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Procession to honor one of the 3 crew members killed in a medical Helicopter crash in Vinton County, Ohio.
City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built over a period of nearly 400 years being contributed by several kings of the dynasty, starting by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of the Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.
The City Palace in Udaipur was built in a flamboyant style and is considered the largest of its type in Rajasthan, a fusion of the Rajasthani and Mughal architectural styles, and was built on a hill top that gives a panoramic view of the city and its surrounding, including several historic monuments such as the Lake Palace in Lake Pichola, the Jag Mandir on another island in the lake, the Jagdish Temple close to the palace, the Monsoon Palace on top of an overlooking hillock nearby and the Neemach Mata temple. These structures are linked to the filming of the James Bond movie Octopussy, which features the Lake Palace and the Monsoon Palace. The subsequent publicity has resulted in the epithet of Udaipur as "Venice of the East". In 2009, Udaipur was rated the top city in the World's Best Awards by Travel + Leisure.
HISTORY
The city Palace was built concurrently with establishment of the Udaipur city by Maharana Udai Singh, in 1559 and his successor Maharanas over a period of the next 300 years. It is considered the largest royal complex in Rajasthan and is replete with history. Founding of the city and building of the palace complex can not be looked in isolation as the Maharanas lived and administered their kingdom from this palace.
Prior to moving their capital from Udaipur to Chittor≤≥, the Mewar kingdom had flourished initially in Nagda (30 kilometres to the north of Udaipur), established in 568 AD by Guhil, the first Mewar Maharana. In the 8th century, the capital was moved to Chittor, a hill top fort from where the Sisodias ruled for 80 years. Maharana Udai Singh II inherited the Mewar kingdom at Chittor in 1537 but by that time there were signs of losing control of the fort in wars with the Mughals. Udai Singh II, therefore, chose the site near Lake Pichola for his new kingdom because the location was well protected on all sides by forests, lakes and the Aravalli hills. He had chosen this site for his new capital, much before the sacking of Chittor by Emperor Akbar, on the advice of a hermit he had met during one of his hunting expeditions.
At his capital Udaipur, Maharana Udai Singh soon faced defeat at the hands of Mughal Emperor Akbar. He soon moved to Udaipur to the chosen location to establish his new capital. The earliest royal structure he built here was the Royal courtyard or 'Rai Angan', which was the beginning of the building of the City Palace complex, at the place where the hermit had advised Maharana to build his Capital.
After Udai Singh’s death in 1572, his son Maharana Pratap took the reins of power at Udaipur. He was successful in defeating Akbar at the battle of Haldighati in 1576 and thereafter Udaipur was peaceful for quite some years. With this, prosperity of Udaipur ensued, palaces were built on the shore and in the midst of the Pichola lake. Concurrently art, particularly miniature painting, also flourished.
But in 1736, the marauding Marathas attacked Udaipur and by the end of the century the Mewar state was in dire straits and in ruins. However, the British came to Mewar’s rescue in the 19th century and soon the State of Mewar got re-established and prospered under British protection, under a treaty signed with the British. However, the British were not allowed to replace them. Once India got independence in 1947, the Mewar Kingdom, along with other princely states of Rajasthan, merged with the Democratic India, in 1949. The Mewar Kings subsequently also lost their special royal privileges and titles. However, the successor Maharanas have enjoyed the trust of their people and also retained their ownership of the palaces in Udaipur. They are now running the palaces by creating a trust, called the Mewar Trust, with the income generated from tourism and the heritage hotels that they have established in some of their palaces. With the fund so generated they are running charitable hospitals, educational institutions and promoting the cause of environmental preservation.
LEGEND
Historical legend narrated to the selection of the site for the palace is about a hermit meeting Maharana Udai Singh when he was on a hunting trail in the Udaipur hills. The Maharana met the hermit who was meditating on top of a hill above the Pichola Lake and sought the hermit’s blessings. The hermit advised the Maharana to build his palace at that very spot and that is where the palace complex came to be established at Udaipur.
GEOGRAPHY
The city palace located in Udaipur city at 24.576°N 73.68°E, which is set with an average elevation of 598 metres.
CLIMATE
The climate of Udaipur reflects the climate at the city palace. It is tropical, with the mercury recording between a maximum of 38.3 °C and a minimum of 28.8 °C during summers. Winter is cold with the maximum temperature rising to 28 °C and the minimum dipping to 11.6 °C. The average annual rainfall is 64 cm.
STRUCTURES
The series of palaces packed in the city palace complex, facing east (as customarily appropriate for the Maharana dynasty – the Sun dynasty), behind an exquisite facade of 244 metres length and 30.4 metres height, were built on a ridge on the east of lake Pichola. They were built over a long period, from 1559 onwards, by 76 generations of Sisodia Rajputs or Suryavanshi Rajputs (worshippers of Sun god). Several Maharanas (the title Maharana is distinctly different from Maharajah, as the former connotes a warrior and the latter a ruler or a king) starting with Udai Mirza Singh II, have richly contributed to this edifice, which comprises an agglomeration of structures, including 11 small separate palaces. The unique aspect of this conglomeration is that the architectural design (a rich blend of Rajasthani, Mughal, Medieval, European and Chinese Architecture) is distinctly homogeneous and eye catching. The palace complex has been built entirely in granite and marble. The interiors of the palace complex with its balconies, towers and cupolas exhibit delicate mirror-work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of colored glass. The complex provides a fine view of the lake and the Udaipur city from its upper terraces.
Located with the picturesque backdrop of rugged mountains, beside the Pichola lake on its shore, the city palace complex painted in gleaming white color has been compared to the Greek islands, such as the Mykonos.
