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Schmap Oxford Tenth Edition
Its great to be published.
www.schmap.com/oxford/sights_historic/p=160601/i=160601_1...
Mapmaker: Royal Geographic Society
Published: 1899
A fine map from the great Royal Geographical Society that strove to understand some of the more remote regions of the world. This map Lake Urmia Basin, spans from Tabriz and Urmi, south into the hills. Notes the major rivers and tributaries, as well as towns and cities.
Urmia (Turkish language: Urmu, Urmiyə, اورمیه; farsi: ارومیه) variously translitterated as Oroumiyeh, Orūmīyeh and Urūmiyeh, is a city in and the capital of West Azerbaijan Province, Iran. At the 2006 census, its population was 577,307, with 153,570 households.
The city lies at an altitude of 1,330 m above sea level on the Shahar Chay river (City River). Urmia is the 10th most populated city in Iran. The population is mainly mainly Azerbaijanian Turkish(85-90%), with Kurdish, Assyrian Christian, and Armenian minorities.
Urmia is situated on a fertile plain called Urmia Plain, on western side of Lake Urmia; and eastern side of Turkish border and marginal range of mountains.
Urmia is the trade center for a fertile agricultural region where fruit (especially Apple and Grape) and Tobacco are grown. An important town by the 9th cent., Urmia was seized by the Seljuk Turks (1184), and later occupied a number of times by the Ottoman Turks.
Urmiye (Türkçesi:اورمو, Urmu, اورمیه, Urumiyə;Farsça: ارومیه, Orumieh), İran'ın Batı Azerbaycan Eyaleti'nin yönetim merkezi olan şehir. Şehir, bağlı olduğu eyaletin orta kısmında, Urmiye Gölü ile Türkiye sınırı arasında, kendi adıyla anılan ovada kuruludur. Nüfusu 2006 yılı verileriyle 577,307 kişidir ki Urmiye ülkenin en büyük 10. şehridir.
Urmiye şehrinde nüfusun çoğunluğunu (tahmini 90%) Türklerdir, azınlık kısmınıysa Kürtler, Süryaniler ve Ermeniler oluşturuyor.
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Venerdì 16 settembre, parte dall’Arena di Verona con “10 + 1 straordinari show” il “Black Cat World Tour 2016” di Zucchero Sugar Fornaciari.
Negli 11 e unici suoi concerti in Italia del 2016, Zucchero presenta live in anteprima mondiale il suo ultimo progetto discografico, “Black Cat”, oltre ai suoi più grandi successi, portando in scena uno spettacolo ricco di intense e vibranti emozioni.
Con Zucchero sul palco una super band internazionale composta da 13 elementi: Polo Jones (Musical director, bass), Kat Dyson (guitars, dobro, mandolin, bvs), Brian Auger (hammond organ C3), Doug Pettibone (Pedal Steel Guitar, dobro, lap steel, banjo, guitar), Queen Cora Dunham (drums), Nicola Peruch (keyboards), Adriano Molinari (drums), Mario Schilirò (guitars), Andrea Whitt (violin, mandolin, pedal steel guitar), Tonya Boyd Cannon (backing vocals), James Thompson (sax tenor, sax baritone, flute, harmonica), Lazaro Amauri Oviedo Dilout (trumpet, flugelhorn, french horn) e Carlos Minoso (trombone, tuba)
Il disco “Black Cat” è prodotto da tre grandi nomi del panorama internazionale, T Bone Burnett (Elvis Costello, Elton John, Tony Bennett e altri), Brendan O’Brien (Bruce Springsteen, Pearl Jam, Bob Dylan e altri) e Don Was (The Rolling Stones, Iggy Pop, Bob Dylan e altri), e si compone di 13 brani dalle nervature rock-blues. L’album annovera, anche, la collaborazione artistica di Bono, che in seguito alla tragedia avvenuta al Bataclan di Parigi ha scritto con Zucchero il brano “Streets Of Surrender (S.O.S.)”, la partecipazione alle chitarre di Mark Knopfler, che suona sia nel brano “Streets Of Surrender (S.O.S.)” sia nel brano “Ci si arrende” e il contributo artistico di Elvis Costello che ha scritto la versione inglese del brano "Love Again", dal titolo "Turn the world down" (canzone presente solo nelle versioni estere di “Black Cat”).
Tra i maggiori interpreti del blues in Italia, Zucchero (all’anagrafe Adelmo Fornaciari) nella sua carriera ha venduto oltre 60 milioni di dischi, di cui 8 milioni con l’album “Oro, incenso & birra”. Oltre ad essere il primo artista occidentale a essersi esibito al Cremlino dopo la caduta del muro di Berlino, Zucchero è anche l’unico artista italiano ad aver partecipato al Festival di Woodstock nel 1994, al Freddie Mercury Tribute nel 1992 e a tutti gli eventi del 46664 per Nelson Mandela. È inoltre l’unico artista italiano nominato ai Grammy con Billy Preston ed Eric Clapton come best "R&B Traditional Vocal Collaboration”. Il suo concerto nel dicembre 2012 all'Istituto Superiore di Arte di L'Avana è ritenuto il più grande live mai tenuto da un cantante straniero a Cuba sotto embargo. La sua musica si è estesa oltre i confini nazionali grazie anche alle numerose collaborazioni con artisti internazionali del calibro di Bryan Adams, The Blues Brothers, Bono, Jeff Beck, Ray Charles, Eric Clapton, Joe Cocker, Elvis Costello, Miles Davis, Peter Gabriel, John Lee Hooker, B.B. King, Mark Knopfler, Brian May, Luciano Pavarotti, Iggy Pop, Alejandro Sanz, Sting e molti altri.
these are my pictures from the photo walk on saturday.
to tell you the truth, since this was my first time as a leader, i was much more worried that everyone was having fun than shooting. but fun, they had, and shoot, i did... a few shots, at least.
thanks, Scott Kelby , thanks RC Concepcion
thanks, everyone who worked on the Scott Kelby Worldwide Photo Walk
and thanks everyone who came and made it wonderful!
i so want to do this again!
