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I rather like the interior which is both well put together (no rattles) and pretty good quality. It is however filthy and could do with a freshen up. This will be addressed shortly.
The initial assessment went quite well. The underside is in very good condition and the previous advisories of a damp steering rack and corroded front brake lines don't look to have worsened. Both sides will probably clean up fine.
Having driven it another 20 miles or so we discovered the thermostat is probably stuck open, which accounts for the temperature gauge I thought was non-functional. It does actually start to read when stationary, but cools straight off again when on the move. Annoyingly thermostat replacement is a cambelt-off job on these, however I have a work-around for this, which involves installing a thermostat in one of the top-hoses. Apparently this is a common fix on Rover 75s too.
The cool running, very short runs and long periods standing all appear to have contributed to condensation and thus mayonnaise in the underside of the oil cap. I was a bit concerned this could be a symptom of head gasket failure, however the coolant is fine and it's exhibiting no other symptoms of HGF. I'll keep an eye on it.
Initially it ran very well this morning, but after 15 miles or so it started to hesitate and misfire. We hooked up the diagnostic gear and a few codes came up. They relate to the EGR valve, crankshaft position sensor and camshaft position sensor. We managed to clear them and remove the EML, but the crankshaft sensor fault kept returning.
On the cosmetics front we tried and failed to remove the dent in the rear bumper (a job for a warmer day) and my neighbour tested some wax treatment on the rear 3/4 panel. We concluded something stronger is required!
So what's the plan? With the sensors being relatively inexpensive I'm going to get one of each and see what difference they make. I'm aware the actual problems could lie elsewhere, but this seems a reasonably inexpensive place to start. I'll also look at some options for the thermostat work-around. I'll not get a lot of time on this over the next few weeks, so it'll be a bit of a slow burn. I'll collect some parts, start to tackle the interior as and when I can and then do some fitting up in a few weeks time. Watch this space...
Berlin 2016
This is a continuation of the current project of an Image a day.
This will take a year to complete. It will be a "Colour Project"....numbered 731 to 1100 and it will begin on September 1st 2022..
I will also include an additional 4 Sets that will last a month each.
First will be Vines and Vineyards in November.2022.
Second is Forests ,,Water, ,Trees and Leaves in February 2023.
Third "Light Eating Objects" in May 2023.
Forth will be another B&W . August 2023.
On top of all that every month will feature a small set of 4 pics with different themes.
As you can see I shall be a busy Bunny!.
Hope you like the stuff!!!!!!!.
-> LAST DAYS !
The event ends on 25th but I just added a new Limited item
New Mesh Skirt !
You have 5 sizes ( XXS, XS, S, M, L) and 4 colors inside (Grey,Black,Teal,Blue)
Demo is available
taxi: maps.secondlife.com/secondlife/Metropolis/147/146/23
I was on a lunchtime walk solo today, and zipping along past the golf course I noticed this leaf in the most amazing back light.
It looks like some kind of crazy emboss filter had been applied to it, so it got snapped. :)
Picture the Holidays Day 6: Every Little Thing.
I don't think this is exactly what Tracey was looking for, and I will keep looking for that.
But here, anyway, are details of the project I am working on right now -- creating photo calendars for holiday gifts, using the Shutter Sisters calendar template. I got the printing and cutting figured out yesterday, and the pages look gorgeous. It turns out, however, that the full calendar is too thick for the CD case, and if I take the inside out of the CD case, it slides around. So I'm working on solving that problem now. I'm hoping that if I can iron out the kinks of this project this year, perhaps next year I can sell a few.
A small project consisting of setting up a shoot with random passersby and getting them to pull a face.
All participants where informed of the project and asked if they wanted to be a part. To see the rest of the project you can visit cambrils.tumblr.com/
Lighting is provided by a softbox umbrella camera right and a bare strobe for hair light.
This weekend you'll be gifted the chance to see the other great beings who infiltrated the matoran universe, and the guises they donned.
Welcome to #projecthidin and keep an eye out for the following Great Beings.