The famous structures or palaces viewed from the Lake Palace appear like a fort. They are interlinked inside the complex through a number of chowks or quadrangles with zigzag corridors (planned in this fashion to avoid surprise attacks by enemies). Erected in the complex, after entering through the main Tripolia (triple) gate, are the Suraj Gokhda (public address facade), the Mor-chowk (Peacock courtyard), the Dilkhush Mahal (heart’s delight), the Surya Chopar, the Sheesh Mahal (Palace of glass and mirrors), the Moti Mahal (Palace of Pearls), the Krishna Vilas (named after Lord Krishna), Shambu Niwas (royal residence now), the Bhim Vilas, the Amar Vilas (with a raised garden) that faces the Badi Mahal (the big palace), the Fateprakash Palace and the Shiv Niwas Palace (the latest addition to the complex); the last two have been converted into heritage hotels. Details of all these structures are elaborated. The vast collection of structures are termed to form ‘a city within a city’ set with facilities of post office, bank, travel agency, numerous craft shops and also an Indian boutique belonging to the World Wildlife Fund (WWF) for Nature. The entire complex is the property of the Mewar royal family and a number of trusts take care of the running and maintenance of the structures. The earliest royal structure built in the complex was the Royal courtyard or Rai Angan.
GATEWAYS
Gateways, colloquially called Pols, are set to the east of Udaipur city that was established by Maharana Udai Singh II, concurrently with the City Palace. A number of impressive gateways provide access to the palace complex.
The main entry from the city is through the 'Bara Pol' (Great Gate), which leads to the first courtyard. Bara Pol (built in 1600) leads to the ‘Tripolia Pol', a triple arched gate built in 1725, which provides the northern entry. The road between this gate and the palace is lined with shops and kiosks owned by craftsmen, book-binders, miniature painters, textile dealers and antique shops. Between these two gates, eight marble arches or Toranas are erected. It is said that the Maharanas used to be weighed here with gold and silver, which was then distributed among the local people. Following the Tripolia gate is an arena in front of the Toran Pol and the facade palace, where elephant fights were staged in the past to test their prowess before starting on war campaigns.
The main block of the city palace at Udaipur is approached through a modest door from the Ganesha Deodhi terrace. The door is flanked by whitewashed walls vibrantly painted with martial animals in the traditional Rajput style.
AMAR VILAS
Amar Vilas is the uppermost court inside the complex, which is a raised garden. It provides entry to the Badi Mahal. It is a pleasure pavilion built in Mughal style. It has cussed arcades enclosing a square marble tub. Amar Vilas' is the highest point of the City palace and has wonderful hanging gardens with fountains, towers and terraces.
BADI MAHAL
Badi Mahal (Great Palace) also known as Garden Palace and is the exotic central garden palace that is situated on a 27 metres high natural rock formation bis-a-bis the rest of the palace. The rooms on the ground floor appear to be at the level of the fourth floor in view of the height difference to its surrounding buildings. There is a swimming pool here, which was then used for Holi festival (festival of colors) celebration. In an adjoining hall, miniature paintings of 18th and 19th centuries are displayed. In addition, wall paintings of Jag Mandir (as it appeared in the 18th century), Vishnu of Jagdish temple, the very courtyard and an elephant fight scene are depicted.
The elephant fight depicted in a painting on the wall was a representation of the real elephant fights, which used to be organized by the Maharanas. It is mentioned that the elephants used to be fed hashish (opium) before arranging the fights. An interesting observation is that the word ‘assassin’ is a derivative of the word ‘hashish’. The last such fight was reported in 1995.
BHIM VILAS
Bhim Vilas has a gallery of a remarkable collection of miniature paintings that depict the real life stories of Radha-Krishna.
CHINI CHITRASHALA
Chini Chitrashala (Chinese art place) depicts Chinese and Dutch ornamental tiles.
CHOTI CHITRASHALI
Choti Chitrashali or 'Residence of Little Pictures', built in early 19th century, has pictures of peacocks.
DILKHUSHA MAHAL
Dilkhusha Mahal or ‘Palace of Joy’ was built in 1620.
DURBAR HALL
Durbar Hall was built in 1909 within the Fatepraksh Palace (now a heritage hotel) Official functions such as State banquets and meetings were held here. The gallery of the hall was used by the Royal ladies to observe the Durbar proceedings. This hall has luxuriant interior with some unusually large chandeliers. Weapons of the maharanas and also some of their unique portraits are also depicted here. The foundation stone for this hall was laid by Lord Minto, the Viceroy of India, in 1909, during the rule of Maharana Fateh Singh and was then called Minto Hall.
FATEPRAKASH PALCE
Fateprakash Palace, which is now run as a luxury hotel, has a crystal gallery that consists of crystal chairs, dressing tables, sofas, tables, chairs and beds, crockery, table fountains which were never used. There is also a unique jewel studded carpet here. Maharaja Sajjan Singh had ordered these rare items in 1877 from F& C Osler & Co of London but he died before they arrived here. It is said that the packages containing these crystals remained unopened for 110 years.
JAGDISH MANDIR
Jagdish Mandir, located 150 metres north of the city palace, was built in 1652 in Indo-Aryan architectural style. It is a large and aesthetically elegant temple where an idol of Lord Jagannath, a form of Lord Vishnu made in black stone is deified in the sanctum. The temple walls and the sikhara or tower are decorated with carvings of Vishnu, scenes from Lord Krishna’s life and figurines of nymphs or apsaras. A brass image of Garuda (half-bird, half-man image, which is Lord Vishnu’s vehicle), is placed in a separate shrine in front of the temple. Flanking the steps up the temple decoration of statues of elephants are seen. The street square, where the temple is located, is also known as Jagdish Chowk from where several roads radiate in different directions.
KRISHNA VILAS
Krishna Vilas is another chamber, which has rich collection of miniature paintings that portray royal processions, festivals and games of the Maharanas. However, there is tragic story linked to this wing of the City Palace. In the 19th century, a royal princess was unable to choose from two suitors seeking her hand in marriage, one from the royal family of Jaipur and another from Jodhpur, and hence in a state of dilemma, she poisoned herself to death.
