View allAll Photos Tagged proofreading

The day that I had to wear the most waterproof shoes I own.

 

I spent the day proofreading, discussing the future, sandwiching, and trying to keep up with my scripting errors during Digital Project class.

Proyecto Editoral "EL GRAN LIBRO DE LOS DINOSAURIOS en 3D"

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--

 

PORTADILLA 5TO CAPITULO

"Dinosaurios Marinos"

 

Puedes ver esta foto con tus gafas anáglifo 3D

(Azul y Rojo)

 

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Ilustración

CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

Efecto Anáglifo 3D

JAVIER GACHARNÁ (AdvanStudio)

 

Diagramación

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Agradecimientos Especiales

CARLOS DIAZ CONSUEGRA

 

Editora

MARÍA CRISTINA PARRA

 

Investigación y Redacción de Textos

LILIA GUTIERREZ RIVEROS

 

Corrección de Estilos

ELKIN RIVERA

  

© Copyrights 2011. Queda prohibida la reproducción total o parcial de esta publicación, con lo establecido en las leyes de derechos de autor.

 

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Editorial Proyect "THE DINOSAUR´S BIG BOOK in 3D"

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5th CHAPTER´S TITTLE PAGE

"Water Dinosaurs"

 

You may see this page using your anaglyph glasses

(Red and Blue)

 

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Credits:

Art Direction, Grapihc and Concept Design

JAVIER GACHARNÁ (AdvanStudio)

 

Illustration

CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

3D Anaglyph Effect

JAVIER GACHARNÁ (AdvanStudio)

 

Layout

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Special Thanks

CARLOS DIAZ CONSUEGRA

 

Publisher

MARÍA CRISTINA PARRA

 

Research and Copy

LILIA GUTIERREZ RIVEROS

 

Proofreading

ELKIN RIVERA

 

© Copyrights 2011. Any reproduction of this artwork is forbidden, in it´s full or partial extension, according to international laws of Copyrights.

 

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"Made in Great Britain" but languishing in abandoned Scranton Lace. Note the "proofreading" corrections made by hand to the pattern. On an Abandoned America workshop.

How AI is changing the Landscape of Typography

 

Creativity and innovation are no longer exclusively the province of humans, but the result of collaboration, a game of interpretation in the dialog between humans and machines. This is the world in which we live today, where artificial intelligence is rapidly evolving and new scenarios are opened.

 

AI technology is transforming the realms of art, design, communication, and marketing. However, when it comes to typography, in this age of co-creation, it has not yet taken center stage in this evolutionary process, but it is ripe for experimentation.

 

Gianpaolo Tucci's research led him to recognize aesthetic imperfections as a source of uniqueness in each individual representation. The world is entering a new era of typographical artifacts, where typography moves beyond the strict confines of function to embrace new values of expression.

 

This is not a book on typography, but the expression of a point of view, a practical guide, and an investigation on how the integration and ethical use of artificial intelligence will play a fundamental role in modeling this future. This book witnesses the birth of a co-creation era, urging a rethinking to craft a more human-centric future where AI magnifies human creativity, rather than replacing it. Take a breath, and as if we were unaware laboratory animals, Tucci invites to jump into this journey made of confused, blurred, anatomical, radical, colorful, and sometimes overturned visions.

 

AI and typography—a dialogue between humans & nature!

 

Aesthetics Imperfections

How AI is changing the Landscape of Typography

 

Author: Gianpaolo Tucci

Publisher: Slanted Publishers

Release: December 2023

Volume: 288 pages

Format: 20 × 28 cm

Creative Direction: Lars Harmsen, Gianpaolo Tucci

Art Direction: Juliane Nöst

Design: Gianpaolo Tucci, Juliane Nöst, Lars Harmsen

Publishing Direction: Lars Harmsen, Julia Kahl

Production Management: Julia Kahl

Proofreading: Katherine Margaret Flach

Printing: Offset, Stober Medien

Paper: ina®star 2s, 300 g/sm (Cover), Gardapat Kiara, 100 g/sm, Condat Perigord, 135 g/sm (Inside)

Workmanship: Softcover with foil-lamination, thread stitching, full-color

Proyecto Editoral "EL GRAN LIBRO DE LOS DINOSAURIOS en 3D"

Editorial Lexus

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--

 

PÁGINA DOBLE DEL TERCER CAPITULO

"Dinosaurios Voladores"

  

Puedes ver esta foto con tus gafas anáglifo 3D

(Azul y Rojo)

 

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Créditos:

Dirección de Arte, Concepto Gráfiico y Diseño

JAVIER GACHARNÁ (AdvanStudio)

 

Ilustración

CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

Efecto Anáglifo 3D

JAVIER GACHARNÁ (AdvanStudio)

 

Diagramación

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Agradecimientos Especiales

CARLOS DIAZ CONSUEGRA

 

Editora

MARÍA CRISTINA PARRA

 

Investigación y Redacción de Textos

LILIA GUTIERREZ RIVEROS

 

Corrección de Estilos

ELKIN RIVERA

  

© Copyrights 2011. Queda prohibida la reproducción total o parcial de esta publicación, con lo establecido en las leyes de derechos de autor.

 

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Editorial Proyect "THE DINOSAUR´S BIG BOOK in 3D"

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3rd CHAPTER´S DOUBLE PAGE

"Flying Dinosaurs"

  

You may see this page using your anaglyph glasses

(Red and Blue)

 

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Credits:

Art Direction, Grapihc and Concept Design

JAVIER GACHARNÁ (AdvanStudio)

 

Illustration

CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

3D Anaglyph Effect

JAVIER GACHARNÁ (AdvanStudio)

 

Layout

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Special Thanks

CARLOS DIAZ CONSUEGRA

 

Publisher

MARÍA CRISTINA PARRA

 

Research and Copy

LILIA GUTIERREZ RIVEROS

 

Proofreading

ELKIN RIVERA

 

© Copyrights 2011. Any reproduction of this artwork is forbidden, in it´s full or partial extension, according to international laws of Copyrights.

 

www.advanstudio.com/

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"Dallas, Texas. Proofreading desk of the Dallas Morning News." Picture by John Vachon for the Office of War Information.

April 1943.

Proyecto Editoral "EL GRAN LIBRO DE LOS DINOSAURIOS en 3D"

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PÁGINA DE CRÉDITOS

 

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Créditos:

Dirección de Arte, Concepto Gráfiico y Diseño

JAVIER GACHARNÁ (AdvanStudio)

 

Ilustración

CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

Efecto Anáglifo 3D

JAVIER GACHARNÁ (AdvanStudio)

 

Diagramación

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Agradecimientos Especiales

CARLOS DIAZ CONSUEGRA

 

Editora

MARÍA CRISTINA PARRA

 

Investigación y Redacción de Textos

LILIA GUTIERREZ RIVEROS

 

Corrección de Estilos

ELKIN RIVERA

  

© Copyrights 2011. Queda prohibida la reproducción total o parcial de esta publicación, con lo establecido en las leyes de derechos de autor.

 

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www.paginassociales.com.co/

 

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Editorial Proyect "THE DINOSAUR´S BIG BOOK in 3D"

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CREDIT PAGES

 

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Credits:

Art Direction, Grapihc and Concept Design

JAVIER GACHARNÁ (AdvanStudio)

 

Illustration

CARMELO VERGARA

JAVIER GACHARNÁ (AdvanStudio)

 

3D Anaglyph Effect

JAVIER GACHARNÁ (AdvanStudio)

 

Layout

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Agradecimientos Especiales

CARLOS DIAZ CONSUEGRA

 

Publisher

MARÍA CRISTINA PARRA

 

Research and Copy

LILIA GUTIERREZ RIVEROS

 

Proofreading

ELKIN RIVERA

 

© Copyrights 2011. Any reproduction of this artwork is forbidden, in it´s full or partial extension, according to international laws of Copyrights.

 

www.advanstudio.com/

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May 7, 2009 (127/365)

 

I was kicked off my PC for a couple hours this morning while IT upgraded one of my development tools, so I used that time to complete a paper-based continuing professional education course. This particular question not only tested my knowlege of the material but also my ability to cope with a proofreading error.

Proyecto Editoral "EL GRAN LIBRO DE LOS DINOSAURIOS en 3D"

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PRIMER ENCUENTRO CON EL LIBRO IMPRESO

 

24o Feria Internacional del Libro en Bogotá

15 de Mayo de 2011

Corferias

Bogotá, Colombia

 

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Créditos:

Dirección de Arte, Concepto Gráfiico y Diseño

JAVIER GACHARNÁ (AdvanStudio)

 

Ilustración

CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

Efecto Anáglifo 3D

JAVIER GACHARNÁ (AdvanStudio)

 

Diagramación

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Agradecimientos Especiales

CARLOS DIAZ CONSUEGRA

 

Editora

MARÍA CRISTINA PARRA

 

Investigación y Redacción de Textos

LILIA GUTIERREZ RIVEROS

 

Corrección de Estilos

ELKIN RIVERA

  

© Copyrights 2011. Queda prohibida la reproducción total o parcial de esta publicación, con lo establecido en las leyes de derechos de autor.

 

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www.elilustador.com/

www.paginassociales.com.co/

 

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Editorial Proyect "THE DINOSAUR´S BIG BOOK in 3D"

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OUR FIRST ENCOUNTER WITH THE PRINTED BOOK

 

24o Feria Internacional del Libro en Bogotá

15 de Mayo de 2011

Corferias

Bogotá, Colombia

 

--

 

Follow us on Facebook:

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Credits:

Art Direction, Grapihc and Concept Design

JAVIER GACHARNÁ (AdvanStudio)

 

Illustration

CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

3D Anaglyph Effect

JAVIER GACHARNÁ (AdvanStudio)

 

Layout

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Special Thanks

CARLOS DIAZ CONSUEGRA

 

Publisher

MARÍA CRISTINA PARRA

 

Research and Copy

LILIA GUTIERREZ RIVEROS

 

Proofreading

ELKIN RIVERA

 

© Copyrights 2011. Any reproduction of this artwork is forbidden, in it´s full or partial extension, according to international laws of Copyrights.

 

www.advanstudio.com/

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This was the sign Chuck & I saw in the parking garage when we went to see Jonathan Coulton. We saw 5 or 6 of these. Do you think they could have had someone proofread it before they ordered it?

Cy Twombly would have been greater artist,

if worked in any department

of a large multinational corporation,

and Van Gogh, too.

