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Proofreading and Academic Proofreading Services is a simple process for learning the most frequent errors in writing. For More Information Visit :-
The Complete Kitchen Cabinetmaker
Author: Robert W. Lang
Editor: John Kelsey
Copyeditor: Kate Garrenson (YawningDog)
by MSHS Creative Writing Class
We worked on writing extended metaphors in creative writing this week. This is the one we created as a class, and it took half the class period. We started off by brainstorming everything we could think of about bread dough, and as much as they "waste" time brainstorming, they found themselves referring to it constantly while we wrote this poem, which took about 30 minutes to construct together.
In the end the students were quite proud of their work, and the process drove home the point that writing process is important and sometimes it takes time to write even short poems.
(I took the picture so we could proofread and publish this later. The bare walls of our classroom could use some inspiring words.)
The bindery, printing, everything is better than I hoped. Now I just need to proofread it again and look for formatting errors.
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Label: Light In The Attic – LITA 191-1 Black Vinyl
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 19 Nov 2021
Genre: Rock, Funk / Soul, Folk, World, & Country
Style: Bayou Funk, Country Rock
Tracklist
A1 Thinking of the Day
Written-By – Leo Nocentelli
A2 Riverfront
Written-By – Leo Nocentelli
A3 I Want To Cry
Written-By – Leo Nocentelli
A4 Pretty Mittie
Written-By – Leo Nocentelli
A5 Give Me Back My Loving
Written-By – Leo Nocentelli
B1 Getting Nowhere
Written-By – Leo Nocentelli
B2 Till I Get There
Written-By – Leo Nocentelli
B3 You've Become a Habit
Written-By – Leo Nocentelli
B4 Tell Me Why
Written-By – Leo Nocentelli
B5 Your Song
Written-By – Elton John And Bernie Taupin*
Companies, etc.
Phonographic Copyright (p) – Nocentelli Music LLC
Copyright (c) – Nocentelli Music LLC
Licensed To – Light In The Attic Records & Distribution, LLC
Published By – Nocentelli Music LLC
Published By – Universal Songs Of Polygram, Inc.
Pressed By – Record Technology Incorporated – 36111
Pressed By – Record Technology Incorporated – 36207
Recorded At – Jazz City Studios
Designed At – Phyx Design
Credits
Art Direction, Design – Masaki Koike
Bass – George Porter, Jr.
Drums – James Black, Zigaboo Modeliste
Executive-Producer – Josh Wright, Matt Sullivan
Interviewee – Leo Nocentelli
Keyboards – Allen Toussaint
Liner Notes – Sam Sweet
Mastered By – John Baldwin, Robert Carranza
Photography By – Michael P. Smith
Producer [For Release] – Leo Nocentelli, Mario Caldato Jr., Matt Sullivan, Mike Nishita, Pesuky Nocentelli
Project Manager [Project Assistance] – Ryan Wilson, Yosuke Kitazawa
Proofreader – Lydia Hyslop
Recorded By, Engineer – Cosimo Matassa
Vocals, Guitar, Producer – Leo Nocentelli
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
Name of Monument:
Parish Church of St. James
Also known as:
Župna crkva sv. Jakova
Location:
Prelog, North-West Croatia, Croatia
Contact Details
Parish Church of St. James
T : +385 40 645 106
Parish Office, Glavna 34, 40323 Prelog (Responsible Institution)
Date:
1758 (church); 1765–1767 (high altar)
Artists:
Sculptor: Veit Königer (1729–1792); cabinetmaker: Josip Herman (active c. 1750)
Denomination / Type of monument:
Religious, parish church, interior furnishing
Patron(s):
The church: the citizens of Prelog and the parish priest, Ivan Mihovil Smrekar; the high altar: Abbot Josip Gradičaj
History:
The parish priest, Ivan Mihovil Smrekar who was educated in Graz and in Vienna, commissioned the church in 1758. The citizens of Prelog paid for it with alms. In little over a decade (1765–1767) a monumental three-part high altar – a documented work of the sculptor, Veit Königer, and cabinetmaker, Josip Herman of Graz – furnished the altar financed by Abbot Josip Gradičaj. It is likely that the community were able to engage the outstandingly important sculptor, Königer, because of family connections in Croatia – his sister was married to the Varaždin sculptor, Josip (Josephus) Schranz – after whose death she married the sculptor Leopold Mayrhofer (active c. 1771).
Description:
The high altar, a monumental and typologically rare composition consisting of three altars architecturally connected, is a documented work by Styria's most important sculptor of the time, Veit Königer. His work betrays a clear and persistent element of Classicism, linked to his artistic training at the Vienna Academy, along with Rococo elements. The central altar is dedicated to the titular saint of the church, St. James, while the side altars are dedicated to St. Joseph and St. John Nepomuk. The central part of the Altar of St. James is accentuated by a pair of columns the width of which, on the mensa, a monumental tabernacle is placed adorned with a row of angels. Alongside the columns are imposing figures of the apostles St. Peter and St. Paul, the handling of which draws closely on the sculptures of the same saints on the Altar of St. Ignatius in Graz Cathedral. An imposing Holy Trinity in a sunburst halo crowns the altar. On the side altars, the placing of the ornamentation is more marked, aspiring to the picturesque. This outstanding sculptural achievement was an important stimulus for the leading Maribor sculptor, Joseph (Jožef) Holzinger (1735–1797), an inspiration seen in the disposition of his sculptures on the side altars of the church in Polenšak (Slovenia). A pulpit was installed in the church in Prelog before the altar (1760 is mentioned). According to stylistic analysis, the pulpit reliefs are likely to have been by Königer.
View Short Description
How Monument was dated:
Archival sources.
Special features
St. Peter
High Altar
1765–1767
Attributed to Veit Königer (1729–1792)
An elongated and elegant saintly figure with his head thrown back, it is a characteristic example of Königer’s sculptural idiom with its typical lyricism, suffusing the usually more robust figures of the two leading apostles with a pronounced spirituality.
Apotheosis of St. John of Nepomuk
Right altar
1765–1767
Attributed to Veit Königer (1729–1792)
Apotheosis of St. Joseph
Left altar
1765–1767
Attributed to Veit Königer (1729–1792)
Selected bibliography:
Horvat, A., (ed) “Barok u kontinentalnoj Hrvatskoj” in Barok u Hrvatskoj, Zagreb, 1982.
Vrišer, S., Jožef Holzinger, Maribor, 1997.
Baričević, D., Barokno kiparstvo sjeverne Hrvatske, Zagreb, 2008.
Citation of this web page:
Vlasta Zajec "Parish Church of St. James" in "Discover Baroque Art", Museum With No Frontiers, 2024. baroqueart.museumwnf.org/database_item.php?id=monument;BA...
Prepared by: Vlasta Zajec
Vlasta Zajec
SURNAME: Zajec
NAME: Vlasta
AFFILIATION: Institute of Art History, Zagreb
TITLE: PhD, Scientific Consultant
CV:
Vlasta Zajec was awarded her BA in Art History and Comparative Literature from Zagreb University (Faculty of Philosophy) in 1989. In the same year she began work at the Institute of Art History. She was awarded her MA in 1995 (17th-Century Wooden Altars in Istria), and her PhD in 2001 (17th Century Wooden Sculpture in Istria). She has spent brief periods of study in Italy (Udine, Venice and Trieste) and Germany (Munich). Her areas of research are wooden and marble altars and 17th- and 18th-century sculpture in Istria and North Croatia.
Translation by: Graham McMaster
Translation copyedited by: Mandi Gomez
Mandi Gomez
Amanda Gomez is a freelance copy-editor and proofreader working in London. She studied Art History and Literature at Essex University (1986–89) and received her MA (Area Studies Africa: Art, Literature, African Thought) from SOAS in 1990. She worked as an editorial assistant for the independent publisher Bellew Publishing (1991–94) and studied at Bookhouse and the London College of Printing on day release. She was publications officer at the Museum of London until 2000 and then took a role at Art Books International, where she worked on projects for independent publishers and arts institutions that included MWNF’s English-language editions of the books series Islamic Art in the Mediterranean. She was part of the editorial team for further MWNF iterations: Discover Islamic Art in the Mediterranean Virtual Museum and the illustrated volume Discover Islamic Art in the Mediterranean.
True to its ethos of connecting people through the arts, MWNF has provided Amanda with valuable opportunities for discovery and learning, increased her editorial experience, and connected her with publishers and institutions all over the world. More recently, the projects she has worked on include MWNF’s Sharing History Virtual Museum and Exhibition series, Vitra Design Museum’s Victor Papanek and Objects of Desire, and Haus der Kulturen der Welt’s online publication 2 or 3 Tigers and its volume Race, Nation, Class.
MWNF Working Number: HR 46
Source: [baroqueart.museumwnf.org/database_item.php?id=monument;BA...]
20080614 S 1330 VarPrelo Prelog 9514 PhotosCROPrelog_01 Crkva sv. Jakoba
Baby Katherine
[I’m Just A Jewish Grandmother]
+ [Superwings s4 Compilation] Jett | Super Wings Full Episodes: www.youtube.com/watch?v=9Iq_o9abUBc
+ Jett: super-wings.fandom.com/wiki/Jett
+ Crystal (Super Wings): crossovers-and-fan-episodes.fandom.com/wiki/Crystal_(Super_Wings)
[Clinical Rotations]
Jamie Choi (ISFJ Korean American): bye Justin.
Justin (ENTJ Cantonese American): bye Jamie. see you later at the Korean Dental Students Meeting. look Kim, you’re being very whiny and complainy right now. please cheer up and help me out. We need to get all this work done and need to finish our competencies. It’s already been a long ass day and i can’t deal with your attitude and frowny face right now.
Kim (Chinese American): FINE! is this a large enough smile for you!?
Justin: yea yea. fine. my next patients here, she’s super sweet and a good one. i want to introduce you, because eventually i’d like to hand her over to you, for you to care for her. patients are being thrown to me left and right, and i want to make sure she goes to a gentle care provider. she’s been very good to me, all these years and i have to take all these new patients. i don’t want her going to just any dental provider. i have a good feeling, the both of you will get along well.
Kim: sweet. i have all our instruments and your special goggles.
Justin: did you finish up the progress notes?
Kim: [nods] yea, i did. i proofread what i could.
INTJ/ISFJ/INFJ Jewish Bubbie: JUSTIN! My favorite doctor is here. how are you my son?
Justin: Hi Bubbie! i’m so glad you made it! how was the travel?
INTJ/ISFJ/INFJ Jewish Bubbie: it was good, it was good.
Justin: this is my dental hygienist, Kim. she’ll be helping me today. remember we spoke about the change in patients and care providers. Kim is very nice and gentle, but i’ll let you see for yourself. if you enjoy her care, she’s all yours.
Kim: Hi! [big smiles and nods] it’s so nice to meet you! Justin says you’re one of his favorite patients.
