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Justin Clemens - My first photo to be published on the COVER of a MAGAZINE! Justin is one of my baseball players in the Miracle League. He also takes part in therapeutic horseback riding. In this photo, he was a part of a Drill Team made up of special needs riders.
No biggie, but my shot of a malfunctioning computer at the Sears Tower Skydeck is on Schmap and now on the iPhone version of the site too!
Published in January 1894 by The Historical Publishing Company, author J. W. Buel, this book contains 300 photographs of every aspect of the fair.
The World's Fair: Columbian Exposition (also known as the Chicago World's Fair) was a world's fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus' arrival in the New World in 1492. At the core of the fair was an area that quickly became known as the White City for its buildings with white stucco siding and its streets illuminated by electric lights.
I was stoked to finally pickup a copy of Detroit Home today with a photo of mine published on page 43
So earlier in the year one of my Weissmeis photos was picked up and published by Montagne Meridiani.
Which made me feel like Mr Happy!
Cover art by Stan Nicholson.
Originally published by Victor Gollancz Ltd, London in 1946 with alternative sleeve art.
toomanytribbles.blogspot.com/2008/03/hong-qi.html
i added this to the atheist blogroll pool because i believe that the reverence many chinese people feel towards mao has developed into a form of religiosity. many cars all over the world are adorned with crosses or rosaries or all forms of good luck charms. this car, which has a strong political function, is protected by mao.
reprocessed here
Published again first my pictures and now my writing. so happy my short stories about my heart break are being edited boy I would not want to live in PA when they hit the press. but hey truth is stranger than fiction I will.be featured in a photo spread later in the year thank your for all the support Flickerville
My frog shot published again! Also the put on an insert on the front cover! I am ecstatic! Anyway I will probably be uploading tomorrow. so that when normal service will be resumed
In the introduction to this album, first published in 1916, the author,Ernst Reisinger, states his intention of offering a work that is not strictly a travel account but that will strengthen the bonds between Greece and Germany. With ninety photographs by himself, F. Boissonnas and Van Lüpke, and reproductions of engravings by V.M. Coronelli, E. Dodwell, J. Stuart and N. Revett, and L.-E.-S.-J. de Laborde, as well as scholarly texts by L. Ross, E. Curtius and others, which treat the subject of Greece in depth, Reisinger aims to offer a token of love to the Greek people. He collected his material from libraries in Munich and Berlin during the First World War. Many reproductions in the volume come from photographs in the Prussian Photographic Archive in Berlin and present rare views (of around 1910) of mainly continental Greece and the islands.
On browsing through the album, we come upon views from Athens and Attica, Corinth, the Argolid, Arcadia and Messinia, Epirus, Mount Athos, the Ionian Islands, Aegina and the Cyclades. It is moving to see the Isthmus of Corinth, Bassae, Sparta and Mystras, Methana, Tiryns, Eleusis and Epidaurus, Hosios Loukas, Meteora, the Byzantine churches in Arta, Melos, Tempe, Paros, Agrinio and Amphissa, in unbiased shots from the first decade of the twentieth century. It should be noted that the photographs of Corinth were taken before the excavations of the American School, and those in Olympia and Delphi before the restoration of the respective temples at these archaeological sites.
Written by Ioli Vingopoulou
İlk baskısı 1916 yılında yapılan kitap, kendi fotoğraflarından ve Fr. Boissonnas ile Van Lüpke'nin 90 fotoğrafı, V.M. Coronelli, Ed. Dodwell, J. Stuart & N. Revett, L.-E.-S.-J. de Laborde'dan gravür kopyaları, L. Ross, Er. Curtius ve başka yazarların kaleminden çıkmış metinlerle tamamlanıyor. Reisinger malzemesini I. Dünya Savaşı sırasında Münih ve Berlin kütüphanelerinden derlemişti. Burada yer alan fotoğrafların birçoğu Berlin'deki Prusya fotoğraf arşivinden kaynaklanıp özellikle Yunanistan'ın anakara kısmından ve de adalardan tahminen 1910 yılına ait nadir görüntüler sergilemekte.
