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An essential aim of any research is to prove a hypothesis through a detailed analysis of data collected for the work. If it is not supported by the results, then it becomes a null hypothesis. But Dissertation Statistics does not claim to prove anything beyond doubt. It only supports or rejects a theory, within the scope of research.
Red Mark Editing offers highly dependable dissertation proofreadingand editing services at the most affordable price. We have a large team of highly experienced proofreaders who are always prompt in delivering our work.
So then I began to think of two things. Timing was odd here.
For one, my past few weeks were spent proofreading a novel for a friend of mine, a brilliant woman named Rachel who wrote this really intriguing story that starts off with a reporter who sneaks a knife onto a plane to try to do a cool story about terrorism, only to be caught up in a real tale that winds up with seriously bad guys trying to hijack a plane in 9/11 fashion. It was all made up, but the fact that I finished it just a few days before this trip got me feeling all weird. But no biggie, right?
So then I notice that these women and their camera-dudes have CNN badges. Was this some benevolent gift-giving thing for December travellers, or...?
For a product that has "never existed", there is an extraordinary amount of residue to suggest that JIFFY PEANUT BUTTER was once a household staple.
While there are thousands of coupons and local grocers advertising JIFFY PEANUT BUTTER, in truth, if a client is paying for an advert, they'll print whatever is supplied in the space purchased. I endeavoured to include newspaper articles that would have had the support of a team of fact-checkers and proofreaders; after all, the reputation of any paper is built on the veracity of their information.
I also wondered if perhaps JIF was once called JIFFY before being purchased by larger conglomerates, but it seems to have been christened JIF from the very beginning:
"In 1958, the brand rollout in the US involved a heavily publicized house-to-house distribution of free sample jars from special trucks emblazoned with the then JIF mascot, the "JIFaroo", a blue kangaroo. An early slogan was "JIF is never dry; a touch of honey tells you why." Early advertising also emphasized the beveled edge of the jar base, meant to make it easier to get the last bit of JIF out of the corner. For many decades, TV commercials for the product have ended with the tagline, "Choosy mothers choose JIF" and, in the 1990s, "Choosy moms choose JIF." Since 1981, JIF has been the leading peanut butter brand in the United States."
Two visits to Whole Foods, two misspelled signs. I finally had to fill out a little comment form asking that they please proofread their signs before posting, because it's driving me nuts.
I poked around the links below for ideas. BTW, a couple of these are marginally NSFW.
Part 1: Favorites: Blind date, one-way ticket, debt-recovery agent (yikes!), divorce lawyer & marriage counselor
Part 2: Favorites: The mini designer working at his desk, ones that should involve your writer, the Sandstrom Design ones, the postcard-like one (I wanted to make one and see if it'd work, but the phone #'s are really small!) & the proofreader.
Part 3: Favorites: the geared one, the dentist, Lego & I'm not Chinese
I limited myself to regular paper since I think I hand these out by the hundreds...no mixed media or laser-cut metal. Eventually I came up with what I thought was a cool idea, inspired by these links.
The effect I want is for non-techies to read the important info immediately but geeks will, on 2nd glance, realize the whole thing is in pseudo-JavaScript-code. I carefully 'dimmed' all the text in front that doesn't appear in a typical business card (it prints much lighter than it appears onscreen). I get a laugh from all the engineering and IT people I show it to (“…hands down the coolest business card I've ever seen!”), and non-tech types aren’t overwhelmed.
The code in the front will not actually work but it gets fairly close, including the nearly-English "youNeedHelp" line. In fact, if normal people :) read it slowly, replace 'return' with 'give' and '=' to 'is,' it actually makes sense! The strange capitalization is typical and a form of "CamelCase."
BTW, the different colors on the front of the card are typical of a text editor when editing code. The editor's smart enough to figure out comments, variables, functions, values, etc. and color code them appropriately. Also, everything to the right of a '//' is a comment, so I can put an emoticon ":)" in the code.
The back resembles a large-ish comment block, where everything between a '/*' and '*/' is a comment in several languages, only there's no underlining or font color changes in a comment. The '*'s also form a handy bullet list.
I first tried Java (which I'm studying) instead of JavaScript and ran out of room almost immediately!