LAXMI VILAS CHOWK
Laxmi Vilas Chowk is an art gallery with a distinctive collection of Mewar paintings.
MANAK MAHAL
The Manek mahal approached from the Manak Chowk is an enclosure for formal audience for the Udaipur rulers. It has a raised alcove inlaid completely in mirror glass. Sun-face emblems, in gleaming brass, religious insignia of the Sisodia dynasty are a recurring display at several locations in the City Palace; one of these prominent emblems is depicted on the façade of the Manak Chowk, which can also be seen from the outermost court below. The largest of such an emblem is also seen on the wall of the Surya Chopar, a reception centre at the lower level. Surya or Sun emblem of the Mewar dynasty depicts a Bhil, the Sun, Chittor Fort and a Rajput with an inscription in Sanskrit of a quotation from the Bhagavad Gita (Hindu holy scripture), which means “God Helps those who do their duty". It was customary for the Maharanas to offer obeisance to the Sun facing east, every morning before taking breakfast.
MOR CHOK
Mor Chok or Peacock square is integral to the inner courts of the palace. The elaborate design of this chamber consists of three peacocks (representing the three seasons of summer, winter and monsoon) modeled in high relief and faced with coloured glass mosaic, built into successive niches in the wall area or jharoka, These were built during Maharana Sajjan Singh’s reign, 200 years after the palace was established. The peacocks have been crafted with 5000 pieces of glass, which shine in green, gold and blue colours. The apartments in front of the Chowk are picturesquely depicted with scenes of Hindu god Lord Krishna’s legends. At the upper level, there is a projecting balcony, which is flanked by inserts of coloured glass. In an adjoining chamber, called the Kanch-ki-Burj, mosaic of mirrors adorn the walls. The Badi Charur Chowk within this chowk is a smaller court for private use. Its screen wall has painted and inlaid compositions depicting European men and Indian women. Proceeding further from the Mor-Chowk, in the Zenana Mahal or women’s quarters exquisitely designed alcoves, balconies, colored windows, tiled walls and floors are seen.
MUSEUM
n 1974, a part of the city palace and the 'Zenana Mahal' (Ladies Chamber) were converted into a museum. The museum is open for public. There is an interesting exhibit of a freaky monkey holding a lamp and also portraits of maharajas displaying a spectacular array of mustaches. ‘Lakshmi Chowk' is an elegant white pavilion in the same precinct.
RANG BHAWAN
Rang Bhawan is the palace that used to contain royal treasure. There are temples of Lord Krishna, Meera Bai and Shiva, located here.
SHEESH MAHAL
Sheess Mahal or Palace of Mirrors and glasses was built in 1716.
A shrine of Dhuni Mata is also located in the complex. This location is considered as the oldest part of the Palace, where a sage spent his entire life meditating.
THE PALACE IN FILM & TELEVISION
The palace was used as a hotel in the 1985 James Bond film Octopussy, where Bond (played by Roger Moore) stayed as he began his quest to apprehend the villainous Kamal Khan (Louis Jordan).
A 1991 documentary film directed for television by Werner Herzog is called Jag Mandir and consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller.
The palace was used for filming part of Goliyon Ki Raasleela Ram-Leela (English: A Play of Bullets: Ram-Leela) 2013 directed by Sanjay Leela Bhansali.
WIKIPEDIA
La processione dei misteri si svolge a Trapani il Venerdì Santo, da quasi 400 anni. L'origine è spagnola, dalle antiche Casazas che si svilupparono a Genova e in tutte le terre dominate dagli iberici. La processione ha inizio alle 14 del venerdì santo per concludersi ventiquattro ore dopo. Viene considerata la più lunga manifestazione religiosa italiana e soprattutto tra le più antiche.
A few shots just just give a hint of the colour, generosity and warmth from the Sikh community in Slough. Up to 8,000 people take part in the colourful Vaisakhi Nagar Kirtan procession through Slough. The annual tradition celebrating the holiest day in the Sikh calendar – the creation of the Khalsa – is a feast of free food, spiritual music and martial arts displays.
After work in Tarbes/Lannemzan, we visited Lourdes, just in time to see the candle light procession. I sketched these nuns, waiting just before the procession started.
Mum Alice, daughter Jill and granddaughter Maisie. No equality, some equality, maybe equality.
PROCESSIONS, a mass artwork celebrating 100 years of women voting, in Belfast, Cardiff, Edinburgh and London. 10th June 2018.
100 banners and 100 artists full list: www.processions.co.uk/partners-2/
About 500 people on bikes came out on the Sofia's street on velo procession.
All we want is bikelanes.
All we want is to feel a little bit more safety on the streets.
All we need is bike.
For more pictures from this event, check out my blog
This is my first picture got in EXPLORE at #255 for May 16, 2007 :)
Silent procession in honor of Liduina (Lidwina) Schiedam. A Dutch mystic and patron saint of the world's jenever capital. At the age 15 she fell on the ice during skating (how Dutch!). She never recovered and after some time her life was full of miracles and visions. Despite the ice crash, she is also patron of ice skaters.
During the procession many important places for Liduina are visited. For the non-religious visitor/ follower a perfect way to see and know more about Schiedam's rich history.
Horse-drawn funeral procession through a street with onlookers paying their respects.
No date
From the Documentary Photographic Archive at Greater Manchester County Record Office. Ref: DPA 862/72
This mural showing a religious procession in the state of Oaxaca Mexico is from the National Anthropology Museum in Mexico City
Mengake Mask Procession
©John Lander - Unauthorized usage for any purpose is prohibited. For licensing or contact please go to www.asiaimages.net
A few shots just just give a hint of the colour, generosity and warmth from the Sikh community in Slough. Up to 8,000 people take part in the colourful Vaisakhi Nagar Kirtan procession through Slough. The annual tradition celebrating the holiest day in the Sikh calendar – the creation of the Khalsa – is a feast of free food, spiritual music and martial arts displays.