Albümde Atina, Attika, Korint, Argolis, Mesinia, Epir, Aynaroz, İyon adaları, Egina ve Siklad adalarından manzaralar görmekteyiz. Korint kanalı, Vassai, Sparta, Mistras (Mezistre), Methana, Tirins, Eleusis, Epidaurus, aziz Luka manastırı, Meteora, Arta, Milos, Tempi'deki bizans kiliseleri, Paros adası, Agrinio ve Amfisa'yı gösteren bu resimler 20. yüzyılın ilk yıllarında tarafsız bir anlayışla çekilmiş olması açısından derin izlenimler yaratıyorlar. Korint'te çekilmiş olan planlar Amerikan Arkeoloji Okulunun yaptığı kazılardan önceye ve Olympia ile Delfi'de çekilmiş olan planlar bu arkeolojik sitlerde bulunan antik tapınakların restorasyonundan önceki zamana rastlar.
Yazan: İoli Vingopoulou
A few months ago, I was contacted by the WWF, who asked if they could use one of my images in a report they were publishing.
It was my pleasure to give permission, and it was great to see how the end product turned out, with the image being used on the front cover.
The original image can be seen here in my photostream.
My first published image. The MiG-35 on the bottom right. From the March 2009 issue of Smithsonian Air & Space magazine.
outtakes for the inside-out - be the change project in athens, greece. a subset was selected for the action, which will take place friday, june 21, 2013.
more information:
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Il 21 novembre all’Alcatraz di Milano è prevista l’ unica data italiana degli MC5 che per il 50° anniversario di “Kick Out The Jams”, hanno ideato il progetto MC50 con Wayne Kramer&Friends. Per l’occasione lo storico album verrà eseguito per intero live. Anche questo avvenimento unico si terrà in concomitanza con la Milano Music Week 2018.
MC5, sigla che sta per Motor City 5, (Motor City è il nomignolo della città di Detroit) sono stati un gruppo rock di Detroit, considerato tra i precursori dei generi punk rock e heavy metal, e tra i più influenti gruppi americani di sempre, in compagnia dei Velvet Underground e dei concittadini The Stooges.[
Era il 1968 quando gli MC5 pubblicarono “Kick Out The Jams”: disco che ha totalmente rivoluzionato la storia del rock e ribaltato il concetto di punk. Una pietra miliare, un must che ha cambiato tante vite e segnato intere generazioni. Erano gli anni della ribellione, dei suoni grezzi e selvaggi: gli MC5 assieme ai The Stooges hanno dato vita al Detroit-sound costruito su chitarre ruvide ed urla iconoclaste come principale forma di ribellione musicale e sociale.
Oggi, anno 2018, Wayne Kramer decide di riunire alcuni amici musicisti di tutto rispetto e celebrare sui palchi europei uno dei dischi rock più importanti della storia: “Ho trascorso gli ultimi 50 anni della mia vita a suonare la musica degli MC5. Ero giovane e non avevo nemmeno la patente di guida. L’unica cosa che avevo era una chitarra Silverstone ed una mamma che mi incoraggiava ad alzare il volume ogni notte nel suo scantinato di Detroit. Eravamo ragazzi di quartire, che vedevano il mondo nello stesso modo: attraverso la lente del rock and roll. La musica degli MC5 è la migliore che io abbia mai scritto. Non avrei mai immaginato, oggi, di avere l’opportunità di suonare ‘Kick Out The Jams’ per intero dal vivo.”
Wayne Kramer – Chitarra
Kim Thayil (Soundgarden) – Chitarra
Brendan Canty (Fugazi) – Batteria
Billy Gould (Faith No More) – Basso
Marcus Durant (Zen Guerrilla) – Voci
Published on Apr 23, 2018
Call Out My Name - The Weeknd (Jackie's Boy Cover). Hope you guys like my original version of Call Out My Name by The Weeknd.
Mad Love out now: awal.lnk.to/WFoUM
Follow Jackie’s Boy online:
Thanks to Alawn for the dope production!
Filmed in the Hello Management studios in Hollywood.