INTJ/ISFJ/INFJ Jewish Bubbie: Hi Kim! is it Kim or Kimberly? so nice to meet you. I love Dr. Chan. He is just the sweetest and is so good to me.
Kim: you can call me Kim or Kimberly.
Justin: are there any changes in your health records?
INTJ/ISFJ/INFJ Jewish Bubbie: no, it’s all the same since the last time i saw you. [looks into Kim’s eyes] so Justin? you seeing any cute girls? [looks at Kim]
Justin: hahaha [looks down] no, not right now. how does this feel? is it pushing against your cheek? does it feel rough or smooth?
INTJ/ISFJ/INFJ Jewish Bubbie: it’s ok, it’s snug. feels a little rough around the edges. just a little.
Justin: ok, i’ll be right back.
INTJ/ISFJ/INFJ Jewish Bubbie: so Kim, come over here, a little closer my dear [whispers]. you know Justin’s a doctor. do you have a boyfriend? he’s so sweet and smart. he’s humble about it. very good catch.
Kim: [nods and laughs] right. he’s a very good, very good dentist.
INTJ/ISFJ/INFJ Jewish Bubbie: i really think the both of you would be a good match. i’ll do my best to put in a good word for you. if he’ll listen to an old lady. you really should try to be more than just his help.
Kim: you’re so sweet. thank you.
Justin: ok, let’s see how this feels. open nice and wide for me please.
INTJ/ISFJ/INFJ Jewish Bubbie: oh good. this feels better. the corner is not so sharp anymore.
Justin: great.
INTJ/ISFJ/INFJ Jewish Bubbie: you know. Kim is just the sweetest. she is such a wonderful helper, don’t you think Justin? how cute are the both of you, you really do make a good team.
Justin: i knew the two of you would get along well. i’m glad you feel comfortable with Kim, i know my last assistant was a bit rough.
INTJ/ISFJ/INFJ Jewish Bubbie: she’s cute, don’t you think sweetheart? she’s gentle and smart. don’t work too hard Justin, a little fun is good for your heart.
Justin: [nods] i know.
Emma Ma (ISFJ) (Haitian American): JUSTIN’S GAY! HE’S GAY! HAHA [lightly pushes Justin’s shoulders]. KIMmmm! donnnnnnn’tttttt touchh my asssss. KIMMMM! I JUST SAID DON’T SLAP MY ASS. OH MY GOD!
Minji Nah (ISFJ) (Korean American): i told you to be careful when getting too close to her. at any time, she’ll grab your boob or smack your butt.
+ Edward Maya- Stereo Love (Remastered Version) (hey, when you get a chance, could you maybe stop talking so much and help me out.) (I TOLD YOU WHEN YOU START YELLING AT ME, I CAN’T THINK AND FREEZE. THEN IT TAKES ME LONGER TO FINISH MY PATIENT. NO, I HAVEN’T FINISHED THE PROGRESS NOTES! STOP SCREAMING AT ME, I GET SCARED. IF I WANT TO STAND HERE AND TALK TO MY GIRLFRIENDS ABOUT LIFE, I CAN. YOU’RE NOT THE BOSS OF ME. I DON’T CARE IF THE PATIENTS WAITING FOR ME, LET THEM WAIT. ONE HOUR ISN’T ENOUGH TIME TO COMPLETE A PATIENT. WHO MADE THESE STUPID RULES ANYWAYS? WHY ARE YOU DENTISTS SO MEAN, RUDE, AND DEMANDING. YOU’RE YELLING AT ME JUST LIKE MY FATHER DOES AND I DON’T APPRECIATE THAT. LIFE IS SHORT, I’M GOING TO TAKE MY SWEET TIME. KIM, IF YOU WANT TO ACT LIKE A LITTLE GIRL FOR THE REST OF YOUR LIFE, THEN WHATEVER. YOU ARE A GROWN WOMAN AND NEED TO LOOSEN UP. YOU AND YOUR DENTIST FRIEND ARE WAY TOO RESPONSIBLE/PREPARED AND I REALLY THINK THE BOTH OF YOU NEED TO HAVE MORE FUN. NO ONE HERE SAID YOU WERE FAT, WHOEVER SAID THAT IS AN IDIOT. KIM, YOUR BOOBS LOOK SAGGY. MAYBE WEAR A TIGHTER BRA AND CHANGE YOUR OUTFIT. WE’RE GOING OUT! I HAVE FREE PASSES TO A NICE CLUB. BRING YOUR KOREAN DOCTOR BOY TOY. FOOD AND DRINKS ARE ON MY DR. DADDY; WHO WORKS 24/7, NEVER SPEAKS TO ME, AND DOES NOTHING BUT LECTURE ME. I SWEAR TO GOD IF HE TALKS ABOUT WANTING A SON ONE MORE TIME, I’M GOING TO KILL MYSELF. HE HAS 5 DENTAL OFFICES AND A SHIT LOAD OF PROPERTIES. I DON’T EVEN KNOW WHY THE FUCK I’M IN THIS PROGRAM. IT’S NOT LIKE I NEED A JOB OR THE MONEY, I ALREADY HAVE EVERYTHING. I NEED TO GO TO SEPHORA. I NEED A FUCKING DRINK. I DIDN’T HAVE ENOUGH TIME TO STUDY, CAN I CHEAT OFF YOUR PAPER? [nods]): www.youtube.com/watch?v=bfl76Sr-Rsk&list=RDcYFAeI2OAa...
+ Private Rooms in New York City, NY: www.tagvenue.com/us/hire/bars-with-private-rooms/new-york...
+ Velvet Room at Velvet Brooklyn (no pictures): www.tagvenue.com/us/rooms/new-york/28251/velvet-brooklyn/...
+ Josh Vietti - In Da Club (50 Cent) - Violin Cover: www.youtube.com/watch?v=DHuVNtpd4pE&list=RDAizdn08v_8...
+ Insomniac Energy - Original Song By Josh Vietti: www.youtube.com/watch?v=Aizdn08v_8I&list=RDAizdn08v_8...
+ Joel Sunny- Give Me Everything (Violin): www.youtube.com/watch?v=Wv-Yqk70Sxc&list=RDcYFAeI2OAa...
+ Indila - Love Story (Official Music Video): www.youtube.com/watch?v=DF3XjEhJ40Y&list=RDcYFAeI2OAa...
+ Joel Sunny- Love Story (Violin): www.youtube.com/watch?v=Dy3yooqBe-E&list=RDcYFAeI2OAa...
[Essa Bagel]
Kim: it’s so nice seeing you again! [hugs kisses]
Bubbie: hi sweetheart. how are things going with my Chinese son? so my dear…
+ Jewish Grandma's 19 Brilliant Pieces of Advice (INFJ): www.youtube.com/watch?v=Vjmelj3GQxg
+ Jewish Grandma's 13 Wise Lessons on Money and Life (INFJ): www.youtube.com/watch?v=vzrFk9RnkE0
Justin: why are you applying for Dental School? I thought you said you were done after this.
Kim: i kinda have to. My mom…
Justin: [rolls eyes] i think you’re good now. you’ve already worked so hard in this program. don’t you think it’s a good idea to settle down and start a family?
Kim: i don’t think i’m ready for all that right now. My whole family wants me to shoot for Dental. do you like Virginia?
Justin: my hearts in California, but i think i’ll be going to Seattle, Washington. i may want to work with that other Filipino Dental student (ENTJ), once he graduates.
Kim: yea, i want to apply for dental and then move back to VA.
Justin: fine, ok. whatever. if you’re really set on this goal, i’ll help you…
+ barefoot contessa (Ina Garten) (INTP Dad and INFJ Mom): barefootcontessa.com
+ Acre Homestead (ENTJ Dad and INFJ Mom): www.youtube.com/@AcreHomestead/videos
+ Unstoppable - Sia (Piano & Cello Cover) The Piano Guys: www.youtube.com/watch?v=yxMXGpzgbmg&list=RDAizdn08v_8...
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
Betty White : The TV star, who passed on Friday at age 99, shared a picture of the VIP week after week's accolade for her previous this week.
Individuals Magazine's Premature Cover Toasts Betty White's 100th Birthday
For a really long time, editors at People magazine had been focusing in on Betty White for a finish of-year cover article. Her 100th birthday celebration was coming up on Jan. 17, and perusers consistently appeared to warm to her humble, somewhat mischievous perceptions. As the toast of online media as of late, Ms. White spoke to old and youthful.
By mid-December, Liz McNeil, a 29-year-veteran of the magazine, and another associate, Dory Jackson, were working together on the piece, with Ms. White reacting to questions by means of email, as per Wendy Naugle, People's agent proofreader. On Dec. 23, editors shut the issue. It hit magazine kiosks on Wednesday and started showing up in endorser post boxes on Friday.
Close to a polished photo of Ms. White, her eyes glimmering, the People trumpets sounded: "Betty White Turns 100!"
Ms. White kicked the bucket on Friday morning. She was 99.
As recognitions washed across Twitter, with fans observing Ms. White's comedic exhibitions on "The Golden Girls" and "The Mary Tyler Moore Show," People likewise started to drift. A few fans faulted the magazine for cursing Ms. White.
Baby Katherine
[I’m Just A Jewish Grandmother]
+ [Superwings s4 Compilation] Jett | Super Wings Full Episodes: www.youtube.com/watch?v=9Iq_o9abUBc
+ Jett: super-wings.fandom.com/wiki/Jett
+ Crystal (Super Wings): crossovers-and-fan-episodes.fandom.com/wiki/Crystal_(Super_Wings)
[Clinical Rotations]
Jamie Choi (ISFJ Korean American): bye Justin.
Justin (ENTJ Cantonese American): bye Jamie. see you later at the Korean Dental Students Meeting. look Kim, you’re being very whiny and complainy right now. please cheer up and help me out. We need to get all this work done and need to finish our competencies. It’s already been a long ass day and i can’t deal with your attitude and frowny face right now.
Kim (Chinese American): FINE! is this a large enough smile for you!?
Justin: yea yea. fine. my next patients here, she’s super sweet and a good one. i want to introduce you, because eventually i’d like to hand her over to you, for you to care for her. patients are being thrown to me left and right, and i want to make sure she goes to a gentle care provider. she’s been very good to me, all these years and i have to take all these new patients. i don’t want her going to just any dental provider. i have a good feeling, the both of you will get along well.
Kim: sweet. i have all our instruments and your special goggles.
Justin: did you finish up the progress notes?
Kim: [nods] yea, i did. i proofread what i could.
INTJ/ISFJ/INFJ Jewish Bubbie: JUSTIN! My favorite doctor is here. how are you my son?
Justin: Hi Bubbie! i’m so glad you made it! how was the travel?
INTJ/ISFJ/INFJ Jewish Bubbie: it was good, it was good.