Silent procession in honor of Liduina (Lidwina) Schiedam. A Dutch mystic and patron saint of the world's jenever capital. At the age 15 she fell on the ice during skating (how Dutch!). She never recovered and after some time her life was full of miracles and visions. Despite the ice crash, she is also patron of ice skaters.
During the procession many important places for Liduina are visited. For the non-religious visitor/ follower a perfect way to see and know more about Schiedam's rich history.
At "De Basiliek van de H. Liduina en Onze Lieve Vrouw van de Rozenkrans", or just "Liduina Basilica"
A few shots just just give a hint of the colour, generosity and warmth from the Sikh community in Slough. Up to 8,000 people take part in the colourful Vaisakhi Nagar Kirtan procession through Slough. The annual tradition celebrating the holiest day in the Sikh calendar – the creation of the Khalsa – is a feast of free food, spiritual music and martial arts displays.
Metropolitan PD motorcop participating in the post-funeral motorcade procession.
Woodbridge, VA / January 4, 2013
A gorgeous incense procession I came across on a Sunday in Antigua Guatemala. At first I was confused as I believed the large "statue" being carried out of the church to be a coffin and thought it very disrespectful that so many people were taking photos at a funeral, however I soon noticed that the "coffin" was a larger than life podium for a Jesus statue being carried out by older women. The little boy ad the man depicted here proceeded the statue. I love how the streets filled with incense smoke, some of it hiding spectators, some catching in the sun light. This picture hardly does the mystical atmosphere justice... I would also like to add that I did not make this picture as blue but that this was a natural effect of the smoke.
Bhaktapur (Nepali: भक्तपुर), literally translates to Place of devotees. Also known as Bhadgaon or Khwopa (Newar: ख्वप Khwopa), it is an ancient Newar city in the east corner of the Kathmandu Valley, Nepal, about 13 km from the capital city, Kathmandu. It is located in Bhaktapur District in the Bagmati Zone.
Bhaktapur was the largest of the three Newar kingdoms of the Kathmandu Valley, and was the capital of Nepal during the great 'Malla Kingdom' until the second half of the 15th century. Today it is the third largest city in the Kathmandu Valley, with a population of more than 80,000, of which the vast majority are still Newars. Historically more isolated than the other two kingdoms, Kathmandu and Patan, Bhaktapur has a distinctly different form of Nepal Bhasa language.
Bhaktapur has the best preserved palace courtyards and old city center in Nepal, and is listed as a World Heritage Site by UNESCO for its rich culture, temples, and wood, metal and stone artworks. This is supported by the restoration and preservation efforts of German-funded Bhaktapur Development Project (BDP).
The city is famous for special type of curd called "Ju Ju(king) dhau(curd). It is experienced by the curd makers that the taste of curd prepared in this location cannot be found elsewhere all over Nepal.
ETYMOLOGY
KHWOPA is the ancient name of Bhaktapur. The term "Bhaktapur" (Sanskrit/Nepali: भक्तपुर) refers to "The City Of Devotees". This Bhaktapur City is also known as "Khwopa" (Nepal Bhasa: ख्वप) or "Bhadgaon" (Nepali:भादगाँउ) or "Ancient Newari Town" throughout the Kathmandu Valley. "Kh0apa" actually refers to the masks which are believed to have been worn by gods and goddesses. Bhaktapur is popular for different forms of mask dances based on lives of different deities and therefore, it was named "Khwapa" which later came to become just "Khwopa," which is also near to meaning masks.
HISTORY
It is the home of traditional art and architecture, historical monuments and craft works, magnificent windows, pottery and weaving industries, excellent temples, beautiful ponds, rich local customs, culture, religion, festivals, musical mystic and so on. Bhaktapur is still an untouched as well as preserved ancient city that is itself a world to explore for tourists.
From time immemorial it lay on the trade route between Tibet and India. This position on the main caravan route made the town rich and prosperous.
DEMOGRAPHICS
At the time of the 2001 Nepal census it had a population of 72,543. The male inhabitants of this city wear a special type of cap called the Bhadgaunle Topi Nyatapola.
LANDMARKS
LAYAKU (DURBAR SQUARE)
Bhaktapur Durbar Square is a conglomeration of pagoda and shikhara-style temples, mostly dedicated to Hindu gods and goddesses grouped around a 55-window palace of brick and wood. The square is one of the most charming architectural showpieces of the valley as it highlights the ancient arts of Nepal. The golden effigies of the kings perched on the top of stone monoliths, the guardian deities looking out from their sanctuaries, the wood carvings in every place — struts, lintels, uprights, tympanums, gateways and windows — all seem to form a well-orchestrated symphony.
The royal palace was originally situated at Dattaraya square and was only later moved to the Durbar square location. The square in Bhaktapur was severely damaged by an earthquake in 1934 and hence appears more spacious than the ones at Kathmandu and Patan.
NYATAPOLA TEMPLE
Nyatapola Temple is a 5-story pagoda located in Bhaktapur, Nepal. The temple was erected by Nepali King Bhupatindra Malla during a 5-month period from late 1701 into 1702. It is the temple of Siddha Laxmi, the Hindu goddess of prosperity.
BHAIRAB NATH TEMPLE
This is another pagoda temple of lord Bhairab, the dreadful aspect of Lord Shiva. It stands a short distance away from the temple of Nyatapola and was originally constructed by King Jagat Jyoti Malla on a modest scale. It was later remodelled by King Bhupatindra Malla, a zealous lover of the arts, into what it is now a three-storeyed temple.
DATTATRAYA TEMPLE
The temple of Dattatraya is as old as the Palace of Fifty-five Windows. Consecrated by King Yakshya Malla in 1427 AD, this temple, according to popular belief, was built out of the trunk of a single tree. It was subsequently repaired and renovated by King Vishwa Malla in 1458 AD.