Business Enquiries: taylor@hellomgmt.com
Lyrics:
We found each other
I helped you out of a broken place
You gave me comfort
But falling for you was my mistake
I put you on top, I put you on top
I claimed you so proud and openly
And when times were rough, when times were rough
I made sure I held you close to me
So call out my name (call out my name)
Call out my name when I kiss you so gently
I want you to stay (I want you to stay)
I want you to stay, even though you don't want me
Girl, why can't you wait? (Why can't you wait, baby?)
Girl, why can't you wait 'til I fall out of love?
Won't you call out my name? (Call out my name)
Girl, call out my name, and I'll be on my way and
I'll be on my
I said I didn't feel nothing baby, but I lied
I almost cut a piece of myself for your life
Guess I was just another pit stop
'Til you made up your mind
You just wasted my time
You're on top, I put you on top
I claimed you so proud and openly, babe
And when times were rough, when times were rough
I made sure I held you close to me
So call out my name (call out my name, baby)
So call out my name when I kiss you
So gently, I want you to stay (I want you to stay)
I want you to stay even though you don't want me
Girl, why can't you wait? (Girl, why can't you wait 'til I-)
Girl, why can't you wait 'til I fall out of loving?
Babe, call out my name (say call out my name, baby)
Girl, call out my name, and I'll be on my way girl
I'll be on my
On my way, all the way
On my way, all the way, ooh
On my way, on my way, on my way
On my way, on my way, on my way
(On my)
Copyright (C) 2017 Jackie’s Boy Entertainment. Composition rights belong to the respective owners. No copyright infringement intended.
The Postcard
A postally unused carte postale that was published by C. A. P. on behalf of the Société des Amis de la Cathédrale. The card has a divided back.
Reims Cathedral in the Great War
The medieval masterpiece of Reims Cathedral was reduced to a roofless shell by the 287 explosive and incendiary shells that rained upon it during the course of the Great War.
A Poem by Grace Conkling
Grace Hazard Conkling (1878-1958) wrote a poem about Reims Cathedral in 1914:
'A wingèd death has smitten dumb thy bells,
And poured them molten from thy tragic towers:
Now are the windows dust that were thy flowers
Patterned like frost, petalled like asphodels.
Gone are the angels and the archangels,
The saints, the little lamb above thy door,
The shepherd Christ! They are not, any more,
Save in the soul where exiled beauty dwells.
But who has heard within thy vaulted gloom
That old divine insistence of the sea,
When music flows along the sculptured stone
In tides of prayer, for him thy windows bloom'.
Like faithful sunset, warm immortally!
Thy bells live on, and Heaven is in their tone!'
In fact the bells of Reims Cathedral did not melt, although they did fall. The solidified pools of metal on the floor of the Cathedral actually came from the covering of lead on the roof which had melted when the wooden structure blazed from end to end.
Molten lead also flowed from the medieval stained glass windows, and poured through the gargoyles designed to channel rain from the roof. The gargoyles were not designed for the roof itself to pour out of them.
Rouen Cathedral
If Grace had wanted to write about bells which really did melt, she could have waited another 30 years and written about Rouen Cathedral. This was bombed by the Germans in the Second World War, leading inter alia to a fire in the medieval north tower containing the famous bells.
The tower acted as a chimney for the extensive woodwork inside to burn and create very high temperatures - sufficient to calcify the ancient stonework and leave pools of molten bell metal at the base of the tower.
You can see more about Rouen Cathedral if you search for the tag 87RCL55
The Use of Artillery in the Great War
Artillery was very heavily used by both sides during the Great War. The British fired over 170 million artillery rounds of all types, weighing more than 5 million tons - that's an average of around 70 pounds (32 kilos) per shell.
With an average length of two feet, that number of shells if laid end to end would stretch for 64,394 miles (103,632 kilometres). That's over two and a half times round the Earth. If the artillery of the Central Powers of Germany and its allies is factored in, the figure can be doubled to 5 encirclements of the planet.
During the first two weeks of the Third Battle of Ypres, over 4 million rounds were fired at a cost of over £22,000,000 - a huge sum of money, especially over a century ago.
Artillery was the killer and maimer of the war of attrition.