Photograph published 14th December 1918
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognize anyone in the images and have any stories and information to add please comment below.
The Postcard
An image of part of the grounds of St. Joseph's Convent in Reading on a postcard which was posted in Reading on Monday the 20th. October 1919 to an address in Rue Marcadet, Paris.
The convent was founded in Reading, Berkshire in 1910, but since then it has undergone a name change - it is now a thriving independent Catholic day school for boys and girls aged 3 to 18 called St. Joseph's College.
Notable alumnae include two singers - Marianne Faithfull and Alma Cogan.
Virginia Woolf
So what else happened on the day that the card was posted?
Well, on the 20th. October 1919, a novel by Virginia Woolf was published for the first time. It is called 'Night and Day', and is set in Edwardian London.
The book contrasts the daily lives of two acquaintances, Katharine Hilbery and Mary Datchet, and examines the relationships between love, marriage, happiness and success.
Thoughts From Virginia Woolf
"One cannot think well, love well,
sleep well, if one has not dined well."
"Why are women so much more
interesting to men than men are
to women?"
"The eyes of others our prisons;
their thoughts our cages."
"I thought how unpleasant it is to
be locked out; and I thought how
it is worse, perhaps, to be locked in."
"Fiction is like a spider's web, attached
ever so slightly perhaps, but still attached
to life at all four corners. Often the
attachment is scarcely perceptible."
"It is fatal to be a man or woman pure
and simple: one must be a woman manly,
or a man womanly."
"Humour is the first of the gifts to perish
in a foreign tongue."
"Once conform, once do what other people
do because they do it, and a lethargy steals
over all the finer nerves and faculties of the
soul.
She becomes all outer show and inward
emptiness; dull, callous, and indifferent."
"Literature is strewn with the wreckage of
men who have minded beyond reason the
opinions of others."
"There is much to support the view that it
is clothes that wear us, and not we, them;
we may make them take the mould of arm
or breast, but they mould our hearts, our
brains, our tongues to their liking."
"Let a man get up and say, 'Behold, this is
the truth', and instantly I perceive a sandy
cat filching a piece of fish in the background.
Look, you have forgotten the cat, I say."
"On the outskirts of every agony sits
some observant fellow who points."
"One likes people much better when
they're battered down by a prodigious
siege of misfortune than when they
triumph."
"There can be no two opinions as to what
a highbrow is. He is the man or woman of
thoroughbred intelligence who rides his
mind at a gallop across country in pursuit
of an idea."
"If you do not tell the truth about yourself
you cannot tell it about other people."
"Some people go to priests; others to
poetry; I to my friends."
"For most of history, Anonymous
was a woman."
"If I can only note that the past is beautiful
because one never realises an emotion at
the time. It expands later, and thus we don't
have complete emotions about the present,
only about the past."
"To enjoy freedom we have to control
ourselves."
"Yet it is in our idleness, in our dreams,
that the submerged truth sometimes
comes to the top."
"Language is wine upon the lips."
"I read the book of Job last night, I
don't think God comes out well in it."
"Every secret of a writer's soul, every
experience of his life, every quality of
his mind is written large in his works."
"The truth is, I often like women. I like
their unconventionality. I like their
completeness. I like their anonymity."
"The history of men's opposition to
women's emancipation is more
interesting perhaps than the story
of that emancipation itself."
"The older one grows, the more
one likes indecency."
"One of the signs of passing youth
is the birth of a sense of fellowship
with other human beings as we take
our place among them."
"This soul, or life within us, by no
means agrees with the life outside us."
"I want the concentration and the romance,
and the worlds all glued together, fused,
glowing: have no time to waste any more
on prose."
"Masterpieces are not single and solitary
births; they are the outcome of many years
of thinking in common, of thinking by the
body of the people, so that the experience
of the mass is behind the single voice."
"A woman must have money and a room
of her own if she is to write fiction."
"I was in a queer mood, thinking myself
very old: but now I am a woman again -
as I always am when I write."
"I would venture to guess that Anon,
who wrote so many poems without
signing them, was often a woman."
"You cannot find peace by avoiding life."
"My own brain is to me the most
unaccountable of machinery -
always buzzing, humming, soaring
roaring diving, and then buried in
mud. And why? What's this passion
for?"
"Someone has to die in order that
the rest of us should value life more."
"The beauty of the world, which is so
soon to perish, has two edges, one of
laughter, one of anguish, cutting the
heart asunder."
"Nothing has really happened until
it has been recorded."
"These are the soul's changes. I don't
believe in ageing. I believe in forever
altering one's aspect to the sun. Hence
my optimism."
"Mental fight means thinking against
the current, not with it. It is our business
to puncture gas bags and discover the
seeds of truth."
"It is far more difficult to murder
a phantom than a reality."
"Really I don't like human nature
unless all candied over with art."
"The telephone, which interrupts the
most serious conversations and cuts
short the most weighty observations,
has a romance of its own."
"Boredom is the legitimate
kingdom of the philanthropic."
"If we help an educated man's daughter
to go to Cambridge are we not forcing
her to think not about education but
about war? - not how she can learn, but
how she can fight in order that she might
win the same advantages as her brothers?"
"The man who is aware of himself is
henceforward independent; and he is never
bored, and life is only too short, and he is
steeped through and through with a
profound yet temperate happiness."
"That great Cathedral space which
was childhood."
"This is an important book, the critic
assumes, because it deals with war.
This is an insignificant book because
it deals with the feelings of women
in a drawing-room."
"It seems as if an age of genius must
be succeeded by an age of endeavour;
riot and extravagance by cleanliness
and hard work."
"Yet, it is true, poetry is delicious; the
best prose is that which is most full
of poetry."
"It's not catastrophes, murders, deaths,
diseases, that age and kill us; it's the way
people look and laugh, and run up the
steps of omnibuses."
"Life is not a series of gig lamps
symmetrically arranged; life is a
luminous halo, a semi-transparent
envelope surrounding us from the
beginning of consciousness to the
end."