For a product that has "never existed", there is an extraordinary amount of residue to suggest that JIFFY PEANUT BUTTER was once a household staple.
While there are thousands of coupons and local grocers advertising JIFFY PEANUT BUTTER, in truth, if a client is paying for an advert, they'll print whatever is supplied in the space purchased. I endeavoured to include newspaper articles that would have had the support of a team of fact-checkers and proofreaders; after all, the reputation of any paper is built on the veracity of their information.
I also wondered if perhaps JIF was once called JIFFY before being purchased by larger conglomerates, but it seems to have been christened JIF from the very beginning:
"In 1958, the brand rollout in the US involved a heavily publicized house-to-house distribution of free sample jars from special trucks emblazoned with the then JIF mascot, the "JIFaroo", a blue kangaroo. An early slogan was "JIF is never dry; a touch of honey tells you why." Early advertising also emphasized the beveled edge of the jar base, meant to make it easier to get the last bit of JIF out of the corner. For many decades, TV commercials for the product have ended with the tagline, "Choosy mothers choose JIF" and, in the 1990s, "Choosy moms choose JIF." Since 1981, JIF has been the leading peanut butter brand in the United States."
Polished Paper provides our clients with on-demand professional English language editing and proofreading services designed to meet all of your needs.
Read more:
According to this t-shirt company, you can't have it both ways. You also can't hire a graphic designer and a proofreader.
She is now working as a proofreader. She passed the examination of a civil servant a couple of decades ago, but as soon as she said she had been a polio patient, she was dismissed.
Copernicus: De Revolutionibus [Nuremberg 1543]. 'Ad Lectorem' ( note to the reader): Lutheran clergyman, Andreas Osiander, assisted in proofreading and liaising with the printer. Not content with simply overseeing the work, Osiander seems to have added an anonymous preface to it, stating that "these hypotheses need not be true nor even probable". Sp Coll Hunterian Cz.1.13.
After the lecture on home responsibilities, Frankie and Bingo were a little ashamed of their neglect. It was easy for me to con them into helping me with a bit of work - proofreading an intro to music theory textbook for my sister-in-law.
Besides, I told them, it would be good for them to get a feel for what college might have to offer.
"Whew," Bingo said. I never knew beautiful music could be so complicated."
"I'm afraid most of it's over my head," Frankie told me in a small voice.
Mine, too, dear Frankie. Mine, too.
A neighborhood poster, clearly inspired by Ork, www.orkposters.com/
If anyone from Ork would like me to take this down, just let me know. I figured it would be okay since it's not a 'commercial' piece. It's really a tribute, which I plan to hang on my wall. If anyone sees any typo's, let me know, I probably should have proofread it. Also, it's not perfect and I missed some neighborhoods and some are too big/small/etc but I'm happy with it.
For more lagniappe, click on the album with that title below. (To access the “lagniappe” album on your iPhone, click on the information icon at the bottom of this screen; then, when your next screen appears, scroll down just a bit, and you'll see that "album.")
Polished Paper provides our clients with on-demand professional English language editing and proofreading services designed to meet all of your needs. So gain confidence in the quality of your written communication. Read more @ polishedpaper.com/node/564
February 6: I'm working today. Not with the greatest efficiency. I need to bring a pencil sharpener to my office so I can keep the tips of these pencils sharp. Dull tips are a drag. Especially when there's lots of corrections to be made . . .
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
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For a product that has "never existed", there is an extraordinary amount of residue to suggest that JIFFY PEANUT BUTTER was once a household staple.
While there are thousands of coupons and local grocers advertising JIFFY PEANUT BUTTER, in truth, if a client is paying for an advert, they'll print whatever is supplied in the space purchased. I endeavoured to include newspaper articles that would have had the support of a team of fact-checkers and proofreaders; after all, the reputation of any paper is built on the veracity of their information.
I also wondered if perhaps JIF was once called JIFFY before being purchased by larger conglomerates, but it seems to have been christened JIF from the very beginning:
"In 1958, the brand rollout in the US involved a heavily publicized house-to-house distribution of free sample jars from special trucks emblazoned with the then JIF mascot, the "JIFaroo", a blue kangaroo. An early slogan was "JIF is never dry; a touch of honey tells you why." Early advertising also emphasized the beveled edge of the jar base, meant to make it easier to get the last bit of JIF out of the corner. For many decades, TV commercials for the product have ended with the tagline, "Choosy mothers choose JIF" and, in the 1990s, "Choosy moms choose JIF." Since 1981, JIF has been the leading peanut butter brand in the United States."
there environmently friendly!
