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Copyright GenX Visual Arts
Copyright GenX Visual Arts
Lighting info: 2 - AB800s behind the model, one on each side pointed towards the model with a closed down soft silver umbrella. 1 - AB800 with a beauty dish very slightly camera right and above/in-front of the model angled into a tri-flector. Tri-flector is in-front of the model at about waist height.
BAGRAM AIRFIELD, Afghanistan -- Soldiers from Task Force Eagle in-process as they arrive here with the help of Sgt. 1st Class Monica O'Leary, the non-commissioned officer in charge of the task force’s personnel section.
Photo and Cutline by Sgt. George Tucker
images created in processing for Josh Malamy's "Amino Acids" project
details here: aminoacids.minigolfbirthdayparty.com/
Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
Collecting B-Roll in Fells Point Baltimore. Fuji Provia 100F Cross Proccessed taken with an Olympus Infinty and scanned on an Epson V600.
Our coffee farm, Fazenda Nossa Senhora Aparecida. Brasil, 2007.
This set shows pictures of the coffee trees, picking (both mechanical and manual) and processing, as well as the infrastructure used for such. It also shows the social and educational activities we develop in the farm to improve living and working conditions of the farmers and our community.
The farm is located near Pedregrulho, state of São Paulo, in the Alta Mogiana region, highly prized for its coffee quality.
Photos taken by João Guilherme Martins and Marcelo Dantas, among others.
For more information:
Made in Processing. Thanks to Chris Riebschlager for his
brilliant code: blog.the816.com/post/40438345149/pixelplaid-heres-a-quick...
photoshopped* version of www.flickr.com/photos/razornl/4357622243
What I did: I took the original drawing, resized it to 10%, blurred a bit, then resized it back to 100%. This is the result. Pretty/scary.
actually this looks more like what I see while I'm drawing. I work at rather dimmed lighting, so that my perception is somewhat like what you see here instead of the actual scribblings I have to make to produce it.
I never expected that stripping all the detail from the original would produce something like this. Surprising for me it shows quite well what was there for me to work with.
best viewed large and from varied distances.
* gimped actually.
Lucy is really into playing on her play mat and she looks so pleased with herself. Then after a while she just lays there and watches the tree out of the window!
I have decided to have a day off trying to photograph the pair of them together!
Tests with Toxiclibs lattice mesh builder. Inspired by Ernst Haeckels Art forms of Nature. Using GLSL shading. Get the complete Processing project: www.brian-steen.com/sketches/_110425_meshLattice02.zip
Couldn't decide which version to upload so I uploaded both.
The most trying part about this shoot was the lights. The owner of the car and the house refused to let me have an electric connection required for my lights. (No battery packs owned sadly) I really wanted to shoot here so I had to make do with a SB-800 and reflector.
This photograph was a last minute decision. I was shooting an old house close by when I discovered this car. I know it's a Plymouth, I am still trying to figure out what model.
It has the front of 1957 Plymouth Fury but it's a 4 door and also resembles the '58 Savoy. The Savoy however has a twin headlamp assembly.
I did go back and convince the owner to let me plug in my lights and while the power company decided take a break right when the skies were perfect I still have some decent shots.
I'll upload them later if they don't seem too repetitive.