Justin: this is my dental hygienist, Kim. she’ll be helping me today. remember we spoke about the change in patients and care providers. Kim is very nice and gentle, but i’ll let you see for yourself. if you enjoy her care, she’s all yours.
Kim: Hi! [big smiles and nods] it’s so nice to meet you! Justin says you’re one of his favorite patients.
INTJ/ISFJ/INFJ Jewish Bubbie: Hi Kim! is it Kim or Kimberly? so nice to meet you. I love Dr. Chan. He is just the sweetest and is so good to me.
Kim: you can call me Kim or Kimberly.
Justin: are there any changes in your health records?
INTJ/ISFJ/INFJ Jewish Bubbie: no, it’s all the same since the last time i saw you. [looks into Kim’s eyes] so Justin? you seeing any cute girls? [looks at Kim]
Justin: hahaha [looks down] no, not right now. how does this feel? is it pushing against your cheek? does it feel rough or smooth?
INTJ/ISFJ/INFJ Jewish Bubbie: it’s ok, it’s snug. feels a little rough around the edges. just a little.
Justin: ok, i’ll be right back.
INTJ/ISFJ/INFJ Jewish Bubbie: so Kim, come over here, a little closer my dear [whispers]. you know Justin’s a doctor. do you have a boyfriend? he’s so sweet and smart. he’s humble about it. very good catch.
Kim: [nods and laughs] right. he’s a very good, very good dentist.
INTJ/ISFJ/INFJ Jewish Bubbie: i really think the both of you would be a good match. i’ll do my best to put in a good word for you. if he’ll listen to an old lady. you really should try to be more than just his help.
Kim: you’re so sweet. thank you.
Justin: ok, let’s see how this feels. open nice and wide for me please.
INTJ/ISFJ/INFJ Jewish Bubbie: oh good. this feels better. the corner is not so sharp anymore.
Justin: great.
INTJ/ISFJ/INFJ Jewish Bubbie: you know. Kim is just the sweetest. she is such a wonderful helper, don’t you think Justin? how cute are the both of you, you really do make a good team.
Justin: i knew the two of you would get along well. i’m glad you feel comfortable with Kim, i know my last assistant was a bit rough.
INTJ/ISFJ/INFJ Jewish Bubbie: she’s cute, don’t you think sweetheart? she’s gentle and smart. don’t work too hard Justin, a little fun is good for your heart.
Justin: [nods] i know.
Emma Ma (ISFJ) (Haitian American): JUSTIN’S GAY! HE’S GAY! HAHA [lightly pushes Justin’s shoulders]. KIMmmm! donnnnnnn’tttttt touchh my asssss. KIMMMM! I JUST SAID DON’T SLAP MY ASS. OH MY GOD!
Minji Nah (ISFJ) (Korean American): i told you to be careful when getting too close to her. at any time, she’ll grab your boob or smack your butt.
+ Edward Maya- Stereo Love (Remastered Version) (hey, when you get a chance, could you maybe stop talking so much and help me out.) (I TOLD YOU WHEN YOU START YELLING AT ME, I CAN’T THINK AND FREEZE. THEN IT TAKES ME LONGER TO FINISH MY PATIENT. NO, I HAVEN’T FINISHED THE PROGRESS NOTES! STOP SCREAMING AT ME, I GET SCARED. IF I WANT TO STAND HERE AND TALK TO MY GIRLFRIENDS ABOUT LIFE, I CAN. YOU’RE NOT THE BOSS OF ME. I DON’T CARE IF THE PATIENTS WAITING FOR ME, LET THEM WAIT. ONE HOUR ISN’T ENOUGH TIME TO COMPLETE A PATIENT. WHO MADE THESE STUPID RULES ANYWAYS? WHY ARE YOU DENTISTS SO MEAN, RUDE, AND DEMANDING. YOU’RE YELLING AT ME JUST LIKE MY FATHER DOES AND I DON’T APPRECIATE THAT. LIFE IS SHORT, I’M GOING TO TAKE MY SWEET TIME. KIM, IF YOU WANT TO ACT LIKE A LITTLE GIRL FOR THE REST OF YOUR LIFE, THEN WHATEVER. YOU ARE A GROWN WOMAN AND NEED TO LOOSEN UP. YOU AND YOUR DENTIST FRIEND ARE WAY TOO RESPONSIBLE/PREPARED AND I REALLY THINK THE BOTH OF YOU NEED TO HAVE MORE FUN. NO ONE HERE SAID YOU WERE FAT, WHOEVER SAID THAT IS AN IDIOT. KIM, YOUR BOOBS LOOK SAGGY. MAYBE WEAR A TIGHTER BRA AND CHANGE YOUR OUTFIT. WE’RE GOING OUT! I HAVE FREE PASSES TO A NICE CLUB. BRING YOUR KOREAN DOCTOR BOY TOY. FOOD AND DRINKS ARE ON MY DR. DADDY; WHO WORKS 24/7, NEVER SPEAKS TO ME, AND DOES NOTHING BUT LECTURE ME. I SWEAR TO GOD IF HE TALKS ABOUT WANTING A SON ONE MORE TIME, I’M GOING TO KILL MYSELF. HE HAS 5 DENTAL OFFICES AND A SHIT LOAD OF PROPERTIES. I DON’T EVEN KNOW WHY THE FUCK I’M IN THIS PROGRAM. IT’S NOT LIKE I NEED A JOB OR THE MONEY, I ALREADY HAVE EVERYTHING. I NEED TO GO TO SEPHORA. I NEED A FUCKING DRINK. I DIDN’T HAVE ENOUGH TIME TO STUDY, CAN I CHEAT OFF YOUR PAPER? [nods]): www.youtube.com/watch?v=bfl76Sr-Rsk&list=RDcYFAeI2OAa...
+ Private Rooms in New York City, NY: www.tagvenue.com/us/hire/bars-with-private-rooms/new-york...
+ Velvet Room at Velvet Brooklyn (no pictures): www.tagvenue.com/us/rooms/new-york/28251/velvet-brooklyn/...
+ Josh Vietti - In Da Club (50 Cent) - Violin Cover: www.youtube.com/watch?v=DHuVNtpd4pE&list=RDAizdn08v_8...
+ Insomniac Energy - Original Song By Josh Vietti: www.youtube.com/watch?v=Aizdn08v_8I&list=RDAizdn08v_8...
+ Joel Sunny- Give Me Everything (Violin): www.youtube.com/watch?v=Wv-Yqk70Sxc&list=RDcYFAeI2OAa...
+ Indila - Love Story (Official Music Video): www.youtube.com/watch?v=DF3XjEhJ40Y&list=RDcYFAeI2OAa...
+ Joel Sunny- Love Story (Violin): www.youtube.com/watch?v=Dy3yooqBe-E&list=RDcYFAeI2OAa...
[Essa Bagel]
Kim: it’s so nice seeing you again! [hugs kisses]
Bubbie: hi sweetheart. how are things going with my Chinese son? so my dear…
+ Jewish Grandma's 19 Brilliant Pieces of Advice (INFJ): www.youtube.com/watch?v=Vjmelj3GQxg
+ Jewish Grandma's 13 Wise Lessons on Money and Life (INFJ): www.youtube.com/watch?v=vzrFk9RnkE0
Justin: why are you applying for Dental School? I thought you said you were done after this.
Kim: i kinda have to. My mom…
Justin: [rolls eyes] i think you’re good now. you’ve already worked so hard in this program. don’t you think it’s a good idea to settle down and start a family?
Kim: i don’t think i’m ready for all that right now. My whole family wants me to shoot for Dental. do you like Virginia?
Justin: my hearts in California, but i think i’ll be going to Seattle, Washington. i may want to work with that other Filipino Dental student (ENTJ), once he graduates.
Kim: yea, i want to apply for dental and then move back to VA.
Justin: fine, ok. whatever. if you’re really set on this goal, i’ll help you…
+ barefoot contessa (Ina Garten) (INTP Dad and INFJ Mom): barefootcontessa.com
+ Acre Homestead (ENTJ Dad and INFJ Mom): www.youtube.com/@AcreHomestead/videos
+ Unstoppable - Sia (Piano & Cello Cover) The Piano Guys: www.youtube.com/watch?v=yxMXGpzgbmg&list=RDAizdn08v_8...
Baby Katherine
[I’m Just A Jewish Grandmother]
+ [Superwings s4 Compilation] Jett | Super Wings Full Episodes: www.youtube.com/watch?v=9Iq_o9abUBc
+ Jett: super-wings.fandom.com/wiki/Jett
+ Crystal (Super Wings): crossovers-and-fan-episodes.fandom.com/wiki/Crystal_(Super_Wings)
[Clinical Rotations]
Jamie Choi (ISFJ Korean American): bye Justin.
Justin (ENTJ Cantonese American): bye Jamie. see you later at the Korean Dental Students Meeting. look Kim, you’re being very whiny and complainy right now. please cheer up and help me out. We need to get all this work done and need to finish our competencies. It’s already been a long ass day and i can’t deal with your attitude and frowny face right now.
Kim (Chinese American): FINE! is this a large enough smile for you!?
Justin: yea yea. fine. my next patients here, she’s super sweet and a good one. i want to introduce you, because eventually i’d like to hand her over to you, for you to care for her. patients are being thrown to me left and right, and i want to make sure she goes to a gentle care provider. she’s been very good to me, all these years and i have to take all these new patients. i don’t want her going to just any dental provider. i have a good feeling, the both of you will get along well.
Kim: sweet. i have all our instruments and your special goggles.
Justin: did you finish up the progress notes?
Kim: [nods] yea, i did. i proofread what i could.
INTJ/ISFJ/INFJ Jewish Bubbie: JUSTIN! My favorite doctor is here. how are you my son?
Justin: Hi Bubbie! i’m so glad you made it! how was the travel?
INTJ/ISFJ/INFJ Jewish Bubbie: it was good, it was good.
Justin: this is my dental hygienist, Kim. she’ll be helping me today. remember we spoke about the change in patients and care providers. Kim is very nice and gentle, but i’ll let you see for yourself. if you enjoy her care, she’s all yours.
Kim: Hi! [big smiles and nods] it’s so nice to meet you! Justin says you’re one of his favorite patients.
INTJ/ISFJ/INFJ Jewish Bubbie: Hi Kim! is it Kim or Kimberly? so nice to meet you. I love Dr. Chan. He is just the sweetest and is so good to me.
Kim: you can call me Kim or Kimberly.
Justin: are there any changes in your health records?
INTJ/ISFJ/INFJ Jewish Bubbie: no, it’s all the same since the last time i saw you. [looks into Kim’s eyes] so Justin? you seeing any cute girls? [looks at Kim]
Justin: hahaha [looks down] no, not right now. how does this feel? is it pushing against your cheek? does it feel rough or smooth?
INTJ/ISFJ/INFJ Jewish Bubbie: it’s ok, it’s snug. feels a little rough around the edges. just a little.
