View allAll Photos Tagged published
The Postcard
A postally unused Victoria Series postcard that was published by J. Davis of 24, Queen Victoria Street, London E.C. and printed at their works in Hamburg.
In the space for the stamp they state that a half-penny stamp is required,. This indicates a publication date prior to the summer of 1918 which is when the rate was doubled to one penny in order to help pay for the Great War.
The card has a divided back, and at the top of the left hand side the publishers have printed:
'This space may now be
used for communication'.
The divided back was introduced in the UK in 1902, therefore the card was published early in the first decade of the 20th. century.
Battle Abbey
Battle Abbey is a partially ruined Benedictine abbey in Battle, East Sussex. The abbey was built on the site of the Battle of Hastings, and is dedicated to St. Martin of Tours.
The Grade I listed site is now operated by English Heritage, and includes the abbey buildings and ruins, a visitor centre with a film and exhibition about the battle, audio tours of the battlefield site, and the monks' gatehouse with recovered artefacts.
The visitor centre includes a children's discovery room and a café, and there is an outdoor themed playground.
In 1070, Pope Alexander II ordered the Normans to do penance for killing so many people during their conquest of England. In response, William the Conqueror vowed to build an abbey where the Battle of Hastings had taken place, with the high altar of its church on the supposed spot where King Harold fell in the battle on Saturday, 14 October 1066.
William started building it, but died before it was completed. Its church was finished in about 1094 and consecrated during the reign of his son William known as Rufus.
William I had ruled that the church of St Martin of Battle was to be exempted from all episcopal jurisdiction, putting it on the level of Canterbury. It was remodelled in the late 13th. century, but virtually destroyed during the Dissolution of the Monasteries in 1538 under King Henry VIII.
The abbey and much of its land was given by Henry VIII to his friend and Master of the Horse, Sir Anthony Browne, who demolished the church and parts of the cloister and turned the abbot's quarters into a country house.
It was sold in 1721 by Browne's descendant, Anthony Browne, 6th Earl of Montagu, to Sir Thomas Webster, MP and baronet. Sir Thomas had married the heiress Jane Cheek, granddaughter of a wealthy merchant, Henry Whistler, to whose vast inheritance she succeeded in 1719.
Webster was succeeded by his son, Sir Whistler Webster, 2nd Baronet, who died childless in 1779, being succeeded in the baronetcy by his brother. Battle Abbey remained in the Webster family until 1857, when it was sold to Lord Harry Vane, later Duke of Cleveland. On the death of the Duchess of Cleveland in 1901, the estate was bought back by Sir Augustus Webster, 7th baronet.
Sir Augustus (son of Sir Augustus, 7th baronet) was born in 1864 and succeeded his father as 8th baronet in 1886. In 1895, he married the only daughter of Henry Crossley of Aldborough Hall, Bedale. Sir Augustus was formerly a captain in the Coldstream Guards.
The descendants of Sir Augustus Webster, 8th baronet (died 1923) who brought the extinction, finally sold Battle Abbey to the British government in 1976 and it is now in the care of English Heritage.
It was an all-girls boarding school when Canadian troops were stationed there in the Second World War, and continues to this day as a successful school for both boys and girls.
All that is left of the abbey church itself today is its outline on the ground, but parts of some of the abbey's buildings are still standing: those built between the 13th and 16th century. These are still in use as the independent Battle Abbey School.
Visitors to the abbey usually are not allowed inside the school buildings, although during the school's summer holidays, access to the abbot's hall is often allowed.
The church's high altar reputedly stood on the spot where Harold died. This is now marked by a plaque on the ground, and nearby is a monument to Harold erected by the people of Normandy in 1903. The ruins of the abbey, with the adjacent battlefield, are a popular tourist attraction, with events such as the Battle of Hastings reenactments.
Schmap Oxford Tenth Edition
Its great to be published.
www.schmap.com/oxford/sights_historic/p=160601/i=160601_1...
Mapmaker: Royal Geographic Society
Published: 1899
A fine map from the great Royal Geographical Society that strove to understand some of the more remote regions of the world. This map Lake Urmia Basin, spans from Tabriz and Urmi, south into the hills. Notes the major rivers and tributaries, as well as towns and cities.
