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My Big Sky photo represents Montana in "The States," a unique book of poems by Craig Foltz, published by Ugly Duckling Presse. The book is in the form of perforated postcards.

Thanks for viewing one of my many London-based photos. I've been published my London Daily Photo series every day since 2006 via my blog, tikichris.com. Please have a look at more of my shots of London from over the years:

 

tikichris.com/category/london-daily-photo/

 

Of course, I'd love to know what you think! You're welcome to leave a comment or to get in touch.

Published Cream BMX Magazine Issue 23

© sergione infuso - all rights reserved

follow me on www.sergione.info

 

You may not modify, publish or use this photo without written permission and consent.

 

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Born July 12, 1991 in Washington D.C. and moved to Colorado when i was 2. My inspiration to rap was the one and only, Eminem. When I first saw 8 mile I knew there was nothing else i wanted to do except make music. So i started rapping in 2004 when i was about 13-14 years old.

 

I write about things going on in life, the people that i encounter, and anything that has meaning. I like to tell a story and i really want people to feel what i'm saying. I don't like giving myself a title, i'm just a rapper that writes deep lyrics. If you like it you like if you don't u don't. I get alot of my inspiration from artist like B.o.B, Michael Jackson, Kanye, and Jay-Z, etc., and from any other artist that make great and powerful music.

 

I'm a real open minded artist. Music is basically my life, my passion, my heart, and i don't know what i would do without it! Ive performed at school events, at the mall, and over at the loft. My ultimate goal is to record a track with Eminem and to be nominated and win a Grammy. God gave me this skill and talent for a reason and with it i want to become one of the greatest!

Published at Elegant Magazine (US)

Model: K. Schuster

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Published and sold by J W Mears Stationer and Gramophone agent of Derby Road Long Eaton c1930. Trent Lock (otherwise Trentlock) is located south of Long Eaton, on the borders of Derbyshire, Leicestershire and Nottinghamshire in the United Kingdom. The area is a major canal navigation junction, where the River Soar and Erewash Canal can reach the Trent and Mersey Canal by way of the River Trent and adjacent Cranfleet Cut.

My book in the San Francisco / Union Square Borders -- 8/6/07

This photograph was published in the Illustrated Chronicle 12 Aug 1916 p11.

 

During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.

 

The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.

Published by O Globo, Brazil 1943

Camp Battleship photos Six of my images appear here, at www.pacificbattleship.com/get-involved/education/camp-bat...

 

and mailchi.mp/labattleship/want-your-youth-group-to-spend-a-...

 

"Visit Us", on the PBC Website (6 images) www.pacificbattleship.com/visit-us/

 

HUP Helicopter photo www.pacificbattleship.com/visit-us/tours/

 

Father's Day event Three photos of guests (2 of my fav's) mailchi.mp/labattleship/treat-your-dad-to-a-fathers-day-h...

 

IOWA at sunrise at MARAD - Battleship IOWA Instagram - www.instagram.com/p/BpdhjSPhByi/

 

Viator ticket sales www.viator.com/tours/Los-Angeles/Battleship-USS-Iowa-Muse...

  

Please note: The Battleship IOWA Museum photo/Camp Battleship icon above is not my creation, only used to show links to some of my photos selected for publishing, by Pacific Battleship Center, USS IOWA Museum www.pacificbattleship.com .

  

Prototype:

A photo of mine to be used (with permission) for the City of Royal Oak 08-09 budget

 

Original:

www.flickr.com/photos/paulhitz/421604424/

full post can be seen on my blog.

 

styled shoot

Catalogue published by Asahi Kōgaku Kōgyō c.1938.

Document owned and scanned by Rebollo_fr. It is in public domain, as are all anonymous documents published in Japan more than fifty years ago.

See also the Camera-wiki pages about Ricoh and Asahi Bussan.

 

Recently published image on pages 16-17 of the Oregon Hunter's association...I am humbled and blessed again! This magazine is currently available on the shelves of many Oregon stores

In 1997 I started what was supposed to be a fairly simple project surveying bird usage of the Nanaimo River Estuary. Little did I know that this project would take almost 10 years to conduct the surveys, write the report, and get it published. I also never dreamed that I would end up nearly getting myself killed by angry poachers in the process.

While I was away doing field work this summer, it finally got published thanks to Neil Dawe's persistence, and the Nature Trust of BC's generosity. 127 pages of really boring bird stats. It's not the novel I imagined I might write someday back when I was 20 years old, but at least I survived to see it published.

This photograph was published in the Illustrated Chronicle on the 15th of March 1917.

 

During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.

 

The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.

 

Had the privilege of working with Brodin, for the cover and fill shots, on their new 2009 catalog .. Thought this stuff turned out really nice!

This photograph was published in the Illustrated Chronicle on the 24th of May 1916.