Just beside temple is a monastery (Math) with exquisitely carved peacock windows. These famous windows were carved during the reign of King Vishwa Malla. The monastery is full of artistic facades of latticed windows and engraved columns.
CHANGU NARAYAN TEMPLE
Changu Narayan is an ancient Hindu temple located near the village of Changunarayan in the Kathmandu Valley on top of a hill at the eastern end of the valley. It is 6 kilometres to the north of Bhakathapur and 22 kilometres from Kathmandu. The temple is one of the oldest Hindu temples of the valley, and is believed to have been constructed first in the 4th century. Changu Narayan is the name of Vishnu, and the temple is dedicated to him. A stone slab discovered in the vicinity of the temple dates to the 5th century, and is the oldest such stone inscription discovered in Nepal. It was rebuilt after the old temple was devastated. Many stone sculptures here date to the Licchavi period. Changu Narayan Temple is listed by UNESCO as a World Heritage Site.
The temple is a double-roofed structure where the idol of Lord Vishnu in his incarnation as Narayana is deified. The exquisitely built temple has intricate roof struts showing multi-armed Tantric deities. A kneeling image of Garuda (dated to the 5th century), the vahana or vehicle of Vishnu with a snake around its neck, faces the temple. The gilded door depicts stone lions guarding the temple. Gilded windows also flank the door. A conch and a disc, symbols of Vishnu, are carved on the two pillars at the entrance. Non-Hindus are not allowed inside the temple.
TA PUKHA (SIDDHA POKHARI)
Ta Pukhu (Siddha Pokhari) is a big rectangular water pond near the main city gate. It was built during the reign of King Yakshya Malla in the early 15th century and is associated with a number of myths. From this spot a wide range of snowy peaks are visible on clear days.
KAILASHNATH MAHADEV STATUE
Kailashnath Mahadev is the World's Tallest Lord Shiva statue. The height of this statue is 143 feet high and is situated 20 km from Kathmandu, epal. The statues construction work was started in 2004 and was completed in 2012. The statue's inauguration took place on the 21st of June '12. This statue stands on the 32nd position in the list of all statues by height in the whole world. It has been made of copper, cement, zinc, and steel. To make this gigantic structure possible there were many professional workers and statue makers from India.
FESTIVAL
Bhaktapur is also known as city of festivals and celebrations. The city celebrates festivals each month starting from new year festival to the Holi puni at the end of the year.
- Bisket Jatra (New year festival)
This ancient annual festival of bhaktapur takes place at the New Year of the Bikram Sambat calendar. A few days before the New Year, usually at Chaitra 27 or Chaitra 28, if 31 days in month, the goddess 'bhadrakali' and the god 'bhairab' are enshrined in their raths, or immense chariots & pulled through the narrow streets of Bhaktapur by crowds of young men.
The chariots rest at certain time-honored places in the city and people come out to throw offerings of flower, rice, coins and red sindur powder. On the last day of the old year a towering wooden pole known as ' lyesing dha: or lingo' is erected at the edge of town. Long banners hang from the pole, symbolizing snakes - Nag and nagini. On new year's day, the erected pole is brought down symbolizing victory over evil! People enjoy New year day along with victory over evils. On baisakh 5, the chariot is again pulled to narrow street of bhaktapur and brought to its origin place, Taumadhi square marking end of Bisket Jatra.
- Kumar Khasti (Sithi Nakha)
Before modern piping system, wells and kuwas were the basis for water supply in bhaktapur. In this auspicious day, people clean wells and worship Naag favoring good fall in monsoon. They celebrate by eating delicious delicacy like bara and chatamari.
- Gathamaga charya
Gathamaga is made up of straw that symbols a devil. Locals make gathamaga in their locality and burn fire to remove devils of their locality. It is also said that mosquitos loses its one leg in this day.
- Sa: Paaru (Gai Jatra)
The celebration of Gai Jatra Bhaktapur is interesting among Kathmandu and Lalitpur. In this day, Tall bamboo poles wrapped in cloth and topped horn of straw and an umbrella is carried around the town in memory of dead. The photo of dead is hung in this pole called Ta macha.
Also a colorful procession known as Ghing tang gishi is main attraction of this festival. People enjoy and dance in beats of music and play with stick in accordance to the beat. People decorate themselves in mask, paints and even in female outfits.
GUNLA
Gunla is the name of 10th month of Nepal Era calendar. It is sacred month dedicated to Lord Buddha celebrated in Kathmandu, Patan and Bhaktapur.
But In Bhaktapur, last day of Gunla Panchadan is celebrated differently. The Five Buddhas are brought to Taumadhi square accompanied with Gunla Baja, a special musical instrument played only in Gunla and Buddhas are rounded around bhaktapur town.
- Pulu Kisi (Indra Jatra)
The son of Lord of heaven, is believed to have been kidnapped by a devil named Maisasur who then tied Indra's son in a pole and killed. Indra was shocked to hear his son's death and sent an elephant, pulukisi to find and kill Maisasur. But legend says Pulukisi couldn't find maisur till date. This jatra is a play to that legendary story where pulu kisi is rounded the town to search for Maisasur.
- Sithi Nakha
In Bhaktapur a palanquin with an image of the hindu goddess Bhagawati is carried in colorful procession through Nyatapol square this day.
- Dhanya purnima (Yomari purnima)
In this day Farmers of Kathmandu valley worship to Annapurna, the Goddess of grains, for good rice harvest and enjoy feast after all the hard work of the season. Yomari is the chief item on the menu in this day. So is called Yomari puni.
- Maghe sankranti (Ghya-chaku sankranti) (Makar Sankranti)
This festival marks the winter solstice and Newars partake of a feast. The days special menu include butter (ghyu), molasses (chaku) and yam.
