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Nikkor AF-S 35mm f/1.8 G ED

I'm using another Ilford monochrome simulation today. HP5 Plus 400 is/was a beautiful film for pushing beyond the normal ISO.

 

Fujifilm X-Pro3 with Fujinon XF 18mm f/2 R lens

An obvious squared circle for today. (It's a pedestrian crossing button for those who don't recognise it!).

DPU 8498, a SD70ACe, pushes hard on the back of a westbound stacker at Global III in Rochelle,IL.

Some of you may have noticed that, unfortunately, owing to the fact that a certain person who sells truck photos on eBay commercially has been lifting my images from this album and selling them I have had to remove 2300 photos that didn't have a watermark. I have now run around 1700 through Lightroom and added a watermark with the intention of bulk uploading them again. Rather than watermark the existing (hidden) files in Flickr one at a time it will be easier to do it this way. I definitely won’t be adding individual tags with the make and model of each vehicle I will just add generic transport tags. Each photo is named after the vehicle and reg in any case. For anyone new to these images there is a chapter and verse explanation below. It is staggering how many times I get asked questions that a quick scan would answer or just as likely I can’t possibly answer – I didn’t take them, but, just to clarify-I do own the copyright- and I do pursue copyright theft.

 

This is a collection of scanned prints from a collection of photographs taken by the late Jim Taylor A number of years ago I was offered a large number of photographs taken by Jim Taylor, a transport photographer based in Huddersfield. The collection, 30,000 prints, 20,000 negatives – and copyright! – had been offered to me and one of the national transport magazines previously by a friend of Jim's, on behalf of Jim's wife. I initially turned them down, already having over 30,000 of my own prints filed away and taking space up. Several months later the prints were still for sale – at what was, apparently, the going rate. It was a lot of money and I deliberated for quite a while before deciding to buy them. I did however buy them directly from Jim’s wife and she delivered them personally – just to quash the occasional rumour from people who can’t mind their own business. Although some prints were sold elsewhere, particularly the popular big fleet stuff, I should have the negatives, unfortunately they came to me in a random mix, 1200 to a box, without any sort of indexing and as such it would be impossible to match negatives to prints, or, to even find a print of any particular vehicle. I have only ever looked at a handful myself unless I am scanning them. The prints are generally in excellent condition and I initially stored them in a bedroom without ever looking at any of them. In 2006 I built an extension and they had to be well protected from dust and moved a few times. Ultimately my former 6x7 box room office has become their (and my own work’s) permanent home.

I hope to avoid posting images that Jim had not taken his self, however should I inadvertently infringe another photographers copyright, please inform me by email and I will resolve the issue immediately. There are copyright issues with some of the photographs that were sold to me. A Flickr member from Scotland drew my attention to some of his own work amongst the first uploads of Jim’s work. I had a quick look through some of the 30 boxes of prints and decided that for the time being the safest thing for me to do was withdraw the majority of the earlier uploaded scans and deal with the problem – which I did. whilst the vast majority of the prints are Jims, there is a problem defining copyright of some of them, this is something that the seller did not make clear at the time. I am reasonably confident that I have since been successful in identifying Jims own work. His early work consists of many thousands of lustre 6x4 prints which are difficult to scan well, later work is almost entirely 7x5 glossy, much easier to scan. Not all of the prints are pin sharp but I can generally print successfully to A4 from a scan.

 

You may notice photographs being duplicated in this Album, unfortunately there are multiple copies of many prints (for swapping) and as I have to have a system of archiving and backing up I can only guess - using memory - if I have scanned a print before. The bigger fleets have so many similar vehicles and registration numbers that it is impossible to get it right all of the time. It is easier to scan and process a print than check my files - on three different PC’s - for duplicates. There has not been, nor will there ever be, any intention to knowingly breach anyone else's copyright. I have presented the Jim Taylor collection as exactly that-The Jim Taylor Collection- his work not mine, my own work is quite obviously mine.