Every day in the office are made kilograms of art, a new contemporary art, imbued with a thin layer fat of clerk , in rare cases meat of clerk. You just have to break away from The Word and for a moment to open your eyes. In general, a person is very difficult to face the non-art in their lives.

Represented here today - just a small part of what was saved from office space in one and a half years. As you can see, the soul does not die before the end in folds nanoconcrete vaults.

What I propose today - it's fast food from painting. By all subcultures fast food (including metaphysical) - my works is pure semi-finished goods, the materials are all that may come to office space inside the pens, used alone and not once paper, scanner HP, text markers, markers, pencils , glue, proofreaders, colored stickers.

Hanging on the walls foamboards - at the junction of waste, theft, and painting - inspired by the smell of our post-industrial times. It should be noted with regret only one thing: it is hardly possible to plunge into the works until the end, because we have long been there.

All work from the series Office plankton is created in a 15-minute smoking breaks, which are accepted in the infinite spaces of modern post-industrial office corporations in the world where human personality has long been turned into a system, a small gear, which could easily be thrown out and replaced by a new one. Cri de coeur for the loss of particles of the divine personality, the transformation of the individual into a full-fledged man-caused machines - exactly what the audience sees in each of the works.

In view of certain socio cultural triggers, each of the works can not be set apart from the name or without name.

by Tridandisvami Sri Srimad Bhaktivedanta Narayana Maharaja

 

Vrndavana: August 12, 2003

  

Just before class on August 19th – Srila Narayana Maharaja worships Sri Sri Radha-vinodabihari, in their new white outfits, given to them in honor of Sri Baladeva's appearance day.

  

Lord Sri Krsna appeared as Sri Baladeva Prabhu, to give instructions on how to serve Himself. As one may massage his feet by his own hands, so Baladeva is Krsna Himself, in the form of the supreme Guru, to teach others how to serve His lotus feet. They are one, but there is a slight difference in their forms; Krsna is black and Baladeva is white, and Krsna carries a flute whereas Baladeva carries a buffalo horn. Because Baladeva teaches service to Krsna, he is called akanda-guru-tattva, the complete and undivided principle of Guru.

 

When Sri Baladeva killed the donkey-shaped demon named Denukasura, He showed that only Guru can remove our ignorance. When he killed the demon Pralambasura, he showed that only the bona fide Guru can remove our hypocrisy and tendency towards political diplomacy. During the battle of Kuruksetra, when Bhima was fighting with Duryodhana, Bhima "cheated", according to the codes of a ksatriya, by striking Duryodhana on his thigh. Baladeva became angry because Duryodhana was his disciple. However, when he understood that Bhima had gotten the indication from Krsna to do what he did, Baladeva didn’t say anything and simply left to go on pilgrimage.

 

While on pilgrimage He went to Naimisaranya, where Romaharsana was speaking the Puranas to 88,000 sages. The sages all stood up to show him respect and honor, but Romaharsana did not; he did not even fold his palms. Lord Baladeva is the personification of religion, and He wanted to establish the religious etiquette between Guru and disciple. If one tries to teach others and at the same time is offensive to the bona fide Guru, he is destroyed. Romaharsana was a prominent disciple of Srila Vyasadeva, who’s Guru is Sri Baladeva Prabhu.

 

Sri Baladeva touched Romaharsana with a piece of kusa grass and he immediately died. The sages lamented and asked, "Who will speak the Puranas?" Baladeva replied, "Don't worry. I can bring him back to life." They said, "No, what you have done is proper, but we need a speaker." Baladeva then called for Romaharsana's son Ugrasrava, and blessed him to be the speaker. Ugra means tenacious and srava means hearing. Because Ugrasrava was blessed by Baladeva Prabhu, he had a great capacity for hearing hari-katha.

 

In Rama-lila there was a gorilla named Dvivida, who performed profuse service to Rama. He helped build the bridge to Lanka and he helped in the war against Ravana. Although he was devoted to Rama, he was offensive to Laksmana, Rama's younger brother, who is a manifestation of Baladeva and is therefore a manifestation of akanda-guru-tattva. Dvivida gorilla was against Laksmana, and during krsna-lila, he was also against Sri Baladeva Prabhu. If one is against asraya-bhagavan (Sri Krsna in the form of His servant), then visaya-bhagavan (Krsna as the Supreme Enjoyer) will not protect or forgive him. The only fruit of that person's offense to Guru is his destruction by the club and plow of Baladeva Prabhu.

 

If there is no guru-bhakti, life is useless. Guru-nistha (steady faith in Guru) is the backbone of bhakti, and without it life has no use. Suppose a person comes to you, speaks hari-katha, and then says, "Come with me; I will take you to a bona fide Guru.” If you then you go to that Guru and receive the initiation mantras, can you ever repay that person who brought you? Even if that person is a kanistha-adhikari, the third class of Vaisnava, if he is telling you what is bhakti and you are not grateful, you lose your bhakti. Is it possible to repay the debt accrued for receiving transcendental knowledge? Even if your teacher is kanistha, it is an offence not to repay him – and what to speak if he is an uttama-maha-bhagavata, a bona fide Guru who is a manifestation of Krsna, and he is looking after you. If you go against him, Sri Krsna will create a hell worse than anything He has already made, and that hell will be waiting for you. If one offends a bona fide Guru, millions upon millions of his future lives are lost and wasted.

 

If a person rejects a bona fide Guru, don’t maintain any friendship with him. This is not a laughing matter. If you keep association with karmis, jnanis and yogis, even those in the dress of Vaisnavas, you will lose your bhakti very quickly. Don't praise them and don't criticize them, or you will lose your bhakti. Don't associate by body or mind. Criticizing them is to associate by the mind. Keep such persons out of your mind; otherwise you will very quickly get their qualities. If you throw water on an electric wire, the electrified water will splash back on you and you will get electrocuted. So don't criticize even one who is offensive to Guru. If you associate with those who are offensive or sinful, their qualities will reflect in your own heart. So be careful.

 

Don't associate with them, even in dreams. If anyone is against Guru, don't even see his shadow; otherwise your bhakti will not manifest for millions upon millions of lives. Bhakti can only manifest by Guru's mercy. With this consideration, move on in life.

 

This evening we will again sit together and discuss the tattva of Sri Baladeva Prabhu.

 

Editor: Syamarani dasi

Proofreader: BV Vaikhanas Maharaja

HTML: Bhutabhavana dasa

 

www.bvml.net/SBNM/lectures/20030812.html

They must be keeping their proofreaders and editors up until 1:00am.

 

'Everyday,' when written as a single word, is an adjective. The proper form in this sentence is the adverbial phrase "every day."

 

This image may not be used in any way without prior permission

© All rights reserved 2009

Today I did the first session of Mariah's senior pictures. The negative, condescending side of my inner "artist" told me that these photos were no good. Unfortunately, I tend to say that about a lot of the work I create. I'm not saying it's not good, just not good enough. I wish I would stop that.

  

This past Friday was my 20th birthday. Big milestone. Two decades ago my first pages were written of my flimsy autobiography, many of which pages have been torn out, re-written, highlighted and proofread along the way. I'm pretty happy with my story so far. It's been a crazy adventure. Speaking of which, I need to blog more. A lot more.

  

I often find that life's biggest struggles lie within the lists we make.

Neve and her boyfriend, Zeke who was actually an early draft of Nix<3

 

Here's a preview of Batteries for y'all. Beware, it hasn't been proofread.

 

Every day you wake up and feel like utter crap and it just never goes away. You decide to try your hardest and ignore it, but even though you hope so dearly that the next day it’ll be gone; it returns the next day and the day after that and it just turns into and endless, heartless cycle. You try your best to tell yourself that sometime the feeling will be gone, even though you know it’ll never be gone. You try to remember the times when you were genuinely happy, but you can’t. What even is happiness, anyway?

My eyes warily glided over the words, the memory of that day was hammered into my mind.

Hands frantically shaking, I quickly scribbled the words down in my journal. I could still feel his iron grip on my arms; the marks left by his fingers were already turning into bruises. I held myself tighter.

He towered over me, a grim smile painted on his wicked face. “Fuck you Melanie, you just can’t do anything right can you? Detention? What did you do now?” He spat as he bent down to look me in the eye. “Your poor mother, you don’t deserve someone like her.”

“Nor do you!” I shrieked foolishly, he made me instantly regret that.

Bang. My head crashed against the wooden floor.

 

Heheee.

You gotta wait til chapter one to find out who this is about :3

Face Down - The Red Jumpsuit Apparatus

 

Diane thought I had bought her the yellow and white DOTW panties many years ago. She has worn them many times, as has her cousin Laurie, but when I let Diane proofread all my stories now, she found out whose panties they were. Since she knows, she told me she would wear them starting tomorrow.

 

In this "Wash dried and folded," the black VF panties on the left were her Aunt Freda's, while the panties on the right are from Laurie's roommate, Brenda.

Proyecto Editoral "EL GRAN LIBRO DE LOS DINOSAURIOS en 3D"

Editorial Lexus

Estrategias MCP Ltda

 

--

 

PÁGINA DOBLE DEL PRIMER CAPITULO

"Dinosaurios Carnívoros"

  

Puedes ver esta foto con tus gafas anáglifo 3D

(Azul y Rojo)

 

--

 

Puedes Seguirnos en Facebook:

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y en Twitter:

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Créditos:

Dirección de Arte, Concepto Gráfiico y Diseño

JAVIER GACHARNÁ (AdvanStudio)

 

Ilustración

CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

Efecto Anáglifo 3D

JAVIER GACHARNÁ (AdvanStudio)

 

Diagramación

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Agradecimientos Especiales

CARLOS DIAZ CONSUEGRA

 

Editora

MARÍA CRISTINA PARRA

 

Investigación y Redacción de Textos

LILIA GUTIERREZ RIVEROS

 

Corrección de Estilos

ELKIN RIVERA

  

© Copyrights 2011. Queda prohibida la reproducción total o parcial de esta publicación, con lo establecido en las leyes de derechos de autor.