Justin: ok, i’ll be right back.
INTJ/ISFJ/INFJ Jewish Bubbie: so Kim, come over here, a little closer my dear [whispers]. you know Justin’s a doctor. do you have a boyfriend? he’s so sweet and smart. he’s humble about it. very good catch.
Kim: [nods and laughs] right. he’s a very good, very good dentist.
INTJ/ISFJ/INFJ Jewish Bubbie: i really think the both of you would be a good match. i’ll do my best to put in a good word for you. if he’ll listen to an old lady. you really should try to be more than just his help.
Kim: you’re so sweet. thank you.
Justin: ok, let’s see how this feels. open nice and wide for me please.
INTJ/ISFJ/INFJ Jewish Bubbie: oh good. this feels better. the corner is not so sharp anymore.
Justin: great.
INTJ/ISFJ/INFJ Jewish Bubbie: you know. Kim is just the sweetest. she is such a wonderful helper, don’t you think Justin? how cute are the both of you, you really do make a good team.
Justin: i knew the two of you would get along well. i’m glad you feel comfortable with Kim, i know my last assistant was a bit rough.
INTJ/ISFJ/INFJ Jewish Bubbie: she’s cute, don’t you think sweetheart? she’s gentle and smart. don’t work too hard Justin, a little fun is good for your heart.
Justin: [nods] i know.
Emma Ma (ISFJ) (Haitian American): JUSTIN’S GAY! HE’S GAY! HAHA [lightly pushes Justin’s shoulders]. KIMmmm! donnnnnnn’tttttt touchh my asssss. KIMMMM! I JUST SAID DON’T SLAP MY ASS. OH MY GOD!
Minji Nah (ISFJ) (Korean American): i told you to be careful when getting too close to her. at any time, she’ll grab your boob or smack your butt.
+ Edward Maya- Stereo Love (Remastered Version) (hey, when you get a chance, could you maybe stop talking so much and help me out.) (I TOLD YOU WHEN YOU START YELLING AT ME, I CAN’T THINK AND FREEZE. THEN IT TAKES ME LONGER TO FINISH MY PATIENT. NO, I HAVEN’T FINISHED THE PROGRESS NOTES! STOP SCREAMING AT ME, I GET SCARED. IF I WANT TO STAND HERE AND TALK TO MY GIRLFRIENDS ABOUT LIFE, I CAN. YOU’RE NOT THE BOSS OF ME. I DON’T CARE IF THE PATIENTS WAITING FOR ME, LET THEM WAIT. ONE HOUR ISN’T ENOUGH TIME TO COMPLETE A PATIENT. WHO MADE THESE STUPID RULES ANYWAYS? WHY ARE YOU DENTISTS SO MEAN, RUDE, AND DEMANDING. YOU’RE YELLING AT ME JUST LIKE MY FATHER DOES AND I DON’T APPRECIATE THAT. LIFE IS SHORT, I’M GOING TO TAKE MY SWEET TIME. KIM, IF YOU WANT TO ACT LIKE A LITTLE GIRL FOR THE REST OF YOUR LIFE, THEN WHATEVER. YOU ARE A GROWN WOMAN AND NEED TO LOOSEN UP. YOU AND YOUR DENTIST FRIEND ARE WAY TOO RESPONSIBLE/PREPARED AND I REALLY THINK THE BOTH OF YOU NEED TO HAVE MORE FUN. NO ONE HERE SAID YOU WERE FAT, WHOEVER SAID THAT IS AN IDIOT. KIM, YOUR BOOBS LOOK SAGGY. MAYBE WEAR A TIGHTER BRA AND CHANGE YOUR OUTFIT. WE’RE GOING OUT! I HAVE FREE PASSES TO A NICE CLUB. BRING YOUR KOREAN DOCTOR BOY TOY. FOOD AND DRINKS ARE ON MY DR. DADDY; WHO WORKS 24/7, NEVER SPEAKS TO ME, AND DOES NOTHING BUT LECTURE ME. I SWEAR TO GOD IF HE TALKS ABOUT WANTING A SON ONE MORE TIME, I’M GOING TO KILL MYSELF. HE HAS 5 DENTAL OFFICES AND A SHIT LOAD OF PROPERTIES. I DON’T EVEN KNOW WHY THE FUCK I’M IN THIS PROGRAM. IT’S NOT LIKE I NEED A JOB OR THE MONEY, I ALREADY HAVE EVERYTHING. I NEED TO GO TO SEPHORA. I NEED A FUCKING DRINK. I DIDN’T HAVE ENOUGH TIME TO STUDY, CAN I CHEAT OFF YOUR PAPER? [nods]): www.youtube.com/watch?v=bfl76Sr-Rsk&list=RDcYFAeI2OAa...
+ Private Rooms in New York City, NY: www.tagvenue.com/us/hire/bars-with-private-rooms/new-york...
+ Velvet Room at Velvet Brooklyn (no pictures): www.tagvenue.com/us/rooms/new-york/28251/velvet-brooklyn/...
+ Josh Vietti - In Da Club (50 Cent) - Violin Cover: www.youtube.com/watch?v=DHuVNtpd4pE&list=RDAizdn08v_8...
+ Insomniac Energy - Original Song By Josh Vietti: www.youtube.com/watch?v=Aizdn08v_8I&list=RDAizdn08v_8...
+ Joel Sunny- Give Me Everything (Violin): www.youtube.com/watch?v=Wv-Yqk70Sxc&list=RDcYFAeI2OAa...
+ Indila - Love Story (Official Music Video): www.youtube.com/watch?v=DF3XjEhJ40Y&list=RDcYFAeI2OAa...
+ Joel Sunny- Love Story (Violin): www.youtube.com/watch?v=Dy3yooqBe-E&list=RDcYFAeI2OAa...
[Essa Bagel]
Kim: it’s so nice seeing you again! [hugs kisses]
Bubbie: hi sweetheart. how are things going with my Chinese son? so my dear…
+ Jewish Grandma's 19 Brilliant Pieces of Advice (INFJ): www.youtube.com/watch?v=Vjmelj3GQxg
+ Jewish Grandma's 13 Wise Lessons on Money and Life (INFJ): www.youtube.com/watch?v=vzrFk9RnkE0
Justin: why are you applying for Dental School? I thought you said you were done after this.
Kim: i kinda have to. My mom…
Justin: [rolls eyes] i think you’re good now. you’ve already worked so hard in this program. don’t you think it’s a good idea to settle down and start a family?
Kim: i don’t think i’m ready for all that right now. My whole family wants me to shoot for Dental. do you like Virginia?
Justin: my hearts in California, but i think i’ll be going to Seattle, Washington. i may want to work with that other Filipino Dental student (ENTJ), once he graduates.
Kim: yea, i want to apply for dental and then move back to VA.
Justin: fine, ok. whatever. if you’re really set on this goal, i’ll help you…
+ barefoot contessa (Ina Garten) (INTP Dad and INFJ Mom): barefootcontessa.com
+ Acre Homestead (ENTJ Dad and INFJ Mom): www.youtube.com/@AcreHomestead/videos
+ Unstoppable - Sia (Piano & Cello Cover) The Piano Guys: www.youtube.com/watch?v=yxMXGpzgbmg&list=RDAizdn08v_8...
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
Went to Lion Brand Studio after work to help/support author Cathy Carron at her signing and talk for Cowlgirls (published by SoHo, where I now work, but also in a funny coincidence, I proofread the book). I was impressed with the diversity of the people in attendance--and Cathy was a charmer!
Had to stop midway through my last pass through THE EARTH-BOAT by Joseph Hutchison and just enjoy watching the snow fall ... right after reading a line about spring.
Baby Katherine
[I’m Just A Jewish Grandmother]
+ [Superwings s4 Compilation] Jett | Super Wings Full Episodes: www.youtube.com/watch?v=9Iq_o9abUBc
+ Jett: super-wings.fandom.com/wiki/Jett
+ Crystal (Super Wings): crossovers-and-fan-episodes.fandom.com/wiki/Crystal_(Super_Wings)
[Clinical Rotations]
Jamie Choi (ISFJ Korean American): bye Justin.
Justin (ENTJ Cantonese American): bye Jamie. see you later at the Korean Dental Students Meeting. look Kim, you’re being very whiny and complainy right now. please cheer up and help me out. We need to get all this work done and need to finish our competencies. It’s already been a long ass day and i can’t deal with your attitude and frowny face right now.
Kim (Chinese American): FINE! is this a large enough smile for you!?
Justin: yea yea. fine. my next patients here, she’s super sweet and a good one. i want to introduce you, because eventually i’d like to hand her over to you, for you to care for her. patients are being thrown to me left and right, and i want to make sure she goes to a gentle care provider. she’s been very good to me, all these years and i have to take all these new patients. i don’t want her going to just any dental provider. i have a good feeling, the both of you will get along well.
Kim: sweet. i have all our instruments and your special goggles.
Justin: did you finish up the progress notes?
Kim: [nods] yea, i did. i proofread what i could.
INTJ/ISFJ/INFJ Jewish Bubbie: JUSTIN! My favorite doctor is here. how are you my son?
Justin: Hi Bubbie! i’m so glad you made it! how was the travel?
INTJ/ISFJ/INFJ Jewish Bubbie: it was good, it was good.
Justin: this is my dental hygienist, Kim. she’ll be helping me today. remember we spoke about the change in patients and care providers. Kim is very nice and gentle, but i’ll let you see for yourself. if you enjoy her care, she’s all yours.
Kim: Hi! [big smiles and nods] it’s so nice to meet you! Justin says you’re one of his favorite patients.
INTJ/ISFJ/INFJ Jewish Bubbie: Hi Kim! is it Kim or Kimberly? so nice to meet you. I love Dr. Chan. He is just the sweetest and is so good to me.
Kim: you can call me Kim or Kimberly.
Justin: are there any changes in your health records?
INTJ/ISFJ/INFJ Jewish Bubbie: no, it’s all the same since the last time i saw you. [looks into Kim’s eyes] so Justin? you seeing any cute girls? [looks at Kim]
Justin: hahaha [looks down] no, not right now. how does this feel? is it pushing against your cheek? does it feel rough or smooth?
INTJ/ISFJ/INFJ Jewish Bubbie: it’s ok, it’s snug. feels a little rough around the edges. just a little.
Justin: ok, i’ll be right back.
INTJ/ISFJ/INFJ Jewish Bubbie: so Kim, come over here, a little closer my dear [whispers]. you know Justin’s a doctor. do you have a boyfriend? he’s so sweet and smart. he’s humble about it. very good catch.
Kim: [nods and laughs] right. he’s a very good, very good dentist.
INTJ/ISFJ/INFJ Jewish Bubbie: i really think the both of you would be a good match. i’ll do my best to put in a good word for you. if he’ll listen to an old lady. you really should try to be more than just his help.
Kim: you’re so sweet. thank you.