Urmia (Turkish language: Urmu, Urmiyə, اورمیه; farsi: ارومیه) variously translitterated as Oroumiyeh, Orūmīyeh and Urūmiyeh, is a city in and the capital of West Azerbaijan Province, Iran. At the 2006 census, its population was 577,307, with 153,570 households.
The city lies at an altitude of 1,330 m above sea level on the Shahar Chay river (City River). Urmia is the 10th most populated city in Iran. The population is mainly mainly Azerbaijanian Turkish(85-90%), with Kurdish, Assyrian Christian, and Armenian minorities.
Urmia is situated on a fertile plain called Urmia Plain, on western side of Lake Urmia; and eastern side of Turkish border and marginal range of mountains.
Urmia is the trade center for a fertile agricultural region where fruit (especially Apple and Grape) and Tobacco are grown. An important town by the 9th cent., Urmia was seized by the Seljuk Turks (1184), and later occupied a number of times by the Ottoman Turks.
Urmiye (Türkçesi:اورمو, Urmu, اورمیه, Urumiyə;Farsça: ارومیه, Orumieh), İran'ın Batı Azerbaycan Eyaleti'nin yönetim merkezi olan şehir. Şehir, bağlı olduğu eyaletin orta kısmında, Urmiye Gölü ile Türkiye sınırı arasında, kendi adıyla anılan ovada kuruludur. Nüfusu 2006 yılı verileriyle 577,307 kişidir ki Urmiye ülkenin en büyük 10. şehridir.
Urmiye şehrinde nüfusun çoğunluğunu (tahmini 90%) Türklerdir, azınlık kısmınıysa Kürtler, Süryaniler ve Ermeniler oluşturuyor.
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Il collettivo britannico Archive in italia per una data unica con il nuovo album The False Foundation, sabato 26 novembre al Fabrique di Milano
A poco più di un anno dall’ultimo tour nel nostro Paese, tornano in Italia gli Archive per una data unica con il loro Kings of the False Foundation Tour, sabato 26 novembre al Fabrique di Milano per presentare il nuovo album The False Foundation, in uscita il 7 ottobre!
Collettivo britannico che mescola progressive rock, trip-hop, elettronica, psichedelia ed ambient, gli Archive nascono nel 1993 a Londra da un’idea di Darius Keeler e Rosko John, ai quali poco dopo si uniscono Danny Griffiths e la vocalist Roya Arab. Nel 1996 esordiscono con Londinium, un mix di trip-hop, elettronica e breakbeat che li affianca ad artisti come Massive Attack e Portishead. Il moderato successo di critica non impedisce a Rosko John e Roya Arab di lasciare la band; quest’ultima viene sostituita da Suzanne Wooder, insieme alla quale l’ensemble dà alle stampe Take My Head. Gli avvicendamenti all’interno della formazione non hanno fine e, dopo tre album insieme a Craig Walker, nel 2004 Keeler e Griffiths decidono di trasformare la band in un collettivo di artisti individuali che offrono il loro contributo per mantenere vivo il tradizionale sound degli Archive. Ad oggi gli Archive hanno all’attivo la colonna sonora del film Michel Vaillant (2003), tre compilation, sette live album, tre EP e dieci album in studio, l’ultimo dei quali è per l’appunto The False Foundation.
Oltre ai due fondatori Darius Keeler (testi, sintetizzatore, piano, programming, arrangiamenti) e Danny Griffiths (testi, sintetizzatore, campionamenti, programming, arrangiamenti), ad oggi il collettivo Archive comprende Pollard Berrier (testi, voce, chitarra, programming, arrangiamenti), Dave Pen (testi, voce, chitarra), Maria Q (voce), Holly Martin (voce), Steve Harris (chitarra, cori), Jonathan Noyce (basso), Steve “The Menace” Davis (basso), Steve “Smiley” Barnard (batteria), Mickey Hurcombe (chitarra) e Tom Brazelle (armonica).
Photograph published 14th December 1918
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognize anyone in the images and have any stories and information to add please comment below.