In Bhaktapur, on this auspicious day samyak Dan is performed by Buddhist. The shakyas and Bajracharya gather in a samyak ground near Napukhu pond accompanied with panchabuddhas and samyak buddhas. They are offered chaku balls and rice. Bhaktapur is the only one in valley that conducts samyak Dan once in a year.
SHREE PANCHAMI
People regard this day as propitious day for starting new enterprise. Devotee throng Devi shrine to seek blessing. In Bhaktapur, People visit Sashwo:dega in this auspicious day where the idol of Buddhist deity Mahamanjushree is kept. Hindus regard it as saraswoti and worship whereas Buddhist worship it as Manjushree.
IN POPULARE CULTURE
Portions of the movie Little Buddha starring Keanu Reeves and Bridget Fonda were filmed in the Bhaktapur Durbar Square.
2015 EARTHQUAKE
The Magnitude 7.8 2015 Nepal earthquake that struck on 25 April 2015 damaged 116 heritages in the historic town of Bhaktapur. Of them, 67 were completely damaged while 49 suffered from partial damages. The quake has badly damaged the Durbar square, a significant heritage site included in the UNESCO world heritage list. The main premises of Taleju Temple here also witnessed damages in the disaster.
The building of the municipality office, temples of Rameshwor, Batsala, Narayan, Siddilaxmi, Biswaroopa, Siddiganesh, Sweetbhairav, Siva Mahadev, Degaina, sattal, pati and pujari mathas were damaged by the quake.
The reconstruction and new construction of the damaged heritages will cost over Rs 293 million, underlining the need of starting the renovation soon.
The Magnitude 8.4 (1934 Nepal–Bihar earthquake) demolished several buildings that were never rebuilt, however they can be seen in the earlier drawings. Chyasilin Mandap has been rebuilt.
WIKIPEDIA
Silent procession in honor of Liduina (Lidwina) Schiedam. A Dutch mystic and patron saint of the world's jenever capital. At the age 15 she fell on the ice during skating (how Dutch!). She never recovered and after some time her life was full of miracles and visions. Despite the ice crash, she is also patron of ice skaters.
During the procession many important places for Liduina are visited. For the non-religious visitor/ follower a perfect way to see and know more about Schiedam's rich history.
On the road again.
University Rag Procession, somewhere in Salford, 1975. Whatever happened to Rag weeks? Do they still exist? I learnt some superb jokes from various Rag Mags - what happened to them? Did Political Correctness kill them off? Are any still published? If so are they any good? Do they contain any fresh jokes?
un Confratello "camallo" in processione ad Albisola Superiore in occasione della festa di S. Nicolò. Il termine “camallo” definisce una figura, ormai scomparsa a seguito dell’avvento della meccanizzazione e dei containers, tipica delle aree portuali: era l’uomo di fatica che, con l’ausilio di una cinghia di cuoio e appena il conforto di un sacco ripiegato a protezione delle spalle, trasportava lungo le banchine, cioè “camallava” solo con le proprie forze, colli più o meno pesanti da caricare o scaricare dalle navi mercantili. La definizione si allargò con il tempo fino a intendere il “portatore” in senso lato. Ma l’aspetto più interessante, pittoresco, sentito e, se vogliamo, la vista più bella sono in realtà gli splendidi crocifissi di legno portati dai confratelli più abili, i quali utilizzano grosse bretelle in cuoio che sul punto vita presentano un “bicchiere” robustissimo nel quale viene inserita la base della croce (i “crocchi”). In tal modo il crocifisso rimane più alto rispetto all’altezza media dei partecipanti alla processione e, specialmente nelle giornate limpide o al primo imbrunire, l’immagine che se ne ricava è molto suggestiva.Questi crocifissi sono lignei e intarsiati di argento; alcuni da più di due secoli guardano i fedeli dalle navate degli oratori; altri sono dell’inizio del Novecento, altri ancora sono più recenti (la Confraternita di Loano ne sfoggia uno nuovissimo con la croce addirittura in fibra di carbonio, più leggera del legno). Alcuni sono di dimensioni normali, altri sono molto grandi e possono arrivare anche ad una estensione di nove metri quadrati per più di 150 kg. di peso. Alcuni hanno l’immagine di Gesù quasi a grandezza naturale, altri hanno delle splendide immagini di Cristo nere; quasi tutti presentano ornamenti argentei ai lati della croce (i cosiddetti “canti”, il cui nome una suggestiva tradizione popolare vuole far derivare dal “canto” che il portatore oppure il vento stesso fa loro emettere ondeggiando durante il cammino) grandi quasi come la croce stessa.
E non si creda che portare, o meglio, “camallare” queste meraviglie dell’arte sia cosa semplice..... (Testo tratto da: "Ponente Ligure: processioni, camalli, crocifissi" di Paolo Rebagliati)
Corpus Christi procession through the Fox Park Neighborhood of Saint Louis.
St. Francis de Sales Oratory
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Colgate seniors participate in the Senior Torchlight Procession the evening before Commencement, May 19, 2018 in Hamilton, N.Y.
Mark DiOrio / Colgate University
Crystal Procession Cross
Prague
3rd quarter of the 14th century.
Origins in the treasury of the St Vitus Cathedral.
Located in the Convent of Saint Agnes of Bohemia (Klášter svaté Anežky České), located in the Old Town, Prague, in an area called "Na Františku". It was founded in 1231 by princess Agnes (later known as Saint Agnes of Bohemia), sister of King Wenceslas I. She herself became the first abbess of the monastery in the Order of Saint Clare. The first women came to the convent in autumn 1233 – five nuns from Italian Assisi and seven Bohemian noble-girls. They belonged to the Poor Clares (also called The Order of Poor Ladies) founded by Saints Clare of Assisi and Francis of Assisi in 1212 on Franciscan principles. This was the first convent of the Order of Poor Clares north of the Alps.