According to Dennis Winter's book 'Death's Men' three quarters of battle casualties were caused by artillery rounds. According to John Keegan ('The Face of Battle') casualties were:
- Bayonets - less than 1%
- Bullets - 30%
- Artillery and Bombs - 70%
Keegan suggests however that the ratio changed during advances, when massed men walking line-abreast with little protection across no-man's land were no match for for rifles and fortified machine gun emplacements.
Many artillery shells fired during the Great War failed to explode. Drake Goodman provides the following information on Flickr:
"During World War I, an estimated one tonne of explosives was fired for every square metre of territory on the Western front. As many as one in every three shells fired did not detonate. In the Ypres Salient alone, an estimated 300 million projectiles that the British and the German forces fired at each other were "duds", and most of them have not been recovered."
To this day, large quantities of Great War matériel are discovered on a regular basis. Many shells from the Great War were left buried in the mud, and often come to the surface during ploughing and land development.
For example, on the Somme battlefields in 2009 there were 1,025 interventions, unearthing over 6,000 pieces of ammunition weighing 44 tons.
Artillery shells may or may not still be live with explosive or gas, so the bomb disposal squad, of the Civilian Security of the Somme, dispose of them.
A huge mine under the German lines did not explode during the battle of Messines in 1917. The mine, containing several tons of ammonal and gun cotton, was triggered by lightning in 1955, creating an enormous crater.
The precise location of a second mine which also did not explode is unknown. Searches for it are not planned, as they would be too expensive and dangerous. For more on this, please search for "Cotehele Chapel"
The Somme Times
From 'The Somme Times', Monday, 31 July, 1916:
'There was a young girl of the Somme,
Who sat on a number five bomb,
She thought 'twas a dud 'un,
But it went off sudden -
Her exit she made with aplomb!'
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Il tastierista e il chitarrista della leggendaria rock band sul palco dell'Ippodromo
Quest'anno L.A.Woman, disco di maggior successo di The Doors, compie quarant'anni. Per l'occasione, Ray Manzarek (tastierista) e Robby Krieger (chitarrista e songwirter del gruppo) festeggiano con un tour europeo. I due membri del leggendario gruppo che fu capitanato da Jim Morrison fanno tappa all'Ippodromo del Galoppo, nell'ambito di City Sound. Dal vivo propongono le grandi hit che hanno segnato il percorso artistico dei Doors e della musica rock.
Raymond Daniel Manzarek, o più precisamente Manczarek (Chicago, 12 febbraio 1939), è un pianista e bassista statunitense.
È stato il tastierista e (dopo la morte di Jim Morrison) cantante del famoso gruppo statunitense The Doors, dal 1965 al 1973. In realtà nelle esecuzioni dal vivo (e nel primo album), grazie alla sua buona tecnica, fu anche il "bassista" dei Doors, suonando un Rhodes Piano Bass appoggiato sul top piatto dell'organo (un Vox Continental e successivamente un Gibson G101). Questo gli permetteva di gestire la linea di basso con la mano sinistra e l'organo con la destra. In questo modo l'organo fu sempre suonato su ottave alte, dando alla melodia quel suono deciso e tagliente che gli ha reso tanta fortuna.
Robert Alan Krieger (Los Angeles, 8 gennaio 1946) è un chitarrista statunitense.
Famoso per esser stato il chitarrista del gruppo rock The Doors. Con il suo stile unico nel rock riuscì ad unire e ad amalgamare i suoni dell'organo di Manzarek, la pulsante batteria di Densmore e la voce mistica di Morrison. Le note della sua chitarra erano lente con riff pacati e un ritmo tipico del flamenco. Inoltre è 91' nella classifica de "I 100 migliori chitarristi di tutti i tempi" redatta dalla rivista Rolling Stone.
Dave Brock - voce principale
Robby Krieger - chitarra, voci
Ray Manzarek - tastiere, voci
Phil Chen - basso
Ty Dennis - batteria, percussioni
SNOW GOES
This year's slow melt has meant little to no flowing water in ditches, as seen here west of Brunkild the afternoon of April 1.