The Postcard
An image of part of the grounds of St. Joseph's Convent in Reading on a postcard which was posted in Reading on Monday the 20th. October 1919 to an address in Rue Marcadet, Paris.
The convent was founded in Reading, Berkshire in 1910, but since then it has undergone a name change - it is now a thriving independent Catholic day school for boys and girls aged 3 to 18 called St. Joseph's College.
Notable alumnae include two singers - Marianne Faithfull and Alma Cogan.
Virginia Woolf
So what else happened on the day that the card was posted?
Well, on the 20th. October 1919, a novel by Virginia Woolf was published for the first time. It is called 'Night and Day', and is set in Edwardian London.
The book contrasts the daily lives of two acquaintances, Katharine Hilbery and Mary Datchet, and examines the relationships between love, marriage, happiness and success.
Thoughts From Virginia Woolf
"One cannot think well, love well,
sleep well, if one has not dined well."
"Why are women so much more
interesting to men than men are
to women?"
"The eyes of others our prisons;
their thoughts our cages."
"I thought how unpleasant it is to
be locked out; and I thought how
it is worse, perhaps, to be locked in."
"Fiction is like a spider's web, attached
ever so slightly perhaps, but still attached
to life at all four corners. Often the
attachment is scarcely perceptible."
"It is fatal to be a man or woman pure
and simple: one must be a woman manly,
or a man womanly."
"Humour is the first of the gifts to perish
in a foreign tongue."
"Once conform, once do what other people
do because they do it, and a lethargy steals
over all the finer nerves and faculties of the
soul.
She becomes all outer show and inward
emptiness; dull, callous, and indifferent."
"Literature is strewn with the wreckage of
men who have minded beyond reason the
opinions of others."
"There is much to support the view that it
is clothes that wear us, and not we, them;
we may make them take the mould of arm
or breast, but they mould our hearts, our
brains, our tongues to their liking."
"Let a man get up and say, 'Behold, this is
the truth', and instantly I perceive a sandy
cat filching a piece of fish in the background.
Look, you have forgotten the cat, I say."
"On the outskirts of every agony sits
some observant fellow who points."
"One likes people much better when
they're battered down by a prodigious
siege of misfortune than when they
triumph."
"There can be no two opinions as to what
a highbrow is. He is the man or woman of
thoroughbred intelligence who rides his
mind at a gallop across country in pursuit
of an idea."
"If you do not tell the truth about yourself
you cannot tell it about other people."
"Some people go to priests; others to
poetry; I to my friends."
"For most of history, Anonymous
was a woman."
"If I can only note that the past is beautiful
because one never realises an emotion at
the time. It expands later, and thus we don't
have complete emotions about the present,
only about the past."
"To enjoy freedom we have to control
ourselves."
"Yet it is in our idleness, in our dreams,
that the submerged truth sometimes
comes to the top."
"Language is wine upon the lips."
"I read the book of Job last night, I
don't think God comes out well in it."
"Every secret of a writer's soul, every
experience of his life, every quality of
his mind is written large in his works."
"The truth is, I often like women. I like
their unconventionality. I like their
completeness. I like their anonymity."
"The history of men's opposition to
women's emancipation is more
interesting perhaps than the story
of that emancipation itself."
"The older one grows, the more
one likes indecency."
"One of the signs of passing youth
is the birth of a sense of fellowship
with other human beings as we take
our place among them."
"This soul, or life within us, by no
means agrees with the life outside us."
"I want the concentration and the romance,
and the worlds all glued together, fused,
glowing: have no time to waste any more
on prose."
"Masterpieces are not single and solitary
births; they are the outcome of many years
of thinking in common, of thinking by the
body of the people, so that the experience
of the mass is behind the single voice."
"A woman must have money and a room
of her own if she is to write fiction."
"I was in a queer mood, thinking myself
very old: but now I am a woman again -
as I always am when I write."
"I would venture to guess that Anon,
who wrote so many poems without
signing them, was often a woman."
"You cannot find peace by avoiding life."
"My own brain is to me the most
unaccountable of machinery -
always buzzing, humming, soaring
roaring diving, and then buried in
mud. And why? What's this passion
for?"
