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File name: 08_06_003808

 

Title: Parades

 

Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)

 

Date created: 1934

 

Physical description: 1 negative : glass, black & white ; 4 x 5 in.

 

Genre: Glass negatives

 

Subjects: Parades & processions

 

Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.

 

Collection: Leslie Jones Collection

 

Location: Boston Public Library, Print Department

 

Rights: Copyright © Leslie Jones.

 

Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.

  

Carbondale, IL.

TTV by fitzpics

cross-processing, E100VS

self-developed by Naniwa color kit.

pictureaday #687

Project 365: 321/365

ODT: Begins with "B"

Clifford attractor, a = 1.5, b = -1.8, c = 1.6, d = 0.9

 

Details + inspiration: www.flickr.com/photos/subblue/sets/72157605272650927/

A Mack truck that was stopped beside us at a stop light.

 

Holga 120N, PortraVC Xprocessed

Hey all -- as I've mentioned elsewhere, I'm not a big post-processor. But I decided to experiment -- honest opinions here, how did I do? Left is after and right is before.

Process of Guilt

Processed with VSCO with c1 preset

Dept. of Chemical Engineering & Applied Chemistry - McGuigan Lab, Faculty of Applied Science & Engineering, University of Toronto

 

Photo by Sara Collaton

A generative typeface created using autonomous agents, grid setup, and separation and target behaviours.

Câmera: Diana Mini /

Filme: Fuji Velvia 100 /

Teste Cross Processing

 

-Uruguai

 

// HACKPACT

 

// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).

 

// All of them explore the sound/graphic co-relation.

 

// Built with Processing and almost all of the audio with SuperCollider

 

// More info/detail about our codes here: www.realitat.com/HACKPACT

The process of doll Gustav Schäfer, drummer of Tokio Hotel. Skecth, Vector and colored.

Another concept sketch for my class' end of year show. Built with Processing.

Strength: The leading edges of the image draw a ton of attention directly to the subject.

 

Problem/Solution: There is detail lacking in the areas around the rocks and there almost seems to be too much detail in the grass. This might have been helped by using editing software to increase the shadows around the rocks while reducing the clarity of the grass.

 

Problem/Solution: The contrast of the rocks and their location along the rule-of-thirds lines causes them to somewhat compete with the subject for the eye's attention. This may have been helped by taking the image at a slightly different spot or by cropping the image so that the rocks are not directly on the interesting rule-of-thirds lines (however this could take away from the image's composition).

 

Problem/Solution: The image feels very cold. While that may contribute to the accurate feeling of the location, it makes for a somewhat unpleasant photo. This could have been helped by using editing software to make the white balance of the image (and especially the clouds) somewhat warmer.

 

Strength: The contrast between the subject and the bright sky behind him also draws more attention to the subject.

March 5th - 8th 2015

Calgary, Alberta

 

A&W Commercial shoot with Rethink Canada.

Nikon D600 / 50mm / 85mm / 17-35mm

 

Processed with LR4 / VSCO Film 04 Nikon.

// HACKPACT

 

// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).

 

// All of them explore the sound/graphic co-relation.

 

// Built with Processing and almost all of the audio with SuperCollider

 

// More info/detail about our codes here: www.realitat.com/HACKPACT

hecho en processing

Chalutier échoué dans la baie de Bénodet

Premier essai de procédé photoshop traitement croisé.

 

Failed trawler berry of Bénodet in Brittany (France)

First try Photoshop Cross-process

 

View On Black

 

sacramento train station

Processed with VSCO with e7 preset

Last night around 10 a repetitive sound started outside. It had been going for at least half an hour when Tony said, "is that a bird?"

 

His dad nodded without listening. We have had odd chirpy birds at night but once the sound was pointed out, I realised it wasn't quite right. I made the others quieten down and listen and it became clear it wasn't a bird.

 

It was a lost and very frightened kitten.

 

I went out and sat with it for a while, hoping his mother would arrive for him, he was clearly too young to fend for himself. After a few hours, I gave up and brought him in. I reckon he's about five weeks old. Thank goodness he's weaned and after a rather distressed night and morning, he's starting to explore a bit.

 

It seems we've been adopted. She certainly is starting to act as if she owns the place.

 

I am shifting rather randomly between he and she -- fact is I can't actually tell yet!

 

But he ...er, or she ... is a real cutie!

  

Sacred cow or Fruits and Veges bar, Archfarm, the summer of 2011

working on a study project

f/22, 1/100th, ISO-100, 55mm, close-up filters(+1 & +2)

 

Strobist: 1 AB1600, 1/2+ power, @~3:30, bounced out of umbrella, triggered w/ Cybersync

 

I really like the close-up filters, I just can't get used to the limited DOF.

on the road to vegas

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