Photok - @alexcparsons
Fikou - @bonkleria
Hafu - @chronic.bionicle
Kopeke - @pakaru_builds
Macku - @kanohifaxon
Kapura - @sharreek42
Miserex - @claustri.mocs
Krahka - @arriba_arriba_arriba
Onepu - @wanderer_mocs
Velika - @redastrayzero
Shadow Stealer - @nihil_persona
Podu - @anderson_builder
Tunnel Stalker - @mechanical.hands
Solek - @chronic.bionicle
caliber 7.62x51
Gas operated, rotating bolt with 4 lugs, To provide balancing action, secont gas piston is fitted in the front of the first one. When gun is fired, main gas piston moves rearwards, operating the bolt group, while balancing piston moves in opposite direction, being synchronised to the main one via simple rack and pinion system thus redusing recoil with 25%
This week I decided to participate in the EtsyMetal Project Runway Challenge.
"Make an "avant garde" piece of jewelry using a work of art as your inspiration. If you have access to a child and want to collaborate on something, go for it!"
I was going to use a child's artwork as an inspiration but then I stumbled upon "Small Picture of Firtrees" by Paul Klee. The color scheme and the assymetrical rectangles completely captivated me. So I made an embroidery piece using a similar color combination and set it in an oxidized copper frame. I made the cord to hang the pendant by tearing and stitching pieces of fabric. The final piece ended up reminding me more of a Modrian than Klee but I guess this can happen :-)
Bit of an obvious shot, but I've got a cold so I'm not feeling creative.
It's my old man's birthday so we had a Chinese banquet takeaway and it was fab.
Here is the presenation of the cake with the now obligatory rocket candle!
Kiev, 2013.
This image is part of my "doors" project.
I decider to concentrate on very common and simple everyday use things, doors. But I look for interesting doors.
The clocks have gone forward and it is Tulip Sunday in the Wellington Botanic Gardens. I went to enjoy the spring with a few members of my Momentum Meetup group.
Sunday, 25th September 2016
Greetings everyone!
If you did not had a chance to see The Aurora Project, my collaboration with talented Lorin Tone at the SLB regions, its now your chance to revisit it at the Burn2 Regions!
This collaboration needs to be experienced. Remember to enable if you can advanced lighting, shinny, shadows and bump-mapping/shinny and multiple light sources to experience it to its maximum effect. A twilight or night windlight is recommended!
Additional info and Taxi bellow:
maps.secondlife.com/…/Burning%20Man-%20Deep…/67/60/24
The build is based on and inspired by a musical piece called "Aurora", composed by Hans Zimmer (used with permission).
Suggested settings: In your graphics settings, please enable bump mapping and shiny to view textures.
We have chosen a midnight Windlight setting, but the build looks great with any lighting model.
In your sound settings, please turn Sound Effects all the way up.
About the Sound: The choral musical piece has been cut into almost 60 pieces and rebuilt into 5 sound emitters. Each set gradually fades in and out, and each sound emitter has a different number of silences built in. The result is 5 musical sections that constantly evolve, never repeating the same combination twice. One of these sound emitters is in the center of the build, the other 4 constantly rotating to enhance the audio proximity effect.
Four additional rotating sound emitters are inside the main structure. These contain 36 solo female voice sounds. When clicked, each emitter will randomly play one sound one time. The overall effects of the combined sound emitters serve as an example of how to create constantly evolving interactive sound environments.
About the Structure and Lighting:
The structure architectural is high fantasy styled, mixing elements from Celtic knot-work decoration and greco-roman architectural elements.
The structure's crystals are created using all SL's advanced material features. Randomly rotating colored projected lighting will cause different refractions on the crystal's surfaces, complementing the evolving moving sound. Set your windlight to night or twilight settings to better enjoy the surrounding sounds and effects.
Thank you from Elicio Ember and Lorin Tone.
1. JANUARI // JANUARY, 2. FEBRUARI // FEBRUARY, 3. MAART // MARCH, 4. APRIL, 5. MEI // MAY, 6. JUNI // JUNE, 7. JULI // JULY, 8. AUGUSTUS // AUGUST, 9. SEPTEMBER, 10. OKTOBER // OCTOBER, 11. NOVEMBER, 12. DECEMBER
KALENDERPROJECT 1997 – 2011
In 1997 startten Anne Nomrowski en Dietmar Vollmer een kalenderproject.