Mandore (Hindi: मंडोर), is a town located 9 km north of Jodhpur city, in the Indian state of Rajasthan.
HISTORY
Mandore is an ancient town, and was the seat of the Mandorva branch of the Gurjar -Pratihara dynasty which ruled the region in the 6th century AD by King Nahar Rao Panwar.[citation needed] In 1395 AD, a Mohil princess of the Parihar rulers of Mandore married Chundaji, scion of the Rathore clan of Kshstriyas. This was during the era of rapid ascendency of the Rathore clan, and Chundaji received Mandore in dowry.[citation needed] The town remained the seat of the Rathore clan until 1459 AD, when Rao Jodha, a Rathore chief who united the surrounding region under his rule, shifted his capital to the newly founded city of Jodhpur.
Mandore was the capital of the erstwhile princely state of Marwar (Jodhpur State), before moving to Mehrangarh Fort in Jodhpur.
MONUMENTS
The historic town boasts several monuments. The now ruined Mandore fort, with its thick walls and substantial size, was built in several stages and was once a fine piece of architecture. A huge, now ruined temple is a highlight of the fort. The outer wall of the temple depicts finely carved botanical designs, birds, animals and planets.
The 'Mandore gardens', with its charming collection of temples and memorials, and its high rock terraces, is another major attraction. The gardens house the Chhatris (cenotaphs) of many rulers of Jodhpur state. Prominent among them is the chhatri of Maharaja Ajit Singh, built in 1793.
The Mandore Gardens also house a government museum, a 'Hall of Heroes' and a Hindu temple to 33 crore gods. Various artefacts and statues found in the area are housed at the museum. The 'Hall of Heroes' commemorates popular folk heroes of the region. It contains 16 figures carved out of a single rock. Next door is a larger hall called "The temple of 33 crore gods" which houses images of various Hindu deities.
FAIRS AND FESTIVALS
The Rao Festival
Hariyali Amavasya
Naag Panchami
Veerpuri Mela
BhogiShell Parikrama
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A cenotaph is an "empty tomb" or a monument erected in honour of a person or group of people whose remains are elsewhere. It can also be the initial tomb for a person who has since been reinterred elsewhere. The word derives from the Greek: κενοτάφιον = kenotaphion (kenos, one meaning being "empty", and taphos, "tomb"). Although the vast majority of cenotaphs honour individuals, many noted cenotaphs are instead dedicated to the memories of groups of individuals, such as the lost soldiers of a country or of an empire.
HISTORY
Cenotaphs were common in the ancient world with many built in Ancient Egypt, Ancient Greece and across Northern Europe (in the shape of Neolithic barrows).
Sir Edwin Lutyens' cenotaph in Whitehall, London influenced the design of many other war memorials in Britain and the British sectors of the Western Front, as well as those in other Commonwealth nations.
The Church of Santa Engrácia, in Lisbon, Portugal, turned into a National Pantheon since 1966, holds six cenotaphs, namely to Luís de Camões, Pedro Álvares Cabral, Afonso de Albuquerque, Nuno Álvares Pereira, Vasco da Gama and Henry the Navigator.
The Basilica di Santa Croce in Florence, Italy, contains a number of cenotaphs including one for Dante Alighieri,who is buried in Ravenna.
CHHATRIS
In India, cenotaphs are a basic element of Hindu architecture, later used by Moghuls as seen in most of the mausoleums of Mughal Emperors which have two burial chambers, the upper one with a cenotaph, as in Humayun's Tomb, Delhi, or the Taj Mahal, Agra, while the real tomb often lies exactly below it, or further removed. The Chhatri(s) trace their origin at 2000 years ago at Fort Kangara. The term chhatri, used for these canopylike structures, comes from Hindustani word literally meaning umbrella, and are found throughout the northwestern region of Rajasthan as well as in Madhya Pradesh and Maharashtra. In the Shekhawati region of Rajasthan, chhatris are built on the cremation sites of wealthy or distinguished individuals. Chhatris in Shekhawati may consist of a simple structure of one dome raised by four pillars to a building containing many domes and a basement with several rooms. In some places, the interior of the chhatri is painted in the same manner as the Haveli.
Chhatris are elevated, dome-shaped pavilions used as an element in Indian architecture. Chhatris are commonly used to depict the elements of pride and honor in the Jat, Maratha and Rajput architecture. They are widely used, in palaces, in forts, or to demarcate funerary sites. Originating in Rajasthani architecture where they were memorials for kings and royalty, they were later adapted as a standard feature in all buildings in Maratha ruled states, Rajasthan, and most importantly in Mughal architecture. They are today seen on its finest monuments, Humayun's Tomb in Delhi and the Taj Mahal in Agra. Chhatris are basic element of Hindu as well as Mughal architecture. The term "chhatri" (Hindi: छतरी) means umbrella or canopy.
In the Shekhawati region of Rajasthan, chhatris are built on the cremation sites of wealthy or distinguished individuals. Chhatris in Shekhawati may consist of a simple structure of one dome raised by four pillars to a building containing many domes and a basement with several rooms. In some places, the interior of the chhatris is painted in the same manner as the Havelis (Mansions) of the region.
IN RAJASTHAN
Many other chhatris exist in other parts of Rajasthan. Their locations include:
- Jaipur - Gaitore Cenotaphs of the Maharajas of Jaipur. Set in a narrow valley, the cenotaphs of the former rulers of Jaipur consist of the somewhat typical chhatri or umbrella-shaped memorials. Sawai Jai Singh II's Chhatri is particularly noteworthy because of the carvings that have been used to embellish it.
- Jodhpur - White marble Chhatri of Maharaja Jaswant Singh II
- Bharatpur- the cenotaphs of the members of the Jat royal family of Bharatpur, who perished whilst fighting against the British in 1825, are erected in the town of Govardhan. The chhatri of Maharaja Suraj Mal of Bharatpur has fine frescos illuminating the life of Surajmal, vividly depicting darbar and hunting scenes, royal processions and wars.