"Someone has to die in order that
the rest of us should value life more."
"The beauty of the world, which is so
soon to perish, has two edges, one of
laughter, one of anguish, cutting the
heart asunder."
"Nothing has really happened until
it has been recorded."
"These are the soul's changes. I don't
believe in ageing. I believe in forever
altering one's aspect to the sun. Hence
my optimism."
"Mental fight means thinking against
the current, not with it. It is our business
to puncture gas bags and discover the
seeds of truth."
"It is far more difficult to murder
a phantom than a reality."
"Really I don't like human nature
unless all candied over with art."
"The telephone, which interrupts the
most serious conversations and cuts
short the most weighty observations,
has a romance of its own."
"Boredom is the legitimate
kingdom of the philanthropic."
"If we help an educated man's daughter
to go to Cambridge are we not forcing
her to think not about education but
about war? - not how she can learn, but
how she can fight in order that she might
win the same advantages as her brothers?"
"The man who is aware of himself is
henceforward independent; and he is never
bored, and life is only too short, and he is
steeped through and through with a
profound yet temperate happiness."
"That great Cathedral space which
was childhood."
"This is an important book, the critic
assumes, because it deals with war.
This is an insignificant book because
it deals with the feelings of women
in a drawing-room."
"It seems as if an age of genius must
be succeeded by an age of endeavour;
riot and extravagance by cleanliness
and hard work."
"Yet, it is true, poetry is delicious; the
best prose is that which is most full
of poetry."
"It's not catastrophes, murders, deaths,
diseases, that age and kill us; it's the way
people look and laugh, and run up the
steps of omnibuses."
"Life is not a series of gig lamps
symmetrically arranged; life is a
luminous halo, a semi-transparent
envelope surrounding us from the
beginning of consciousness to the
end."
This photograph was published in the Illustrated Chronicle on the 4th of August 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
[Published by] Otto Schmidt, Höchenschwand
Feldpost (military mail that required no postage), postmarked January 28, 1916
This photograph was published in the Illustrated Chronicle on the 10th of September 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
Several of my photos have been used in the Spring 2013 edition of NCT Mattters, the magazine of the National Childbirth Trust in the UK.
Published in 1957 by The Children' Press, London. Found in a Charity Shop in Christchurch, New Zealand.
Taken on 12 February 2014 in Angola near Quibaxe Ngonguembo (DSC_9138)
freewheely.com: Cycling Africa beyond mountains and deserts until Cape Town
This photograph was published in an online magazine article in DEVON LIVE, on 10th December 2024, written by Victoria Chessum & Lauren Haughey (Lifestyle and Money Reporter), titled:
'' Warning to place bird feeders 'the right way' to avoid garden pests -
Gardeners' World has urged green-thumbed fans to carefully consider the placement of bird feeders in their gardens ''.
Devon Live has offices in South Devon, North Devon and Exeter and community correspondents and columnists around the county. Articles are in print in the Express & Echo, the Torquay Herald Express, the Mid Devon Gazette and the North Devon Journal.
They are part of Reach Plc, which is a member of and regulated by IPSO, the Independent Press Standards Organisation.
This photograph had previously been Selected for sale in the GETTY IMAGES COLLECTION on September 9th 2020
CREATIVE RF gty.im/1271274444 MOMENT ROYALTY FREE COLLECTION and became my 4,588th frame for sale in the Getty Images collection, I now have 7,000+ images and Getty are my sole worldwide agent.
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
.
.
Photograph taken at an altitude of Fifty one metres at 10:38am on Monday 7th September 2020, of a male Blue Tit (Parus caeruleus), after a summer rain shower off Chessington Avenue in Bexleyheath, Kent.
The male is identified by a more striking blue skull cap,darker blacker around the eyes and around the chin, a darker taile and more vibrant plumage than the female and these little birds are bestowed with wonderful acrobatic skills.
.
.