 

During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.

 

The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.

 

Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.

Today the PDF preview for the second issue of 5x5 photography magazine arrived. I am featured with four photos on three double pages, kicking off the cover story. To read the text in the image above, go here and click on the image.

 

Very grateful to the people at 5x5 for this fabulous feature, and for all the other wonderful photographs and stories in this issue. You can order your copy here.

 

Published in August 2012.

My little sister has had her first book published. I'm very proud of her. She's had a number of articles published in the past and done the odd spot on DIY tv but this is too cool. Had a great time discussing the photography contained there in....

© sergione infuso - all rights reserved

follow me on www.sergione.info

 

You may not modify, publish or use this photo without written permission and consent.

 

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A cavallo tra il 2010 ed il 2011 un nome più di tutti è emerso tra gli appassionati di pop elettronico, un nome che fa capo ad un duo con base a Manchester. Si tratta degli inglesi Hurts che, con la pubblicazione del loro debutto intitolato Happiness, hanno reso felici tutti gli appassionati di un particolare momento della musica anni ’80 che faceva capo a band come Human League, New Order, Depeche Mode, Ultravox. Con un solo disco, infatti, gli Hurts hanno riscoperto e rivitalizzato quei suoni rendendoli nuovamente attuali attraverso la scrittura di una vera e propria opera pop eccelsa. Con Happiness gli Hurts hanno infatti conquistato sia i neofiti dell’elettro-pop sia chi gli anni Ottanta li ha vissuti in prima persona, grazie a singoli come Better Than Love, Wonderful Life, Stay e Sunday, decretando la loro opera prima come uno degli album di maggiore successo del 2010/2011. Ed è nel 2011 che la band vince la nomination di Best New Band agli NME Awards, con oltre 2milioni di copie vendute in tutto il mondo.

 

Nell’elettro-pop di Adam Anderson e Theo Hutchcraft, con rimandi al rock oscuro di Joy Division, Interpol, Editors e White Lies, si ritrova tutta la magia ed il glam degli anni ’80, una stagione tanto bistrattata quanto apprezzata per il cambio radicale che ha imposto ai canoni della pop-music. Anche dal vivo gli Hurts non tradiscono questa magia: il glam diventa parte integrante dello show che è, sin dagli esordi, uno dei live più affascinanti degli ultimi anni, con esplosioni sonore che flirtano con la dance. Imperdibili.

 

Theo Hutchcraft - voce

Adam Anderson - sintetizzatore, chitarra, pianoforte, tastiere

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PAID SHOOTS ARE 1st PRIORITY

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Published by Ebal, Brazil 1955

Published and distributed world-wide in popular international publications.

© sergione infuso - all rights reserved

follow me on www.sergione.info

 

You may not modify, publish or use any files on

this page without written permission and consent.

 

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The Kid Laroi, pseudonimo di Charlton Kenneth Jeffrey Howard, si esibisce per la prima volta in Italia il 12 luglio 2022 al Milano Summer Festival presso l'Alcatraz di Milano, con una data dell'End Of The World Tour.

 

Cresciuto ascoltando le icone dell’hip hop e dell’R&B come Tupac, Erykah Badu, The Fugees, Lil Wayne e Kanye West, il diciottenne da record ha sempre sognato e voluto fare musica, sperando di riuscire a guadagnarsi un posto all’interno di questa eredità specificamente americana.

 

The Kid Laroi inizia a scrivere rap fin da bambino e, nonostante il tragico omicidio di suo zio che nel 2015 ha sconvolto il suo intero nucleo familiare, ha continuato ad inseguire la sua passione riempiendo interi quaderni di rime e affinando sempre di più la sua abilità di paroliere. Ma è stato solo quando ha iniziato a caricare online video di freestyle che ha cominciato a ritagliarsi un suo pubblico. "Un ragazzo mi ha contattato su Facebook dicendo che potevo usare il suo studio gratuitamente: mi ha concesso un po’ di tempo in studio, ho registrato un sacco di canzoni e le ho pubblicate su Sound Cloud" ricorda Charlton.

 

La sua naturale predisposizione a mescolare trap e melodia, utilizzando talvolta l’auto-tune in modo originale, ha attirato l’attenzione dell’industria musicale e lo ha reso una delle voci più interessanti del rap. Nel 2019 raggiunge un’ampia notorietà con il brano “Let Her Go”, di cui il video diretto da Cole Bennet vanta oltre 20 milioni di visualizzazioni.

 

Il brano “Without You”, certificato Oro in Italia con più di mezzo miliardo di stream e più di 2 milioni di video creati con il suono su TikTok, ha raggiunto la Top 10 della Global, la Top 15 della classifica Viral globale, la Top 40 della Viral italiana di Spotify, la Top 15 della classifica globale di Shazam e la Top 20 della classifica globale di Apple Music.