In May 1969 London Transport published this small folder, printed in full colour and priced at 1/- (one shilling = 5p) showing the twelve tile motifs on the first section of the Victoria line of the Lonodn Underground. This had opened in sections from Walthamstow Central to Victoria between September 1968 and March 1969. As the tube diagram reproduced in this folder shows the extension south to Brixton, and that completed the line, was under construction and opened in 1971/72. The motifs on this latter group of stations are not shown here.
The construction of the first new tube line to serve the central area of the network in sixty years had been a long time in coming; planning, approval and construction itself had taken from the mid-1940s until the mid-1960s. In engineering terms the new line largely followed the established pattern of London's existing deep-tube lines and stations - albeit with some advances in terms of tunnelling and, especially, operation. The stations were designed by the Design Research Unit under Misha Black. The DRU were amongst the most important industrial designers in post-war Britain. The design intention was very plain; at platform level the use of a muted palette of stainless steel with 6" x 6" ceramic tiles in various shades of grey. The roundels were on glass panels, back illuminated. The train exteriors were the now standard Underground plain aluminium bodies and the interiors were also muted with only the seating moquette standing out. The intention behind this cool, uncluttered look was that colour was added by passengers and advertising.
However to distinguish each individual station and to add some sense of colour architecture behind each seating unit is a tiled panel; each was specifically designed for the station and often includes a pun or play on the origin of the name. The designers of these were important artists and designers in their own name and included Julia Black, Hans Unger, Edward Bawden, Tom Eckersley and Crosby/Fletcher/Forbes. Sveral of these artists and designers had produced publicity items for London Transport such as posters.
The panels are still in position although over time some slight amendments have been made notably in the PPP upgrade programme in the early 2000s. Two designs had been replaced; those at Oxford Circus and Green Park and we (I worked for LU's design team at the time) took the opportunity to reinstate the original designs seen here. At the former only the southbound platform has the tiled recesses as the northbound platform, badly damaged by fire many years ago, no longer has recesses. We also put a large version in the main ticket hall but when I recently went through I see some cretin has placed an a/c unit over it. The designs and panels, along with other elements of the DRU design are 'protected' under LU's own Design Policy for the line although this has allowed for the change to some of the field colours of tiles to better give colour contrast as now required under modern design codes.
This photograph was published in the Illustrated Chronicle on the 4th of August 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
[Published by] Otto Schmidt, Höchenschwand
Feldpost (military mail that required no postage), postmarked January 28, 1916
This photograph was published in the Illustrated Chronicle on the 10th of September 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
The Postcard
A postally unused carte postale that was published by L. C. H. The card has a divided back.
Enemy artillery during the Great War targeted churches, cathedrals and other tall buildings because of their value as observation posts. Shells aimed at churches which just missed their target tended to fall in the churchyards, throwing up gravestones, coffins and corpses.
'The Shell' by H. Smalley Sarson
'Shrieking its message the flying death
Cursed the resisting air,
Then buried its nose by a battered church,
A skeleton gaunt and bare.
The brains of science, the money of fools
Had fashioned an iron slave
Destined to kill, yet the futile end
Was a child's uprooted grave'.
Abba Eban
"History teaches us that men and
nations behave wisely when they
have exhausted all other alternatives".
This was said during a speech in London UK on 16th. December 1970 by Abba Eban (1915-2002), an Israeli diplomat and writer.
Visé Paris
The reference to 'Visé Paris' means that the image has been inspected by the military authorities in the French capital and deemed not to be a security risk.
'Visé Paris' signifies that the card was published during or soon after the end of the Great War.
Vermandovillers
Vermandovillers is a commune in the Somme département in Hauts-de-France in northern France. It is situated 26 miles (42 km) east of Amiens.
A Great War Battle at Vermandovillers
A German attack occurred on the 24th. September 1914. It was partially blocked by the 75th. Infantry Regiment at Vermandovillers’ Etoilé woods near to Herleville.
The front was stabilised for two years until the spearhead attack of the 4th. September 1916 at edge of Etoilé woods. The attack had been assigned to the 132nd. Division of the 10th. Army, against heavily concreted machine gun bunkers that the Germans had been building for 2 years.
The battle ended on the 9th. September 1916 because of lack of troops. The 158th., the 366th. Infantry Regiment and the 1st. Battalion Chasseurs showed exemplary conduct and suffered heavy losses.
Between the 4th. and 9th. September 1916, the 86th. Brigade lost 1,071 men, the 264th. Brigade lost 1,513 and 108th. Brigade 1,580.
These figures account for the fact that within a 5 kilometre (3 mile) radius around Vermandovillers, there are buried 1,261 French soldiers. 22,632 German soldiers lie in the Vermandovillers German war cemetery, including the writers Reinhard Johannes Sorge and Alfred Lichtenstein.
In the Somme there are 410 Commonwealth cemeteries,
22 French Military cemeteries and 14 German cemeteries.
The largest of them is the German cemetery situated on the
French front at Vermandovillers. 10,000 men were laid to rest under black crosses; the remainder were buried in 15 mass graves.
The British are not counted because although many were killed in the fighting, they are buried mainly near the Villers–Bretonneux Australian National Memorial.
A Poem About the Battle of the Somme
'It was 1916 on the 1st of July
That artillery and smoke blackened the sky.
Shots rang out and men fell dead,
The sky was black, while the ground was red.
To battle the Germans the French and British had come,
To the bloodiest fight of the War, The Battle of the Somme.
While artillery rained down on the German side
The allies swallowed their fear and stood with pride.
Waiting to be ordered over the top,
To run without question, don’t look back and don’t stop.
But this is when the slaughter started,
Machine guns screamed out as bodies and limbs became parted.
Fifty-eight thousand casualties in one single day
‘A necessary loss’ the Generals would say.
‘We will rest for now and recommence tomorrow
No time for the men to indulge in their sorrow’
So they readied the next batch of men for the slaughter,
Would they fare better when faced with the mortars?