 

www.advanstudio.com/

www.elilustador.com/

www.paginassociales.com.co/

 

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Editorial Proyect "THE DINOSAUR´S BIG BOOK in 3D"

Editorial Lexus

Estrategias MCP Ltda

 

--

 

1st CHAPTER´S DOUBLE PAGE

"Carnivour Dinosaurs"

  

You may see this page using your anaglyph glasses

(Red and Blue)

 

--

 

Follow us on Facebook:

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Credits:

Art Direction, Grapihc and Concept Design

JAVIER GACHARNÁ (AdvanStudio)

 

Illustration

CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

3D Anaglyph Effect

JAVIER GACHARNÁ (AdvanStudio)

 

Layout

CAMILO MONTAÑEZ

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Special Thanks

CARLOS DIAZ CONSUEGRA

 

Publisher

MARÍA CRISTINA PARRA

 

Research and Copy

LILIA GUTIERREZ RIVEROS

 

Proofreading

ELKIN RIVERA

 

© Copyrights 2011. Any reproduction of this artwork is forbidden, in it´s full or partial extension, according to international laws of Copyrights.

 

www.advanstudio.com/

www.elilustador.com/

www.paginassociales.com.co/

Editors don't seem to find typography, proofreading or even basic spelling

all that important any longer. Slate's bad, but not nearly as bad as some,

and even the New York Times has FAR more spelling and grammar errors than

they ever used to. We're turning into a nation of morons, and I worry that

this election will seal the deal.

For a product that has "never existed", there is an extraordinary amount of residue to suggest that JIFFY PEANUT BUTTER was once a household staple.

While there are thousands of coupons and local grocers advertising JIFFY PEANUT BUTTER, in truth, if a client is paying for an advert, they'll print whatever is supplied in the space purchased. I endeavoured to include newspaper articles that would have had the support of a team of fact-checkers and proofreaders; after all, the reputation of any paper is built on the veracity of their information.

I also wondered if perhaps JIF was once called JIFFY before being purchased by larger conglomerates, but it seems to have been christened JIF from the very beginning:

"In 1958, the brand rollout in the US involved a heavily publicized house-to-house distribution of free sample jars from special trucks emblazoned with the then JIF mascot, the "JIFaroo", a blue kangaroo. An early slogan was "JIF is never dry; a touch of honey tells you why." Early advertising also emphasized the beveled edge of the jar base, meant to make it easier to get the last bit of JIF out of the corner. For many decades, TV commercials for the product have ended with the tagline, "Choosy mothers choose JIF" and, in the 1990s, "Choosy moms choose JIF." Since 1981, JIF has been the leading peanut butter brand in the United States."

Proyecto Editoral "EL GRAN LIBRO DE LOS DINOSAURIOS en 3D"

Editorial Lexus

Estrategias MCP Ltda

 

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PRIMER ENCUENTRO CON EL LIBRO IMPRESO

 

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CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

Efecto Anáglifo 3D

JAVIER GACHARNÁ (AdvanStudio)

 

Diagramación

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Agradecimientos Especiales

CARLOS DIAZ CONSUEGRA

 

Editora

MARÍA CRISTINA PARRA

 

Investigación y Redacción de Textos

LILIA GUTIERREZ RIVEROS

 

Corrección de Estilos

ELKIN RIVERA

  

© Copyrights 2011. Queda prohibida la reproducción total o parcial de esta publicación, con lo establecido en las leyes de derechos de autor.

 

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Editorial Proyect "THE DINOSAUR´S BIG BOOK in 3D"

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OUR FIRST ENCOUNTER WITH THE PRINTED BOOK

 

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Credits:

Art Direction, Grapihc and Concept Design

JAVIER GACHARNÁ (AdvanStudio)

 

Illustration

CARMELO VERGARA (AdvanStudio)

JAVIER GACHARNÁ (AdvanStudio)

 

3D Anaglyph Effect

JAVIER GACHARNÁ (AdvanStudio)

 

Layout

CAMILO MONTAÑEZ (AdvanStudio)

DIEGO ALEJANDRO PEREZ (AdvanStudio)

 

Special Thanks

CARLOS DIAZ CONSUEGRA

 

Publisher

MARÍA CRISTINA PARRA

 

Research and Copy

LILIA GUTIERREZ RIVEROS

 

Proofreading

ELKIN RIVERA

 

© Copyrights 2011. Any reproduction of this artwork is forbidden, in it´s full or partial extension, according to international laws of Copyrights.

 

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The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.

 

The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.

 

A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.

 

– New edition with all recent typefaces

– Detailed presentation of all selected fonts

– Ample background information

– Index with classification

– Index of all designers and type foundries

– Explanation of all OpenType features

– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach

 

Yearbook of Type III

 

Publisher: Slanted Publishers, www.slanted.de

Creative Direction: Lars Harmsen

Art Direction: Julia Kahl

Graphic Design and Managing Editor: Clara Weinreich

Graphic Design Assistant: Nicole Lichtner

Proofreading and Translation: Isabella Krüger, Lies Wolf

Volume: 440 pages

Format: 16.8 × 24 cm

Language: English

Specials: Hardcover, Half linen bound, hot foil stamping, spot colors

Printing: Stober GmbH, www.stober.de

Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de

Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de

Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com

Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de

Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de

Finally, proofreading is done. I just published part 2 of my honeymoon trip with my wife. And more photos are shared for everyone to view. :)

Click here!

 

Photo Blog | Official Website | Facebook Page

With copy like "we match you with single women who gets your info and contacts you," it sure reads like a fraudulent ad. And the underage fellatrix photo only confirms the impression that this ad was purchased by a none-too-sophisticated Eastern bloc phishing site. Yet, despite the unprofessional, non-proofread, error-ridden copy and tasteless photographic come-on, this is, in fact, a legitimate Facebook ad for eHarmony. Go figure.

www.korrektorius.de

Proofreading - Learning Exactly How To Check

Proofreading is reading a copy of a text to discover any type of errors. It is used mainly in printing and publishing. After the modifying stages of a manuscript, it is sent to a proofreader. The proofreader checks out this typeset duplicate and also marks mistakes using standard proofreading markings. They keep an eye out for typo errors and formatting errors. Modern proofreaders likewise handle the job of correcting grammatical errors as well as they check for variances within the text. Proofreading is sometimes mistaken for copy editing and enhancing. The two have their similarities but they have different functions.

This sign hangs in the kitchen in the editorial office of a prominent scientific journal. It's been there for years, taunting every copyeditor & proofreader who happens by. It has now experienced a little constructive vandalism.

 

Do you suppose it will have any more success now at getting people to actually clean up after themselves?

Medical Proofreading: What Does it Mean to Proofread your Own Paper?

www.cognibrain.com/medical-proofreading-what-does-it-mean...

03 February 2015, Rome, Italy - Xiuyin Su, Typist/ Proofreader, CPAM. FAO Director-General's Annual Address to the Staff, and 25-Year Seniority Award Ceremony. Plenary Hall, FAO headquarters.

 

Copyright ©FAO. Editorial use only. Photo credit must be given: ©FAO/©Giulio Napolitano

Today is my final deadline to get everything right and then send the text off to a group of proofreaders to tear my words apart.

Kamera: Nikon FM

Film: Kodak GC 400

Kjemi: C41 photo store developed

 

Al Jazeera: The Gospel - Israel´s AI Warfare (Dec. 9 2023)

 

THE WEAPONS ISRAEL TESTS ON PALESTINIANS WILL BE USED AGAINST ALL OF US [Listen here]

 

As Antony Loewenstein explains, Palestine has been a testing ground for repressive technologies exported around the world, from spy software to killer drones.

 

by Chris Hedges, The Real News Network December 8, 2023

 

Whether it's drone technology or the infamous Pegasus spy software, Israel has long developed and refined repressive technologies used by governments around the world by testing them on Palestinians. Antony Loewenstein, journalist and author of The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World, joins The Chris Hedges Report for a deep dive into the disturbing links between Israeli Apartheid, the arms industry, and global repression of civilian populations.

 

Studio Production: David Hebden, Adam Cole, Cameron Granadino

Post-Production: Adam Coley, Kayla Rivara Opening Sequence by: Cameron Granadino

 

TRANSCRIPT

 

The following is a rushed transcript and may contain errors. A proofread version will be made available as soon as possible.

 

Chris Hedges: The Palestinians are human laboratory rats to the Israeli military intelligence services and arms and technology industries. Israel's drones, surveillance technology including spyware, facial recognition software and biometric gathering infrastructure, along with smart fences, experimental bombs, and AI-controlled machine guns are all tried out on the captive population in Gaza, often with lethal results. These weapons and technologies are then certified as "battle-tested" and sold around the world.

 

Israel is the tenth largest arms dealer on the planet and sells its technology and weapons to an estimated 130 nations, including military dictatorships in Asia and Latin America. Israeli weapons sales totaled $12.5 billion last year. Its close relationship with these military internal security surveillance, intelligence gathering, and law enforcement agencies explains the fulsome support Israel's allies give to its genocidal campaign in Gaza.

 

When Colombian president, Gustavo Petro refused to condemn the October 7 attack by Palestinian resistance groups as a terrorist attack and said, "Terrorism is killing innocent children in Palestine," Israel immediately halted all sales of defense and security equipment to Columbia. This global cabal dedicated to permanent war and keeping its populations monitored and controlled has hundreds of billions of dollars a year in sales.

 

These technologies are cementing into place a supernational, corporate totalitarianism, a world where populations are enslaved in ways that past totalitarian regimes could only imagine. It is not a far cry from Gaza to the camps and detention centers set up for migrants fleeing to Europe from Africa and the Middle East. It is not a far cry from the carpet bombing in Gaza to the endless wars in the Middle East and the global south. It is not a far cry from the anti-terrorism laws used to criminalize dissent in Israel to the anti-terrorism laws introduced in Europe and the US. Joining me to discuss this use of Palestinians as human Guinea pigs for the Israeli weapons and technology industry is Antony Loewenstein (b. 1974), author of The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World.

 

So your book, which is a great read, lays out the rise of this arms industry, which originally was a state industry and then privatized. One of the points you made at the end of the book, which is very fascinating, is how much of the apparatus to keep the Palestinians under control is essentially now handed over to private firms. I want to quote Elliott Abrams (b. 1948), who I've interviewed, "The role of Israel is to serve as a model, an example in military might, in innovation, in encouraging child birth." This is one of the themes of your book that much of Israel's support and power derives from its connection to this global arms network. So let's lay out some of the innovations that Israel has pioneered. We can begin with Pegasus and drones. They're at the forefront of some of the most advanced technologies and weapon systems that are used to control subject populations.

 

Antony Loewenstein: In some ways, the genesis of the book was partly due to some of the reporting around Pegasus a few years ago. Listeners or viewers will be aware that Pegasus is a spyware tool that is made by NSO Group, which is an Israeli company and it was started to be used about 15 or so years ago by a range of countries. And in fact, the country that it was first mostly used in was Mexico as various governments there were desperate to fight a failed drug war, and of course it only made the violence worse. But what's interesting back then and also now is Mexico remains, Chris, to this day, the world's biggest and most obsessive user of Pegasus. Obsessed.