 

Il successo del suo nuovo EP “F*CK Love (Savage)”, che ha debuttato al terzo posto della Billboard 200, è solo l’inizio per The Kid Laroi che con il singolo “Stay”, pubblicato insieme alla superstar mondiale Justin Bieber, si è aggiudicato il Disco d’Oro e Tre Volte il Disco di Platino, posizionandosi alla Numero 1 della classifica Airplay in Italia e nella Top 10 della Chart Pop Top 200 su Spotify Italia e registrando rispettivamente mezzo miliardo di stream e 1 miliardo ascolti, a livello mondiale.

 

È il terzo brano nella storia della classifica RS 100 ad essere per sette settimane consecutive in prima posizione. La canzone ha raggiunto il successo mondiale arrivando alla prima posizione della classifica Hot 100 di Billboard, ma il suo trionfo era stato pensato da un’attenta campagna sui social e piattaforme di Justin Bieber e The Kid Laroi: “Stay” è stata utilizzata in oltre 8 milioni e mezzo di video su TikTok - uno dei primi a contribuire alla viralità della canzone è stato il fotografo e creator @ToTouchAnEmu che ha 9 milioni di follower.

Published by Ebal, Brazil 1966-1972

Shot of my published photographs.

Paolo Maria Paciaudi (1710-1785) studied in Turin and lived in Venice. He moved to Bologna and continued his studies in philosophy and mathematics. He later taught philosophy in Genova. For approximately forty years he served as clergyman in various Italian cities, but eventualy dedicated himself to the study of Antiquity. Paciaudi’s early works deal with ancient Greek art and the history of the Grand Masters of the Order of Malta. In 1750 he published a highly interesting study on Christian bathhouses and cleansing rituals in general (“De sacris Christianorum, Balneis”…). While in Rome, Paciaudi became acquainted with Compte de Caylus from France, a well-known collector, antiquarian, scholar and engraver. Between 1751 and 1756 Paciaudi published eight more works, all in Latin. Paciaudi was also friends with famous archaeologist and art historian J.J. Winckelmann and scholar Abbé Barthelemy.

 

In 1761 he published “Monumenta Peloponnesia Commentariis”, written in excellent Latin. This work describes the antiquities which were carried off to Venice from the islands and the Peloponnese during the Ottoman-Venetian war of the 1680’s, and became part of the collections of the Nani family in Venice.

 

The Venetian officials who arrived in the Peloponnese after its conquest by the Venetian Republic seized the opportunity to realize antiquarian research. The Italian scholars who accompanied them explored all the territory, recorded Peloponnesian antiquities but also pillaged numerous pieces on behalf of the great collector families of Venice. Thus statues, busts, reliefs, funerary steles, inscriptions and coins found their way to Venice.

 

After the publication of this edition, in 1862 Paciaudi became librarian and administrator of the Duke of Palma’s collection. He travelled to Paris, and managed to collect sixty thousand volumes (manuscripts and printed works) within six years. At the same time, he compiled an annotated catalogue of these works, thereby creating one of the most complete libraries in Italy. Later on, Paciaudi supervised the excavations of Velleja and became director of the Colleges of Parma. Towards the end of his life he returned to his native town, and was forced to abandoned writing because of infirmity. He died at the age of seventy-five.

 

Written by Ioli Vingopoulou

  

İtalyan asıllı Paolo Maria Paciaudi (1710-1785) Torino'da eğitim görür ve Venedik'te yaşar. Bologna'ya giderek felsefe ve matematik okur, daha sonra ise Cenova üniversitesi felsefe kürsüsünde ders verir. Papaz olarak on yıl boyunca İtalya'nın birçok kentinde görev yapar, en sonunda kendini antik yunan çalışmalarına adar. İlk eserleri antik yunan sanatı ile Malta Şövalyelerinin Büyük Üstad'ının (Gran Maestro) tarihi hakkındadır. 1750 yılında Hristiyanların hamamları ve genel olarak törensel ruh temizlemeleri (De sacris Christianorum, Balneis…) hakkında çok ilginç bir kitap yayınlar. Roma'dayken Paciaudi tanınmış bir koleksiyoncu, arkeoloji araştırmacısı, entelektüel ve gravürcü olan Fransız kont de Caylus'u tanır. Aralarında sürdürdükleri sık yazışma 1805 yılında A. Sérieys tarafından yayınlanır. 1751 ile 1756 yılları arasında ise Paciaudi'nin tümü latince yazılmış olan sekiz eseri yayınlanır. Kont de Caylus'dan başka, Paciaudi, ünlü arkeolog ve sanat tarihçisi J.J. Winckelmann ve entelektüel Αbbe Bartélemy ile de dostluk sürdürür.