The answer to this question was obviously no
As the casualty counts continued to grow.
For every single centimetre of ground that was taken
The lives of two men were sadly forsaken.
And so the battle waged on and on,
The bloodiest battle of World War One.
Yet as they made progress towards German lines,
The allies had one thing in the front of their minds.
For the Germans had a weapon the allies had yet to discover
One that would find men even if they took cover.
As the allied assault drew nearer and nearer
The time to use this weapon had never been clearer.
The little grey canisters flew through the air
Giving the allied forces more than a scare.
The men now engaged in a fight for their lives,
They could not protect themselves with their guns or their knives.
Their only weapon now was a mask
But fitting it in time was a very hard task.
‘Gas, Gas!’ some men would cry
Most had masks, the rest would die.
Their screams could be heard as they approached their death,
Blood curdled in their lungs as they drew their last breath.
Eventually their eyes would roll back in their head
And with a final twitch and spasm they lay still, dead.
And so the battle waged on and on,
The bloodiest battle of World War One.
Even with the threat of the German gas,
It was time for a final allied assault to mass.
And with this Britain unveiled their tank
When the battle ended they had this to thank.
It stormed over No-Man’s Land, through German wire,
The Germans shook in fear as it prepared to fire.
For the British troops it opened the way,
For the deaths of their comrades the Germans would pay.
And the German death count grew and grew
As the allied assault continued to break through.
And though the fighting had not ended,
The morale of the allies began to get mended.
They pushed with valor towards their objective,
With a new vigour the Germans had not expected.
Although the enemy held, and did not retreat
This battle is viewed as a German defeat.
It was 1916 on the 21st of November
That the five month long battle was finally over.
No shots rang out but thousands were dead,
The sky was still black, the ground was stained red.
To battle the Germans the French and British had come,
To the bloodiest fight of the War, The Battle of the Somme'.
The Use of Artillery in the Great War
Artillery was very heavily used by both sides during the Great War. The British fired over 170 million artillery rounds of all types, weighing more than 5 million tons - that's an average of around 70 pounds (32 kilos) per shell.
If the 170m rounds were on average two feet long, and if they were laid end to end, they would stretch for 64,394 miles (103,632 kilometres); the line would go round the equator over two and a half times. If the artillery of the Central Powers of Germany and its allies is factored in, the figure can be doubled to 5 encirclements of the planet.
During the first two weeks of the Third Battle of Ypres, over 4 million rounds were fired at a cost of over £22,000,000 - a huge sum of money, especially over a century ago.
Artillery was the killer and maimer of the war of attrition.
According to Dennis Winter's book 'Death's Men' three quarters of battle casualties were caused by artillery rounds. According to John Keegan ('The Face of Battle') casualties were:
- Bayonets - less than 1%
- Bullets - 30%
- Artillery and Bombs - 70%
Keegan suggests however that the ratio changed during advances, when massed men walking line-abreast with little protection across no-man's land were no match for for rifles and fortified machine gun emplacements.
Many artillery shells fired during the Great War failed to explode. Drake Goodman provides the following information on Flickr:
"During World War I, an estimated one tonne of explosives was fired for every square metre of territory on the Western front. As many as one in every three shells fired did not detonate. In the Ypres Salient alone, an estimated 300 million projectiles that the British and the German forces fired at each other were "duds", and most of them have not been recovered."
To this day, large quantities of Great War matériel are discovered on a regular basis. Many shells from the Great War were left buried in the mud, and often come to the surface during ploughing and land development.
For example, on the Somme battlefields in 2009 there were 1,025 interventions, unearthing over 6,000 pieces of ammunition weighing 44 tons.
Artillery shells may or may not still be live with explosive or gas, so the bomb disposal squad, of the Civilian Security of the Somme, dispose of them.
A huge mine under the German lines did not explode during the battle of Messines in 1917. The mine, containing several tons of ammonal and gun cotton, was triggered by lightning in 1955, creating an enormous crater.
The precise location of a second mine which also did not explode is unknown. Searches for it are not planned, as they would be too expensive and dangerous. For more on this, please search for "Cotehele Chapel"
The Somme Times
From 'The Somme Times', Monday, 31 July, 1916:
'There was a young girl of the Somme,
Who sat on a number five bomb,
She thought 'twas a dud 'un,
But it went off sudden -
Her exit she made with aplomb!'
Several of my photos have been used in the Spring 2013 edition of NCT Mattters, the magazine of the National Childbirth Trust in the UK.
Published in 1957 by The Children' Press, London. Found in a Charity Shop in Christchurch, New Zealand.
Well, this 1cm long fellow came round today to model for me. Sweet isn't he??? I used a EF-S 55-250 IS reversed to shoot him.
This is my first ever picture to be published!!!
Practical Photography July 2009 p12
The only facts known in relation to British merchant Charles Thompson are the ones he records in his travel account, about which some scholars have hypothesized that it is a fictional narrative. In any case, the work knew huge editorial success; first published in 1744, it was republished in 1752, 1754, 1767, and 1798. From the introduction, one learns that, following his father's death, Thompson inherited a large fortune and, from love of knowledge, in order to appease his sorrow and to satisfy his own natural curiosity, he started out on a long voyage, in the company of a freind who spoke several languages.
The travellers set out from London in March 1730. They crossed over from Dover to Calais, and travelled to Rouen, Paris and Marseille. They went on to Genoa, Milan, Parma, Modena, Bologna, Florence, Pisa and Sienna, to end up in Rome. In October 1731 they visited Naples, and then Ancona, Ravenna, Ferrara and Padua. They sailed to Malta from Venice in May 1732 and reached Chania in early June.