Justin: ok, let’s see how this feels. open nice and wide for me please.
INTJ/ISFJ/INFJ Jewish Bubbie: oh good. this feels better. the corner is not so sharp anymore.
Justin: great.
INTJ/ISFJ/INFJ Jewish Bubbie: you know. Kim is just the sweetest. she is such a wonderful helper, don’t you think Justin? how cute are the both of you, you really do make a good team.
Justin: i knew the two of you would get along well. i’m glad you feel comfortable with Kim, i know my last assistant was a bit rough.
INTJ/ISFJ/INFJ Jewish Bubbie: she’s cute, don’t you think sweetheart? she’s gentle and smart. don’t work too hard Justin, a little fun is good for your heart.
Justin: [nods] i know.
Emma Ma (ISFJ) (Haitian American): JUSTIN’S GAY! HE’S GAY! HAHA [lightly pushes Justin’s shoulders]. KIMmmm! donnnnnnn’tttttt touchh my asssss. KIMMMM! I JUST SAID DON’T SLAP MY ASS. OH MY GOD!
Minji Nah (ISFJ) (Korean American): i told you to be careful when getting too close to her. at any time, she’ll grab your boob or smack your butt.
+ Edward Maya- Stereo Love (Remastered Version) (hey, when you get a chance, could you maybe stop talking so much and help me out.) (I TOLD YOU WHEN YOU START YELLING AT ME, I CAN’T THINK AND FREEZE. THEN IT TAKES ME LONGER TO FINISH MY PATIENT. NO, I HAVEN’T FINISHED THE PROGRESS NOTES! STOP SCREAMING AT ME, I GET SCARED. IF I WANT TO STAND HERE AND TALK TO MY GIRLFRIENDS ABOUT LIFE, I CAN. YOU’RE NOT THE BOSS OF ME. I DON’T CARE IF THE PATIENTS WAITING FOR ME, LET THEM WAIT. ONE HOUR ISN’T ENOUGH TIME TO COMPLETE A PATIENT. WHO MADE THESE STUPID RULES ANYWAYS? WHY ARE YOU DENTISTS SO MEAN, RUDE, AND DEMANDING. YOU’RE YELLING AT ME JUST LIKE MY FATHER DOES AND I DON’T APPRECIATE THAT. LIFE IS SHORT, I’M GOING TO TAKE MY SWEET TIME. KIM, IF YOU WANT TO ACT LIKE A LITTLE GIRL FOR THE REST OF YOUR LIFE, THEN WHATEVER. YOU ARE A GROWN WOMAN AND NEED TO LOOSEN UP. YOU AND YOUR DENTIST FRIEND ARE WAY TOO RESPONSIBLE/PREPARED AND I REALLY THINK THE BOTH OF YOU NEED TO HAVE MORE FUN. NO ONE HERE SAID YOU WERE FAT, WHOEVER SAID THAT IS AN IDIOT. KIM, YOUR BOOBS LOOK SAGGY. MAYBE WEAR A TIGHTER BRA AND CHANGE YOUR OUTFIT. WE’RE GOING OUT! I HAVE FREE PASSES TO A NICE CLUB. BRING YOUR KOREAN DOCTOR BOY TOY. FOOD AND DRINKS ARE ON MY DR. DADDY; WHO WORKS 24/7, NEVER SPEAKS TO ME, AND DOES NOTHING BUT LECTURE ME. I SWEAR TO GOD IF HE TALKS ABOUT WANTING A SON ONE MORE TIME, I’M GOING TO KILL MYSELF. HE HAS 5 DENTAL OFFICES AND A SHIT LOAD OF PROPERTIES. I DON’T EVEN KNOW WHY THE FUCK I’M IN THIS PROGRAM. IT’S NOT LIKE I NEED A JOB OR THE MONEY, I ALREADY HAVE EVERYTHING. I NEED TO GO TO SEPHORA. I NEED A FUCKING DRINK. I DIDN’T HAVE ENOUGH TIME TO STUDY, CAN I CHEAT OFF YOUR PAPER? [nods]): www.youtube.com/watch?v=bfl76Sr-Rsk&list=RDcYFAeI2OAa...
+ Private Rooms in New York City, NY: www.tagvenue.com/us/hire/bars-with-private-rooms/new-york...
+ Velvet Room at Velvet Brooklyn (no pictures): www.tagvenue.com/us/rooms/new-york/28251/velvet-brooklyn/...
+ Josh Vietti - In Da Club (50 Cent) - Violin Cover: www.youtube.com/watch?v=DHuVNtpd4pE&list=RDAizdn08v_8...
+ Insomniac Energy - Original Song By Josh Vietti: www.youtube.com/watch?v=Aizdn08v_8I&list=RDAizdn08v_8...
+ Joel Sunny- Give Me Everything (Violin): www.youtube.com/watch?v=Wv-Yqk70Sxc&list=RDcYFAeI2OAa...
+ Indila - Love Story (Official Music Video): www.youtube.com/watch?v=DF3XjEhJ40Y&list=RDcYFAeI2OAa...
+ Joel Sunny- Love Story (Violin): www.youtube.com/watch?v=Dy3yooqBe-E&list=RDcYFAeI2OAa...
[Essa Bagel]
Kim: it’s so nice seeing you again! [hugs kisses]
Bubbie: hi sweetheart. how are things going with my Chinese son? so my dear…
+ Jewish Grandma's 19 Brilliant Pieces of Advice (INFJ): www.youtube.com/watch?v=Vjmelj3GQxg
+ Jewish Grandma's 13 Wise Lessons on Money and Life (INFJ): www.youtube.com/watch?v=vzrFk9RnkE0
Justin: why are you applying for Dental School? I thought you said you were done after this.
Kim: i kinda have to. My mom…
Justin: [rolls eyes] i think you’re good now. you’ve already worked so hard in this program. don’t you think it’s a good idea to settle down and start a family?
Kim: i don’t think i’m ready for all that right now. My whole family wants me to shoot for Dental. do you like Virginia?
Justin: my hearts in California, but i think i’ll be going to Seattle, Washington. i may want to work with that other Filipino Dental student (ENTJ), once he graduates.
Kim: yea, i want to apply for dental and then move back to VA.
Justin: fine, ok. whatever. if you’re really set on this goal, i’ll help you…
+ barefoot contessa (Ina Garten) (INTP Dad and INFJ Mom): barefootcontessa.com
+ Acre Homestead (ENTJ Dad and INFJ Mom): www.youtube.com/@AcreHomestead/videos
+ Unstoppable - Sia (Piano & Cello Cover) The Piano Guys: www.youtube.com/watch?v=yxMXGpzgbmg&list=RDAizdn08v_8...
Baby Katherine
[I’m Just A Jewish Grandmother]
+ [Superwings s4 Compilation] Jett | Super Wings Full Episodes: www.youtube.com/watch?v=9Iq_o9abUBc
+ Jett: super-wings.fandom.com/wiki/Jett
+ Crystal (Super Wings): crossovers-and-fan-episodes.fandom.com/wiki/Crystal_(Super_Wings)
[Clinical Rotations]
Jamie Choi (ISFJ Korean American): bye Justin.
Justin (ENTJ Cantonese American): bye Jamie. see you later at the Korean Dental Students Meeting. look Kim, you’re being very whiny and complainy right now. please cheer up and help me out. We need to get all this work done and need to finish our competencies. It’s already been a long ass day and i can’t deal with your attitude and frowny face right now.
Kim (Chinese American): FINE! is this a large enough smile for you!?
Justin: yea yea. fine. my next patients here, she’s super sweet and a good one. i want to introduce you, because eventually i’d like to hand her over to you, for you to care for her. patients are being thrown to me left and right, and i want to make sure she goes to a gentle care provider. she’s been very good to me, all these years and i have to take all these new patients. i don’t want her going to just any dental provider. i have a good feeling, the both of you will get along well.
Kim: sweet. i have all our instruments and your special goggles.
Justin: did you finish up the progress notes?
Kim: [nods] yea, i did. i proofread what i could.
INTJ/ISFJ/INFJ Jewish Bubbie: JUSTIN! My favorite doctor is here. how are you my son?
Justin: Hi Bubbie! i’m so glad you made it! how was the travel?
INTJ/ISFJ/INFJ Jewish Bubbie: it was good, it was good.
Justin: this is my dental hygienist, Kim. she’ll be helping me today. remember we spoke about the change in patients and care providers. Kim is very nice and gentle, but i’ll let you see for yourself. if you enjoy her care, she’s all yours.
Kim: Hi! [big smiles and nods] it’s so nice to meet you! Justin says you’re one of his favorite patients.
INTJ/ISFJ/INFJ Jewish Bubbie: Hi Kim! is it Kim or Kimberly? so nice to meet you. I love Dr. Chan. He is just the sweetest and is so good to me.
Kim: you can call me Kim or Kimberly.
Justin: are there any changes in your health records?
INTJ/ISFJ/INFJ Jewish Bubbie: no, it’s all the same since the last time i saw you. [looks into Kim’s eyes] so Justin? you seeing any cute girls? [looks at Kim]
Justin: hahaha [looks down] no, not right now. how does this feel? is it pushing against your cheek? does it feel rough or smooth?
INTJ/ISFJ/INFJ Jewish Bubbie: it’s ok, it’s snug. feels a little rough around the edges. just a little.
Justin: ok, i’ll be right back.
INTJ/ISFJ/INFJ Jewish Bubbie: so Kim, come over here, a little closer my dear [whispers]. you know Justin’s a doctor. do you have a boyfriend? he’s so sweet and smart. he’s humble about it. very good catch.
Kim: [nods and laughs] right. he’s a very good, very good dentist.
INTJ/ISFJ/INFJ Jewish Bubbie: i really think the both of you would be a good match. i’ll do my best to put in a good word for you. if he’ll listen to an old lady. you really should try to be more than just his help.
Kim: you’re so sweet. thank you.
Justin: ok, let’s see how this feels. open nice and wide for me please.
INTJ/ISFJ/INFJ Jewish Bubbie: oh good. this feels better. the corner is not so sharp anymore.
Justin: great.
INTJ/ISFJ/INFJ Jewish Bubbie: you know. Kim is just the sweetest. she is such a wonderful helper, don’t you think Justin? how cute are the both of you, you really do make a good team.
Justin: i knew the two of you would get along well. i’m glad you feel comfortable with Kim, i know my last assistant was a bit rough.
INTJ/ISFJ/INFJ Jewish Bubbie: she’s cute, don’t you think sweetheart? she’s gentle and smart. don’t work too hard Justin, a little fun is good for your heart.
Justin: [nods] i know.
Emma Ma (ISFJ) (Haitian American): JUSTIN’S GAY! HE’S GAY! HAHA [lightly pushes Justin’s shoulders]. KIMmmm! donnnnnnn’tttttt touchh my asssss. KIMMMM! I JUST SAID DON’T SLAP MY ASS. OH MY GOD!