Nikon D850 Focal length 600mm Shutter speed: 1/200s Aperture f/6.3 iso200 Image area FX (36 x 24) NEF RAW L (8256 x 5504). NEF RAW L (14 bit uncompressed) Image size L (8256 x 5504 FX). Focus mode AF-C focus. AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points.AF-Area mode single point & 73 point switchable. Exposure mode: Shutter Priority mode. Matrix metering. Auto ISO sensitivity control on (Max iso 800/ Minimum shutter speed 125). White balance on: Auto1. Colour space: RGB. Active D-lighting: Normal. Vignette control: Normal. Nikon Distortion control: Enabled. Picture control: Auto (Sharpening A +1/Clarity A+1)
Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch.Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fibre geared tripod. Neewer Gimbal tripod head with Arca Swiss quick release plate.055XPROB Tripod 3 Sections (Payload: 5.6kgs). Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Matin quick release neckstrap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
.
.
LATITUDE: N 51d 28m 27.97s
LONGITUDE: E 0d 8m 10.29s
ALTITUDE: 51.0m
RAW (TIFF) FILE: 130.00MB NEF: 91.8MB
PROCESSED (JPeg) FILE: 24.70MB
.
.
PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
This photograph was published in the Illustrated Chronicle on the 12th of January 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
I recently learned that a photo I took from the cycling leg of a triathlon was used as a two page spread in a book called "Bike Fit" from Bloomsbury Publishing. So of course I had to buy a copy for posterity.
Published by the Ueda Company in Yokohama, circa 1907. A set of hand-colored collotype postcards. Ueda also published a set of postcards featuring O-Hana-san. When we find a complete set, we'll post it here.
I was floored when my plushies were selected to appear in the summer edition of Stuffed magazine. I am relatively new to plushie creation(3ish years) and thought I had no chance to to be picked. I sent 3 Quirky Costumed Kids in a big brown box to STUFFED headquarters as a first step to living my dream to be a successful stay-at-home mom and craft artist. Lo and Behold they chose them to be part of their publication and I am super happy about it :D
Big Ant TV Media LLC ©
Published Pro Freelance Photographer
PAID SHOOTS ARE 1st PRIORITY
(PORTFOLIO BUILDING” SHOOTS ARE 2ND)
“PLEASE INQUIRE WITHIN”
#fffweek #sbfw #nyfw #stylefw
#fashionphotographer
#canon5DMarkIV
#UrbanModeling
#plussizemodeling
#sportsphotographers
#BigAntTVMedia #editorialphotographers
#NYCPhotographers #BiggsthePhotographer
#lens4fashion #biganttvproductions #m76photo
Without the sun the astonishing colour of the clear waters of Nellie Lake isn’t evident, but it’s still a beautiful lake.
Cover illustrated by Russ Heath.
Published by Atlas.
All items are original, and from my personal collection.
Published by Usborne books in 1979, The Detectives Handbook (also published as 3 separate books) was quite simply my favourite childhood book.
Usborne are always known for the wealth of their illustrations, and these were no different. Pages of Colin King's artwork that made me want to go out and copy it, and above all, I wanted that detectives office!
Published by Pembertons United Kingdom, Apr May Jun 1954
Stories by Ray Bradbury, Gardner Fox, Fox B. Holden
Suspended Animation Classic #262
Originally published Jan. 2, 1994 (#1)
(Dates are approximate)
EC Comics Reprints
By Michael Vance
Boys experience profound moments that shape their lives. They learn parents aren’t perfect, and that girls are something other.
I bought the farm in ’65.
On that farm, aliens were landing. In and around me, it created no small stir.
With the farm came the secret horror of eternal youth, a murderer aboard a spaceship filled with sleeping beauties, and a baby slain on the banks of Saint George Bay. The ‘farm’ I’d bought was a story in a paperback comics collection, “Tales of the Incredible”.
That paperback taught me that comics could be excellent literature. Eventually, I learned these stories I’d loved were reprinted from “Weird Science”, “Weird Fantasy” and “Weird Science-Fantasy”, comic published by EC.
EC published these and more than a dozen titles in the early ‘50s, as well as “Mad” and a forgotten humor title, “Panic”. Imagine my joy when I found EC's horror comics, “The Vault of Horror”, “The Haunt of Fear”, and “Tales from the Crypt (now an HBO TV series).
