View allAll Photos Tagged processing
Heavily processed picture of our Christmas Tree with Tigger and Yuba underneath, pretending to enjoy the view of the tree rather than being honest and planning an attack on it.
Thought it would be fun to post up the processed versions of my 2 entry's for the photo technique challenge.
after painting all the copper work, I paint in the angel and the gilded ball at the top of the spire, starting with yellow ocher and working progressively into brighter and purer yellows
Sewing the bonnet.
So tiny and difficult. :P The fabric doesn't help because it's thicker than regular cotton.
substrate processing app by j.tarbell from complexification.net using farm1.static.flickr.com/200/468094869_a2aff38dac.jpg as the base image - Uploaded with a demo version of FlickrExport 2.
Edited (and heavily processed) ISS043 image of Hokkaido and northern Tohoku at night with lots of bright cities.
Just wondering if anyone has any opinions on the processing? It seems very trendy to over process wedding (or all portrait) photos so I have made this one a bit "high-key" I think I like it...
Processo Mediaset, per Silvio Berlusconi pena finita: estinta anche l'interdizione per due anni dai pubblici uffici. Restano gli effetti della legge Severino e gli altri processi in corso.
When processing any black&white photos from film negatives I usually pull the "Contrast" slider all the way to +100 as a default starting point. This is also part of my standard b&w film Lightroom preset (which otherwise includes some of the steps shown in this guide - I really recommend creating presets if you often make similar adjustments to photographs!). Of course this contrast increase is only a matter of taste - I like my contrast high in most of my pictures, while I know others prefer a softer grayscale. When you have your negatives digitalized in RAW format you can really do a lot of adjustments. I prefer to stay quite close to the original feel of the film, otherwise I wouldn't have taken the detour via the analog technique instead of simply shooting digital. :)
For this particular example, I shot a roll of HP5+ (400 ISO film) at ISO 800 and the film was pushed one stop in development. This in itself added some contrast, so I might not have needed to add as much extra contrast here as I usually do. It might have just sufficed to adjust the white point and black point of the RGB curve (more on that in a later step).