*yes, I'm aware that I'm making fun of school children now. But these children will grow up to own businesses in Windsor with names like "Futon's Now", or to rent billboards advertising events like "Bikini's and Martini's". Because Windsor people don't proofread before shit goes out in public.
This poster is otherwise totally awesome, though.
Double-take - WHAT does that say? Public info ad on the back of a bus in Torquay.
Either someone at Torbay Council has a wicked sense of humour, or they are illiterate blind lunatics.
Hi guys, I've posted a new blog post in my official website last July 25, 2013. I'm sharing my Japan Part I honeymoon trip. Photos I uploaded in the blog are not that many but still worth it to visit. The Part II is almost ready and proofreading is what's left before I can publish Japan Part II. :) Click here to view my post.
Sergei Alexandrovich Yesenin 1895 – 1925, sometimes spelled as Esenin, was a Russian lyric poet. He is one of the most popular and well-known Russian poets of the 20th century. One of his narratives was "lyrical evocations of and nostalgia for the village life of his childhood – no idyll, presented in all its rawness, with an implied curse on urbanisation and industrialisation".
Sergei Yesenin was born in the village of Konstantinovo in Ryazan County, Ryazan Governorate of the Russian Empire (now Rybnovsky District, Ryazan Oblast) into a peasant family. His father was Alexander Nikitich Yesenin (1873–1931), his mother was Tatyana Fyodorovna Yesenina, née Titova, (1875–1955).
Both his parents spent most of their time looking for work, his father in Moscow, his mother in Ryazan, so at age two Sergei was moved to the nearby village of Matovo to join Fyodor Alexeyevich Titov and Natalya Yevtikhiyevna Titova, his relatively well-off maternal grandparents, who essentially raised him.
The Titovs had three grown-up sons, who were Yesenin's companions in his early life. "My uncles taught me horse riding and swimming, one of them... even employed me as a hunting dog when he went duck hunting in local ponds," he later remembered. He started to read at age five, and at nine began to write poetry, inspired originally by chastushkas and folklore, provided mostly by his grandmother, whom he also remembered as a highly religious woman who used to take him to every single monastery she visited. He had two younger sisters, Yekaterina (1905–1977), and Alexandra (1911–1981).
In 1904 Yesenin joined the Konstantinovo zemstvo school, where in 1909 he graduated with an honorary certificate. He then went on to study in the local secondary parish school in Spas-Klepiki. From 1910 onwards he started to write poetry systematically; eight poems dated that year were later included in his 1925 Collected Works. In all, Yesenin wrote around thirty poems during his school years. He compiled them into what was supposed to be his first book, which he entitled "Volnye Dumy" (Free Thoughts) and tried to publish it in 1912 in Ryazan, but failed.
In 1912, with a teacher’s diploma, Yesenin moved to Moscow, where he supported himself working as a proofreader's assistant at Sytin's printing company. The following year he enrolled in Shanyavsky Moscow City People's University to study history and philology as an external student (вольнослушатель), but had to leave after eighteen months due to lack of funds. At the University he became friends with several aspiring poets, among them Dmitry Semyonovsky, Vasily Nasedkin, Nikolai Kolokolov and Ivan Filipchenko. Yesenin’s first marriage (which lasted three years) was in 1913 to Anna Izryadnova, a co-worker from the publishing house, with whom he had a son, Yuri.
1913 saw Yesenin becoming increasingly interested in Christianity, and biblical motives became frequent in his poems. "Grisha, what I am reading at the moment is the Gospel and I find a lot of things which for me are new," he wrote to his close childhood friend G. Panfilov. That was also the year when he became involved with Moscow revolutionary circles: for several months his flat was under secret police surveillance and in September 1913 it was raided and searched.
In January 1914 Yesenin's first published poem, "Beryoza" (The Birch Tree), appeared in the children's magazine Mirok (Small World). More appearances followed in minor magazines such as Protalinka and Mlechny Put. In December 1914 Yesenin left his job "and dedicated himself to poetry, writing continually," according to his wife. Around this time he became a member of the Surikov Literary and Music circle.