- Udaipur, Rajasthan-. Flanked by a row of enormous stone elephants, the Lake Pichola island has an impressive chhatri carved from gray blue stone, built by Maharana Jagat Singh.
- Haldighati - a beautiful Chhatri with white marble columns, dedicated to Rana Pratap, stands here. The cenotaph dedicated to Chetak, Rana Pratap's famous horse, is also noteworthy.
- Alwar - Moosi Maharani ki Chhatri is a beautiful red sandstone and white marble cenotaph of the rulers of Alwar.
- Bundi - Suraj Chhatri and Mordi Ki Chhatri, Chaurasi Khambon ki Chhatri, Bundi and Nath Ji ki Chhatri are located in Bundi. Rani Shyam Kumari wife of Raja Chhatrasal on the northern hill constructed the Suraj Chhatri and Mayuri the second wife of Chhatrasal on the southern hill erected Mordi Ki Chhatri.
- Jaisalmer - Bada Bagh, a complex with chhatris of Jai Singh II (d. 1743) and subsequent Maharajas of Jaisalmer.
- Bikaner - Devi Kund near Bikaner is the royal crematorium place with a number of cenotaphs. The chhatri of Maharaja Surat Singh is most imposing. It has the spectacular Rajput paintings on the ceilings.
- Ramgarh - Seth Ram Gopal Poddar Chhatri
- Nagaur - Nath Ji ki Chhatri, Amar Singh Rathore-ki-Chhatri
IN SHEKHAWATI
Some of the best-known chhatris in the Shekhawati region of Rajasthan are located at the following cities and towns:
- Ramgarh - Ram Gopal Poddar Chhatri (Ram Gopal Poddar Chhatri )
- Bissau - The Raj ki Chhatri of the Shekhawat Thakurs
- Parsurampura - Thakur Sardul Singh Shekhawat's chhatri
- Kirori - Chhatri of Raja Todarmal (Ruler of Udaipurwati)
- Jhunjhunu - Chhatri of Shekhawat Rulers
- Dundlod - The beautiful chhatri of Ram Dutt Goenka
- Mukungarh - Shivdutta Ganeriwala Chhatri
- Churu - Taknet Chhatri
- Mahansar - The Sahaj Ram Poddar Chhatri
- Udaipurwati - Joki Das Shah ki Chhatri
- Fatehpur - Jagan Nath Singhania Chhatri
IN MADHYA PRADESH
The region of Madhya Pradesh is the site of several other notable chhatris of its famous Maratha rulers:
- Shujalpur - Tomb Of Ranoji Scindia, Founder Of Scindia Dynasty. Situated At Ranoganj, Shujalpur To Akodia Road.
- Shivpuri - Intricately embellished marble chhatris erected by the Scindia rulers in Shivpuri.
- Gwalior - Shrimati Balabai Maharaj Ladojirao Shitole Chhatri
- Gwalior - Rajrajendra Ramchandrarao Narsingh Shitole and wife Gunwantyaraje Ramchandrarao Shitole (princess of Gwalior)Chatri
- Orchha - Elaborate chhatris of local Hindu kings are not popular tourist attraction
- Gohad - The Jat rulers of Gohad constructed the chhatri of Maharaja Bhim Singh Rana on the Gwalior Fort.
- Indore and Maheshwar - Chhatris of Holkar rulers.
- Alampur - Maharani Ahilya Bai Holkar built the chhatri of Malhar Rao Holkar at Alampur in Bhind district in 1766 A.D.
IN KUTCH
Chhatris can also be found in the outskirts of Bhuj city belonging mainly to Jadeja rulers of Kutch. The chhatri of Rao Lakhpatji is very famous for its intricate designs & carvings. Most of them but have been destroyed in the earthquake of 26 January 2000. The restoration work is going on.
OUTSIDE INDIA
There are two notable chhatris in the United Kingdom, a country with strong historical links to India. One is a cenotaph in Brighton, dedicated to the Indian soldiers who died in the First World War. The other is in Arnos Vale Cemetery near Bristol and is a memorial to the distinguished Indian reformer Ram Mohan Roy, who died in the city.
WIKIPEDIA
Silent procession in honor of Liduina (Lidwina) Schiedam. A Dutch mystic and patron saint of the world's jenever capital. At the age 15 she fell on the ice during skating (how Dutch!). She never recovered and after some time her life was full of miracles and visions. Despite the ice crash, she is also patron of ice skaters.
During the procession many important places for Liduina are visited. For the non-religious visitor/ follower a perfect way to see and know more about Schiedam's rich history.
a religious procession after the sun set on the first day of 2008
the candlelit faces sang and followed a road filled with popping firecrackers
until they made it around the square and into the giant nearby cathedral
everyone bowed as the idol passed through its doors
antigua guatemala
01.01.08
The Via Dolorosa procession takes place every Friday, led by Franciscans, at 3pm, and starts at Station 1 which is located inside the Islamic Al-Omariyeh College ending up at the Church of the Holy Sepulchre where Stations 10 to 14 are located
A procissão da Via Sacra se realiza toda sexta-feira, liderada pelos Franciscanos, às 3 da tarde, começando pela Estação 1 que fica dentro do Colégio Islâmico Al-Omariyeh e terminando na Igreja do Santo Sepulcro, onde se localizam as Estações 10 a 14
More info / Mais informação:
en.wikipedia.org/wiki/Via_Dolorosa
www.sacred-destinations.com/israel/jerusalem-via-dolorosa...
www.biblewalks.com/Sites/ViaDolorosa.html
To browse through my Jerusalem photos using flickriver/ Para ver minhas fotos de Jerusalém com o flickriver
Or here to see photos with descriptions / ou aqui para ler as descrições das fotos