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尼泊尔－加德满都－猴庙－提线木偶
Traditional string puppet, a popular souvenir item from Nepal. Shot in Swayambhunath (also known as Monkey Temple), a UNESCO World Heritage Site on top of Swayambhu hill on the western side of Kathmandu, Nepal.
© All rights reserved. You may not use this photo in website, blog or any other media without my explicit permission. Temple), a UNESCO World Heritage Site on top of Swayambhu hill on the western side of Kathmandu, Nepal.
Underneath this canopy of snow
Where fifty-seven winters
Took their toll
Where did you go?
And I believed in you
I believed in you
Like Elvis Presley
Singing psalms on a Sunday
(Where did you go?)
Well she's gone to meet her maker
Back to where she came from
Come to save her soul...
Come to save her soul...
Come to take her home
'Cause it's late and past
Your bedtime
Well past bedtime
Angel
My angel
Fly over me
Angel...
She took her life
Within her hands
She took her life
Within her own two hands
And no-one can tell her
What to do now
And I believed in you
I believed in you
Like Elvis Presley
Singing live from Las Vegas
(Where did you go?)
Well she's gone to meet
Her maker
Back to where she came from
Come to save her soul...
(Angel - Eurythmics)
Mark ‘Spoonman’ Petrakis and I are developing a shadow puppet show we call ‘Ubu’s Dreams’.
This short series of sketches stars Père Ubu, the hero of french poet Alfred Jarry’s surreal plays. In this show, Ubu is constantly dreaming, playing with archetypal characters from our collective unconscious.
For this project, we are creating a variety of wooden figures with a laser cutter: big faces, music notes, dancers, trees and graveyards, to name but a few. We then tape our puppets on wooden sticks, and wave them across the stage to bring them to life, with a projector over our heads.
We plan to continue this experiment through the summer and perform a first puppet show during our Dada exhibit at the Canessa Gallery in North Beach, from Nov. 3 to 12, 2016.
I also plan to use some of these techniques with our lower and middle school students, for the Maker Art courses I will be teaching this fall.
From shadow puppets to poetic robots, these interactive storytelling experiments have the potential to engage us at a deeper level and help us learn more about ourselves.
View more pictures of this Magic Theater project on Flickr:
www.flickr.com/photos/fabola/albums/72157664637863884
Learn more about Ubu’s Dreams:
Learn more about the Magic Theater project (originally called Théâtre Mécanique):
Mark ‘Spoonman’ Petrakis and I are developing a shadow puppet show we call ‘Ubu’s Dreams’.
This short series of sketches stars Père Ubu, the hero of Alfred Jarry’s surreal plays at the turn of the last century. In this show, Ubu is constantly dreaming, interacting with archetypal characters from our collective unconscious.
For this project, we are creating a variety of wooden figures with a laser cutter: big faces, music notes, dancers, street lamps, umbrellas trees and graveyards, to name but a few.
We will then attach our puppets on thin vertical sticks, and wave them across the stage to bring them to life, with a projector over our heads projecting them onto the screen.
We plan to continue this experiment through the summer and perform a first puppet show during our Dada exhibit at the Canessa Gallery in North Beach, from Nov. 3 to 12, 2016.
I also plan to use some of these techniques with our lower and middle school students, for the Maker Art courses I will be teaching this fall.
From shadow puppets to poetic robots, these interactive storytelling experiments have the potential to engage us at a deeper level and help us learn about ourselves.
View more pictures of this Magic Theater project on Flickr:
www.flickr.com/photos/fabola/albums/72157664637863884
Learn more about Ubu’s Dreams:
Learn more about the Magic Theater project (originally called Théâtre Mécanique):
HEAD:03HEAD-W(custom by すづき)
EYE:とてちてとた
BODY:DDS-W + S-Bust
Wig:Himekazura
Clothes:おさぺあこぺ
Shoes:Soylent Green
puppet:NATURAL KITCHEN
Pinocchio Puppet hangs around with several other small wooden toys I have on my bookshelves. It is a souvenir I bought back from Italy years ago.
Letter P, Weekly Alphabet Group.
These are two of the dancers from a show called 'Puppet' by "Dae-Gu City Modern Dance Company", who are from South Korea, performing at this year's Edinburgh Fringe.
I met this company on the Royal Mile where they were performing an excerpt from their show. When I showed them some of my shots, the Director was kind enough to invite me along to photograph their show.
It was the first time I had really tried photographing a dance show...and I've never worked so hard photographically...constantly having to recompose and change exposure in response to the lighting and the movements of the dancers.
When the show ended, I was actually interviewed by a South Korean journalist. Life is more interesting in Edinburgh during the Fringe. :-)
Puppet
Capitulo 1
∞Acordando∞
Flashes... Aplausos... Flores... Todos gritavam com vigor e euforia... Mas há algo de errado. Acordei em uma sala muito estranha, escura com teias de aranha e pó por todos os lados. Não consigo me mexer? O que está acontecendo? I-Isso são linhas? Meu corpo... Transformaram-me em algo que não pude identificar, tudo está diferente. Tentei levantar e andar, mas quando dei o primeiro passo escutei um ruído vindo de um dos cantos escuros da sala.