The two travellers left Crete a month later, and, after staying in Milos for a month, they visited Naxos, Paros, Antiparos, Delos, Syros, Kea, Kythnos, and reached Athens. They toured the monuments of the city and several locations in Attica, Boeotia and Phocis (Eleusis, Megara, Corinth, Livadeia, Arachova, Delphi and Thebes). In November 1732 they left for Istanbul, where they stayed for several months. In September 1733, they left the Dardanelles to visit Izmir, Chios, Samos, Patmos, Ephesus, Kos and Rhodes. They ended up in Cyprus in February 1734, from where they crossed over to the lands of the Middle East (Tripolis, Baalbek, Damascus, Beirut, Sidon, Jerusalem). In May 1734 they travelled to Egypt and toured Kairo, Alexandria and Mount Sinai. They returned to England in April 1735.
Thompson includes several details on travelling conditions as well as the history and the monuments of each country in his travel account. However, he is mostly interested in space, modern life, the human factor, social life, economy, production and commerce, and thus achieves to render an comprehensive and to a certain extent objective picture of the lands he visited in the early 18th century.
Written by Ioli Vingopoulou
İngiliz asıllı tüccar Charles Thompson hakkında bildiğimiz şeyler sadece vakayınamesinden aldığımız bilgilerdir. Ancak bu vakayınamenin hayal ürünü bir anlatı olduğu ileri sürülmüştür. Gene de eser büyük başarı görmüş, yayınlandığı 1744 yılından sonra, 1752, 1754, 1767 ve 1798 yıllarında yeniden basılmıştı. Kitabın önsözünde okuduğumuza göre, Thompson, babasının ölümünden sonra büyük bir mirasa sahip olmuş ve "bir yandan bilgilerini çoğaltma arzusu öte yandan baba ölümünün kendisinde yaratmış olduğu üzüntüyü unutmak, son olarak da merağını tatmin etmek için" uzun bir yolculuğa çıkmaya karar verir, yanına ise yoldaş olarak birçok dil bilen bir arkadaşını alır.
1730 yılı Mart ayında Londra'dan yola çıkarlar, Dover'den Calais'ye (okunuş: Kale) geçtikten sonra Rouen, Paris ve Marsilya'yı ziyaret ederler. Yolun devamında Cenova, Milano, Parma, Modena, Bologna, Floransa, Piza ve Sienna'dan geçip Roma'ya varırlar. 1731'in Ekim ayında Napoli'yi ziyaret ederler, arkasından Ancona, Ravenna, Ferrara ve Padova'ya geçerler. 1732 Mayıs ayında Venedik'ten vapura binip Haziran başlarında Hanya'ya varırlar. Bir ay sonra yeniden yola çıkıp Milos adasında bir hafta kaldıktan sonra Naksos, Paros, Antiparos, Dilos, Siros, Kea, Kithnos adalarını ziyaret ederler ve nihayet Atina'ya varırlar. Atina'daki tarihi anıtları, Attika, Viotia (Boeotia), Fokida yörelerini (Eleusis, Megara, Korint, Livadia, Arahova, Delfi, Thiva sitlerini) ziyaret ederler ve 1732 Kasım ayında İstanbul'a gitmek üzere yola çıkarlar. İstanbul'da birkaç ay kalırlar. Yolculuklarının devamında 1733 Eylül ayında Çanakkale'den yola çıkıp İzmir, Hios (Sakız), Samos, Patmos, Efes, Kos (İstanköy) ve Rodos'u ziyaret ederler. 1734 Şubat ayında Kıbrıs'tan geçtikten sonra Orta Doğu'ya devam ederler ve Trablus, Baalbek, Şam (Damascus), Beyrut, Sayda (Sidon), Kudüs'ü ziyaret ederler. 1734 Mayıs ayında Mısır'a seyahat edip Kahire, İskenderiye ve Sina'yı ziyaret ederler. 1735 Nisan ayında ise İngiltere'ye dönerler.
Thompson vakayınamesinde yolculuğun koşulları ve ziyaret ettikleri her yerin tarihi ve anıtları hakkında ayrıntılı bilgiler vermektedir. İlgisinin odaklandığı noktalar doğal mekân, çağdaş yaşam, insan unsuru, toplumsal yaşam, ekonomi, üretim, ticaret gibi konulardır. Thompson bu eseriyle 18. yüzyılın ilk yarısında sözkonusu yerlerle ilgili çok yönlü ve nesnel bir bakış aktarmaktadır.
Yazan: İoli Vingopoulou
Hagerstown, Indiana (September 10, 2012) The new Model T Ford Museum is slated to hold its grand opening during Richmond’s Octoberfest on September 28 at 6 p.m. The museum which was previously located in Centerville, Indiana near the Warm Glow Candle Factory for 5 years moved just a few miles east to Richmond, Indiana’s Historical Depot District this past spring.
Since the move to Richmond volunteers have been steadily preparing the museum’s new home, displays and vehicles for the event.
Today, a photo shoot for the Model T Museum’s newly acquired 1930 Pietenpol Sky Scout was held at the Hagerstown Airport.
The plan arrived at the airport around 10:00 a.m. this morning and was assembled by Model T enthusiasts and many of them brought their own Model Ts to use during the photo shoot.
One of the people there today was Mr. Jay Klehfoth who is the CEO and publisher of the Vintage Ford Magazine.
Jay is a walking encyclopedia when it comes to all things Model T. I was to learn he’s pretty knowledgeable in a lot of areas too. During our walk around of the plane Jay pointed out one of the parts for the engine had been made by a former factory in Richmond of all places. And there are many other special things about this airplane I’m sure he’ll be writing about in the next issue of the the Vintage Ford Magazine. He not only knew a lot about the Pietenpol Sky Scout plane that was being photographed for the magazine cover. He’s pretty sharp when it comes to airports too. He said that the Hagerstown airport were today’s photo shoot was done has the longest grass landing strip in the United States which to me made it the perfect place for today’s event.
This Pietenpol that will be on display at the museum is powered by a 20 HP Model T engine which was modified to include dual-ignition which is used in aviation. According to an article in the AntiqueAirfield.com website from September 10, 2012 there was only one original Pietenpol Sky Scout built by Bernard Pietenpol himself, and just two replicas. The article also said that all 3 were still flying.