Zij nodigden tien andere kunstenaars uit om ieder een kunstwerk te maken. Iedere kunstenaar ontwierp één maand en maakte 24 dezelfde of gelijkende exemplaren.
Anne & Dietmar voegden de maanden samen, ze maakten er een calendarium bij en werkten de kalender af met een metalen spiraal.
Iedere kunstenaar kreeg twee kalenders.
Mijn eerste bijdrage voor 1998 was een kleuren-linosnede voor november.
In de daaropvolgende jaren mocht ik ieder jaar zelf een maand kiezen.
In twaalf jaar heb ik alle maanden een keer gemaakt en kan ik een kalender samenstellen van mijn bijdragen.
Het kalenderproject was het leukste mail-art-project waaraan ik ooit heb meegedaan, De kwaliteit van de bijdragen was altijd hoog. We beleefden veel kijk plezier aan de kalender, alle maanden waren origineel en mooi.
Ieder jaar had ik een mooi gezamenlijk kunstwerk om cadeau te geven.
CALENDAR PROJECT 1997-2011
In 1997 Anne Nomrowski and Dietmar Vollmer started a calendar project. They invited ten friends to design an artwork. Each artist had to make one moth 24 times in the same or a similar way. Anne and Dietmar fitted the month together, they included the dates and connected the sheets with a wire spiral. Each participant received two original calendars.
My first contribution for 1998 was a lino-print for November. In the next years I could choose which month I wanted to make an artwork about. After twelve years I have made every month of the year and I can create a calendar from my contributions.
The calendar project was the nicest mail-art-project I ever took part in. The quality of the contributions was always high. The calendar was a real joy to use in my house, each month was different and beautiful to look at.
And every year I had a nice artwork to present to a friend.
March 31 - Project: Thinking about putting this on canvas for a house porch display. Hoping it is fun to look at for hidden stars! Rather artsy, I guess!
For over a year now, Elisa and I have been looking out for opportunities to contribute to our Found Shadow Project. Here are some of the results.
We set up these rules for the project:
1. Only 'found' shadows could be entered in the project (nothing is staged!).
2. The object casting the shadow must be out of frame.
3. Only available light, natural or otherwise. may be used.
More in the Shadow Project set
Hoje é dia do amigo e nada melhor que representar esse dia com uma foto do melhor amigo do homem. Esse é o Leleco, que adora chupar chupeta. Pode?
Eu queria aqui citar um por um das pessoas que se tornaram especiais pra mim através dessa galeria. Mas eu seria injusta, porque com certeza esqueceria alguém. Mas quero desejar a todos vocês um FELIZ DIA DO AMIGO. Que o jardim da amizade possa florescer cada vez mais, com flores naturais, verdadeiras e coloridas.
Beijo
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Obrigada a todos pelos "comments" e "views" ♥
Thanks all for "comments" and "views"" ♥
The Eden Project is a visitor attraction in Cornwall, England. Inside the two biomes are plants that are collected from many diverse climates and environments. The project is located in a reclaimed Kaolinite pit, located 2 km (1.2 mi) from the town of St Blazey and 5 km (3 mi) from the larger town of St Austell, Cornwall.
The complex is dominated by two huge enclosures consisting of adjoining omes that house thousands of plant species, and each enclosure emulates a natural biome. The biomes consist of hundreds of hexagonal and pentagonal, inflated, plastic cells supported by steel frames. The largest of the two biomes simulates a Rainforest environment and the second, a Mediterranean environment. The attraction also has an outside botanical garden which is home to many plants and wildlife native to Cornwall and the UK in general; it also has many plants that provide an important and interesting backstory, for example, those with a prehistoric heritage.
This day was a race day. I had been running since Friday afternoon and during all day. So, there is no photos with my fuji today. I was carrying my sports camera and took some photos during the day but nothing good... I've chosen this photo as the photo of the day because there is no more... Sorry.
I finished the race wirh 32h50m in 137th position over 2500...it is the best result ever for me.