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Honda CRF250M vs Kawasaki D-Tracker250 who will be the ultimate provocation
Honda. CRF250M with Kawasaki D-Tracker250 This is one of the most dramatic in the style of Star. We get to watch it.
Honda CRF250M
Let’s begin with the first camp pinion better with the Honda CRF250M...
Split This Rock Poetry Festival: Poems of Provocation & Witness, March 27-30, 2014, Washington, DC. Photo by Kristin Adair.
Call me Snake offers an optimistic provocation – ‘imagine what could be here’ by Judy Millar. On a walk into the city October 3, 2015 Christchurch New Zealand.
The work is comprised of vibrant graphics of Millar’s looped paintings, which are adhered to five intersecting flat planes, and draws inspiration from the forms found in pop-up books. The colourful piece will add a dramatic and rhythmic counterpoint to the city’s current urban landscape — a mix of flattened sites, construction zones and defiant buildings that have stood through the quakes. The work employs theatricality, playfulness and visual trickery, whereby the viewer is unsure about the work’s flatness or three-dimensionality; and it has been designed to offer a different perspective from each angle. The bright colours interrupt the grey of the work’s surrounds, and as buildings pop up around it,
SCAPE 8, New Intimacies curated by Rob Garrett was a contemporary art event which mixed new artworks with existing legacy pieces, an education programme, and a public programme of events. The SCAPE 8 artworks were located around central Christchurch and linked via a public art walkway. All aspects of SCAPE 8 were free-to-view.
The title for the 2015 Biennial – New Intimacies – came from the idea that visually striking and emotionally engaging public art works can create new connections between people and places. Under the main theme of New Intimacies there are three other themes that artists responded to: Sight-Lines, Inner Depths and Shared Strengths.
For more Info: www.scapepublicart.org.nz/scape-8-judy-millar
The Shadows - The Dimensions of Negativity by Pethros Thoryan (2025)
The Shadows - The Dimensions of Negativity The shadows that are governed by negative feelings such as hatred, provocation, threats, lies, envy and so many other dimensions of negativity are invasive and insidious labyrinthine forces that grow slowly like deep parasitic roots that feed on the spirit.
Over time, we become hollow vessels where only the deep-rooted feelings that we nurture predominate, often without realizing the harm we have done to ourselves and without realizing that their seeds spread along the paths we walk.
The fight against these negative feelings is therefore a daily struggle, equally silent, timeless and often painful, but which over time strengthens our spirit like armor that shines in the darkness.
But don't be fooled, the more it shines, the more appealing it is to the shadows, like the light of a candle to moths in the darkness of the night.
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As Sombras - As Dimensões Da Negatividade
As sombras que se regem por sentimentos negativos como o ódio, a provocação, a ameaça, a mentira, a inveja e tantas outras dimensões da negatividade são forças labirinticas invasivas e insidiosas e que crescem lentamente como raizes profundas parasiticas que se alimentam do espirito.
Ao longo do tempo tornam-nos em recipientes ocos onde predominam apenas os sentimentos enraizados que alimentámos, muitas vezes sem termos a percepção do mal que faziamos a nós próprios e sem percebermos que as suas sementes se propagam pelos caminhos que passamos.
A luta contra estes sentimentos negativos é assim uma luta diária, igualmente silenciosa, intemporal e muitas vezes dolorosa, mas que com o tempo nos fortalece o espirito como uma armadura que resplandece na escuridão.
Mas não se iludam, quanto mais resplandecer mais apetecível é para as sombras como a luz de uma vela para as mariposas na penumbra da noite.
Split This Rock Poetry Festival: Poems of Provocation & Witness, March 27-30, 2014, Washington, DC. Photo by Kristin Adair.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
'US, NATO provocations behind global crises' - Press TV Content: 'US, NATO provocations behind global crises' Press TV Source: www.presstv.ir/Detail/2022/05/29/682955/US-NATO-provocati... Autor: Date: 29 May 2022 13:42 North Atlantic Treaty Organization Backup by @natoarmynews A @rtptme project - Other backups: swiy.so/tme via t.me/natoarmynews/30932 #nato #otan #natoarmy #otanarmy #army #armynews #military #europa #europe #otanarmynews #natoarmynews #natonews #otannews