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Last night around 10 a repetitive sound started outside. It had been going for at least half an hour when Tony said, "is that a bird?"
His dad nodded without listening. We have had odd chirpy birds at night but once the sound was pointed out, I realised it wasn't quite right. I made the others quieten down and listen and it became clear it wasn't a bird.
It was a lost and very frightened kitten.
I went out and sat with it for a while, hoping his mother would arrive for him, he was clearly too young to fend for himself. After a few hours, I gave up and brought him in. I reckon he's about five weeks old. Thank goodness he's weaned and after a rather distressed night and morning, he's starting to explore a bit.
It seems we've been adopted. She certainly is starting to act as if she owns the place.
I am shifting rather randomly between he and she -- fact is I can't actually tell yet!
But he ...er, or she ... is a real cutie!
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Everyone seems to be doing it so here you go ;) Left is straight from the camera (raw) and right is post processing.
Nothing used except healing brush, dodge, burn and sponge.
A4 size Arches Cold press 300gsm.
Wartercolour Painting of portrait of girl. Inspiration from Hannah on Sktchy.
Old pic from Kari Canyon in Chile, processed with picnik and some random textures. Best viewed large.
This photo is licensed under a Creative Commons license. If you use this photo within the terms of the license or make special arrangements to use the photo, please list the photo credit as "Jon Fravel" and link the credit to www.flickr.com/photos/jfravel
Macro shot of a seed - thought it was a dandelion seed at first, but not actually sure what it is. Still Googling for it's true identity! ;-) Lucy handed it to me and told me it was a "spidey" - in reference to the "incey wincey" one which "climbed up the water spout". However, I managed to convince her it definitely wasn't a spidey!
Lit by window light against a black background, then digitally cross-processed in Photoshop with Alien Skin Exposure 2.
Santo Amaro: processos físicos em liquidaçao e execução migrarão para PJe
A presidente do Tribunal Regional do Trabalho da 5ª Região (TRT5-BA), desembargadora Maria Adna Aguiar, inaugura nesta segunda-feira (4/4), às 10 horas, na Vara de Santo Amaro (Rua da Rodagem, s/n Pilar, Fórum João de Lima Teixeira), o Cadastro de Liquidação e Execução (CLE), que converte processos mais antigos, no formato em papel, para o meio eletrônico. Em maio de 2012, a Vara foi a primeira na Bahia a receber o sistema de Processo Judicial Eletrônico da Justiça do Trabalho (PJe-JT), que produzia processos virtuais, mas ainda permaneceu uma quantidade de ações de anos anteriores, no formato de pastas que ocupam as estantes.
Esta migração de ações - todas já nas fases de liquidação e execução (cobrança)- para o meio virtual está sendo implantada no TRT5 a partir de experiência similar no TRT da 15ª Região (Campinas). A tendência é que seu uso seja ampliado para todas as outras 87 varas do TRT baiano, na capital e no interior do estado, numa expansão coordenada pelo juiz Firmo Leal Neto, gestor da inovação. A unificação de todos os processos numa plataforma, já que a CLE é um módulo do PJe- garante mais rapidez no andamento das ações, melhora o trabalho de advogados, juízes e servidores, amplia o acesso aos documentos, que ficam disponíveis 24 horas, durante toda a semana, e resulta também em economia de despesas com papel, impressão, deslocamento e outros recursos.
VARA - A Vara do Trabalho de Santo Amaro tem atualmente em tramitação 4.025 processos eletrônicos e 3.002 em papel. Desde a implantação do PJe já foram ajuizadas na unidade mais de 7 mil processos nesse formato, o que representou uma completa mudança de rotina, com redução do acúmulo de pastas de processos que atravancava os corredores. A unidade fez recentemente uma triagem que separou 4,5 mil processos físicos para eliminação, liberando 22 estantes nos seus arquivos. Um fato característico na jurisdição é que muitos processos, principalmente do setor petroleiro, ficam aguardando decisões de recursos nas instâncias superiores.
Secom TRT5 (Franklin Carvalho) - 1º/4/2016
This is the first roll of film I have shot with a Nikon N70. Unfortunately, the camera doesn't seem to want to always advance the film. I don't know, yet, if I want to repair it or set it aside and/or sell it.
Since it was a new camera, I gave it some 20-year-expired slide film and had it cross-processed. I'm disappointed that I didn't have wilder color effects - I almost wonder if they might have tuned the images post-scan.
Goldstone Deep Space Communications Complex
Fort Irwin, California
Goldstone is one of three complexes around the world known as the Deep Space Network (DSN) established to provide the ability to communicate with spacecraft; not only in orbit around the earth, but also in the farther reaches of our solar system. The Deep Space Network complexes, placed 120° apart, provide constant communication with spacecraft as the Earth rotates. In determining the exact position for the site in California, a remote location, free from radio signal interference, was needed. The remote location of the Mojave Desert in California, near the old mining town of Goldstone, was determined to be an optimal location and in 1958 the first antenna was built. Facilities near Madrid, Spain and Canberra, Australia complete the Deep Space Network providing 360 degree coverage for spacecraft tracking.
Playing with the Hemesh and Convex Hull by Lee Byrons library. Starting Point is the Hemesh Voronoi example. The voronoi cells are subdivided and then slices of the vertices are sent to the convex hull algorithm.
They are abviously inspired by jtnimoys awesome work for the tron movie.
Check it out at Openprocessing:
The process that I had chose was the Collodion Wet Plate process. I edited it by first making it to monochrome, and from there edited the tone and the presence of the picture by adjusting the slides until I felt it was good. I wanted the mountains to be dark but to still be clear of the texture and the clouds to be dark but also be vibrant of the light.