Guess my horror at the prince of a single original issue of these rare books!
Prepare for a profound moment. Russ Cochran, Publisher, began reprinting all of these anthology comics in the ‘70s. The “EC Library” is now available in oversized, hardcover sets with slipcovers, most priced at over $100. The library includes “Crime Suspenstories”, “Shock Suspenstories”, “Two Fisted Tales”, “Frontline Combat”, and EC’s SF and humor titles. One hodge-podge set offers “MD”, “Impact”, Psychoanalysis”, “Aces High”, “Extra!”, “Valor” and “Piracy”.
You may order by mail or through a comics shop now that boys have become men. But remember, you’ve learned parents are completely fallible and girls are (shudder) more than something other. Your illusions are shattered.
On the farm I bought, aliens still land, and in and around me, EC still creates no small stir!
Early 1930s. Published in a book called 'Wonderful London - Silver Jubilee Souvenir' (of King George V and Queen Mary, 1935).
"Remembering the price of land in the City, we may be surprised at the little oases of green that occur here and there. Many of them are remnants of old churchyards, and the plot of land where the famous plane-tree stands at the corner of Wood Street and Cheapside once belonged to St Peter at the Cross. The tree itself, which is mentioned in Wordsworth's "The Reverie of Poor Susan" is stringently protected in the leases of neighbouring buildings. The doubtful claim of the shop at the corner of Friday Street is no longer in dispute: it has recently given way to one of the newest edifices in Cheapside".
Copyright: Gorse
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
La quinta edizione del festival organizzato da Wired Italia. Due lunghi fine settimana in cui vivere l’innovazione nell’economia, nella scienza, nella politica, nell’intrattenimento, nella cultura. Milano e Firenze si trasformano per un fine settimana nel luna park della scienza e della tecnologia. Oltre 150 relatori, performance artistiche, laboratori di stampa 3D, droni in volo, videogame, film, documentari, speed date sul lavoro, maratone di coding e workshop per tutte le età. A Milano da venerdì 26 a domenica 28 maggio ai Giardini Indro Montanelli.
-----------------------------
ore 12:00
Quando la tecnologia diventa un linguaggio
Speaker
Federico Ferri - Direttore Responsabile Sky Sport
Federico Ferri è da fine 2016 Direttore Responsabile di Sky Sport. Torinese, 39 anni, Federico Ferri è stato autore di alcuni dei più importanti prodotti della rete, da Sky Sport Tech, che porta la sua firma, al rinnovato storytelling di programmi di punta come Sky Calcio Live, Sky Calcio Club e Sky Calcio Show, fino ad alcuni format di successo molto apprezzati dal nostro pubblico e dalla critica sportiva, come “Buffa Racconta” e “Mister Condò”.
-----------------------------
ore 12:30
Sempre in prima linea
Speaker
Nadya Tolokonnikova - Fondatrice Pussy Riot
Nadežda Andreevna Tolokonnikova, anche nota come “Nadya Tolokno” è una artista e attivista politica russa. È tra le fondatrici del collettivo Pussy Riot, uno dei più importanti gruppi artisti degli ultimi anni che ha focalizzato la propria attività sulla violazione dei diritti umani in Russia e altrove. Nell’agosto 2012 è stata condannata a due anni di carcere in seguito alla performance anti Putin alla cattedrale di Cristo il Salvatore a Mosca. La protesta ha attirato l’attenzione e il supporto internazionale e l’adesione di personaggi quali Peter Gabriel, Sir Paul McCartney, Madonna, Bjork and Aung San Suu Kyi.
-----------------------------
ore 13:00
Sempre più in alto
Speaker
Gianmarco Tamberi - Atleta
Gianmarco Tamberi (Civitanova Marche, 1º giugno 1992) è un atleta italiano specializzato nel salto in alto, disciplina di cui è campione mondiale indoor a Portland 2016 e campione europeo ad Amsterdam 2016, nonché detentore del record italiano sia outdoor che indoor. In carriera vanta anche una medaglia di bronzo agli Europei juniores di Tallinn 2011.