The new Model T Ford Museum is going to be an exciting addition to what is one of Indiana’s grandest historical areas and a must in this part of the Midwest.
Richmond is a perfect place for any day trip. But, if you want to see all that Richmond has to offer you’ll need to plan on staying several days.
The Model T Ford Museum is located in Richmond’s Historic Depot District at 309 N 8th St, Richmond, IN 47374 - 765-488-0026.
Model T Ford Museum website: www.mtfca.com/clubpages/museum.htm
Additional Information:
The Model T Ford Club of America has nearly 8,000 families worldwide. Members are from all 50 states and 41 other countries.
The Vintage Ford Magazine is published bimonthly by the Model T Ford Club of America, 119 W. Main Street, Centerville, Indiana and is mailed to all members. Subscription rates are $35.00 per year (six issues) in the United States ($42.00 Canada and $44.00 elsewhere) and include member ship in the club.
All correspondence should be ad dressed to:
THE MODEL T FORD CLUB
OF AMERICA
P.O. Box 126
Centerville, IN 47330-0126
765-855-5248 fax 765-855-3428
e-mail: admin@mtfca.com
Raw Video: Prepping Pietenpol Sky Scout For Photo Shoot youtu.be/7_JnszAF8GA
Video: Pietenpol Sky Scout Photo Shoot youtu.be/h3m6ZWgNJMg
Video: Model T Ford Museum Grand Opening Set youtu.be/OwIiE5O1UQk
Oor Wullie (English: Our Willie) is a Scottish comic strip published in the D.C. Thomson newspaper The Sunday Post.
It features a character called Wullie Russell .
Wullie is the familiar Scots nickname for boys named William.
His trademarks are spiky hair, dungarees and an upturned bucket, which he uses as a seat - most strips since early 1ii937 begin and end with a single panel of Wullie sitting on his bucket.
The earliest strips, with little dialogue, ended with Wullie complaining ("I nivver get ony fun roond here!").
The artistic style settled down by 1940 and has changed little since. A frequent tagline reads, "Oor Wullie! Your Wullie! A'body's Wullie!" (Our Willie! Your Willie! Everybody's Willie!).
Created by Thomson editor R. D. Low and drawn by cartoonist Dudley D. Watkins, the strip first appeared on 8 March 1936.
Watkins continued to draw Oor Wullie until his death in 1969, after which the Post recycled his work into the 1970s.
New strips were eventually commissioned from Tom Lavery, followed by Peter Davidson and Robert Nixon. Ken H. Harrison drew the strip from 1989 until 1997, when Davidson resumed duties.
Between January 2005 and 2006 storylines were written by broadcaster Tom Morton from his home in Shetland, and subsequently they were written by Dave Donaldson, managing director of Thomson's comics division.
The current writer is former Dandy editor Morris Heggie.
The Oor Wullie bucket Trail begins on the 17th June 2019 and is even bigger than the last one 3 years ago.
In 2016 Dundee held a bucket trail with over 50 sculptures all painted with different designs to celebrate 80 years of Oor Wullie.
This was a huge success with the sculptures raising over £800,000 at auction for the local childrens charity.
They have decided to bring it back this year but on a far bigger scale with 150 sculptures and this time you will be able to find them not only in Dundee, but Edinburgh, Glasgow, Aberdeen, Inverness and a few dotted in other towns and cities across the country.
At the end of the summer these will once again be auctioned off and the money will be split between 3 childrens charities.
Oor Wullie’s BIG Bucket Trail runs for 11 weeks from 17th June 2019 – 30th August 2019, culminating in a series of Farewell Events and nationwide auctions in each of the five host cities, Glasgow, Edinburgh, Dundee, Aberdeen and Inverness.
Scotland’s first ever national public art trail aims to unite the country as it raises awareness and vital funds for Scotland’s children’s hospital charities.
Funds raised through the trail will support Glasgow Children’s Hospital Charity,Edinburgh Children’s Hospital Charity,and the ARCHIE Foundation, helping children in hospital across the country.
Oor Wullie’s BIG Bucket Trail is a Wild in Art event, and would not be possible without the support of DC Thomson Media.
I have taken a keen interest in this event and intend to capture all of the sculptures across the city, posting some of my favourite shots here on Flickr.
The Postcard
A postcard published by the Photochrom Co. Ltd.
The card was posted in Margate on Friday the 19th. September 1919 to:
Miss G. Stiles,
36, Brookwood Road,
Southfields,
London S.W.
The pencilled message on the back of the card was as follows:
"Churchfield Boarding
House,
Churchfields,
Margate.
Dear Grace,
We are having a ripping
time.
Our faces are quite sore
being sunburnt.
Fancy George being in
England.
I am glad I have an extra
week's holiday, I want the
time we have down here
not to go quickly.
Love from Rose".
The Photochrom Co. Ltd.
The Photochrom Co. Ltd. of London and Royal Tunbridge Wells originally produced Christmas cards before becoming a major publisher and printer of tourist albums, guide books, and postcards.
These mainly captured worldwide views as real photos, or were printed in black & white, monochrome, and color.
They also published many advertising, comic, silhouette, novelty, panoramic, and notable artist-signed cards in named series as well. The huge number of titles that Photochrom produced may well exceed 40,000.
In 1896 they took over Fussli’s London office established three years earlier, and began publishing similar photo-chromolithographic postcards after securing the exclusive English licence for the Swiss photochrom process.
This technique was used to produce a great number of view-cards of both England and Europe. While they captured the same fine details as the Swiss prints, their colours were much softer and reduced.
Apart from their better known photochroms, they produced their Celesque series of view-cards printed in tricolor.
One of the largest unnamed series that Photochrom produced was of view-cards printed in brown rotogravure. Many of these cards were simply hand coloured with a dominant red and blue, which gives these cards a distinct appearance. They are similar to cards produced in their Photogravure and Velvet Finish Series.
Photochrom postcard series include:
-- Night Series - Line block halftone over a blue tint depicting London.
-- Carbofoto Series - Black & white real photo cards.
-- Sepiatone Series - Sepia real photo cards.
