View allAll Photos Tagged processing
A generative typeface created using autonomous agents, grid setup, and separation and target behaviours.
// HACKPACT
// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).
// All of them explore the sound/graphic co-relation.
// Built with Processing and almost all of the audio with SuperCollider
// More info/detail about our codes here: www.realitat.com/HACKPACT
Processing sketches written in 140 caracters via Twitter during the 13/2/09 Atelier Hypermédia session. Sketch by Benoît Espinola. For more information: www.abstractmachine.net/blog/p5-tweets/
Strength: The leading edges of the image draw a ton of attention directly to the subject.
Problem/Solution: There is detail lacking in the areas around the rocks and there almost seems to be too much detail in the grass. This might have been helped by using editing software to increase the shadows around the rocks while reducing the clarity of the grass.
Problem/Solution: The contrast of the rocks and their location along the rule-of-thirds lines causes them to somewhat compete with the subject for the eye's attention. This may have been helped by taking the image at a slightly different spot or by cropping the image so that the rocks are not directly on the interesting rule-of-thirds lines (however this could take away from the image's composition).
Problem/Solution: The image feels very cold. While that may contribute to the accurate feeling of the location, it makes for a somewhat unpleasant photo. This could have been helped by using editing software to make the white balance of the image (and especially the clouds) somewhat warmer.
Strength: The contrast between the subject and the bright sky behind him also draws more attention to the subject.
I followed this Snowy egret...he eliminated...I had no clue...until I processed this photo... (o:
(Egretta thula) @ Yorba Regional Park, Anaheim, CA USA
My 1st roll of colour (C-41 process) film processed at home, by hand.
The (35mm) film was several years expired.
I used my Zeiss Ikon Contina iii.
I've altered some images in Photoshop, but in general, I was really pleased with the results, and it was so exciting to process at home!.
// HACKPACT
// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).
// All of them explore the sound/graphic co-relation.
// Built with Processing and almost all of the audio with SuperCollider
// More info/detail about our codes here: www.realitat.com/HACKPACT
I think this was a 5 second exposure, at 200mm, I wasn't really expecting it to be sharp, but I didn't think I'd love the soft feel to the edges.
Composite of our work May 12, 2016 in Washington DC on looking at modules 1,2,6, and 7 of the Core Certification
Last night around 10 a repetitive sound started outside. It had been going for at least half an hour when Tony said, "is that a bird?"
His dad nodded without listening. We have had odd chirpy birds at night but once the sound was pointed out, I realised it wasn't quite right. I made the others quieten down and listen and it became clear it wasn't a bird.
It was a lost and very frightened kitten.
I went out and sat with it for a while, hoping his mother would arrive for him, he was clearly too young to fend for himself. After a few hours, I gave up and brought him in. I reckon he's about five weeks old. Thank goodness he's weaned and after a rather distressed night and morning, he's starting to explore a bit.
It seems we've been adopted. She certainly is starting to act as if she owns the place.
I am shifting rather randomly between he and she -- fact is I can't actually tell yet!
But he ...er, or she ... is a real cutie!
A double exposed roll of expired Fuji Velvia 50 slide film. Exposed first at ISO 80, then the second time around at ISO 32. Cross processed in C-41 chemicals. Both exposures taken on a Canon EOS A2E camera.
f/22, 1/100th, ISO-100, 55mm, close-up filters(+1 & +2)
Strobist: 1 AB1600, 1/2+ power, @~3:30, bounced out of umbrella, triggered w/ Cybersync
I really like the close-up filters, I just can't get used to the limited DOF.
At five in the afternoon,
It was just five in the afternoon,
A boy brought the white sheet,
A basket of lime made ready,
The rest was death and only death
At five in the afternoon
Wounds burning like suns,
and the people smashing windows,
Ahh, what a terrible five in the afternoon!,
It was five on every clock!,
It was five of a dark afternoon!