earlier each day. As the sun lowers in the sky, the colors change to that magnificent time of “sweet light” which only last for a short time each afternoon. But along the Eastport Branch it’s as long as the flood lights are left on.
Today we move the camera to the Eastport module, and concentrate on the two wooden trestles that span Eastport inlet. A perfect photo location to see trains leave and arrive at the small but busy fishing village located at the end of the inlet. Way off in the distance the Atlantic can be seen. Pictures were taken during the entire day, including sunrise, midday, sunset, and under a full moon. It’s amazing what relocation of lighting and changes in white balance can do for a scene.
Note the reflection of light from the MP54s on the "waters" of Eastport harbor.
Warehouse Live
Houston, TX
10.14.12
© Rebekah Stearns Photography
Do not use without permission- rebekahs.photogrphy@gmail.com
Seen in the Prescott Costco parking lot, I could not resist photographing this truck. Interesting career I'll bet. Hope we never need this service.
This monument stands in the Manzanar cemetery. The Japanese text reads "Soul Consoling Tower".
Manzanar War Relocation Center was one of ten internment camps during WWII. Many of the people sent here were native-born American citizens. They were not spies. They were not saboteurs. They were not criminals. They were not prisoners of war. They were not foreign agents. They were held prisoner here for no reason other than their Japanese heritage.
Manzanar is located just outside of Independence, CA, about half way between Reno and Los Angeles along US 395. The remains of the camp are now a National Historic Site, which is open to the public and free. There is a museum about the Japanese Internment of WWII and life in the camps. A self-guided auto tour will take you through the site of the camp.