È figlio dell’ex saltatore in alto e primatista italiano Marco Tamberi, suo attuale allenatore, e fratello di Gianluca, primatista italiano juniores del lancio del giavellotto, modello e attore.
-----------------------------
ore 13:30
10 cose da fare per fare prevenzione - In collaborazione con Airc
Speaker
Geppi Cucciari - Artista e Testimonial Airc
Ugo Pastorino -Dottore e Direttore Scientifico Fondazione IRCCS Istituto Nazionale dei Tumori
Geppi Cucciari (Cagliari, 18 agosto 1973) è un’attrice e comica italiana, nota sul piccolo schermo per la sua comicità e le capacità di recitazione.
Il dottor Ugo Pastorino nasce ad Albenga (SV) il 15 luglio 1954. Nel 1979 consegue la Laurea in Medicina e Chirurgia presso l’Università Statale di Milano (110/lode). Dall’ottobre 2014 è Direttore Scientifico della Fondazione IRCCS Istituto Nazionale dei Tumori.
-----------------------------
ore 14:30
Insta-star
Speaker
Beatrice Vendramin - Attrice
Attrice, cantante e modella sin da bambina Beatrice Vendramin è un vero e proprio punto di riferimento per la generazione Zeta. É una delle protagoniste di Alex&Co, la situation comedy di Disney dal successo strepitoso dove interpreta il ruolo di Emma. Nel 2016 debutta sul grande schermo a fianco di Giovanna Mezzogiorno e Margherita Buy in “Come Diventare grandi, nonostante i genitori” per la regia di Luca Lucini dove è un’adolescente alle prese con tutte le sfide che la sua giovane età porta con sè.
-----------------------------
ore 15:00
Mediocrazia
Speaker
Alain Deneault - Docente e scrittore
Alain Deneault è un docente e filosofo canadese. Ha scritto saggi sulle politiche governative, sui paradisi fiscali e sulla crisi del pensiero critico. Insegna Scienze Politiche presso l’Università di Montréal e collabora con la rivista Liberté.
-----------------------------
ore 15:30
EPCC@WNF
Speaker
Alessandro Cattelan - Conduttore Radio e Tv
Alessandro Cattelan (Tortona, 11 maggio 1980) è un conduttore televisivo, conduttore radiofonico, scrittore e attore e comico italiano. Presentatore di punta di Sky Italia, tra i suoi programmi di maggior successo vi sono X Factor ed E poi c’è Cattelan.
-----------------------------
ore 16:30
Lo chiamavano cinema italiano
Speaker
Gabriele Mainetti - Attore e Regista
Nato a Roma nel 1976, è attore, regista e produttore cinematografico. Inizia come attore per cinema e fiction, è al contempo un compositore musicale e ha scritto le musiche per molti dei suoi lavori. Come regista inizia con il cortometraggio Basette. Nel 2011 fonda la Goon Films, che raggiunge il successo con Tiger Boy. Vince numerosi premi. Nel 2015 la sua casa di produzione realizza il suo primo cortometraggio: Lo chiamavano Jeeg Robot che, con un budget basso, ottiene grandi incassi e vince 7 statuette al David di Donatello, tra cui quella di miglior regista.
-----------------------------
ore 17:30
Lo strano caso dei TheGiornalisti
Speaker
Tommaso Paradiso - Cantante Thegiornalisti
Tommaso Paradiso è autore e cantante della band Thegiornalisti, ha scritto numerosi testi per artisti italiani. Nato 33 anni fa a Roma, ha iniziato a suonare con alcune band della capitale. Nel 2009 nasce Thegiornalisti. Dopo il debutto nel 2011 col primo album, Vol. 1, seguito dal secondo disco Vecchio, il gruppo ha raggiunto la notorietà grazie all’album Fuoricampo, pubblicato nel 2014. In particolar modo, si sono fatti conoscere nel 2015 con il singolo Fine dell’estate.