-- Grano Series - View-cards printed in black & white.
-- Exclusive Photo-Color Series - View-cards printed in colour.
-- Duotype Process Series - View-cards printed in two tones.
Cliftonville
Cliftonville is a coastal area of the town of Margate, situated to the east of the main town. It contains the area known as Palm Bay.
The original Palm Bay estate was built in the 1930's as a number of large, wide avenues with detached and semi-detached houses with driveways, garages and gardens. This land was sold by Mr Sidney Simon Van Den Bergh to the Palm Bay Estate Co. on the 23rd. June 1924. Such avenues include Gloucester Avenue and Leicester Avenue.
East Cliftonville
The Palm Bay estate covers the eastern part of Cliftonville, and was fields before the first avenue was built. It extends east beyond Northumberland Avenue and has been developed in phases. The later phase extending eastwards of Princess Margaret Avenue is a modern-style housing estate with small houses largely identical in appearance and of less substantial build quality than the original 1930's estate.
The eastward expansion of Cliftonville has included much of the former parish of Northdown, including Northdown Park and House.
West Cliftonville
West Cliftonville was originally developed as the up-market alternative to bustling Margate, and had many small private hotels and guest houses with outstanding Victorian architecture which catered for the many visitors to what was in the first half of the 20th. century a thriving holiday resort.
Many of the large hotels have been converted into one bed flats; this has brought about positive action from Thanet District Council which introduced selective licensing, ensuring that quality home improvements are maintained by landlords (2006) and restricting planning permission for one bedroom flats (2007).
Cliftonville now has many of its streets protected by conservation area orders. The seafront area once included many large hotels, including at one time a large Butlins complex. Some fantastic hotels remain, e.g. Smiths Court Hotel overlooking the sea, and The Walpole Bay Hotel.
Tourism and visitor numbers have increased in Cliftonville (2018) with the addition of newly opened bed and breakfasts changing the Cliftonville landscape. Northdown Road and Cliff Terrace have also had a resurgence, with many trendy and hip businesses opening up.
The Oval Bandstand and lawns run by community group GRASS Cliftonville bring an opportunity to bring community engagement to Cliftonville, and they host a monthly award-winning farmers' market on the last Sunday of every month.
During the summer there are a number of activities and events, including musical shows. The Tom Thumb Theatre brings a host of music events and theatre to Cliftonville.
Writing and Poetry
During the first half of the 20th. century, Cliftonville was considered the fashionable hotel quarter of Margate. It was during the autumn of 1921 that T. S. Eliot spent a period of convalescence at the Albermarle Hotel. His widow has confirmed that he found inspiration for, and wrote significant sections of 'The Waste Land' in the Grade II listed Nayland Rock promenade shelter.
The spirit of early 20th. century Margate and Cliftonville was caught by John Betjeman (1906 - 1984) in his poem "Margate 1940":
Margate 1940
From out The Queen's Highcliffe for weeks at a stretch
I watched how the mower evaded the vetch,
So that over the putting-course rashes were seen
Of pink and of yellow among the burnt green.
How restful to putt, when the strains of a band
Announced a thé dansant was on at The Grand,
While over the privet, comminglingly clear,
I heard lesser Co-Optimists down by the pier.
How lightly municipal, meltingly tarr'd,
Were the walks through the lawns by the Queen's Promenade
As soft over Cliftonville languished the light
Down Harold Road, Norfolk Road, into the night.
Oh! then what a pleasure to see the ground floor
With tables for two laid as tables for four,
And bottles of sauce and Kia-Ora and squash
Awaiting their owners who'd gone up to wash -
Who had gone up to wash the ozone from their skins
The sand from their legs and the rock from their chins,
To prepare for an evening of dancing and cards
And forget the sea-breeze on the dry promenades.
From third floor and fourth floor the children looked down
Upon ribbons of light in the salt-scented town;
And drowning the trams roared the sound of the sea
As it washed in the shingle the scraps of their tea.
Beside The Queen's Highcliffe now rank grows the vetch,
Now dark is the terrace, a storm-battered stretch;
And I think, as the fairy-lit sights I recall,
It is those we are fighting for, foremost of all.
We know from Betjeman's letters that he visited Margate in 1929 while staying at nearby Birchington with his convalescing employer.
This visit alone would have been sufficient to acquaint him with Margate's pre-war gaiety, the innocent pleasures it offered as a family seaside resort, as well as the more upmarket pretensions of its eastern extension, Cliftonville.
There were probably subsequent visits, one of which must have taken place in the early years of the second World War, as recorded in the poem 'Margate, 1940'.
The evocation of the resort's former glories poignantly conjures up, by contrast, the neglected, bomb-battered desolation it had become.
Note: 'Vetch' is a climbing plant in the pea/legume family. It produces small, pealike flowers (often blue, purple, yellow, or white). It grows quickly and is highly valued in farming for forage (animal feed) and as green manure. Like other legumes, vetches host bacteria on their roots that take nitrogen from the air and convert it into a natural fertilizer, thereby improving soil health.
Trevor Howard
The actor Trevor Howard was born in Cliftonville on the 29th. September 1913.
Sugar Consumption in the U.S.
So what else happened on the day that Rose posted the card?
Well, on the 19th. September 1919, the Chicago Tribune reported that the consumption of sugar in the United States for the first 7 months of 1919 was 362,000 tons more than during the corresponding period in the previous year.
This was according to statistics compiled by the United States Sugar Equalization Board.
This represents an increased per capita consumption of one pound per month. So now you know.
The Postcard
A postally unused carte postale published by Lévy Fils et Cie of Paris.
Visé Paris No. 924
The reference in the bottom-left corner to 'Visé Paris' followed by a unique number means that the image has been inspected by the military authorities in the French capital and deemed not to be a security risk.
'Visé Paris' indicates that the card was published during or soon after the end of the Great War.
The Battle of the Somme
The Battle of the Somme took place between the 1st. July and the 18th. November 1916 on both sides of the upper reaches of the River Somme in France.