 

Whether it's the right-wing government or nominally left-wing government, Pegasus is now in dozens of countries; I don't even know how many, I think about 70, 80 or 90. In some ways, the reason I partly wrote the book was to say that the media was obsessed with Pegasus. Pegasus is an important investigation; It's a tool that is put on phones of activists and human rights workers in countless countries. And it breaches human rights. Obviously, that's terrible.

 

But the problem was that it was too often framed as this rogue Israeli company doing terrible things. As I show in the book, as you know, it's not that; It's essentially an arm of the state as Lockheed Martin and Raytheon are arms of the US government. Now, Lockheed Martin is a private company. It has a board, sure, and it makes profits or not. But essentially it's an arm of the state. Right? It's used by the government in various foreign policy agendas or goals.

 

Pegasus is exactly the same. I started looking at that issue about saying that now probably, Israel is number one or two in the world for spyware and Pegasus and NSO Group in some ways are a smokescreen. Because there are so many other companies that are doing exactly the same thing. So if NSO Group goes bust tomorrow --And it's in a bit of financial trouble at the moment -- It's not going to make any difference. There are so many other companies doing exactly the same thing using that whole allure of being able to spy on pretty much anybody, which is why to this day no country wants to regulate this, nno country. They're all obsessed with it. That's been the fundamental problem at the moment.

 

Chris Hedges: Explain how Pegasus works. And we should note that it was used also on Jamal Khashoggi's fiance, Jamal, who I knew being the Saudi journalist who was dismembered in the Saudi embassy and a consulate in Turkey. But explain how it works.

 

Antony Loewenstein: Pegasus is a silent tool. It can be installed on your iPhone or Android. It doesn't matter what phone you have. Years ago, a lot of us used to get random text messages. You'd click on the link, you'd forget about it, and you'd move on. That was the way it used to work. So country X or intelligence agency Y would have this tool, let's say, in India, in some other country. They would then send a message to this phone of an activist or human rights worker or a lawyer, that person would click on a link, their phone would be infected, and they wouldn't know.

 

There's no way to know yourself without it being forensically checked. These days it doesn't even require a text message. All it requires is someone knowing your number. That's it. And it can access all your information. It can even access your phone and microphone when the phone is off. So it can be used as a weapon against you. As I show in the book, I interviewed huge amounts of people in Mexico and India and elsewhere. These are people often lawyers who are challenging the state.

 

In Mexico, I interviewed a woman whose husband was murdered by, almost certainly, Narcos. Then after his death, her phone was being surveilled by the Mexican state. It's never entirely clear even to this day why in her case it was surveilled. But it shows that there is this utter obsession with various intelligence services to get access to all this personal information. It's important to note that one thing that really was clear in researching this particular tool is that Pegasus and tools like this have become -- And it was said to be in The New York Times a few years ago, and I questioned some of this in the book but two journalists wrote --The most powerful weapon in the world since the invention of the nuclear bomb.

 

Now, I would question that because nuclear bombs clearly can cause carnage, to put it mildly. Pegasus doesn't directly kill anybody per se, but what it does is it means that privacy is close to dead. At the moment there is this massive proliferation of these tools. Israel of course -- This is the key point -- Uses Pegasus and other tools as a key foreign policy agenda. I show in the book Netanyahu and Mossad, over the last decade, would go to countries where Israel had no close relations: Rwanda and India when Narendra Modi (b. 1950) comes in. And others; Saudi, UAE. They hold Pegasus up as a diplomatic carrot saying, we will sell you this amazing tool which you can surveil your own citizens, whatever you want. But in return we would like you to vote in a certain way in the UN or buy certain weapons. That's how it works. I show a timeline when Netanyahu goes to Hungary to visit Viktor Orbán (b. 1960) or Modi in India, and 6-12 months later, Pegasus is in use. This is not accidental. This is a key part of Israeli foreign policy now.

 

Chris Hedges: Let's talk about the drone program. They pioneered drones. As I remember from the book, India is maybe their largest drone customer. These drones are used against migrants fleeing towards Europe, particularly Greece as well as the US-Mexico border.

 

Antony Loewenstein: I have some interesting declassified documents from the '80s where Israel was using drones in its war in Lebanon. When Israel invaded Lebanon in 1982, it was before the digital era, but Israel was using drones. In this amazing document that I have in the book from the CIA they're shocked and amazed how incredible -- That's their words -- These drones are, how effective they are, and they wonder -- Back in the '80s -- How Israel will be a global pioneer of drones. Fast forward to the last decade or so, and as I show in the book, I have spent a lot of time in Gaza as a reporter in the last 15 or so years that there is a proliferation of testing of drones, particularly around Gaza.

 

I'm putting aside what's happened since October 7, although it's happening since then too. But in the last 15 years huge amounts of drones are being tested above Gaza, some armed, some not, used in the various Israeli invasions, incursions, or whatever you want to call it in Gaza. Those drones are then called "battle-tested" and then they're sold to huge amounts of nations around the world. The part that shocked me the most was the use by the EU. The EU is buying Israeli drones. They're unarmed, yes. And viewers will be aware that in the last 10 or so years, there's been a huge influx of migrants coming from Africa and the Middle East, after 2015 when the Europeans said they didn't want to repeat that huge influx of people coming. Of course, if you're Ukrainian and white, they'll welcome you in. And I have no problem with Ukrainians being welcomed in. But clearly if you're Black or Brown it's not going to be the same.

 

EU created this fortress, Europe and Israeli drones are part of that. Frontex, which is the European border force, uses Israeli drones 24/7 in the Mediterranean, circling the Mediterranean, sending back real-time images to Frontex, which is based in Warsaw, in Poland of what's happening. The EU has made a clear decision to let people drown; That is obvious. They barely issue rescue boats and they criminalize people who are trying to rescue migrants. Israeli drones are a key part of that infrastructure and eye in the skyand Israeli drones have appeared in India and various other countries. In the last years, Israel remains one of the key drone makers of the world, and increasingly, so is Turkey. Turkey makes a cheaper version of what Israel has been developing and therefore Turkish drones are now also appearing in many nations around the world in many conflicts.

 

Chris Hedges: Let's talk about who Israel sells to. It's easier to tick off the list of who they don't sell to. I covered the conflicts in Guatemala and El Salvador in the 1980s. Israel was supplying weapons, including napalm, to the Salvadorans and the Guatemalans. They were one of the most fervent supporters of the apartheid regime in South Africa, they worked with Augusto Pinochet's Chile, and the Rwandan genocide was perpetrated with Israeli weapons. They will provide military equipment to the most heinous regimes, including the latest ethnic cleansing in Nagorno-Karabakh. You mentioned three countries: Iran, North Korea, and I don't know who the other one was.

 

Antony Loewenstein: I think I say Syria.

 

Chris Hedges: Maybe Syria

 

Antony Loewenstein: As far as we're aware.

 

Chris Hedges: Right. As far as we're aware.

 

Antony Loewenstein: As far as we're aware. It's interesting to note though, before 1979 and the Islamic Revolution, Israel and Iran were incredibly close. The fact that Iran was run by a dictator was no impediment to selling weapons. They were worried that the rise of the Islamic Revolution would impede their sales, which clearly it did. On the one hand, I shouldn't have been that surprised. It's important to note America remains the world's biggest arms dealer. 45% of the world's arms comes from America, so they are leaders by far. Israel is tenth. One of the things that shouldn't have shocked me but did was Myanmar, in the last years, has been committing a genocide against its Rohingya population -- Many of them have been killed, many have been kicked out into Bangladesh -- Even after the UN found that Myanmar was committing genocide, Israel was still selling surveillance and weapons to the Myanmar regime.

 

As you say, it's hard to list. There's so many of them. It's also worth saying that India -- And India is a big focus of the book because India is now the world's biggest country population wise, the world's biggest self-described democracy. Although I would very much question that. A key ally of the US and certainly my country, Australia and most western nations, because it's not China -- India is building a Hindu fundamental estate under Modi, a proudly chauvinist nation where particularly Muslims are discriminated against openly. There's pogroms against Muslims. Now, India and Israel didn't have a great relationship before Modi came in. There was a relationship in decades past. Modi comes in 2014 as Prime Minister and there's a love affair between Netanyahu and Modi. There's this image that some viewers may have seen of the two of them stepping onto the beach, getting their feet wet, talking about how much they love each other, who knows, no audio was recorded.

 

But this relationship is central to why I wrote the book. There is a growing global ethno-nationalist surge, India being the most obvious example, of nations that proudly discriminate against non-majority populations. In India it's against Hindus, against Muslims. In Israel, it's Jews against anyone who's not Jewish. And I say this as someone who's Jewish myself, that the whole alliance between Israel and India reminds me very much of Israel and South Africa: Nations that proudly discriminate against non so-called acceptable populations and are therefore inspiring others. Israel has become the inspiration to so many countries and far-right and rightists around the world, putting aside liberal Zionists for a minute, who over the years have had a love for Israel. I'm talking about India, Hungary, various other nations, not selling weapons but selling the idea of getting away with it.

 

That's something I talk about a lot in the book, that the idea that Israel is able to get away with it, each being occupation, endless colonization, brutalizing Palestinians, selling weapons to God knows who and God knows where, goes to the heart of why Israel is, to me, a danger. Not only to Palestinians, which is bad enough, but a model. Finally, Chris, I say in the book that you often go to far-right rallies -- And I go there for work, to be clear. For work purposes -- In the US, Australia, and elsewhere, the Israeli flag is a constant presence. It's not unusual and these are not groups that traditionally like Jews. They don't. I quote in the book Richard Spencer (b. 1978), that hideous alt-right leader in America who said a few years ago, I'm a white Zionist. He doesn't like Jewish people but he loves the idea of creating, for him and many like him, a Christian ethno-nationalist state.

 

You've written a lot of incredibly important work on Christian theocracy in the US and its potential growth and rise in domination. Israel is a touchpoint, as you would well know, for many of these groups. Not all, but many. And it's not because lobbyist groups like Jews; Many of them do not. But they like what Israel is doing to Palestinians to unbelievably dominate and control them. And they're proudly Jewish chauvinists. They're Jewish supremacists. That's what they want to create for Christians in America or Hindus in India. That to me is the danger.

