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The explosion of the first frame is an effect in Corel VideoStudio. The five following explosions are programmed in Processing
. With Processing you can write code that manipulates the pixels of an image [among other things]. By varying the code subtle differences can be produced as shown in this video.
Here is my 3D Ghost in the Shell Spider tank.
My goal was to remake the robot vehicle from the 1995 Ghost in the Shell anime movie, and keeping it recognizable.
This remake was made out of love, as an homage to the original.
Please visit my website if you want to know more about this project:
www.unitveldt.com/portfolio-2-1/ghost-in-the-shell-spider...
www.unitveldt.com/portfolio-2-1/ghost-in-the-shell-spider...
Check my artstation profile to check out the finished project I did with my teammates!
I got my wiimote a few days ago and I've been messing with it. Say hello to the new VJ mouse. Also here's a little video.
Copyright GenX Visual Arts
Copyright GenX Visual Arts
Lighting info: 2 - AB800s behind the model, one on each side pointed towards the model with a closed down soft silver umbrella. 1 - AB800 with a beauty dish very slightly camera right and above/in-front of the model angled into a tri-flector. Tri-flector is in-front of the model at about waist height.
BAGRAM AIRFIELD, Afghanistan -- Soldiers from Task Force Eagle in-process as they arrive here with the help of Sgt. 1st Class Monica O'Leary, the non-commissioned officer in charge of the task force’s personnel section.
Photo and Cutline by Sgt. George Tucker
Enjoy my art? Visit the Shane Gorski Photography Store and enjoy it in print!
Press "L" to view it large and see the entire Africa slideshow.
During our time in Zimbabwe, we scheduled some time to visit a lion outreach camp called “Lion Encounter”. Their mission isn’t to just raise lions from birth and give them to zoos, but to introduce them back to the wild where they belong. Sara and I were allowed to take an hour walk with a few 18 month old lions. What we found especially funny was that lions usually sleep about 18 hours per day, much like our cat at home. In fact, when we first encountered the lions they were doing just that – sleeping. Things picked up a bit as they awoke from their slumber and we were able to get some great photos and make great memories.
This is the final installment from Lion Encounter with a simply processed photo and a more worked up version. I know this may seem hypocritical that not too long ago I ranted with hundreds of words describing that it’s good to focus on one’s photography roots, but sometimes I think some photos need that extra push off the cliff to be printed large and worthy to be hung over a fireplace. Maybe I should call it, “Shane Gorski – Classic.” HA! This lioness was photographed as our guides were describing various lion behaviors and discussing the various stages to reintroduce a lion to the wild. To me, this lion has no hope. She loved lying on this dead tree near the stream a little too much. As we continued on our walk with the lions, one of our guides had to poke this lioness in the butt to get her movin’. He was met with a cold stare, but with a little verbal persuasion the lioness moved on her way.
Lion Encounter is part of ALERT (African Lion & Environmental Research Trust)
These screengrabs are from an application developed for an installation we had running at the Barbarian holiday party on December 14th in Boston. The setup was simple enough.
1) Drunk people.
2) Remote controlled camera and flash umbrellas in a make-shift photobooth.
3) Powermate knob controlling a Mac Automator script which would tell the camera to snap a photo, save the photo to a mac mini, resize the photo and place a copy into a shared folder.
4) MacBook Pro connected to a projector.
5) Processing application which pulls in photos from the Mac Mini and presents them as animated kaleidoscopes which are projected onto the wall above the dance floor.
Crowd-Made Party Visuals!
And now a few words about the presentation. Every 12 seconds, a new photo is pulled from the Mini. I decide randomly if it should be a 6, 12, or 18 pronged kaleidoscope star. I render the kaleidoscoped image to the screen and slowly push it back along the z axis so that it moves away from the viewer. This movement allows me to layer kaleidoscopic slides. The image itself is added as a texture to a bunch of mirror imaged triangles but I rotate the texture at a random speed so sometimes you get a central star gap which allows you to see through to the previous image.