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Fashion Freakout 4!!

at the Mohawk | Austin, TX 2.4.11

featuring Prototype Vintage Design, Laced With Romance, & New Bohemia... hair and makeup by Avant Salon & Spa

at the coal face

This is probably my final version of My ProtoType Delta, unless there are any requests.

 

This model has a folding handguard, to fold the handguard you have to pull out the barrel slightly.

Project Paper-based prototyping party (with Pizza and Pepsi).

Curated by Sydney Mainster, Materials Lab Curator, and Igor Siddiqui, Assistant Professor

 

Photographed by Rob Winter, Materials Lab in house photographer

Les Berrykins sont de petites créatures-fruits qui accompagnent chacune une poupée, à la places des animaux habituels. Ces 2 exemplaires uniques sont des sculptures en cire, peintes à la main et laissées à l'état brut. Elles ont servi à présenter le projet en interne chez Kenner.

Fashion Freakout 4!!

at the Mohawk | Austin, TX 2.4.11

featuring Prototype Vintage Design, Laced With Romance, & New Bohemia

hair and makeup by Avant Salon & Spa

Philip Johnston

Prototyping

Jack Claw was a proof of concept prototype that ended up proving that the concept may have been unfeasible. After creating the prototype, Frozenbyte, the company developing the game decided the concept would not sell well once released, and cancelled the project. However, in an interesting shift from the norm, Frozenbyte decided to release the game to the public. Some members of the public have decided to take the prototype and crowd source the creation of a full game based on the work. More info can be found here: www.edge-online.com/features/kickstarting-jack-claw/

Curated by Sydney Mainster, Materials Lab Curator, and Igor Siddiqui, Assistant Professor

 

Photographed by Rob Winter, Materials Lab in house photographer

Project Paper-based prototyping party (with Pizza and Pepsi).

Project Paper-based prototyping party (with Pizza and Pepsi).

Project Paper-based prototyping party (with Pizza and Pepsi).

The A-Team (the youth committee that helped plan & facilitate Emoti-Con!) led an activity in rapid prototyping for all the youth at Emoti-Con! Students were given a challenge, and got a set of random materials with which to construct a model of a piece of technology that could solve that challenge.

CNC prototyping is one of the most vital processes to use 3D solid model CAD designs as the input and fabricating the part directly from solid material through a computer controlled cutting and milling process.

 

visit: www.an-prototype.com/cnc-prototype-machining-t-176.html

 

Photos from prototyping my final year project.

 

My Site | Facebook | Twitter

Developer Prototyping Sprint at Monastery Und, Krems

  

Prototypes for Future CMU Libraries Workshop "Data as Experiential Art"

 

At CMU, we are in an environment where all domains have rich data sources, from fine arts to robotics. Yet, in my educational initiatives through CMU Libraries, I continue to encounter the idea that “data” is something that lives in a spreadsheet or an algorithm, and primarily in a STEM setting. With support from the Frank-Ratchye Fund for Art @ the Frontier, I have created prototypes for the future CMU Libraries workshop “Data as Experiential Art.” This workshop will take an anti-disciplinary approach to promote enthusiasm for data, helping participants see all data around us, within photographs, film, our words, our music, etc. This workshop exists among a larger project at CMU Libraries to create a space where blending domain and specialty areas as they apply to creative data education is welcomed and encouraged.

 

Currently, CMU Libraries offers a host of workshops open to the CMU community and beyond that teach skills in data visualization, data management, collecting data, and communicating data, but a current lacking is a more experiential workshop that can help community members get excited about the idea of data. Many students (and postdocs, faculty, etc.) see the Libraries as a safe space to learn these concepts, particularly in cases where they may feel embarrassment or shame to seek foundational data help in their own departments, given the reputation for advanced data expertise present at CMU. When we have students in our Libraries spaces, we also need to think about how we can help spark an enthusiasm for learning and engaging with data. We can teach students how to work with data, but without also creating a space for developing enthusiasm about data, are we really providing a holistic educational experience for our learners at CMU Libraries? This question led me to develop an idea for this workshop: a 3-hour experience that will be open to students, staff, faculty, and other CMU community members from all areas of study and specialty to create original art that describes how they view data, their relationship to data, and how it manifests in their work. All participants will be provided with art supplies and a workspace to craft art that engages their view of data, or their ideas for where they’d like to take their data in the future. While workshop participants create their art pieces, workshop facilitators (myself, and likely other CMU Libraries data librarians) will prompt conversations on the data universe that surrounds us, and why and how our relationships with data morph over time.

 

The three prototypes I created are mixed-media art pieces that each engage with how data intersects into my own work, experience, and worldview. Each prototype uses a variety of materials to represent how data manifests in my own world, from ethnographic interviews and stories of Grateful Dead fans, to viewing of Doctor Who and how it can change our real-world movements and perceptions, to fish and other creatures as-data as they move about their spaces in the world. These pieces will be on display in the workshop and serve as examples for how participants might embark on their own creative pieces. With the prototypes, I want to inspire workshop participants to craft their own creative interpretation of the data in their lives - what is unique about it? What is inspiring about it? What is scary about it? Engaging in such an exercise empowers participants to take agency in their own data journey, leaving them receptive to our educational offerings on more operational data skills, including collection, analysis, and management. At the end of the workshop, participants will share stories of their art pieces and demonstrate what they represent. The first iteration of this workshop is expected to happen in February 2022, coinciding with the Libraries’ programming efforts around Love Data Week.

New bits and pieces for the distributed sensor project from Adafruit Industries.

Project Paper-based prototyping party (with Pizza and Pepsi).

Developer Prototyping Sprint at Monastery Und, Krems

  

Prototipo funcional ,detalles por corregir

 

It has some bugs to fix but i feel its a great idea!!

Developing the look and feel of a site and its response to navigation and visual executions. This will be an option to what my Sophomore Portfolio Graphic Design Web Site will look like. The bars will have a rollover effect what will show up as the brown color letting you know to click and it will navigate you to another view.

 

View Larger

 

View the site

 

this is not a prototype

...and that's how the first prototype looks like.

Project Paper-based prototyping party (with Pizza and Pepsi).

Project Paper-based prototyping party (with Pizza and Pepsi).

Project Paper-based prototyping party (with Pizza and Pepsi).

Pelaw Tyne and Wear Metro. The prototype car built by Metro-Cammell in Birmingham in 1975. The second car is in North Eastern Railway livery.

Developer Prototyping Sprint at Monastery Und, Krems

  

No. 76 Krohn Racing Ford Lola overtakes the No. 57 Pontiac with a Brumos Porsche following on.

Project Paper-based prototyping party (with Pizza and Pepsi).

Developing and prototyping our physical traffic speed visualisation. Photos by David Raymond.

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