Minji Nah (ISFJ) (Korean American): i told you to be careful when getting too close to her. at any time, she’ll grab your boob or smack your butt.
+ Edward Maya- Stereo Love (Remastered Version) (hey, when you get a chance, could you maybe stop talking so much and help me out.) (I TOLD YOU WHEN YOU START YELLING AT ME, I CAN’T THINK AND FREEZE. THEN IT TAKES ME LONGER TO FINISH MY PATIENT. NO, I HAVEN’T FINISHED THE PROGRESS NOTES! STOP SCREAMING AT ME, I GET SCARED. IF I WANT TO STAND HERE AND TALK TO MY GIRLFRIENDS ABOUT LIFE, I CAN. YOU’RE NOT THE BOSS OF ME. I DON’T CARE IF THE PATIENTS WAITING FOR ME, LET THEM WAIT. ONE HOUR ISN’T ENOUGH TIME TO COMPLETE A PATIENT. WHO MADE THESE STUPID RULES ANYWAYS? WHY ARE YOU DENTISTS SO MEAN, RUDE, AND DEMANDING. YOU’RE YELLING AT ME JUST LIKE MY FATHER DOES AND I DON’T APPRECIATE THAT. LIFE IS SHORT, I’M GOING TO TAKE MY SWEET TIME. KIM, IF YOU WANT TO ACT LIKE A LITTLE GIRL FOR THE REST OF YOUR LIFE, THEN WHATEVER. YOU ARE A GROWN WOMAN AND NEED TO LOOSEN UP. YOU AND YOUR DENTIST FRIEND ARE WAY TOO RESPONSIBLE/PREPARED AND I REALLY THINK THE BOTH OF YOU NEED TO HAVE MORE FUN. NO ONE HERE SAID YOU WERE FAT, WHOEVER SAID THAT IS AN IDIOT. KIM, YOUR BOOBS LOOK SAGGY. MAYBE WEAR A TIGHTER BRA AND CHANGE YOUR OUTFIT. WE’RE GOING OUT! I HAVE FREE PASSES TO A NICE CLUB. BRING YOUR KOREAN DOCTOR BOY TOY. FOOD AND DRINKS ARE ON MY DR. DADDY; WHO WORKS 24/7, NEVER SPEAKS TO ME, AND DOES NOTHING BUT LECTURE ME. I SWEAR TO GOD IF HE TALKS ABOUT WANTING A SON ONE MORE TIME, I’M GOING TO KILL MYSELF. HE HAS 5 DENTAL OFFICES AND A SHIT LOAD OF PROPERTIES. I DON’T EVEN KNOW WHY THE FUCK I’M IN THIS PROGRAM. IT’S NOT LIKE I NEED A JOB OR THE MONEY, I ALREADY HAVE EVERYTHING. I NEED TO GO TO SEPHORA. I NEED A FUCKING DRINK. I DIDN’T HAVE ENOUGH TIME TO STUDY, CAN I CHEAT OFF YOUR PAPER? [nods]): www.youtube.com/watch?v=bfl76Sr-Rsk&list=RDcYFAeI2OAa...
+ Private Rooms in New York City, NY: www.tagvenue.com/us/hire/bars-with-private-rooms/new-york...
+ Velvet Room at Velvet Brooklyn (no pictures): www.tagvenue.com/us/rooms/new-york/28251/velvet-brooklyn/...
+ Josh Vietti - In Da Club (50 Cent) - Violin Cover: www.youtube.com/watch?v=DHuVNtpd4pE&list=RDAizdn08v_8...
+ Insomniac Energy - Original Song By Josh Vietti: www.youtube.com/watch?v=Aizdn08v_8I&list=RDAizdn08v_8...
+ Joel Sunny- Give Me Everything (Violin): www.youtube.com/watch?v=Wv-Yqk70Sxc&list=RDcYFAeI2OAa...
+ Indila - Love Story (Official Music Video): www.youtube.com/watch?v=DF3XjEhJ40Y&list=RDcYFAeI2OAa...
+ Joel Sunny- Love Story (Violin): www.youtube.com/watch?v=Dy3yooqBe-E&list=RDcYFAeI2OAa...
[Essa Bagel]
Kim: it’s so nice seeing you again! [hugs kisses]
Bubbie: hi sweetheart. how are things going with my Chinese son? so my dear…
+ Jewish Grandma's 19 Brilliant Pieces of Advice (INFJ): www.youtube.com/watch?v=Vjmelj3GQxg
+ Jewish Grandma's 13 Wise Lessons on Money and Life (INFJ): www.youtube.com/watch?v=vzrFk9RnkE0
Justin: why are you applying for Dental School? I thought you said you were done after this.
Kim: i kinda have to. My mom…
Justin: [rolls eyes] i think you’re good now. you’ve already worked so hard in this program. don’t you think it’s a good idea to settle down and start a family?
Kim: i don’t think i’m ready for all that right now. My whole family wants me to shoot for Dental. do you like Virginia?
Justin: my hearts in California, but i think i’ll be going to Seattle, Washington. i may want to work with that other Filipino Dental student (ENTJ), once he graduates.
Kim: yea, i want to apply for dental and then move back to VA.
Justin: fine, ok. whatever. if you’re really set on this goal, i’ll help you…
+ barefoot contessa (Ina Garten) (INTP Dad and INFJ Mom): barefootcontessa.com
+ Acre Homestead (ENTJ Dad and INFJ Mom): www.youtube.com/@AcreHomestead/videos
+ Unstoppable - Sia (Piano & Cello Cover) The Piano Guys: www.youtube.com/watch?v=yxMXGpzgbmg&list=RDAizdn08v_8...
Marcin Białas "Above the pavements"
Book info:
- 300 copies, signed and numbered (dedication on request)
- hard back cover, cloth spine
- number of pages: 128
- size: 300×215 mm
- number of images (graphic, photos, projects): 93
- language of texts: polish and english
- autors of texts: Maciej Linttner , Grzegorz Hańderek, Marta Anna Raczek-Karcz
- type of papier: Cyclus Print 130g (eco)
- concept and edition: Marcin Białas, Katarzyna Wolny
- graphic design: Katarzyna Wolny, Marcin Białas
- typesetting: Katarzyna Wolny
- photography: Marcin Białas
- english translation: Katarzyna Drewniak
- proofreading: Izabela Blacha
- ISBN 978-83-937997-0-1
Details about prices and shipping - check out: www.facebook.com/notes/marcin-bialas-graphic-arts/above-t...
If you'd like to order or have any other question please use this email address: abovethepavements@gmail.com
Providing services in USA, UAE, KSA, Europe and GCC countries, especially in United Arab Emirate and Saudia Arabia.
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The smoke from several fires in the region made for a red sky. It looks like I need to do a better job of proofreading when editing the photo...................
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
Name of Monument:
Parish Church of St. James
Also known as:
Župna crkva sv. Jakova
Location:
Prelog, North-West Croatia, Croatia
Contact Details
Parish Church of St. James
T : +385 40 645 106
Parish Office, Glavna 34, 40323 Prelog (Responsible Institution)
Date:
1758 (church); 1765–1767 (high altar)
Artists:
Sculptor: Veit Königer (1729–1792); cabinetmaker: Josip Herman (active c. 1750)
Denomination / Type of monument:
Religious, parish church, interior furnishing
Patron(s):
The church: the citizens of Prelog and the parish priest, Ivan Mihovil Smrekar; the high altar: Abbot Josip Gradičaj
History:
The parish priest, Ivan Mihovil Smrekar who was educated in Graz and in Vienna, commissioned the church in 1758. The citizens of Prelog paid for it with alms. In little over a decade (1765–1767) a monumental three-part high altar – a documented work of the sculptor, Veit Königer, and cabinetmaker, Josip Herman of Graz – furnished the altar financed by Abbot Josip Gradičaj. It is likely that the community were able to engage the outstandingly important sculptor, Königer, because of family connections in Croatia – his sister was married to the Varaždin sculptor, Josip (Josephus) Schranz – after whose death she married the sculptor Leopold Mayrhofer (active c. 1771).
Description:
The high altar, a monumental and typologically rare composition consisting of three altars architecturally connected, is a documented work by Styria's most important sculptor of the time, Veit Königer. His work betrays a clear and persistent element of Classicism, linked to his artistic training at the Vienna Academy, along with Rococo elements. The central altar is dedicated to the titular saint of the church, St. James, while the side altars are dedicated to St. Joseph and St. John Nepomuk. The central part of the Altar of St. James is accentuated by a pair of columns the width of which, on the mensa, a monumental tabernacle is placed adorned with a row of angels. Alongside the columns are imposing figures of the apostles St. Peter and St. Paul, the handling of which draws closely on the sculptures of the same saints on the Altar of St. Ignatius in Graz Cathedral. An imposing Holy Trinity in a sunburst halo crowns the altar. On the side altars, the placing of the ornamentation is more marked, aspiring to the picturesque. This outstanding sculptural achievement was an important stimulus for the leading Maribor sculptor, Joseph (Jožef) Holzinger (1735–1797), an inspiration seen in the disposition of his sculptures on the side altars of the church in Polenšak (Slovenia). A pulpit was installed in the church in Prelog before the altar (1760 is mentioned). According to stylistic analysis, the pulpit reliefs are likely to have been by Königer.
View Short Description
How Monument was dated:
Archival sources.
Special features
St. Peter
High Altar
1765–1767
Attributed to Veit Königer (1729–1792)
An elongated and elegant saintly figure with his head thrown back, it is a characteristic example of Königer’s sculptural idiom with its typical lyricism, suffusing the usually more robust figures of the two leading apostles with a pronounced spirituality.
Apotheosis of St. John of Nepomuk
Right altar
1765–1767
Attributed to Veit Königer (1729–1792)
Apotheosis of St. Joseph
Left altar
1765–1767
Attributed to Veit Königer (1729–1792)
Selected bibliography:
Horvat, A., (ed) “Barok u kontinentalnoj Hrvatskoj” in Barok u Hrvatskoj, Zagreb, 1982.
Vrišer, S., Jožef Holzinger, Maribor, 1997.
Baričević, D., Barokno kiparstvo sjeverne Hrvatske, Zagreb, 2008.
Citation of this web page:
Vlasta Zajec "Parish Church of St. James" in "Discover Baroque Art", Museum With No Frontiers, 2024. baroqueart.museumwnf.org/database_item.php?id=monument;BA...
Prepared by: Vlasta Zajec
Vlasta Zajec
SURNAME: Zajec
NAME: Vlasta
AFFILIATION: Institute of Art History, Zagreb
TITLE: PhD, Scientific Consultant
CV:
Vlasta Zajec was awarded her BA in Art History and Comparative Literature from Zagreb University (Faculty of Philosophy) in 1989. In the same year she began work at the Institute of Art History. She was awarded her MA in 1995 (17th-Century Wooden Altars in Istria), and her PhD in 2001 (17th Century Wooden Sculpture in Istria). She has spent brief periods of study in Italy (Udine, Venice and Trieste) and Germany (Munich). Her areas of research are wooden and marble altars and 17th- and 18th-century sculpture in Istria and North Croatia.