—Olá? Q-Quem está ai?— Só houve o silêncio como resposta. —Apareça! Estou mandando!
—Shii... Não fale alto... Ele pode estar nos ouvindo.
Quando retornei meu olhar para o canto vi uma boneca fazendo um sinal de silêncio. —O-Onde estou?
Perguntei em desespero.
—Por que estou aqui? Onde encontro a saída?
Ela me olhou se levantando e se aproximou respondendo.
—Não à saída. Nós não podemos sair irmã.
—I-Irmã? Não diga besteiras sou filha única. Não tenho irmã!
—Claro que somos irmãs, nós somos iguais não vê?
Ela me levou até um espelho que havia dentro da sala, quando avistei meu reflexo fiquei sem reação em estado de choque. Essa sou eu? Transformaram-me em uma marionete. UMA MARIONETE! Com o susto saltei para trás e cai no chão trincando uma das minhas pernas.
—Cuidado! Você deve tomar mais cuidado, não podemos cair de forma brusca no chão, pois somos de porcelana e quebramos com facilidade.
—E-Eu não sinto nada. Não sinto dor.
— Mas não sentimos dor irmã...
—NÃO ME CHAME ASSIM!
—Desculpe... Então como se chama?
—Eu me chamo...
—Não se lembra?
—Claro que lembro não seja idiota!
Meu nome? Qual é o meu nome? Eu não me lembro de quase nada. Após uns instantes tentando recordar o meu nome percebi que aquela boneca estava atrás de mim levantando o cabelo das minhas costas.
—Madison! Seu nome é Madison irmã... Perdão.
—Madison? Isso meu nome é Madison hahaha, como poderia esquecer.
—Eu me chamo Fiona, Muito prazer.
—Certamente. Mas onde é a saída?
—Não podemos sair nosso mestre não permite.
Após ela dizer isso a sala começou a tremer e uma mão gigantesca me pegou e me tirou dali para uma mesa gigantesca com agulhas, linhas e tecidos.
Mark ‘Spoonman’ Petrakis and I are developing a shadow puppet show we call ‘Ubu’s Dreams’.
This short series of sketches stars Père Ubu, the hero of Alfred Jarry’s surreal plays at the turn of the last century. In this show, Ubu is constantly dreaming, interacting with archetypal characters from our collective unconscious.
For this project, we are creating a variety of wooden figures with a laser cutter: big faces, music notes, dancers, street lamps, umbrellas trees and graveyards, to name but a few.
We will then attach our puppets on thin vertical sticks, and wave them across the stage to bring them to life, with a projector over our heads projecting them onto the screen.
We plan to continue this experiment through the summer and perform a first puppet show during our Dada exhibit at the Canessa Gallery in North Beach, from Nov. 3 to 12, 2016.
I also plan to use some of these techniques with our lower and middle school students, for the Maker Art courses I will be teaching this fall.
From shadow puppets to poetic robots, these interactive storytelling experiments have the potential to engage us at a deeper level and help us learn about ourselves.
View more pictures of this Magic Theater project on Flickr:
www.flickr.com/photos/fabola/albums/72157664637863884
Learn more about Ubu’s Dreams:
Learn more about the Magic Theater project (originally called Théâtre Mécanique):
SHOES: [MODA] BOUND CHAIN PLATFORMS & HUD (Special Edition) V.2
maps.secondlife.com/secondlife/MODA/122/138/26
BODYSUIT: SPIRIT - Night bodysuit cotton [GOLD]
maps.secondlife.com/secondlife/Spirit%20Kitja/135/137/202
HAIR: Unorthodox Sierra Hair - Chocolate
maps.secondlife.com/secondlife/XODOHTRONU/141/137/1724
NAILS: Astralia - Galaxy! (Bracelet&Ring) #2 RARE
The Arcade - March 2017
I made a few finger puppets for my little nieces and nephew for Christmas and one of my coworkers mentioned that she liked them. I told her I was toying with the idea of making an advent calendar of finger puppets and she loved the idea so much -- these will be hers.
This morning I read Craft Apple and she was starting a Flickr group for an advent calendar sew-along and I realized I'd found my accountability. I sewed the pig and chicken this morning to join the bat, dog and owl I'd made already.
Now if I can only think of 20 other animals I can create in finger puppet form and come up with a way to number and display them, I'll be all set!
If there be a hell upon earth it is to be found in a melancholy man's heart.
(Robert Burton)
Exhibition by www.hetfirmament.be/ at Hingene (Kasteel d'Ursel)
What's a puppet to do when he's not allowed down a path because he has no feet? Photo taken at Dead Horse Point State Park, Utah.
This was taken at an antiques fair at La Bisbal d'Emporda. When on holiday in Spain, we normally spend Saturdays and Sundays foraging amongst the tat and junk of the local car boot sales.
This market was a cut above those with many quality items - most of which were way beyond our price range.
I just liked the fact that this very old Oriental puppet was propped up against a tree waiting for somebody to fall in love with him. I'm not sure anybody did.