 

1761 yılında mükemmel bir latince ile yayınladığı Monumenta Peloponnesia Commentariis kitabında 1680'li yıllarda Osmanlı-Venedik savaşları sırasında Peloponez ve adalardan Venedik'e taşınmış olan ve Venedikli büyük koleksiyoncu aile Nani'lerin koleksiyonlarına eklenen arkeolojik eserler betimlenmektedir. Peloponez'in Venedik tarafından fethinden hemen sonra Mora'ya gelen Venedikli rütbeliler yönetim ve maliye işlerinden başka arkeolojik araştırma tutkularını da tatmin edecek zemin bulurlar. Kendilerine refakat eden italyan entelektüeller her tarafı araştırıp bir yandan arkeolojik eserleri kaydederler bir yandan da Mora'nın tümünü Venedikli büyük koleksiyoncu aileler hesabına yağma ederler. Böylelikle birçok heykel, büst, kabartma yontu, kitabe, yazıt ve sikke, Venedikli yönetici sınıf mensuplarının koleksiyonlarını zenginleştirmek üzere Venedik yolunu alır.

 

1762'de gerçekleşen bu yayından hemen sonra Paciaudi Parma Dükü'nün kütüphanecisi ve koleksiyon sorumlusu görevini üstlenir. Bu sıfatla Paris'e gider ve 6 yıl içinde 60 bin adet kitap (basılı ve el yazması) toplar. Aynı zamanda bunların açıklamalı kataloglarını da kaleme alır. Böylelikle İtalya'nın en geniş kapsamlı kitaplıklarından birini yaratmış olur. Daha sonraları Paciaudi Velleja'daki kazıların idaresini üstlenir ve Parma Kolejlerinin müdürlüğüne atanır. En sonunda memleketine döner ancak bir sakatlıktan dolayı yazarlık etkinliğini terketmek zorunda kalır ve yetmiş beş yaşında ölür.

 

Yazan: İoli Vingopoulou

 

Gelombang Buana (Published)

 

About The Design:

Book Cover Title: Gelombang Buana

 

Software Used:

Adobe Photoshop

Adobe Illustrator

MySpace da banda Nitrominds

www.myspace.com/nitrominds

 

Fotos tiradas durante os shows do Nitrominds no Hangar 110 e ABC PRO HC 10

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This photograph was published in the Illustrated Chronicle on the 5th of May 1916.

 

During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.

 

The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.

 

Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.

© sergione infuso - all rights reserved

follow me on www.sergione.info

 

You may not modify, publish or use any files on

this page without written permission and consent.

 

-----------------------------

 

Wolf Alice, la rock band inglese, torna finalmente in Italia per un appuntamento unico venerdì 25 novembre 2022 al Fabrique di Milano.

 

Dopo aver calcato i palchi più prestigiosi di tutto il mondo, tra cui il Pyramid Stage al Glastonbury Festival, Wolf Alice sono pronti a tornare nel nostro paese per trasmettere ai loro fan tutta l’adrenalina rock che hanno.

 

Dopo quattro anni dai loro elettrizzanti show all’I-Days Festival e a Firenze Rocks, il quartetto inglese è pronto per tornare in Italia per promuovere il terzo album di una carriera eccezionale, Blue Weekend, uscito lo scorso giugno 2021. Il tema ricorrente di questo nuovo lavoro è l’amore – la scoperta di esso, la perdita e la sua forza nei confronti del proprio partner, dei propri amici o semplicemente di noi stessi.

 

Precedentemente, Wolf Alice erano riusciti a incorporare molti stili musicali nei propri lavori, dallo shoegaze al grunge, dal synth-pop al punk e oltre. In questa evoluzione, fino a questo momento, sono stati aiutati dal produttore Markus Dravs (Arcade Fire, Bjork, Mumford & Sons). Il suo ruolo ha aiutato loro a giustificare ogni scelta che volevano fare. Joff Oddie infatti aggiunge come “la maturità di questo disco è stata incoraggiata dal lavoro di Markus nel farci domande su ogni parte di una canzone. Attraverso le domande la sua intenzione era di fare le cose più raffinate”.

 

Fin dalla formazione, la band ha visto il suo primo album di debutto My Love is Cool arrivare alla posizione numero due della UK chart diventando disco d’oro, il loro secondo lavoro dal titolo Visions Of A Life vincere lo Hyundai Mercury Price 2018. Hanno anche ricevuto una nomination ai Grammy come Best Rock Performance, due nomination ai BRIT Awards e hanno portato a casa due premi NME e un Q Award come Best Live Band.

 

Ellie Rowsell – voce, chitarra, tastiera, sintetizzatore

Joff Oddie – chitarra, violino, sintetizzatore, voce

Theo Ellis – basso, sintetizzatore, voce

Joel Amey – batteria, sintetizzatore, voce

Ryan Malcolm – keyboards, synthesizers, voce

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