In 1915, exasperated with the lack of interest in Moscow, Yesenin moved to Petrograd. He arrived in Petrograd on 8 March and the next day met Alexander Blok at his home, to read him poetry. He was quickly acquainted with fellow poets Sergey Gorodetsky, Nikolai Klyuev and Andrei Bely, who were well known. Blok was especially helpful in promoting Yesenin's early literary career, describing him as "a gem of a peasant poet" and his verse as "fresh, pure and resounding", even if "wordy".
The same year he joined the Krasa (Beauty) group of peasant poets which included Klyuyev, Gorodetsky, Sergey Klychkov and Alexander Shiryayevets, among others. In his 1925 autobiography Yesenin said that Bely gave him the meaning of form while Blok and Klyuev taught him lyricism. It was Klyuyev who introduced Yesenin to the publisher Averyanov, who in early 1916 released his debut poetry collection Radunitsa which featured many of his early spiritual-themed verse. "I would have eagerly relinquished some of my religious poems, large and small, but they make sense as an illustration of a poet's progress towards the revolution," he would later write. Yesenin and Klyuyev maintained close and intimate, a friendship that lasted several years, and indeed it is likely they became lovers.
Later in 1915, Yesenin became a co-founder of the Krasa literary group and published numerous poems in the Petrograd magazines Russkaya Mysl, Ezhemesyachny Zhurnal, Novy Zhurnal Dlya Vsekh, Golos Zhizni and Niva. Among the authors he met later in the year were Maxim Gorky, Vladimir Mayakovsky, Nikolai Gumilyov and Anna Akhmatova; he also visited the painter Ilya Repin in his Penaty. Yesenin's rise to fame was meteoric; by the end of the year he became the star of St Petersburg's literary circles and salons. "The city took to him with the delight a gourmet reserves for strawberries in winter. A barrage of praise hit him, excessive and often insincere," Maxim Gorky wrote to Romain Rolland.
On 25 March 1916 Yesenin was drafted for military duty and in April joined a medical train based in Tsarskoye Selo under the command of Colonel D.N. Loman. On 22 July 1916, at a special concert attended by the Empress Alexandra Fyodorovna (the train's patron) and her daughters, Yesenin recited his poems "Rus" and "In Scarlet Fireglow". "The Empress told me my poems were beautiful, but sad. I replied that the same could be said about Russia as a whole," he recalled later. His relationship with Loman soon deteriorated. In October Yesenin declined the colonel's offer to write (with Klyuyev) and have published a book of pro-monarchist verses, and spent twenty days under arrest as a consequence.
In March 1917, Yesenin was sent to the Warrant Officers School but soon deserted Kerensky's army. In August 1917 (having divorced Izryadnova a year earlier) Yesenin married for a second time, to Zinaida Raikh (later an actress and the wife of Vsevolod Meyerhold). They had two children, a daughter Tatyana and a son Konstantin. The parents subsequently quarreled and lived separately for some time prior to their divorce in 1921. Tatyana became a writer and journalist and Konstantin Yesenin would become a well-known soccer statistician.
Yesenin supported the February Revolution. "If not for [it], I might have withered away on useless religious symbolism," he wrote later.[8] He greeted the rise of the Bolsheviks too. "In the Revolution I was all on the side of October, even if I perceived everything in my own peculiar way, from a peasant's standpoint," he remembered in his 1925 autobiography. Later he criticized the Bolshevik rule, in such poems as "The Stern October Has Deceived Me". "I feel very sad now, for we are going through such a period in [our] history when human individuality is being destroyed, and the approaching socialism is totally different from the one I was dreaming of," he wrote in an August 1920 letter to his friend Yevgeniya Livshits. "I never joined the RKP, being further to the left than them," he maintained in his 1922 autobiography.