Translation by: Graham McMaster
Translation copyedited by: Mandi Gomez
Mandi Gomez
Amanda Gomez is a freelance copy-editor and proofreader working in London. She studied Art History and Literature at Essex University (1986–89) and received her MA (Area Studies Africa: Art, Literature, African Thought) from SOAS in 1990. She worked as an editorial assistant for the independent publisher Bellew Publishing (1991–94) and studied at Bookhouse and the London College of Printing on day release. She was publications officer at the Museum of London until 2000 and then took a role at Art Books International, where she worked on projects for independent publishers and arts institutions that included MWNF’s English-language editions of the books series Islamic Art in the Mediterranean. She was part of the editorial team for further MWNF iterations: Discover Islamic Art in the Mediterranean Virtual Museum and the illustrated volume Discover Islamic Art in the Mediterranean.
True to its ethos of connecting people through the arts, MWNF has provided Amanda with valuable opportunities for discovery and learning, increased her editorial experience, and connected her with publishers and institutions all over the world. More recently, the projects she has worked on include MWNF’s Sharing History Virtual Museum and Exhibition series, Vitra Design Museum’s Victor Papanek and Objects of Desire, and Haus der Kulturen der Welt’s online publication 2 or 3 Tigers and its volume Race, Nation, Class.
MWNF Working Number: HR 46
Source: [baroqueart.museumwnf.org/database_item.php?id=monument;BA...]
20080614 S 1330 VarPrelo Prelog 9514 PhotosCROPrelog_01 Crkva sv. Jakoba
The written material we provide is guaranteed to have excellent grammar, clever use of phrases, outstanding sentence.
Label: Light In The Attic – LITA 191-1 Black Vinyl
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 19 Nov 2021
Genre: Rock, Funk / Soul, Folk, World, & Country
Style: Bayou Funk, Country Rock
Tracklist
A1 Thinking of the Day
Written-By – Leo Nocentelli
A2 Riverfront
Written-By – Leo Nocentelli
A3 I Want To Cry
Written-By – Leo Nocentelli
A4 Pretty Mittie
Written-By – Leo Nocentelli
A5 Give Me Back My Loving
Written-By – Leo Nocentelli
B1 Getting Nowhere
Written-By – Leo Nocentelli
B2 Till I Get There
Written-By – Leo Nocentelli
B3 You've Become a Habit
Written-By – Leo Nocentelli
B4 Tell Me Why
Written-By – Leo Nocentelli
B5 Your Song
Written-By – Elton John And Bernie Taupin*
Companies, etc.
Phonographic Copyright (p) – Nocentelli Music LLC
Copyright (c) – Nocentelli Music LLC
Licensed To – Light In The Attic Records & Distribution, LLC
Published By – Nocentelli Music LLC
Published By – Universal Songs Of Polygram, Inc.
Pressed By – Record Technology Incorporated – 36111
Pressed By – Record Technology Incorporated – 36207
Recorded At – Jazz City Studios
Designed At – Phyx Design
Credits
Art Direction, Design – Masaki Koike
Bass – George Porter, Jr.
Drums – James Black, Zigaboo Modeliste
Executive-Producer – Josh Wright, Matt Sullivan
Interviewee – Leo Nocentelli
Keyboards – Allen Toussaint
Liner Notes – Sam Sweet
Mastered By – John Baldwin, Robert Carranza
Photography By – Michael P. Smith
Producer [For Release] – Leo Nocentelli, Mario Caldato Jr., Matt Sullivan, Mike Nishita, Pesuky Nocentelli
Project Manager [Project Assistance] – Ryan Wilson, Yosuke Kitazawa
Proofreader – Lydia Hyslop
Recorded By, Engineer – Cosimo Matassa
Vocals, Guitar, Producer – Leo Nocentelli
Typing Copy Paste Web Research Microsoft Excel Data Collection PDF to Word Excel Data Entry Proofreading Virtual Assistant Data Mining
Target sells its own brand of wine now. And it's actually pretty good (although I cannot recommend drinking it through straw, but that probably goes for all wines). But one thing I just noticed when I was going through my vacation pictures? Check out how they spelled "Sauvignon." You'd think Target could afford a proofreader.
Okay, I have a *new* story idea! >,< I got sick of the other one... I decided not to do it. ;D The notes I made have the names of some of the characters... and I have only made these eight. The rest are on their way, haha.
Most of the character's personalities are in their poses - try to figure out who likes who and who despises who! Hah. I also tried to put the more important characters in the middle and the less important ones in back, but it didn't work out very well. @__@
And I have also decided to write out the whole outline so I know the whole story, decide ona titile, and then edit the certain chapters and take the pictures when they should come out. So I'm estimating the first chapter to come out about 4, 5, or 6 months from now. And after the first chapter comes out, the next ones will come out about a month apart. [EDIT]: nevermind! I wanna release ch. 1 now since it's done and I'm on ch. 3 already! xD I just need it proofread and everything.
Yep... I have it all planned out. x3 This is a looooooong description! And by the way, I've written about 7 pages already. Haha!
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
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Language: English
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The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
Sergei Alexandrovich Yesenin, sometimes spelled as Esenin, was a Russian lyric poet. He is one of the most popular and well-known Russian poets of the 20th century, known for "his lyrical evocations of and nostalgia for the village life of his childhood – no idyll, presented in all its rawness, with an implied curse on urbanisation and industrialisation".
Biography
Early life
Sergei Yesenin was born in village of Konstantinovo in Ryazan County, Ryazan Governorate of the Russian Empire (now Rybnovsky District, Ryazan Oblast) to a peasant family. His father was Alexander Nikitich Yesenin (1873–1931), his mother's name was Tatyana Fyodorovna (nee Titova, 1875–1955).
Both his parents spent most of their time looking for work, father in Moscow, mother in Ryazan, so at age two Sergei was moved to the nearby village Matovo, to join Fyodor Alexeyevich and Natalya Yevtikhiyevna Titovs, his relatively well-off maternal grandparents, who essentially raised him.
The Titovs had three grown-up sons, and it was they who were Yesenin's early years' companions. "My uncles taught me horse-riding and swimming, one of them... even employed me as hound-dog, when going out to the ponds hunting ducks," he later remembered. He started to read aged five, and at nine began to write poetry, inspired originally by chastushkas and folklore, provided mostly by the grandmother whom he also remembered as a highly religious woman who used to take him to every single monastery she chose to visit. He had two younger sisters, Yekaterina (1905–1977), and Alexandra (1911–1981).
In 1904 Yesenin joined the Konstantinovo zemstvo school. In 1909 he graduated from it with an honorary certificate, and went on to study in the local secondary parochial school in Spas-Klepiki. From 1910 onwards, he started to write poetry systematically; eight poems dated that year were later included in his 1925 Collected Works. In all, Yesenin wrote around thirty poems during his school years. He compiled them into what was supposed to be his first book which he titled "Bolnye Dumy" (Sick Thoughts) and tried to publish it in 1912 in Ryazan, but failed.
In 1912, with a teacher’s diploma, Yesenin moved to Moscow, where he supported himself working as a proofreader's assistant at Sytin's printing company. The following year he enrolled in Shanyavsky Moscow City People's University to study history and philology as an external student (вольнослушатель), but had to leave it after eighteen months due to lack of funds. In the University he became friends with several aspiring poets, among them Dmitry Semyonovsky, Vasily Nasedkin, Nikolai Kolokolov and Ivan Filipchenko. Yesenin’s first marriage (which lasted three years) was in 1913 to Anna Izryadnova, a co-worker from the publishing house, with whom he had a son, Yuri.
1913 saw Yesenin becoming increasingly interested in Christianity, biblical motives became frequent in his poems. "Grisha, what I am reading at the moment is the Gospel and find a lot of things which for me are new," he wrote to his close childhood friend G. Panfilov. That was also the year when he became involved with the Moscow revolutionary circles: for several months his flat was under secret police surveillance and in September 1913 it was raided and searched.
Birch Tree) appeared in the children's magazine Mirok (Small World). More appearances followed in minor magazines such as Protalinka and Mlechny Put. In December 1914 Yesenin quit work "and gave himself to poetry, writing continually," according to his wife. Around this time he became a member of the Surikov Literary and Music circle.
In 1915, exasperated with the lack of interest in Moscow, Yesenin moved to Petrograd. He arrived to Petrograd on 8 March and the next day met Alexander Blok at his home, to read him poetry. He was quickly acquainted with fellow-poets Sergey Gorodetsky, Nikolai Klyuev and Andrei Bely who were well known. Blok was especially helpful in promoting Yesenin's early literary career, describing him as "a gem of a peasant poet" and his verse as "fresh, pure and resounding", even if "wordy".
The same year he joined the Krasa (Beauty) group of peasant poets which included Klyuyev, Gorodetsky, Sergey Klychkov and Alexander Shiryayevets, among others. In his 1925 autobiography Yesenin said that Bely gave him the meaning of form while Blok and Klyuev taught him lyricism. It was Klyuyev who introduced Yesenin to the publisher Averyanov, who in early 1916 released his debut poetry collection Radunitsa which featured many of his early spiritual-themed verse. "I would have eagerly relinquished some of my religious poems, large and small, but they make sense as an illustration of poets' progress towards the revolution," he would later write. Yesenin and Klyuyev maintained close and intimate friendship which lasted several years, and indeed it is likely they became lovers.
Later in 1915, Yesenin became a co-founder of the Krasa literary group and published numerous poems in the Petrograd magazines Russkaya Mysl, Ezhemesyachny Zhurnal, Novy Zhurnal Dlya Vsekh, Golos Zhizni and Niva. Among the authors he met later in the year were Maxim Gorky, Vladimir Mayakovsky, Nikolai Gumilyov and Anna Akhmatova; he also visited painter Ilya Repin in his Penaty. Yesenin's rise to fame was meteoric; by the end of the year he became the star of St Petersburg's literary circles and salons. "The city took to him with the delight a gourmet reserves for strawberries in winter. A barrage of praise hit him, excessive and often insincere," Maxim Gorky wrote to Romain Rolland.
On 25 March 1916, Yesenin was drafted for military duty and in April joined a medical train based in Tsarskoye Selo, under the command of colonel D.N. Loman. In 22 July 1916, at a special concert attended by the Empress Alexandra Fyodorovna (the train's patron) and her daughters, Yesenin recited his poems "Rus" and "In Scarlet Fireglow". "The Empress told me my poems were beautiful, but sad. I replied, the same could be said about Russia as a whole," he recalled later. His relationships with Loman soon deteriorated. In October, Yesenin declined the colonel's offer to write (with Klyuyev) and have published a book of pro-monarchist verses, and spent twenty days under arrest as a consequence.
