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Some portraits from an old set of Esther. Strobist info: 1 Shoot through umbrella camera left. Feedback is welcome!
Dept. of Chemical Engineering & Applied Chemistry - McGuigan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
Dublin docklands, through the window of a coach bound for the airport.
This is a trick photo, done in-camera. See if you can guess.
This morning we were out-and-about then headed to MexiGo for breaky at around 10:00.
Wrong! MexiGo does not open now until 11a.m as does Romeo's next door
Thus -- through the process of elimination -- only Artisan Bistro was left. They open at 7a.m.
Pricey but good.
Day 3 - Final day (Feb 21 2015)
Outline art work with Molotow black ink and paint brush along with other various sizes of Molotow markers for detail.
Really honoured and stoked to be invited by Infiniti Canada to paint my illustration work on the brand new ‎Infiniti Q50 tomorrow to help ring in the Chinese new year at the Queen Elizabeth Plaza in Vancouver. Feb 19 - 21st.
Follow:
comparison of two different versions of my post processing.
the upper one was in a hurry, the lower one was not.
(same raw-material)
the upper one took me about 2h,
the lower one about 2 days of work.
Heavily processed picture of our Christmas Tree with Tigger and Yuba underneath, pretending to enjoy the view of the tree rather than being honest and planning an attack on it.
Top left: Out of camera
Top right: Black and white
Bottom left: Basic color edits
Bottom right: Faux film (cross process)
Recently I've had quite a few people ask about my editing process. It's impossible to lay out exactly what I do because it often changes from shot to shot.
I always start in lightroom, experimenting with about 30 home-made presets. I shift over to photoshop once I'm happy to edit tonality and hues a bit more directly than lightroom allows.
This isn't showing a step-by-step process, but rather the starting image and 3 of my common processing styles. By creating this layout, it's easier to see the starting and finishing point of each style.
The butter and buttermilk making machine (left) and the yogurt making machines at the dairy farm De Diervoort, Nijmegen, the Netherlands.
A double exposed roll of expired Fuji Velvia 50 slide film. Exposed first at ISO 80, then the second time around at ISO 32. Cross processed in C-41 chemicals. Both exposures taken on a Canon EOS A2E camera.
An old experiment with Florian Jennet's structured light scan, doing basic triangulation and drawing each face semi-transparently.
We're testing a new app for internal time tracking . Very brutal, almost makes me want to cry :)
› www.slifelabs.com (cheers Timo)
Still playing around with my first work, Process_01. Either you take to it or not. I kind of like the forms it's making.
It was working well with listening to Minamo's 'When Unwelt Melts'
Entorno Para programacion tipo Max/Msp en Processing
Estoy preparando una aplicacion nueva, entre ellas poder tener el automapping [http://tratadodeintegracion.cc/stream/?p=47] como una aplicacion final para usar.
Pero para eso necesitaba primero tener un buen sistema que ajuste la captura de la camara y setee los filtros de proceso de captura para adecuarlo a cada situacion.
Armando esa aplicacion pense que seria lindo tener un sistema tipo Max/Msp para poder configurar los filtros de proceso.
Entonces decidi armar una clase que me permita construir y setear nodos encadenados en un entorno tipo Max/Msp.
De eso se trata esta aplicacion
La idea era tener un modulo de facil implementacion en cualquier sketch, y que sea completamente abstracto para poder usarlo en lo que quiera.
Esta es la primer alpha, creo que es casi suficiente para lo que yo necesitaba, pero eso no quita que no sea bueno hacer evolucionar esta utilidad
Release Alpha 0.1
Para usarlo requiere la ultima version de la libreria controlP5 [http://www.sojamo.de/libraries/controlP5]
Uso:
con el metodo ADD se puede agregar una caja
Doble click permite acceder al menu de opciones
Dragueando desde los outlets a los inlets se puede vincular distintos boxes
El metodo getContent genera la lista ordenada del circuito
Features:
Cargar y grabar un seteo de cajas
Limpiar la pantalla
Ante cada vinculo nuevo emite el evento de encadenamiento, devuelve la lista encadenada desde el In del sistema, al Out
Menu en ventana emergente
Implementacion basada en PGraphics, permite implementar la interface como si fuese un Image en el sketch
ToDo:
Poder eliminar de a una caja
Tener un save y load con distintos nombres
Que el save y load guarden las propiedades
Distintas cajas con mas inlets y outlets
Aplicacion + source [http://www.i2off.org/wirep5/maxmsp3d3.zip]