Artistically, the revolutionary years were an exciting time for Yesenin. Among the important poems he wrote in 1917–1918 were "Prishestviye" (The Advent), "Preobrazheniye" (Transfiguration, which gave the title to the 1918 collection), and "Inoniya". In February 1918, after the Sovnarkom issued the "Socialist Homeland is in Danger!" decree-appeal, he joined the esers' military unit. He actively participated in the magazine Nash Put (Our Way), as well as the almanacs Skify (Скифы) and Krasny Zvon (in February his large poem "Marfa Posadnitsa" appeared in an issue of the latter). In September 1918 Yesenin co-founded (with Andrey Bely, Pyotr Oreshin, Lev Povitsky and Sergey Klychkov) the publishing house Трудовая Артель Художников Слова (the Labor Artel of the Artists of the Word) which reissued (in six books) all that he had written up until then.
In September 1918 Yesenin became friends with Anatoly Marienhof, with whom he founded the Russian literary movement of imaginism. Describing their group's general appeal, he wrote in 1922: "Prostitutes and bandits are our fans. With them, we are pals. Bolsheviks do not like us due to some kind of misunderstanding." In January 1919, Yesenin signed the Imaginists' Manifesto. In February he, Marienhof and Vadim Shershenevich, founded the Imaginists' publishing house. Before that, Yesenin became a member of the Moscow Union of Professional Writers and several months later was elected a member of the All-Russian Union of Poets. Two of his books, Kobyli Korabli (Кобыльи корабли, Mare's Ships) and Klyuchi Marii (Ключи Марии, The Keys of Mary) came out later that year.
In July–August 1920, Yesenin toured the Russian South, starting in Rostov-on-Don and ending in Tiflis (Tbilisi), Georgia. In November 1920, he met Galina Benislavskaya, his future secretary and close friend. Following an anonymous report, he and two of his Imaginist friends, brothers Alexander and Ruben Kusikovs, were arrested by the Cheka in October but released a week later on the solicitation of his friend Yakov Blumkin. In the course of that year, the publication of three of Yesenin's books were refused by publishing house Goslitizdat. His Triptych collection came out through the Skify Publishers in Berlin. Next year saw the collections Confession of a Hooligan (January) and Treryaditsa (February) published. The drama in verse Pugachov came out in December 1921, to much acclaim.
In May 1921, he visited a friend, the poet Alexander Shiryaevets, in Tashkent, giving poetry readings and making a short trip to Samarkand. In the autumn of 1921, while visiting the studio of painter Georgi Yakulov, Yesenin met the Paris-based American dancer Isadora Duncan, a woman 18 years his senior. She knew only a dozen words in Russian, and he spoke no foreign languages. Nevertheless, they married on 2 May 1922. Yesenin accompanied his celebrity wife on a tour of Europe and the United States. His marriage to Duncan was brief and in May 1923, he returned to Moscow.
In his 1922 autobiography, Yesenin wrote: "Russia's recent nomadic past does not appeal to me, and I am all for civilization. But I dislike America intensely. America is a stinking place where not just art is being murdered, but with it, all the loftiest aspirations of humankind. If it's America that we are looking up to, as [a model for our] future, then I'd rather stay under our greyish skies... We do not have those skyscrapers that have so far managed to produce nothing but Rockefeller and McCormick, but here Tolstoy, Dostoyevsky, Pushkin and Lermontov were born."
In 1923, Yesenin became romantically involved with the actress Augusta Miklashevskaya to whom he dedicated several poems, among them those of the Hooligan's Love cycle. In the same year, he had a son by the poet Nadezhda Volpina. Alexander Esenin-Volpin grew up to become a poet and a prominent activist in the Soviet dissident movement of the 1960s. From 1972 until his death in 2016 he lived in the United States as a famous mathematician and teacher.
As Yesenin's popularity grew, stories began to circulate about his heavy drinking and consequent public outbursts. This may have been caused by his a struggle to deal with his bisexuality In autumn 1923, he was arrested in Moscow twice and underwent a series of enquiries from the OGPU secret police. Other accusations against Yesenin and three of his close friends, fellow poets Sergey Klytchkov, Alexei Ganin and Pyotr Oreshin, were made by Lev Sosnovsky, a journalist and close Trotsky associate. The foursome retorted with an open letter in Pravda and, in December, were cleared by the Writers' Union comrades' court. It was later suggested, though, that Yesenin's departure to the Caucasus in the summer of 1924 might have been a direct result of harassment by the NKVD. Earlier that year fourteen writers and poets, including his friend Ganin, were arrested as alleged members of the (apparently fictitious) Order of Russian Fascists. They were tortured and executed in March without trial.