 

Chris Hedges: This is from your book according to Netanyahu, Jewish writer Peter Baynard explained, "The future belong not to liberalism as Obama defined it, tolerance, equal rights and the rule of law, but to authoritarian capitalism, governments that combined aggressive and often racist nationalism with economic and technological might. The future, Netanyahu implied would produce leaders who resembled not Obama but him." I think it fits in with what you said and unfortunately I fear, I don't know what you think that he's right.

 

Antony Loewenstein: I fear that too because it's worth saying that Obama wasn't exactly a big believer in-

 

Chris Hedges: No, he wasn't.

 

Antony Loewenstein: … democracy and human rights either. But putting that issue aside, no, I fear that that is correct. And Netanyahu, I suspect as a leader possibly hasn't got a long life left as leader of Israel. It's obviously unclear because so many Israelis, even many who supported him are understandably incredibly angry with him after what happened on October 7th. So he may not last long as a leader himself, but I think his general analysis, I fear is correct, absolutely, that there is this sense of country after country, after country becoming enamored, not just with technological repression either from Israel or the US or others, but this idea somehow that you can maintain that domination forever.

 

Now, obviously, October 7th, as I touch on in the book or imply, although the book came out before October 7th, is arguably a delusion that if you believe as a nation that you can repress people through tech forever, it's a lie that will not work. And from Gaza is a key example of that. Even though Gaza was the key laboratory of Israel, they spent billions and billions in building walls and drones and surveillance. Hamas was able to breach that remarkably relatively easily. I mean, it's obviously took years of planning to do so, but I fear the lesson will not be learned.

 

And Gideon Levy (b. 1953), who's a good friend of mine, the amazing Israeli journalist in Israel has said that he fears that even now the lessons are not being learned by Israel and other leaders. What he means by that is that the lesson that Israel is taking from October 7 and frankly the US took from 9/11 was the wrong one. It was that we need to invade and bomb and dominate even more, which I think is born out of insecurity, not strength, but nonetheless, that's I fear the lesson that Israel is taking, not so much that we need to maybe talk to Palestinians or negotiate with Palestinians. Those Israelis, some are saying that, but it's a tiny minority.

 

Chris Hedges: And yet in your book you talk about Sri Lanka. You can explain what happened. They destroyed the Tamil Tigers and the Israelis were full partners in that project. And that fascinated me because I wondered if that wasn't the playbook for Gaza.

 

Antony Loewenstein: Looking just exactly a bit of background, 2009 was the end of the Sri Lankan civil war. It'd been going for decades between the majority Sinhalese population and the Tamil Tigers who were I guess resistance movement for more Tamil rights and a Tamil homeland in Sri Lanka for years. Actually Israel had been supporting the Sri Lankan government in selling planes, fighter jets and other forms of technology weapons. 2009 happens and as some viewers remember, the Sri Lankan government was able to target the Tamils in a smaller, and smaller, and smaller part of the northern part of Sri Lanka.

 

Probably 40,000 Tamils were killed. We really don't know the exact number. There's never been any real accountability for that. I do look at what's happening in Gaza and I have thought of quite a lot actually about Sri Lanka since October 7 because in some ways the Israeli plan, and I don't think there's one united plan, there is to some degree a discussion, although within think very narrow bounds within the Israeli political and military establishment.

 

But I think the plan seems to be Northern Gaza is obliterated. It's apocalyptic. I think if Israel, I think it's probably very lucky there will be a resumption of some kind of fighting in Gaza. I don't know when, but soon. If the plan is to decimate the southern part of Gaza, and I have, as I'm sure you do, Chris, Palestinian friends in Gaza who are sheltering in refugee camps in their own country now in southern part of Gaza really struggling. Their homes have been destroyed. They have no connection to Hamas.

 

I mean, these are civilians living in Gaza. If essentially Gaza's infrastructure is completely obliterated that leaves only really a handful of options. Permanent tent cities in Gaza, or which of course as some viewers will be well aware, the dream of many on the Israeli political elite. And also let's be clear, many in the Israeli public based on public opinion polls kicking the Palestinians out. Egypt, Jordan Lebanon.

 

Though so far, Egypt, despite being a dictatorship, has not acquiesced to that. They have not opened the borders enough to allow really that many Palestinians into the Sinai that could change. I mean, the Egyptian economy is on its knees. Will they accept lots of money and bribes? I very much hope not, but we don't know. But I do fear the plan, as you say in Gaza, is not dissimilar to what Sri Lanka did in the northern part of that country. And the outcome in Sri Lanka finally has been that the war is kind of over, but Tamils are still regarded as second class citizens in their own country.

 

Chris Hedges: Let's talk about the Alpha Gun Girls. It's a little sidelight, but something just disgusting, I didn't know existed until you wrote it, until I read it.

 

Antony Loewenstein: Yes. Well, there is a side industry, I guess you could call it, of Israeli women, Jewish women who are… Often they've been in the military. They have fetishized or sexualized the Israeli military. So you have these groups of women who are scantily clad, often holding guns, often posing in photo shoots as if they're kind of in war in Gaza or somewhere else as an idea and a way to show two things. One, the IDF is female friendly. You can be a incredibly sexy woman and still be in the IDF and kill Palestinians. That's the implication. And secondly, that Israeli women are cool.

 

I mean, that's the message they're trying to send. I don't know if it's particularly effective, but that's the message they're trying to send. And for years, I've been following this story that there's been a real push by the IDF Israeli army to show how gender friendly they are, how in fact gay friendly they are, how trans friendly they are, by how vegan friendly they are.

 

I mean, we sort of laugh in a way by saying this, but I have a big section in the book talking about this is such a key part of Israeli messaging. So-called Hasbara. But I'm not entirely convinced it's massively successful. I mean, people can argue that either way, but a lot of Israel's social media in the last 10 or so years has focused on this issue. We give vegan meals to soldiers who want it. We are trans friendly, we are women friendly, we are gay friendly. You can wave the rainbow flag.

 

In fact, some viewers will see about two weeks after the Israeli invasion of Gaza, there was this Israeli soldier in Gaza. The background was apocalyptic. Holding the rainbow flag, and this image kind of went viral. I did a story about. Essentially saying, and the message was very clear, you see, we want to liberate Palestinians in Gaza who are gay to just be themselves.

 

Now, the mocking that this got justifiably was clear as if people were saying, "Right, so you've decimated Gaza and it's apocalyptic." But gee, you can be a gay Palestinian and some may have freedom in Gaza. I mean the cognitive dissonance to actually believe that. And that ties into these girls. You're talking about this finally that these women over the last years are traveling around Israel and the world promoting an image of Israel as liberal, but also militaristic. Pro-feminist, but also gun friendly. And that's why a lot of pro-gun groups in the US and mostly men, let's be honest, are into these kinds of sexualization of Israeli gun-wielding women.

 

Chris Hedges: We should note that one of the uses of Pegasus or the spyware was to entrap gay Palestinian men as you write in the book and essentially turn them into informants.

 

Antony Loewenstein: Indeed. There's a big part of 8200, which is the equivalent of the US's NSA. Which in its whole [inaudible 00:28:02] is to monitor Palestinians 24/7 across the occupied territory. So one thing they do is to try to find, so-called weak spots. A man who's married to a woman who might be gay, a man who might be having an affair with a woman. In other words, someone who is, "doing" something unconventional. I use that term loosely.

 

When they get that information, they will then try to turn that person into a spy. We don't really know how many Palestinians are collaborators. There's not really an… Some are. It's a tiny minority, but some are. In Gaza too, by the way. And often in fact, as I say in the book, because there's been a siege on Gaza for close to 20 years, enforced by Israel and Egypt to get out of Gaza sometimes.

 

I've spoken to Palestinians who have been offered this but refused it to get out of Gaza. On the Israeli side, they've been told, "You can leave to go to study overseas or go to hospital in Israel or elsewhere. You have to spy for us for Israel." And that's how they blackmail people because they gather information from this 24/7 global surveillance network. And it's interesting just finally that when October 7 shows that not just the Israeli intelligence failed, it was an arrogance and a hubris, but also the American intelligence failed. It's interesting to note, since speaking to various sources I have, and there's been some decent reporting in the last six weeks that the US, apparently after 9/11 basically, although is spying on Israel a lot, I talk in the book that there's apparently about 3 to 400 NSA employees in the US whose everyday job is to spy on Israel. That's their job.

 

So they're an ally, but also America doesn't entirely trust them. And I'm sure that works both ways, but America was not particularly "helping" Israel to detect so-called terrorist threats. And one thing, I just wanted to add this finally if I could, that I'm the co-editor and co-founder of a group called Declassified Australia, which is a news-gathering organization. We did a story a few weeks ago that showed that Pine Gap, which is a key US intelligence gathering center in the center of my country, Australia, which is used as a key intelligence gathering venue to use the US used in Iraq and Afghanistan to target so-called terrorists, but kill huge amounts of civilians is being used by the US since October 7 to give intelligence to Israel in its so-called targeting of Hamas.

 

Now, the reason that's relevant apart from the fact that you have a massive US intelligence base in the center of Australia, which is being expanded in the frankly crazy US expansion in my part of the world, apparently target China and Australia, sadly is a key ally in that madness to have a US and Australian spy base in the center of Australia being used to funnel information to Israel. How they're using that information, of course, is not entirely clear.

 

It makes legal culpability very clear on the US side and the Australian side as it was when the US was targeting, so-called terrorists in Iraq, Afghanistan, and Syria or elsewhere. I say so-called because huge amounts of civilians were killed. That global US intelligence infrastructure is being used as is the F-35A. F-35A is a weapon that the Israel is using over Gaza. The global supply chain involves many countries. And I'll declassify Australia. We also had a story showing that a key part of when the door is being opened at the bottom of the F-35 to drop weapons on Gaza, that part is made here in Melbourne, Australia.So you have a global supply chain of companies that are directly complicit in what Israel is doing, which seems like at the ICC is listening, "Hello, there's a lot to be done."

 

Chris Hedges: Let's talk about privatization. You talk about the neoliberalism that transformed Israel which was a socialist state, major state owned enterprises were sold off, privatized, especially in the 1990s. Israel has very high income inequality. Poverty rate 23% in Israel, 36% for the Arab population. And you write, "Many Palestinians are unaware at how the occupation has been privatized because it makes no difference if a state officer or private individual harasses or humiliates them." You go on to write, "Many checkpoints through which Palestinians are forced to travel to access their schools, workplaces, or Israel, if they are fortunate enough to get one of the few work permits handed out by the Jewish state, use facial recognition technology and biometric details to document their every move." But these are private companies. So explain that what's happened to how essentially private for-profit firms are managing the occupation?