In March 1917, Yesenin was sent to the Warrant Officers School but soon deserted Kerensky's army. In August 1917 (having divorced Izryadnova a year earlier) Yesenin married for a second time, to Zinaida Raikh (later an actress and the wife of Vsevolod Meyerhold). They had two children, a daughter Tatyana and a son Konstantin. The parents subsequently quarreled and lived separately for some time prior to their divorce in 1921. Tatyana became a writer and journalist and Konstantin Yesenin would become a well-known soccer statistician.
Yesenin supported the February Revolution. "If not for [it], I might have withered away on useless religious symbolism," he wrote later. He greeted the rise of the Bolsheviks too. "In the Revolution I was all on the side of the October, even if perceiving everything in my own peculiar way, from a peasant's standpoint," he remembered in his 1925 autobiography. Later he criticized the Bolshevik rule, in such poems as "The Stern October Has Deceived Me". "I feel very sad now, for we are going through such a period in [our] history when human individuality is being destroyed, and the approaching socialism is totally different from the one I was dreaming of," he wrote in an August 1920 letter to his friend Yevgeniya Livshits. "I never joined the RKP, being further to the left than them," he maintained in his 1922 autobiography.
Artistically, the revolutionary years were exciting time for Yesenin. Among the important poems he wrote in 1917–1918 were "Prishestviye" (The Advent), "Preobrazheniye" (Transformation, which gave the title to the 1918 collection), and "Inoniya". In February 1918, after the Sovnarkom issued the "Socialist Homeland is in Danger!" decree-appeal, he joined the esers' military unit. He actively participated in the magazine Nash Put (Our Way), as well as the almanacs Skify (Скифы) and Krasny Zvon (in February his large poem "Marfa Posadnitsa" appeared in one of the latter). In September 1918 Yesenin co-founded (with Andrey Bely, Pyotr Oreshin, Lev Povitsky and Sergey Klychkov) the publishing house Трудовая Артель Художников Слова (the Labor Artel of the Artists of the Word) which reissued (in six books) all that he had written by this time.
In September 1918, Yesenin became friends with Anatoly Marienhof, with whom he founded the Russian literary movement of imaginism. Describing their group's general appeal, he wrote in 1922: "Prostitutes and bandits are our fans. With them, we are pals. Bolsheviks do not like us due to some kind of misunderstanding." In January 1919, Yesenin signed the Imaginists' Manifest. In February he, Marienhof and Vadim Shershenevich, founded the Imaginists' publishing house. Before that, Yesenin became a member of the Moscow Union of Professional Writers and several months later was elected a member of the All-Russian Union of Poets. Two of his books, Kobyliyu Korabli (Mare's Ships) and Klyuchi Marii (The Keys of Mary) came out later that year.
In July–August 1920, Yesenin toured the Russian South, starting in Rostov-on-Don and ending in Tiflis, Georgia. In November 1920, he met Galina Benislavskaya, his future secretary and close friend. Following an anonymous report, he and two of his Imaginist friends, brothers Alexander and Ruben Kusikovs, were arrested by the Cheka in October but released a week later on the solicitation of his friend Yakov Blumkin. In the course of that year, the publication of three of Yesenin's books were refused by publishing house Goslitizdat. His Triptych collection came out through the Skify Publishers in Berlin. Next year saw the collections Confessions of a Hooligan (January) and Treryaditsa (February) published. The drama in verse Pygachov came out in December 1921, to much acclaim.
In May 1921, he visited a friend, the poet Alexander Shiryaevets, in Tashkent, giving poetry readings and making a short trip to Samarkand. In the fall of 1921, while visiting the studio of painter Georgi Yakulov, Yesenin met the Paris-based American dancer Isadora Duncan, a woman 18 years his senior. She knew only a dozen words in Russian, and he spoke no foreign languages. Nevertheless, they married on 2 May 1922. Yesenin accompanied his celebrity wife on a tour of Europe and the United States. His marriage to Duncan was brief and in May 1923, he returned to Moscow.
In his 1922 autobiography, Yesenin wrote: "Russia's recent nomadic past does not appeal to me, and I am all for civilization. But I dislike America intensely. America is a stinking place where not just art is being murdered, but with it, all the loftiest aspirations of humankind. If it's America that we are looking up to, as [a model for our] future, then I'd rather stay under our greyish skies... We do not have those skyscrapers that's managed to produce up to date nothing but Rockefeller and McCormick, but here Tolstoy, Dostoyevsky, Pushkin and Lermontov were born."
In 1923, Yesenin became romantically involved with the actress Augusta Miklashevskaya to whom he dedicated several poems, among them those of the Hooligan's Love cycle. In the same year, he had a son by the poet Nadezhda Volpina. Alexander Esenin-Volpin grew up to become a poet and a prominent activist in the Soviet dissident movement of the 1960s. Since 1972, till his death in 2016, he lived in the United States as a famous mathematician and teacher. As Yesenin's popularity grew, stories began to circulate about his heavy drinking and consequent public outbursts. In autumn 1923, he was arrested in Moscow twice and underwent a series of enquiries from the OGPU secret police. Fellow poet Vladimir Mayakovsky, wrote that, after his return from America, Yesenin became more visible in newspaper police log sections than in poetry. This may have been caused by a struggle to deal with his bisexuality.
More serious were the accusations of anti-Semitism against Yesenin and three of his close friends, fellow poets, Sergey Klytchkov, Alexei Ganin and Pyotr Oreshin, made by Lev Sosnovsky, a prominent journalist and close Trotsky associate. The foursome retorted with an open letter in Pravda and, in December, were cleared by the Writers' Union burlaw court. It was later suggested, though, that Yesenin's departure to the Caucasus in the summer of 1924 might have been a direct result of the harassment by the NKVD. Earlier that year, fourteen writers and poets, including his friend Ganin, were arrested as the alleged members of the (apparently fictitious) Order of the Russian Fascists, then tortured and executed in March without trial.
In January–April 1924, Yesenin was arrested and interrogated four times. In February, he entered the Sheremetev hospital, then was moved into the Kremlin clinic in March. Nevertheless, he continued to make public recitals and released several books in the course of the year, including Moskva Kabatskaya. In August 1924 Yesenin and fellow poet Ivan Gruzinov published a letter in Pravda, announcing the end of the Imaginists.
In early 1925, Yesenin met and married Sophia Andreyevna Tolstaya (1900–1957), a granddaughter of Leo Tolstoy. In May, what proved to be his final large poem Anna Snegina came out. During the year, he compiled and edited The Works by Yesenin in three volumes which was published by Gosizdat posthumously.
Death
On 28 December 1925, Yesenin was found dead in his room in the Hotel Angleterre in Leningrad. His last poem Goodbye my friend, goodbye (До свиданья, друг мой, до свиданья) according to Wolf Ehrlich was written by him the day before he died. Yesenin complained that there was no ink in the room, and he was forced to write with his blood.
До свиданья, друг мой, до свиданья.
Милый мой, ты у меня в груди.
Предназначенное расставанье
Обещает встречу впереди.
До свиданья, друг мой, без руки, без слова,
Не грусти и не печаль бровей, –
В этой жизни умирать не ново,
Но и жить, конечно, не новей.
Farewell, my good friend, farewell.
In my heart, forever, you’ll stay.
May the fated parting foretell
That again we’ll meet up someday.
Let no words, no handshakes ensue,
No saddened brows in remorse, –
To die, in this life, is not new,
And living’s no newer, of course.
According to his biographers, the poet was in a state of depression and committed suicide by hanging.
After the funeral in Leningrad, Yesenin's body was transported by train to Moscow, where a farewell for relatives and friends of the deceased was also arranged. He was buried 31 December 1925, in Moscow's Vagankovskoye Cemetery. His grave is marked by a white marble sculpture.
There is a theory that Yesenin's death was actually a murder by OGPU agents who staged it to look like suicide. The novel Yesenin. Story of a Murder by Vitali Bezrukov, is devoted to that version of Yesenin's death. In 2005, a TV serial, Sergey Yesenin, based on the novel, was shown on Channel One Russia, with Sergey Bezrukov playing Yesenin.[citation needed] Facts tending to support the assassination hypothesis were cited by Stanislav Kunyaev and Sergey Kunyaev in the final chapter of their biography of Yesenin.
Enraged by his death, Mayakovsky composed a poem called To Sergei Yesenin, where the resigned ending of Yesenin's death poem is countered by these verses: "in this life it is not hard to die, / to mold life is more difficult." In a later lecture on Yesenin, he said that the revolution demanded "that we glorify life." However, Mayakovsky himself would commit suicide in 1930.
Cultural impact
Yesenin's suicide triggered an epidemic of copycat suicides by his mostly female fans. For example, Galina Benislavskaya, his ex-girlfriend, killed herself by his graveside in December 1926. Although he was one of Russia's most popular poets and had been given an elaborate state funeral, some of his writings were banned by the Kremlin during the reigns of Joseph Stalin and Nikita Khrushchev. Nikolai Bukharin's criticism of Yesenin contributed significantly to the banning.
Only in 1966 were most of his works republished. Today Yesenin's poems are taught to Russian schoolchildren; many have been set to music and recorded as popular songs. His early death, coupled with unsympathetic views by some of the literary elite, adoration by ordinary people, and sensational behavior, all contributed to the enduring and near mythical popular image of the Russian poet.
Ukrainian composer Tamara Maliukova Sidorenko (1919-2005) set several of Yesenin’s poems to music.
Bernd Alois Zimmermann included his poetry in his Requiem für einen jungen Dichter (Requiem for a Young Poet), completed in 1969.
The Ryazan State University is named in his honor.
Multilanguage editions
Anna Snegina (Yesenin's poem translated into 12 languages; translated into English by Peter Tempest) ISBN 978-5-7380-0336-3
Works
The Scarlet of the Dawn (1910)
The high waters have licked (1910)
The Birch Tree (1913)
Autumn (1914)
Russia (1914)
A Song About a Dog/The B*tch (1915)
I'll glance in the field (1917)
I left the native home (1918)
Hooligan (1919)
Hooligan's Confession (1920) (Italian translation sung by Angelo Branduardi)
I am the last poet of the village (1920)
Prayer for the First Forty Days of the Dead (1920)
I don't pity, don't call, don't cry (1921)
Pugachev (1921)
Land of Scoundrels (1923)
One joy I have left (1923)
A Letter to Mother (1924)
Tavern Moscow (1924)
Confessions of a Hooligan (1924),
A Letter to a Woman (1924),
Desolate and Pale Moonlight (1925)
The Black Man (1925)
To Kachalov's Dog (1925)
Who Am I, What Am I (1925)
Goodbye, my friend, goodbye (1925) (His farewell poem)
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