Published in the UK by Frederick Muller Ltd
Originally published by GM books US # 816 in 1958 with the same cover art.
Fantastic art, architecture, design and photography bookshop in Surry Hills. Completely brilliant. Bit more here, at Monocle.
Publish! New players, new innovations, 19 July 2012 (St Bride Foundation, London). Hosted by Media Futures, The Media Society and the St Bride Foundation.
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Dopo quattro anni di assenza dalla scena, si riuniscono i numeri uno del rock alternativo mondiale: Nine Inch Nails.
I Nine Inch Nails (abbreviato NIИ) sono un gruppo musicale industrial metal statunitense, formatosi a Cleveland (Ohio) nel 1988 per iniziativa del cantante, polistrumentista e leader storico Trent Reznor. In quanto principale produttore, cantante, autore di testi e strumentista, Reznor è l'unico membro ufficiale dei Nine Inch Nails ed è il solo responsabile dei NIИ.
La loro musica è un ibrido tra heavy metal, musica elettronica e industrial. Come propri ispiratori citano i Ministry, gli Skinny Puppy e i Depeche Mode. A loro volta i NIИ hanno fortemente influenzato lo stile musicale di Marilyn Manson, lanciato dallo stesso Reznor con la sua etichetta Nothing Records. Dopo aver registrato un nuovo album, generalmente Reznor assembla una band di supporto per i live che suoni con lui; la componente live è un'entità separata da ciò che sono i Nine Inch Nails nella fase di registrazione in studio. Durante i live, i NIИ spesso portano spettacolari elementi visivi che accompagnano le loro performance, che frequentemente culminano con la distruzione della strumentazione.
Trent Reznor - lead vocals, guitar, bass guitar, keyboards, synthesizers, programming, drums
Robin Finck – guitar, synthesizers, vocals
Ilan Rubin - drums, percussions, piano, synthesizers, vocals, cello
Alessandro Cortini - keyboards, synthesizers, guitar, bass guitar, percussion
Josh Eustis - bass guitar, guitar, synthesizers, percussion
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Con un nuovo album in uscita nel 2018, i Within Temptation, fra i maggiori esponenti dell’ondata symphonic metal con voce femminile, affronteranno un tour europeo che li porterà anche in Italia. L’unico show italiano che la band olandese (capitanata dalla bellissima e bravissima Sharon del Adel) terrà nel nostro paese è al Fabrique di Milano il 15 dicembre 2018.
I Within Temptation sono annoverati tra le più famose band nella scena symphonic/gothic di fine anni novanta e sono noti soprattutto per la voce della cantante soprano Sharon den Adel, tra le più apprezzate in ambito metal. Fino ad oggi la band ha pubblicato cinque album in studio, due EP, tre DVD dal vivo con relativi CD audio, e un ulteriore album live acustico. Inoltre, dall'uscita dell'album Mother Earth, è tradizione della band pubblicare un DVD dopo ogni nuovo album. Dai loro esordi il gruppo ha venduto oltre 15 milioni di copie in tutto il mondo, facendone la band olandese con i più alti risultati di vendita all'estero e una delle realtà rock cresciute più in fretta a livello internazionale. Col tempo il sound dei Within Temptation si è evoluto assorbendo nuove influenze all'insegna della sperimentazione.
Sharon den Adel – voce
Ruud Adrianus Jolie – chitarra solista
Robert Westerholt – chitarra ritmica, voce death
Stefan Helleblad – chitarra ritmica
Martijn Spierenburg – pianoforte, tastiere
Jeroen van Veen – basso
Mike Coolen – batteria
It arrived some weeks ago, but I've been so busy that only now I've been able to decide what to do about it...
...three months ago a wonderful girl from Poland contacted me. She was preparing, along with other writers and photographers a book about Spanish Photography. She liked my photographs and she was writing about them for the book. I agreed on sending them four of them for the book.
The other day the book arrived. It's a companion to the Foto Festiwal celebrated in Warsaw each year and organized by the polish Foundation of Visual Education.
And it's a book about spanish photography indeed. I've never felt as proud as when I opened the book and realized that the writer and editor dedicated a whole chapter about my photographs.