Unfortunately, many truck spotters have swapped and traded their work without copyright marking it as theirs. These people never anticipated the ease with which images would be shared online in the future. I would guess that having swapped and traded photos for many years that it is almost impossible to control their future use. Anyone wanting to control the future use of their work would have been well advised to copyright mark their work (as many did) and would be well advised not to post them on photo sharing sites without a watermark as the whole point of these sites is to share the image, it is very easy for those that wish, to lift any image, despite security settings, indeed, Flickr itself, warns you that this is the case. It was this abuse and theft of my material that led me to watermark all of my later uploads. I may yet withdraw non-watermarked photos, I haven’t decided yet. (I did in the end)

To anyone reading the above it will be quite obvious that I can’t provide information regarding specific photos or potential future uploads – I didn’t take them! There are many vehicles that were well known to me as Jim only lived down the road from me (although I didn’t know him), however scanning, titling, tagging and uploading is laborious and time consuming enough, I do however provide a fair amount of information with my own transport (and other) photos. I am aware that there are requests from other Flickr users that are unanswered, I stumble across them months or years after they were posted, this isn’t deliberate. Some weekends one or two “enthusiasts” can add many hundreds of photos as favourites, this pushes requests that are in the comments section ten or twenty pages out of sight and I miss them. I also have notifications switched off, I receive around 50 emails a day through work and I don’t want even more from Flickr. Other requests, like many other things, I just plain forget – no excuses! Uploads of Jim’s photos will be infrequent as it is a boring pastime and I would much rather work on my own output.

 

And this is how he pushes the ball under the couch. Time after time. Most of the time without any encouragement from me.

Maclaren at the Science Museum

pushing the bus

10th June, 162/ 366

 

Slightly morbid I know but I took this as I walked past Ardington Church today because the daisies looked so pretty in the sunlight against the blue sky and graveyard. I couldn't resist the title I'm afraid!

 

It is a sad week for my family as on Thursday the funeral of my Uncle takes place - he had a wonderful sense of humour and I'm quite sure this would make him smile...

Hi! My name is Daniel and I live in Helsinki, Finland. I “rediscovered” film around 1.5 years ago and since then, I haven’t shot much in the way of digital – including about a year of having no digital cameras at all.

To me, film is superior in every aspect – its tones, grain, and the...

 

More at: emulsive.org/articles/push-processing-ilford-hp5-ei-800-t...

 

Filed under: #Articles #FilmReviews

These plants are pushing their way through a blanket of leaves that had covered them during the long cold winter.

Kodak Tri-x @ 12,800, Leica M4, Voigtlander 35mm F2.5, Rodinal 1:100

WRC Rally Acropolis - SS2 Loutraki

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© 2014 Andreas Dengs - All rights reserved.

 

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Please push "F" key on your keybord to favour this image and "C" key to leave a comment :-)

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 就連說再見的時間也沒有。16/Mar/2011

 

K153 pushes back through the servicing shed at Newport Workshops ready to shunt Y419 (Y112) backwards into the shed after the Y failed on lightup for its 125th birthday trip.

✿ Green striped dress: bYSI (Singapore)

✿ Green striped pullover: Mango (Malaysia)

✿ Navy leggings (120 denier): Top20 (Singapore)

✿ Dark grey sneakers: Rubi (Singapore)

✿ Gold leaf headband: Paris Kids (Japan)

✿ Blue animal backpack: shop in Ameyoko, Japan

 

www.pupuren.com/weblog/2011/03/of-volcanoes-and-alleys/

camera: polaroid sx-70

film: Impossible Project • Color Shade Push

 

❝ blog | tumblr | twitter ❞

a similar process as the last upload

Rider: Igor Rogowski

Location: Ulm

 

May 20, 2016

Congress Street, Boston.

 

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Edited in PicMonkey, 16 x 9 crop and color tweaks too.

Atherstone Lock 2, Coventry Canal

An inbound LIRR diesel train accelerates away from Forest HIlls station, headed towards Manhattan.

 

Forest HIlls Station

Main Line - LIRR

Model: Meredith

 

Meredith was practicing on pointe shoes before dance class last week. She hasn't done pointe for a while, so it was interesting to watch her push herself to do some positions.

©All Rights Reserved, do not use this photo unless given explicit, written consent.

Southwest Airlines 737-76N, N7701B, c/n 32681

 

Originally delivered to AirTran in 2004 as N149AT.

 

Note the SWA "California One" markings on the aircraft tug.

 

Push-back from Terminal B

Mineta San Jose International Airport (SJC)

November 9, 2015

UPY GP15-1s #706 and #718 sandwich a single tank car headed for Roquette in Gurnee. To get there, they have to make a see-saw move via KO Junction, which requires a push-pull set of units.

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