-----------------------------
ore 18:15
La critica del giornalismo
Speaker
Ilaria D’Amico - Conduttrice Tv e Giornalista
Ilaria D’Amico è una conduttrice televisiva, giornalista sportiva italiana. Dal 2003 lavora in Sky. Ha frequentato giurisprudenza all’Università La Sapienza di Roma senza conseguire la laurea. La D’Amico raccontò in tv nel 2006 a Fabio Fazio che esordì, grazie all’amico di famiglia Renzo Arbore, in televisione nel 1997 con La giostra dei goal su Rai International, programma che ha condotto per sei edizioni.
-----------------------------
ore 18:45
Tecnologici per caso
Speaker
Federico Russo - Conduttore radio e tv e Musicista
Francesco Mandelli - Attore, Comico e Musicista
Federico Russo nasce a Firenze il 22 dicembre 1980.
Negli anni del liceo, dopo aver abbandonato la “promettente” carriera calcistica, fonda con il suo compagno di banco gli “Scrabbles”, gruppo del quale è cantante, con cui si esibisce in giro per la Toscana sognando Smashing Pumpkins, Rolling Stones, Modern Lovers, Led Zeppelin e tutto ciò che c’è di irraggiungibile!
Francesco Mandelli (Erba, 3 aprile 1979) è un attore, presentatore, autore e musicista, noto per aver esordito nel 1998 nei panni del Nongiovane. Su MTV ha scritto e partecipato a programmi di successo quali Tokusho, Videoclash, BlackBox e Lazarus. Il grande successo è stato raggiunto, assieme al socio Biggio, con I soliti idioti, giunto alla quarta serie e trasformato successivamente in film e in un libro.
This photograph was published in the Illustrated Chronicle on the 10th of March 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
This photograph was published in the Illustrated Chronicle on the 22nd of September 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Il 6 aprile 2016 gli Scott Bradlee’s Postmodern Jukebox, la rivelazione swing americana già fenomeno di Youtube grazie alla cover di Miley Cyrus “We can’t stop”, saranno in concerto in Italia all’Alcatraz di Milano, per l’unica tappa italiana del tour.
Un fenomeno ormai mondiale, con 200 Milioni di visualizzazioni su Youtube e 1 Milione di iscritti al canale.
Un tour che parte nel 2015 dagli Stati Uniti passando per l’Asia ed approdando in Europa nel 2016 con oltre 80 date confermate. Immaginate canzoni di Beyoncé, Britney Spears or Taylor Swift riportate indietro di 70-80 anni…
Gli Scott Bradlee’s Postmodern Jukebox (o PMJ, come ormai vengono chiamati in tutto il mondo) sono una mini-big band swing a tutti gli effetti, ma con qualcosa in più: uniscono il perfetto stile “d’epoca” ai brani moderni di Beyoncé, Britney Spears, White Stripes o Taylor Swift rielaborandoli come se fossero arrangiati per Louis Armstrong, Ella Fitzgerald, Judy Garland o Nina Simone. I PMJ colmano il divario tra le generazioni, suonando melodie a tutti familiari con arrangiamenti che intrigano tutte le età.
I'm featured on the Digital Photography School website in the article Smoke Art Photography - An Introduction - basically an interview in which I give information on how to shoot smoke
Have a look at the interview if you're interested in smoke photography!! then share it with others.. post on facebook, digg, stumble, twitter,... :)
thanks!
Last week, I received my copy of this brandnew book here … it’s a book on therapeutic play (”play therapy”) as a means in remedial teaching/ therapeutic pedagogy...aaaaand???
::
Woohoo! I've been published! See that on the bottom, the blue rock? That's a picture of my Labradorite. The book they promised me finally arrived. Truth be told, I'd forgotten all about it. But there it is, AND my name is in the photo credits. I'm published!
Well, I'm published four times a month if you count the magazines I work for... and all those CD covers and software packages I've designed... and web interfaces and retouched photos I've done... and all those catalogs I've done...
Well, let me rephrase, I've been published for a job I didn't get paid for!
uh...
yay?
:::
This photograph was taken by Brian R Andrews of Killingworth NSW. Brian worked for 20 years as a Draftsman for Coal and Allied Industries Limited. This photograph is part of Brian's private collection. Brian has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
If you wish to reproduce the image, you must obtain permission by contacting Cultural Collections at the University of Newcastle, NSW, Australia.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment in the box below.