And I felt even more happy (and even a bit embarrased) when I realized my photographs were sharing a book with some of the best photographers in Spain... Alberto Garcia-Alix, Ramón Masáts or Ricky Davila are there, and my photographs too...
I'll never have enough words to thank Magda Garncarek and Tomasz Ferenc for taking my photography so seriously to think it deserved a place amongst these exceptional photographers. Thanks, Thanks, Thanks!
The book is a beauty in itself. Now, is there any polish translator there for me? :-)
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this page without written permission and consent.
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Florence + The Machine, finalmente, in Italia per un attesissimo concerto invernale. La rock diva e la sua band, suoneranno infatti davanti al pubblico del Mediolanum Forum di Milano il 21 dicembre 2015 con il loro How Blue Tour .
Dopo la consacrazione definitiva del grandissimo live del 20 novembre 2012, la rossa più potente dell'indie-rock è pronta a regalarci un altro show epico.
Per Florence Welch il successo dei primi due dischi Lungs (2009 – Album of the year, Brit Awards 2010) e Ceremonials (2011) ha significato 5 anni di registrazione, promozione e tour. Cerimonials (disco candidato ai Grammy) è stato scritto mentre Florence e i musicisti erano on the road e registrato subito dopo la fine del tour. Gli Show diventavano sempre più grandi, i capelli sempre più rossi e il successo sempre più grande.
Pop star a 21 anni, con 2 album internazionali alle sue spalle, Florence ha scoperto che dedicando 7 anni della sua vita alla musica alcuni elementi della quotidianità erano stati lasciati da parte.
Florence Welch – voce
Robert Ackroyd e Rusty Bradshaw – chitarre
Mark Saunders – basso
Isabella Summers – tastiere
Christopher Lloyd Hayden – batteria
Tom Monger – arpa
I can now say I am a professional photographer. Although the compensation I received was no more than that which I would have gotten without taking the picture, as it falls under the infinite catch-all always found in government job descriptions of "other duties as assigned."
Regardless, I got paid to take this picture, and it's now available publicly, with an accompanying press release, on the Customs and Border Protection website.
Yay me.
Artist's note: I did not select, and would not have selected, this particular image for the release due to its slight fuzziness, overexposure, and the coffee mug in the background. Not the best shot of the session, in my opinion, but it wasn't my call, and I got published anyway.
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Al Forum, il ritorno della storica band di "Like Clockwork".
I Queens of the Stone Age (o anche QOTSA) sono una band alternative metal statunitense, nata nel 1996 in seguito allo scioglimento dei Kyuss, band cardine e vero fulcro attorno a cui è nato e si è sviluppato il cosiddetto stoner rock.
I Queens of the Stone Age erano stati originariamente formati con il nome Gamma Ray dal chitarrista Josh Homme, assieme al batterista Alfredo Hernandez. Lo stesso Homme ha descritto lo stile della band come robot rock, nome che vuole dare l'idea della continua ripetizione di riff che lo caratterizzano.
Josh Homme - voce, chitarra, basso
Jon Theodore - batteria
Troy Van Leeuwen - chitarra, basso, cori
Michael Shuman - basso, cori, sintetizzatore
Dean Fertita - tastiere, cori
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use this photo without written permission and consent.
-----------------------------
Al Forum, il ritorno della storica band di "Like Clockwork".
I Queens of the Stone Age (o anche QOTSA) sono una band alternative metal statunitense, nata nel 1996 in seguito allo scioglimento dei Kyuss, band cardine e vero fulcro attorno a cui è nato e si è sviluppato il cosiddetto stoner rock.
I Queens of the Stone Age erano stati originariamente formati con il nome Gamma Ray dal chitarrista Josh Homme, assieme al batterista Alfredo Hernandez. Lo stesso Homme ha descritto lo stile della band come robot rock, nome che vuole dare l'idea della continua ripetizione di riff che lo caratterizzano.
Josh Homme - voce, chitarra, basso
Jon Theodore - batteria
Troy Van Leeuwen - chitarra, basso, cori
Michael Shuman - basso, cori, sintetizzatore
Dean Fertita - tastiere, cori