 

Antony Loewenstein: It's worth saying obviously that Israel was a self-described socialist country, but socialist country for Jews. I mean, that's obvious to say that.

 

Chris Hedges: Well, yes. That's right.

 

Antony Loewenstein: And clearly, I mean as some older viewers will be aware, it's amazing to think now that so much of the global left was enamored with Israel for the first really 20 years of its existence. Anyway, that was a bit of blindness that we can talk about some other time. But anyway, look, Netanyahu was a key factor in this, that yes, Israel had a quasi-socialist background. In the last 20 or so years, there's been a shift, not just neoliberal policies within Israel itself, but also outsourcing the occupation. And in some ways it goes along with the massive expansion of settlements.

 

You now have roughly three quarters of a million Jewish settlers living in occupied territory, the West Bank and East Jerusalem. And a lot of the guards or security officers that are working on both settler checkpoints but also Israeli checkpoints are run by private companies. I lived in East Jerusalem between 2016 and 2020 and been visiting there for close to 20 years. So I spent a lot of time looking into these kinds of issues. And it's worth saying that, as I say in the book, yes, it's been outsourced and the accountability was zero. Even if an Israeli soldier commits an abuse, let alone if a private interest does.

 

It's important also to say that, yes, a lot of these companies are Israeli, but many of them in fact that are doing this, are also foreign and international. And that's relevant because some viewers will remember the last years the UN had tried for years to release this list of global companies and Israeli companies that were directly complicit in the occupation, and therefore they should be boycotted essentially. And they released a list a number of years ago. It caused a big scandal in some circles. About 20 or so of those companies then removed themselves from being involved in managing the occupation, so to speak.

 

But there are still, I think around 100 companies, Israeli and foreign that are directly involved day-to-day in so-called managing the occupation. That to me is not just illegal and immoral, but also right for a kind of boycott campaign, which I suspect will increase in the coming years after what we've seen the last six weeks.

 

Chris Hedges: Can you talk about AnyVision? I think it's changed its name to Oosto and then Unit 8200.

 

Antony Loewenstein: So AnyVision which you said has changed its name, is a facial recognition company, an Israeli company that was testing this at Israeli checkpoints. So what that means is that when Palestinians want to, say, move around the West Bank, if they want to potentially go from the West Bank into Israel proper, they have to have their details checked, their irises often checked now, and they were gathering all this information.

 

We don't exactly know where that information was going, but clearly it was going into Israel, a massive database that they were using to gather personal data on pretty much every single Palestinian, the occupied territories. Those tools are then marketed globally. They have appeared in huge amounts of infrastructure from airports to other places around the world. And when those companies promote it, whether AnyVision uses the term, battle tested, I'm not sure, but they are saying it's been tested in Palestine successfully. So-called successfully.

 

And that does tie into Unit 8200, which is, as I said, Israel's NSA. It is the body that is gathering intelligence on Israeli and on Palestinians. And increasingly I should say, there is a lot of evidence that increasingly the occupation is coming home, that a lot of Israeli Jews who for years believe that this was just happening to Palestinians down the road, are increasingly being surveilled themselves. And I'm not just talking about since October 7, although particularly since then, that there is a move within Israel increasingly at criminalizing dissent entirely, whether it's by Arabs or Jews.

 

But Unit 8200 has become this kind of quite infamous funnel of people who work in the military for years developing all these tools and methods to surveil Palestinians, which they then take to the private sector to develop various forms of repression which they can then sell around the world. And by maintaining those close ties, that's how it goes to my point earlier on, the NSO Group was essentially an arm of the state. Many of these companies, these surveillance companies, repressive tools, biometric companies operating in the occupied territories or in Gaza are then used by Israel as a key selling point to make new friends, so to speak.It's a transactional friendship, transactional relationship. And it's why as I really think, I think there's more and more that the Israeli armed industry really is an insurance policy. It's an insurance policy because, yes, there are some countries that oppose what Israel's doing. Not many, not enough, but even the countries that publicly do oppose what Israeli is doing, many of them are still buying Israeli repressive technology. I mean, Mexico is one example amongst many.

 

So often I think words matter. Sure, what a government or prime minister or president says, it's not irrelevant. Yeah, sure. But what matters more is what you are doing, what you are buying, what you are deploying yourself in your own country. So when you have 130, 140 nations in the world that have bought some form in the last decades of Israeli defense technology, drones, missiles, spyware, whatever it may be, that's what matters. I think Israel believes probably with justification, those nations, at least for now, are unlikely to turn on Israel while they're so reliant on those tools of repression.

 

Chris Hedges: Let's talk about Blue Wolf or the Wolf Pack database.

 

Antony Loewenstein: So this is basically a system that has been developed in the last five or so years that every Israeli soldier operating in the occupied territories has. The aim is to get personal information and data on every single Palestinian man, woman, and child. It's entered into a massive database. And that is then used to potentially discriminate against those people. What does that mean practically? Person X wants to go from the West Bank to Israel to work to get medical care. A Palestinian does not know what information has been collected on them. There's obviously no consent.

 

As I say in the book, there's testimony given by soldiers usually anonymously, Israeli soldiers, where it's almost like a game. How many Palestinian personal details can we get on our mission tonight when we're serving in the occupied territories? And it goes without saying, but there is no transparency in this process. Zero. So Palestinians living in Hebron or Nablus or somewhere else, don't really know what information is being gathered, but we do know that it's impacting their freedom of movement from place to place within the West Bank and also potentially further afield into Israel or overseas.

 

Chris Hedges: Israel innovates all sorts of forms of crowd control. You write Sea of Tears, a drone that dropped tear gas canisters over a broad area, skunk water, the skunk water drone, a form of liquid emitted from a water cannon that left a foul smell on clothes and body for a long time. They were used on Great March of Return, which was a nonviolent, largely nonviolent protest movement in Gaza where they went up to the border. Many of them, of course, were shot. But talk about some of the forms of crowd control that have been pioneered by Israel, but that we have seen in places like Ferguson.

 

Antony Loewenstein: Yeah. Well, this is something I talk about in the book, right, Chris, that there is a sense that, again, Israel is using the West Bank, particularly East Jerusalem and Gaza as a testing ground. So some of those examples then explain what they basically are. So the Great March of Return, as you said, was Palestinians trying to march for their freedom and for the right to return essentially to Israel to where ancestors used to live. And the Sea of Tears was a drone that was dropping essentially a tear gas on people. Didn't kill them, but it certainly caused huge damage. And literally while the March of Return was happening and while that drone, the Sea of Tears was being used, I document this in the book, other countries were wanting to buy it because it was being tested, so to speak, in real time.

 

The connection between the US and Israel is key here. And I say this pretty much soon after 9/11, there was a massive attempt by both the American Israeli… Firstly the pro-Israel lobby in the US, the Anti-Defamation League particularly, but other groups as well to have sort of information sharing. So huge amounts of police forces went between Israel and the US and vice versa training, so to speak, in tools of so-called people management. They're examples of police officers that have these quotes in the book going to Israel after 9/11, being inspired by what Israel is doing to Palestinians.

 

I mean, let's be clear, as I say in the book, American police don't need Israeli training to be repressive against Blacks and minorities. Obviously I'm not arguing that. But what I am saying is that they're getting new tools of repression to the point where just quite recently you had major Israeli border security individuals on the US-Mexico border. Looking at how the US, "maintains" its border. And it's worth saying, you mentioned this before, I didn't fully give an answer to that, that on the US-Mexico border, there is a key part of that infrastructure, which was started by Obama, deepened by Trump, and continued by Biden now of Israeli surveillance. There's massive Albert surveillance towers all across the US-Mexico border.

 

And Elbit is Israel's biggest defense company. And the reason the US initially was interested in this kind of technology was because it had been tested and tried in Palestine. "It works". So you have all these massive surveillance towers, which the aim is to both surveil potential migrants crossing the border, but also importantly Native Americans who live on their ancestral territory. And I have quotes in the book of saying they can't live securely in their own territory because of these surveillance towers.

 

So again, it's worth saying that there is this ideological alignment between many in the US who view Israel as almost on the frontline, I hate to use the term, the Wild West of crowd control, crowd management, crushing any kind of resistance to overwhelming force. And they take those examples back to the US and vice versa. It's like a feedback loop. It goes both ways. So as you say in Ferguson, I touch on this in the book, that there was a lot of evidence that some, we don't know exactly, that particularly police in Ferguson had directly gone to Israel. That's not necessarily the case. But some of the training that police forces in the US had used, including in Ferguson, had partly come from Israel.

 

Chris Hedges: Talk about Frontex and how this Israeli technology is used to break into encrypted messaging apps, especially on refugee mobile phones.

 

Antony Loewenstein: Yeah, Frontex is the EU's border, so-called security force. And there was a real trauma inside Frontex, not that I feel sorry for them, but trauma after the 2015 refugee surge, mostly from Syria and elsewhere. Let's not let that happen again. So now you have a situation where huge amounts of migrants are still trying to come from mostly Africa and the Middle East, escaping walls or conflicts or climate crisis disasters and their phones, which are their smartphones, which essentially are a vital way of knowing how to get there. People have maps on their phone, personal details, photos, are often taken from people at EU border crossings.

 

Information is taken off them. We don't know exactly what information is taken off, but presumably my sense and for my reporting is that probably contacts in European nations and attempt to try to break up what they would call people smuggling networks, what I would say is humanitarian paths to a better life. And Israeli technology is part of that. I think it's important to say that, as I said before, those Israeli drones that are part of that infrastructure as well, but also the EU, which is Israel's biggest trading partner.

 

It's worth saying that. So when you have all these European nations in the last years expressing now and then concern about the occupation, concern about settlements, just this week, just this week, one of the heads of the EU said, and I'm paraphrasing, in time of war, it's just outrageous that Israel would spend huge amounts of money on building more settlements because the Israel has released its latest budget and there's huge amounts of money for settlements. I responded on Twitter and what are you going to do about it? Because history suggests nothing. They'll do nothing about it.

 

I mean, apart from the fact that I'm a German citizen and an Australian citizen, obviously in Germany, this issue is toxic, that Germany is using its own historical calamity, disgusting actions during the Holocaust, including much of my family were killed in the Holocaust. Using that to support Israel's historical absolution to somehow say that to be madly pro-Israel is to atone for our own sins during the 12 years of Nazi Germany. And that has a practical impact because Israel is not just selling lots of weapons to Germany.