In total, more than one million men were wounded or killed, making it one of the bloodiest battles in human history.
Amongst Oxford men who lost their lives were the Prime Minister’s son Raymond Asquith (All Souls) and the War Poet William Noel Hodgson (Christ Church), who wrote the following poem in the days leading up to the battle:
'By all the glories of the day
And the cool evening’s benison
By that last sunset touch that lay
Upon the hills when day was done,
By beauty lavishly outpoured
And blessings carelessly received,
By all the days that I have lived
Make me a soldier, Lord.
By all of all man’s hopes and fears
And all the wonders poets sing,
The laughter of unclouded years,
And every sad and lovely thing;
By the romantic ages stored
With high endeavour that was his,
By all his mad catastrophes
Make me a man, O Lord.
I, that on my familiar hill
Saw with uncomprehending eyes
A hundred of thy sunsets spill
Their fresh and sanguine sacrifice,
Ere the sun swings his noonday sword
Must say good-bye to all of this; –
By all delights that I shall miss,
Help me to die, O Lord'.
(Before Action, 1916)
‘Before Action’ is a three-fold prayer for courage in the face of death, and it has become part of the story of the battle.
Noel's battalion was to advance across the downward slope of a hill, in full view of German trenches on three sides. They knew how slender their chances were.
On 1 July 1916, two days after the publication of ‘Before Action’, Noel Hodgson was killed in the opening minutes of the advance, as he had expected. Over half the battalion and all but one of the officers who fought that day became casualties alongside him.
This photograph was published in an online magazine article in DEVON LIVE, on 10th December 2024, written by Victoria Chessum & Lauren Haughey (Lifestyle and Money Reporter), titled:
'' Warning to place bird feeders 'the right way' to avoid garden pests -
Gardeners' World has urged green-thumbed fans to carefully consider the placement of bird feeders in their gardens ''.
Devon Live has offices in South Devon, North Devon and Exeter and community correspondents and columnists around the county. Articles are in print in the Express & Echo, the Torquay Herald Express, the Mid Devon Gazette and the North Devon Journal.
They are part of Reach Plc, which is a member of and regulated by IPSO, the Independent Press Standards Organisation.
This photograph had previously been Selected for sale in the GETTY IMAGES COLLECTION on September 9th 2020
CREATIVE RF gty.im/1271274444 MOMENT ROYALTY FREE COLLECTION and became my 4,588th frame for sale in the Getty Images collection, I now have 7,000+ images and Getty are my sole worldwide agent.
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Fifty one metres at 10:38am on Monday 7th September 2020, of a male Blue Tit (Parus caeruleus), after a summer rain shower off Chessington Avenue in Bexleyheath, Kent.
The male is identified by a more striking blue skull cap,darker blacker around the eyes and around the chin, a darker taile and more vibrant plumage than the female and these little birds are bestowed with wonderful acrobatic skills.
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Nikon D850 Focal length 600mm Shutter speed: 1/200s Aperture f/6.3 iso200 Image area FX (36 x 24) NEF RAW L (8256 x 5504). NEF RAW L (14 bit uncompressed) Image size L (8256 x 5504 FX). Focus mode AF-C focus. AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points.AF-Area mode single point & 73 point switchable. Exposure mode: Shutter Priority mode. Matrix metering. Auto ISO sensitivity control on (Max iso 800/ Minimum shutter speed 125). White balance on: Auto1. Colour space: RGB. Active D-lighting: Normal. Vignette control: Normal. Nikon Distortion control: Enabled. Picture control: Auto (Sharpening A +1/Clarity A+1)
Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch.Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fibre geared tripod. Neewer Gimbal tripod head with Arca Swiss quick release plate.055XPROB Tripod 3 Sections (Payload: 5.6kgs). Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Matin quick release neckstrap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
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LATITUDE: N 51d 28m 27.97s
LONGITUDE: E 0d 8m 10.29s
ALTITUDE: 51.0m
RAW (TIFF) FILE: 130.00MB NEF: 91.8MB
PROCESSED (JPeg) FILE: 24.70MB
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PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
This photograph was published in the Illustrated Chronicle on the 12th of January 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
I recently learned that a photo I took from the cycling leg of a triathlon was used as a two page spread in a book called "Bike Fit" from Bloomsbury Publishing. So of course I had to buy a copy for posterity.
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Cocorosie
BSP Kingston
Kingston, New York
September 26th, 2015
© 2015 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
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BROADCAST, REWRITTEN OR REDISTRIBUTED.
Published by the Ueda Company in Yokohama, circa 1907. A set of hand-colored collotype postcards. Ueda also published a set of postcards featuring O-Hana-san. When we find a complete set, we'll post it here.
© ICEH.
Published by the International Centre for Eye Health www.iceh.org.uk, London School of Hygiene & Tropical Medicine.
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(PORTFOLIO BUILDING” SHOOTS ARE 2ND)
“PLEASE INQUIRE WITHIN”
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Without the sun the astonishing colour of the clear waters of Nellie Lake isn’t evident, but it’s still a beautiful lake.
Published by Usborne books in 1979, The Detectives Handbook (also published as 3 separate books) was quite simply my favourite childhood book.
Usborne are always known for the wealth of their illustrations, and these were no different. Pages of Colin King's artwork that made me want to go out and copy it, and above all, I wanted that detectives office!
Published by Pembertons United Kingdom, Apr May Jun 1954
Stories by Ray Bradbury, Gardner Fox, Fox B. Holden
Hello everyone, another photo published. We are very delighted they took the
time and effort to ask us. For our flickr friends, what is ours, is yours - always
will be - enjoy our photos as we enjoy yours !
Magazine: die biene (German)
Title: die biene
Date: July 2007
Congratulations to Paul Miller and Doug Vaughn for front page photos and
details. This is our photo - page 13 ... Thanks ...
Our Original Photo that appeared in this magazine:: Orchards in Bloom
Wow! see credit Debra Lewis (center bottom) exciting! I can't save bees but I can save turtles - one at a time.