In January–April 1924 Yesenin was arrested and interrogated four times. In February he was admitted to the Sheremetev hospital, then moved into the Kremlin clinic in March. Nevertheless, he continued to make public recitals and released several books in the course of the year, including Moskva Kabatskaya. In August 1924 Yesenin and fellow poet Ivan Gruzinov published a letter in Pravda, announcing the end of the Imaginists.
In 1924-1925, Yesenin visited Azerbaijan, and stayed in the village of Mardakan, where he published a collection of poems in the "Krasny Vostok" printing house, and was also published in a local publishing house. According to one source it was here, in May 1925, that the poetic “Message to the Evangelist Demyan” was written. There is today a street and a museum house in memory of the poet in Mardakan, Azerbaijan.
In early 1925 Yesenin met and married Countess Sophia Andreyevna Tolstaya (1900–1957), a granddaughter of Leo Tolstoy. In May, what proved to be his final large poem, Anna Snegina, came out. During that year he compiled and edited The Works of Yesenin in three volumes which were published by Gosizdat posthumously.
Get your hands on a limited print before it's gone! , 24-25 of May only.
Also check out my interview questions...complete with punctuation and spelling mistakes!! Hurray for not proofreading.....
For a product that has "never existed", there is an extraordinary amount of residue to suggest that JIFFY PEANUT BUTTER was once a household staple.
While there are thousands of coupons and local grocers advertising JIFFY PEANUT BUTTER, in truth, if a client is paying for an advert, they'll print whatever is supplied in the space purchased. I endeavoured to include newspaper articles that would have had the support of a team of fact-checkers and proofreaders; after all, the reputation of any paper is built on the veracity of their information.
I also wondered if perhaps JIF was once called JIFFY before being purchased by larger conglomerates, but it seems to have been christened JIF from the very beginning:
"In 1958, the brand rollout in the US involved a heavily publicized house-to-house distribution of free sample jars from special trucks emblazoned with the then JIF mascot, the "JIFaroo", a blue kangaroo. An early slogan was "JIF is never dry; a touch of honey tells you why." Early advertising also emphasized the beveled edge of the jar base, meant to make it easier to get the last bit of JIF out of the corner. For many decades, TV commercials for the product have ended with the tagline, "Choosy mothers choose JIF" and, in the 1990s, "Choosy moms choose JIF." Since 1981, JIF has been the leading peanut butter brand in the United States."
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For a product that has "never existed", there is an extraordinary amount of residue to suggest that JIFFY PEANUT BUTTER was once a household staple.
While there are thousands of coupons and local grocers advertising JIFFY PEANUT BUTTER, in truth, if a client is paying for an advert, they'll print whatever is supplied in the space purchased. I endeavoured to include newspaper articles that would have had the support of a team of fact-checkers and proofreaders; after all, the reputation of any paper is built on the veracity of their information.
I also wondered if perhaps JIF was once called JIFFY before being purchased by larger conglomerates, but it seems to have been christened JIF from the very beginning:
"In 1958, the brand rollout in the US involved a heavily publicized house-to-house distribution of free sample jars from special trucks emblazoned with the then JIF mascot, the "JIFaroo", a blue kangaroo. An early slogan was "JIF is never dry; a touch of honey tells you why." Early advertising also emphasized the beveled edge of the jar base, meant to make it easier to get the last bit of JIF out of the corner. For many decades, TV commercials for the product have ended with the tagline, "Choosy mothers choose JIF" and, in the 1990s, "Choosy moms choose JIF." Since 1981, JIF has been the leading peanut butter brand in the United States."
If yes, then you need to step up, become responsible and admit yourself into an inpatient drug rehab for meth addiction treatment. Log on thehillscenter.com/
I was given a bottle of champagne at work today, for flagging up a mistake in the leader before it went to press.
Go me.
when i sit down at a restaruant or anywhere really, the first thing i do is proofread whatever printed materials are around. yeah, dorky, i know. i sat down at this restaurant the other day and discovered that i'm not the only one who does this - that in fact some people actually mark up the printed pieces using proofreading marks. wow. i wish i could meet whoever did this...