 

Germans are also selling huge amounts of technology to Israel. Since October 7, there's been a tenfold increase in weapons that Germany is selling to Israel, to assist in its horrific war in Gaza. This is what it practically means. So EU support for Israel, and I have a quote in the book, there was a… Gideon Levy, the journalist I mentioned before from Haaretz went to a meeting with Netanyahu a number of years ago and he looks at a map, Netanyahu, and says, "The whole world's basically in support of Israel." There's a few nations in Europe, I think he pointed to Belgium that kind of give us a bit of trouble, but overall we're fine.

 

Meaning that, yes, occasionally the Belgium authorities express concern about settlements, which Israel doesn't really care about, but ultimately the EU has made a decision that they will not challenge Israel, even though EU infrastructure, Chris, is being destroyed in the West Bank constantly. And I wonder how and when that will change because it hasn't changed yet.

 

Chris Hedges: I want to close your last chapter. You quoted an Israeli human rights lawyer "Because of surveillance tech, a country can avoid massacring protestors now. Today, we're able to identify and stop surveillance of the next Nelson Mandela before he even knows he's Nelson Mandela." What you describe in the book is the formation of a really frightening, dystopian, Orwellian world that extends far beyond Israeli borders. But that, of course Israel is integral to creating.

 

Antony Loewenstein: I certainly don't suggest that Israel is not able to commit massacres. And obviously, we've seen that since October 7. I guess what that quote, that was from Eitay Mack who is a really great Israeli human rights lawyer. He spent a lot of time trying to uncover the Israeli arms industry. So in a lot of his work is in my book. Essentially what he's saying, and the book also shows this, is that the technology of surveillance is so sophisticated now that nations… And I have quotes from people in Togo, for example, and various other nations across the globe that are run by, often US-backed or Israeli-backed dictatorships that back in the so-called bad old days, obviously there are repressive regimes that were able to surveil people through various forms.

 

Of course, that's existed forever. But the difference now is that we are so, frankly, overly reliant on phones and the internet that all this technology is monitored 24/7. It doesn't mean every information is always captured. I mean, the US issue after 9/11 was they were getting so much information, they couldn't process it. Israel has a similar problem as we saw on October 7, but as you say, Israel to me is becoming and really has been for years, one of the global inspirations for repressive tech. Long before 9/11 and long after 9/11.

 

And the danger of that is, is clear, is that it becomes a model for repression. As I said, Israel shows countries how to do it. You can also repress your people if you buy this technology, this spyware, this drone, whatever it may be. Now, yes, the technology is not perfect that of course don't say that, but that's what I'm saying. But it can create a global, almost architecture of control that is close to unbeatable and the impact of that at a time where democracy is frankly in decline.I mean, you could argue that even so-called self-described democracies aren't democracies anyway, but nations that claim to be democratic are increasingly moving, I would say, more and more to an Israeli style model. I'm not just talking about an occupation, particularly. I'm talking about language. I was also talking about surveillance. As I say in the book, the whole US rhetoric after 9/11, the so-called war on terror, that was the Israeli playbook. It wasn't exactly the same, but it was remarkably inspired by what Israel had been doing in Lebanon in the '80s and onwards. Hugely similar.

 

Similar rhetoric about, so-called terrorism, collateral murder, or they call it collateral damage, but I would call collateral murder. Something that a mutual friend Julian Assange (b. 1971), a fellow Australian, a great huge hero of mine, I've known Julian since 2006, right at the beginning of WikiLeaks, that what people like him and many others have been saying for years, this is the threat, the idea of a complete architecture of global surveillance, which is close to unbeatable. Israel is a global leader in that.

 

I think alerting people to that is the first step. The next step is obviously how to challenge that. I think a lot of the global response to October 7, both the attack by Hamas, but also the insane, overwhelming, brutal war crimes that Israel is committing in Gaza, I think is bringing out a civil society action that I have not seen on this issue certainly in my lifetime. I have Palestinian-Israeli friends, and I'm talking about mostly globally, not so much in Palestine, Israel itself. And that to me is a sign of hope, including fellow Jews and many Palestinians. And that to me is the only sort of sliver of hope in what is a really, really dark time.

 

Chris Hedges: Great. That was Antony Loewenstein, author of The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World. I want to thank the Real News Network and its production team, Cameron Granadino, Adam Coley, David Hebden, and Kayla Rivera. You can find me at chrishedges.substack.com.

 

This article first appeared on The Real News Network and is republished here under a Creative Commons license.

don't skip the proofreader...

Here's the view of the L-shape of the two conference tables. I used a longer, shallower one (5 ft x 2 ft) for the computer equipment side (left), and a shorter, deeper one (4 ft x 3 ft) for the proofreading side (right).

 

With some coupons we had for Staples, the entire "desk" cost $26 and is better and sturdier than any pressboard prefab thing we could have bought for ten times the amount. And highly customizable. :)

In Types of the De Vinne Press — Specimens for the use of compositors, proofreaders, and publishers, 1907.

 

Seen at Oaklander Books; Chelsea, Manhattan

Ben and Deirdre (Photo by CiBi)

There are three of these large-ish signs on the wall of this new teriyaki joint, all with the same correction.

So, did the person who specified make the error, or the signwriter and why did the person who screwed it to the wall not point this out to someone? Not one of Network SouthEast's better efforts.

Go go proofreading!

100 pages of A4 proof reading for University of Ballarat. (We made Stef do it.)

Proofreading your thesis is a tedious and time-consuming task, but it is an important one. Your thesis is your final product and the culmination of all your hard work. It’s the most important document you will ever write and it deserves to be proofread thoroughly. A thesis is not something you can half-ass; if you want to get a good grade on it, you need to take your time and proofread every sentence. Visit www.unitedinnovator.com/thesis-writing-for-postgraduates.php for more information.

Funny how much work can be done with this tiny apparatus!

 

Today I've spent most of my day upgrading a website to a new WordPress theme and tweaking it a bit. I realized the long way I've come since I launched my first website eleven years ago!

 

Who said running a website has no cost?

 

Among other things, we now pay for:

- freelance writers and content creators

- stock photography for pretty images

- commercial WordPress themes

- privacy policies (if you want to be serious, pay attention to your website's policy, especially if you're monetizing it)

- proofreading tools or services when we create content in-house

- plagiarism checking services

- logo design

- domain registration and hosting

 

The costs can quickly add up as we invest the revenue and improve our websites. Surely one can run a #website almost for free, but by the time you start having an income, you'd better put it to good use.

 

And all this is achieved thanks to this mouse!

 

Connect with me at jimmakos.com/photography

Despite what he reports as lower pay since he returned after Katrina, Clint has been a sidewalk promoter for several years. That's not to say that it's the sidewalk he's promoting. No, he's promoting the nubile and curvaceous young cuties performing within. Exactly what they're performing and/or on whom, I couldn't say.

I also can't say whether that sign is alluding to the admission fee or the performer's degree of undress. One can only hope. :D

 

Work-a-Day Project

  

97.100 for the 100 strangers project. Find out more about the project and see pictures taken by other photographers at www.100strangers.com/

For a product that has "never existed", there is an extraordinary amount of residue to suggest that JIFFY PEANUT BUTTER was once a household staple.

While there are thousands of coupons and local grocers advertising JIFFY PEANUT BUTTER, in truth, if a client is paying for an advert, they'll print whatever is supplied in the space purchased. I endeavoured to include newspaper articles that would have had the support of a team of fact-checkers and proofreaders; after all, the reputation of any paper is built on the veracity of their information.

I also wondered if perhaps JIF was once called JIFFY before being purchased by larger conglomerates, but it seems to have been christened JIF from the very beginning:

"In 1958, the brand rollout in the US involved a heavily publicized house-to-house distribution of free sample jars from special trucks emblazoned with the then JIF mascot, the "JIFaroo", a blue kangaroo. An early slogan was "JIF is never dry; a touch of honey tells you why." Early advertising also emphasized the beveled edge of the jar base, meant to make it easier to get the last bit of JIF out of the corner. For many decades, TV commercials for the product have ended with the tagline, "Choosy mothers choose JIF" and, in the 1990s, "Choosy moms choose JIF." Since 1981, JIF has been the leading peanut butter brand in the United States."

When you’re reviewing a particularly long and unwieldy translation, you just feel like it never ends. I always think of the theme song of the movie ‘The Neverending Story’.

Sergei Alexandrovich Yesenin 1895 – 1925, sometimes spelled as Esenin, was a Russian lyric poet. He is one of the most popular and well-known Russian poets of the 20th century. One of his narratives was "lyrical evocations of and nostalgia for the village life of his childhood – no idyll, presented in all its rawness, with an implied curse on urbanisation and industrialisation".

 

Sergei Yesenin was born in the village of Konstantinovo in Ryazan County, Ryazan Governorate of the Russian Empire (now Rybnovsky District, Ryazan Oblast) into a peasant family. His father was Alexander Nikitich Yesenin (1873–1931), his mother was Tatyana Fyodorovna Yesenina, née Titova, (1875–1955).

 

Both his parents spent most of their time looking for work, his father in Moscow, his mother in Ryazan, so at age two Sergei was moved to the nearby village of Matovo to join Fyodor Alexeyevich Titov and Natalya Yevtikhiyevna Titova, his relatively well-off maternal grandparents, who essentially raised him.

 

The Titovs had three grown-up sons, who were Yesenin's companions in his early life. "My uncles taught me horse riding and swimming, one of them... even employed me as a hunting dog when he went duck hunting in local ponds," he later remembered. He started to read at age five, and at nine began to write poetry, inspired originally by chastushkas and folklore, provided mostly by his grandmother, whom he also remembered as a highly religious woman who used to take him to every single monastery she visited. He had two younger sisters, Yekaterina (1905–1977), and Alexandra (1911–1981).

 

In 1904 Yesenin joined the Konstantinovo zemstvo school, where in 1909 he graduated with an honorary certificate. He then went on to study in the local secondary parish school in Spas-Klepiki. From 1910 onwards he started to write poetry systematically; eight poems dated that year were later included in his 1925 Collected Works. In all, Yesenin wrote around thirty poems during his school years. He compiled them into what was supposed to be his first book, which he entitled "Volnye Dumy" (Free Thoughts) and tried to publish it in 1912 in Ryazan, but failed.

