View allAll Photos Tagged puppet
On Surrealist Saturday, a spectacular puppet parade, Merma Never Dies, designed by the Surrealist painter Joan Miró, was reinvented for the Tate.
Seen on my t-shirt: I went for a week to portland and the oregon coast and all I got were these awesome puppets.
I think they are the children (or parents?) of Johnny Quest, David Bowie and Devo.
“I was watching a soap opera and all of a sudden an earthquake took place,” says Natcharin, a 13-year old girl who lives in Chiang Saen, northern Thailand. “My mum and I hid under the table and bed. If there is a disaster, people in our community will be in trouble."
Natcharin recently attended a 2-day workshop with 29 other children from 4 villages to create characters and stories to use for a shadow puppet show all about disasters.
“In our story, we want to talk about how it isn’t good to ignore flood warnings. I’ll use my knowledge to perform for adults and children so that they know how dangerous disasters can be”.
Shadow puppetry is an effective way for vulnerable children and communities to learn about disaster risk reduction using easy, fun and engaging media. In partnership with Plan Thailand, the organisation Wondering Moon uses shadow theatre to tell stories of disasters.
Pattern is from the Bend the Rules Sewing book by Amy Karol.
The main fabric is a nursery curtain panel and the white accent fabric is a crib sheet, both by Dwell Studio for Target.
sewbylorna.blogspot.com/2010/01/puppet-theatre-from-bend-...
This week is the 5th anniversary of Iron Craft and we were tasked with making a project using materials that are given as 5th anniversary gifts. Wood is the tradition 5th anniversary gift so I went with that. Wooden Spoon puppets.
This is Hansel and Gretel.
More details and photos blogged here: tawnybee.com/?p=918
I made her for a puppet show of little red riding hood. I don't remember any details - like why she isn't wearing any red.
fingerpainted on iphone with Brushes app.
I saw this really cool puppet at the Halloween Show in Chicago this weekend. From what I remember, this is what the head looks like, I will post the finished figure sometime soon.
The boy puppet armature was constructed by taking apart helping hands soldering tools and using them for the major joints in his legs, hips, and neck. The arms consist of wire covered with brass tube bones.
Annual pilgrimage to the Sunapee Craft Fair today with sister Sue and friend Donna. So many beautiful and fun crafts to admire. I did manage to bring a few home from my favorite artisans.
for my geography homework!!!! made out of 2 peices of felt and glued together. Pipe cleaner tuongue and 2 gogley eyes! x
“I was watching a soap opera and all of a sudden an earthquake took place,” says Natcharin, a 13-year old girl who lives in Chiang Saen, northern Thailand. “My mum and I hid under the table and bed. If there is a disaster, people in our community will be in trouble."
Natcharin recently attended a 2-day workshop with 29 other children from 4 villages to create characters and stories to use for a shadow puppet show all about disasters.
“In our story, we want to talk about how it isn’t good to ignore flood warnings. I’ll use my knowledge to perform for adults and children so that they know how dangerous disasters can be”.
Shadow puppetry is an effective way for vulnerable children and communities to learn about disaster risk reduction using easy, fun and engaging media. In partnership with Plan Thailand, the organisation Wondering Moon uses shadow theatre to tell stories of disasters.
“I was watching a soap opera and all of a sudden an earthquake took place,” says Natcharin, a 13-year old girl who lives in Chiang Saen, northern Thailand. “My mum and I hid under the table and bed. If there is a disaster, people in our community will be in trouble."
Natcharin recently attended a 2-day workshop with 29 other children from 4 villages to create characters and stories to use for a shadow puppet show all about disasters.
“In our story, we want to talk about how it isn’t good to ignore flood warnings. I’ll use my knowledge to perform for adults and children so that they know how dangerous disasters can be”.
Shadow puppetry is an effective way for vulnerable children and communities to learn about disaster risk reduction using easy, fun and engaging media. In partnership with Plan Thailand, the organisation Wondering Moon uses shadow theatre to tell stories of disasters.
The dalang, or puppet master, both tells the story (using many different voices) and moves the puppets. His two helpers (foreground) take puppets from the big array extending outward from the side of the screen and hand them to him.
Helena Bonham Carter as Bellatrix Lestrange from the Harry Potter film series in puppet form, created by myself.
I animated together in some exercises as seen here vimeo.com/125911069
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Il Lago dei cigni più dinamico, euforico e abbagliante finalmente per la prima volta in Italia.
Swan Lake reloaded, fin dal suo debutto a Stoccolma nel dicembre 2011, è diventato un fenomeno di straordinario successo sia per il pubblico che per la critica.
Grazie al perfetto e originale mash up di musica, danza e design, lo spettacolo continua a registrare sold-out nei principali teatri di tutta Europa (The Coliseum, Londra – Casino de Paris, Parigi – Admiralspalast, Berlino – Maaghalle, Zurigo, solo per citarne alcuni) e il 17 marzo 2014 debutta per la prima volta in Italia al Teatro degli Arcimboldi di Milano.
Swan Lake, la versione Reloaded di Rydman.
Ovvero: come da un negozio fetish di Londra si può trarre ispirazione per un’opera d’arte.
“Stavo dando un'occhiata a Camden Market e ho visto queste gonne di pelle nera con nappe intrecciate”, racconta Rydman. “La cosa strana è che mi hanno ricordato dei cigni scuri e ho pensato: e se i cigni ne Il lago dei cigni fossero prostitute drogate e il cattivo Rothbart il loro protettore? Ero totalmente rapito dall'idea che ho verificato subito su Google se qualcuno avesse già riflettuto su questa interpretazione”.
Nessuno lo aveva fatto.
Čajkovskij a passo di street dance.
La commistione tra stili di danza apparentemente agli antipodi fra loro, street dance e danza classica, si ritrova anche nella scelta delle musiche. Per questa produzione, infatti, Rydman ha utilizzato, insieme alle musiche originali di Čajkovskij, brani composti ad hoc da musicisti pop e rock svedesi e internazionali. L’intuizione del coreografo svedese si è rivelata vincente. Rydman, membro e fondatore della compagnia svedese di danza Bounce, vede nel successo dello show la conferma che la street dance può finalmente essere considerata uno stile di danza a tutti gli effetti, in grado di attirare e soddisfare un pubblico sempre più vasto.
Team creativo
Fredrik Rydman - Ideazione e Coreografia
Fredrik Rydman e Lehna Edwall - Scene
Daniel ”Mr Puppet” Blomqvist - Graffiti painting
Linus Fellbom e Emma Westerberg - Luci
Lehna Edwall - Costumi
Grafala, Andreas Skärberg, Johan Andersson e Mathias Erixon - Video proiezioni
Ballerini
Maria Andersson, Stefan Puxon, Joshua Kinsella, Lizzie Gough, Fredrik ”KAOS” Wentzel, Rim Shawki, Lisa Arnold, Kevin Foo, Eva Gardfors, Martin Jonsson, Kristina Kjellsson, Raineir Del Valle, Victor Mengarelli.
Rod puppet heads made from carved styrofoam balls covered in papermache. Hands were made from air dry clay. Head is supported by a dowel, and arm structure is a rope tied to the dowel, onto which the costume is built. Arms are manipulated by a wire hanger that was cut in half and straightened.-HS puppetry class