 

In 1912, with a teacher’s diploma, Yesenin moved to Moscow, where he supported himself working as a proofreader's assistant at Sytin's printing company. The following year he enrolled in Shanyavsky Moscow City People's University to study history and philology as an external student (вольнослушатель), but had to leave after eighteen months due to lack of funds. At the University he became friends with several aspiring poets, among them Dmitry Semyonovsky, Vasily Nasedkin, Nikolai Kolokolov and Ivan Filipchenko. Yesenin’s first marriage (which lasted three years) was in 1913 to Anna Izryadnova, a co-worker from the publishing house, with whom he had a son, Yuri.

 

1913 saw Yesenin becoming increasingly interested in Christianity, and biblical motives became frequent in his poems. "Grisha, what I am reading at the moment is the Gospel and I find a lot of things which for me are new," he wrote to his close childhood friend G. Panfilov. That was also the year when he became involved with Moscow revolutionary circles: for several months his flat was under secret police surveillance and in September 1913 it was raided and searched.

 

In January 1914 Yesenin's first published poem, "Beryoza" (The Birch Tree), appeared in the children's magazine Mirok (Small World). More appearances followed in minor magazines such as Protalinka and Mlechny Put. In December 1914 Yesenin left his job "and dedicated himself to poetry, writing continually," according to his wife. Around this time he became a member of the Surikov Literary and Music circle.

 

In 1915, exasperated with the lack of interest in Moscow, Yesenin moved to Petrograd. He arrived in Petrograd on 8 March and the next day met Alexander Blok at his home, to read him poetry. He was quickly acquainted with fellow poets Sergey Gorodetsky, Nikolai Klyuev and Andrei Bely, who were well known. Blok was especially helpful in promoting Yesenin's early literary career, describing him as "a gem of a peasant poet" and his verse as "fresh, pure and resounding", even if "wordy".

 

The same year he joined the Krasa (Beauty) group of peasant poets which included Klyuyev, Gorodetsky, Sergey Klychkov and Alexander Shiryayevets, among others. In his 1925 autobiography Yesenin said that Bely gave him the meaning of form while Blok and Klyuev taught him lyricism. It was Klyuyev who introduced Yesenin to the publisher Averyanov, who in early 1916 released his debut poetry collection Radunitsa which featured many of his early spiritual-themed verse. "I would have eagerly relinquished some of my religious poems, large and small, but they make sense as an illustration of a poet's progress towards the revolution," he would later write. Yesenin and Klyuyev maintained close and intimate, a friendship that lasted several years, and indeed it is likely they became lovers.

 

Later in 1915, Yesenin became a co-founder of the Krasa literary group and published numerous poems in the Petrograd magazines Russkaya Mysl, Ezhemesyachny Zhurnal, Novy Zhurnal Dlya Vsekh, Golos Zhizni and Niva. Among the authors he met later in the year were Maxim Gorky, Vladimir Mayakovsky, Nikolai Gumilyov and Anna Akhmatova; he also visited the painter Ilya Repin in his Penaty. Yesenin's rise to fame was meteoric; by the end of the year he became the star of St Petersburg's literary circles and salons. "The city took to him with the delight a gourmet reserves for strawberries in winter. A barrage of praise hit him, excessive and often insincere," Maxim Gorky wrote to Romain Rolland.

 

On 25 March 1916 Yesenin was drafted for military duty and in April joined a medical train based in Tsarskoye Selo under the command of Colonel D.N. Loman. On 22 July 1916, at a special concert attended by the Empress Alexandra Fyodorovna (the train's patron) and her daughters, Yesenin recited his poems "Rus" and "In Scarlet Fireglow". "The Empress told me my poems were beautiful, but sad. I replied that the same could be said about Russia as a whole," he recalled later. His relationship with Loman soon deteriorated. In October Yesenin declined the colonel's offer to write (with Klyuyev) and have published a book of pro-monarchist verses, and spent twenty days under arrest as a consequence.

 

In March 1917, Yesenin was sent to the Warrant Officers School but soon deserted Kerensky's army. In August 1917 (having divorced Izryadnova a year earlier) Yesenin married for a second time, to Zinaida Raikh (later an actress and the wife of Vsevolod Meyerhold). They had two children, a daughter Tatyana and a son Konstantin. The parents subsequently quarreled and lived separately for some time prior to their divorce in 1921. Tatyana became a writer and journalist and Konstantin Yesenin would become a well-known soccer statistician.

 

Yesenin supported the February Revolution. "If not for [it], I might have withered away on useless religious symbolism," he wrote later.[8] He greeted the rise of the Bolsheviks too. "In the Revolution I was all on the side of October, even if I perceived everything in my own peculiar way, from a peasant's standpoint," he remembered in his 1925 autobiography. Later he criticized the Bolshevik rule, in such poems as "The Stern October Has Deceived Me". "I feel very sad now, for we are going through such a period in [our] history when human individuality is being destroyed, and the approaching socialism is totally different from the one I was dreaming of," he wrote in an August 1920 letter to his friend Yevgeniya Livshits. "I never joined the RKP, being further to the left than them," he maintained in his 1922 autobiography.

 

Artistically, the revolutionary years were an exciting time for Yesenin. Among the important poems he wrote in 1917–1918 were "Prishestviye" (The Advent), "Preobrazheniye" (Transfiguration, which gave the title to the 1918 collection), and "Inoniya". In February 1918, after the Sovnarkom issued the "Socialist Homeland is in Danger!" decree-appeal, he joined the esers' military unit. He actively participated in the magazine Nash Put (Our Way), as well as the almanacs Skify (Скифы) and Krasny Zvon (in February his large poem "Marfa Posadnitsa" appeared in an issue of the latter). In September 1918 Yesenin co-founded (with Andrey Bely, Pyotr Oreshin, Lev Povitsky and Sergey Klychkov) the publishing house Трудовая Артель Художников Слова (the Labor Artel of the Artists of the Word) which reissued (in six books) all that he had written up until then.

 

In September 1918 Yesenin became friends with Anatoly Marienhof, with whom he founded the Russian literary movement of imaginism. Describing their group's general appeal, he wrote in 1922: "Prostitutes and bandits are our fans. With them, we are pals. Bolsheviks do not like us due to some kind of misunderstanding." In January 1919, Yesenin signed the Imaginists' Manifesto. In February he, Marienhof and Vadim Shershenevich, founded the Imaginists' publishing house. Before that, Yesenin became a member of the Moscow Union of Professional Writers and several months later was elected a member of the All-Russian Union of Poets. Two of his books, Kobyli Korabli (Кобыльи корабли, Mare's Ships) and Klyuchi Marii (Ключи Марии, The Keys of Mary) came out later that year.

 

In July–August 1920, Yesenin toured the Russian South, starting in Rostov-on-Don and ending in Tiflis (Tbilisi), Georgia. In November 1920, he met Galina Benislavskaya, his future secretary and close friend. Following an anonymous report, he and two of his Imaginist friends, brothers Alexander and Ruben Kusikovs, were arrested by the Cheka in October but released a week later on the solicitation of his friend Yakov Blumkin. In the course of that year, the publication of three of Yesenin's books were refused by publishing house Goslitizdat. His Triptych collection came out through the Skify Publishers in Berlin. Next year saw the collections Confession of a Hooligan (January) and Treryaditsa (February) published. The drama in verse Pugachov came out in December 1921, to much acclaim.

 

In May 1921, he visited a friend, the poet Alexander Shiryaevets, in Tashkent, giving poetry readings and making a short trip to Samarkand. In the autumn of 1921, while visiting the studio of painter Georgi Yakulov, Yesenin met the Paris-based American dancer Isadora Duncan, a woman 18 years his senior. She knew only a dozen words in Russian, and he spoke no foreign languages. Nevertheless, they married on 2 May 1922. Yesenin accompanied his celebrity wife on a tour of Europe and the United States. His marriage to Duncan was brief and in May 1923, he returned to Moscow.

 

In his 1922 autobiography, Yesenin wrote: "Russia's recent nomadic past does not appeal to me, and I am all for civilization. But I dislike America intensely. America is a stinking place where not just art is being murdered, but with it, all the loftiest aspirations of humankind. If it's America that we are looking up to, as [a model for our] future, then I'd rather stay under our greyish skies... We do not have those skyscrapers that have so far managed to produce nothing but Rockefeller and McCormick, but here Tolstoy, Dostoyevsky, Pushkin and Lermontov were born."

 

In 1923, Yesenin became romantically involved with the actress Augusta Miklashevskaya to whom he dedicated several poems, among them those of the Hooligan's Love cycle. In the same year, he had a son by the poet Nadezhda Volpina. Alexander Esenin-Volpin grew up to become a poet and a prominent activist in the Soviet dissident movement of the 1960s. From 1972 until his death in 2016 he lived in the United States as a famous mathematician and teacher.

 

As Yesenin's popularity grew, stories began to circulate about his heavy drinking and consequent public outbursts. This may have been caused by his a struggle to deal with his bisexuality In autumn 1923, he was arrested in Moscow twice and underwent a series of enquiries from the OGPU secret police. Other accusations against Yesenin and three of his close friends, fellow poets Sergey Klytchkov, Alexei Ganin and Pyotr Oreshin, were made by Lev Sosnovsky, a journalist and close Trotsky associate. The foursome retorted with an open letter in Pravda and, in December, were cleared by the Writers' Union comrades' court. It was later suggested, though, that Yesenin's departure to the Caucasus in the summer of 1924 might have been a direct result of harassment by the NKVD. Earlier that year fourteen writers and poets, including his friend Ganin, were arrested as alleged members of the (apparently fictitious) Order of Russian Fascists. They were tortured and executed in March without trial.

 

In January–April 1924 Yesenin was arrested and interrogated four times. In February he was admitted to the Sheremetev hospital, then moved into the Kremlin clinic in March. Nevertheless, he continued to make public recitals and released several books in the course of the year, including Moskva Kabatskaya. In August 1924 Yesenin and fellow poet Ivan Gruzinov published a letter in Pravda, announcing the end of the Imaginists.

 

In 1924-1925, Yesenin visited Azerbaijan, and stayed in the village of Mardakan, where he published a collection of poems in the "Krasny Vostok" printing house, and was also published in a local publishing house. According to one source it was here, in May 1925, that the poetic “Message to the Evangelist Demyan” was written. There is today a street and a museum house in memory of the poet in Mardakan, Azerbaijan.

 

In early 1925 Yesenin met and married Countess Sophia Andreyevna Tolstaya (1900–1957), a granddaughter of Leo Tolstoy. In May, what proved to be his final large poem, Anna Snegina, came out. During that year he compiled and edited The Works of Yesenin in three volumes which were published by Gosizdat posthumously.

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