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PROCESSION RELIGIEUSE DANS LA PROVINCE DE KOURSK
1881-1883 / Huile sur toile
Répine se souvient des leçons de la peinture de plein air et compose habilement son groupe avec des personnages issus de différentes classes sociales, en leur conférant une vraie individualité. Le peintre ne s'intéresse pas tant au majestueux reliquaire qu'à la petite icône portée par une bourgeoise d'âge mûr. Répine expose la peinture en 1883 au onzième Salon de la Société des expositions artistiques ambulantes. Les avis sont partagés, certains louant son audace et son expressivité, d'autres l'accusant de trahir les convictions religieuses du peuple.
Strength: The leading edges of the image draw a ton of attention directly to the subject.
Problem/Solution: There is detail lacking in the areas around the rocks and there almost seems to be too much detail in the grass. This might have been helped by using editing software to increase the shadows around the rocks while reducing the clarity of the grass.
Problem/Solution: The contrast of the rocks and their location along the rule-of-thirds lines causes them to somewhat compete with the subject for the eye's attention. This may have been helped by taking the image at a slightly different spot or by cropping the image so that the rocks are not directly on the interesting rule-of-thirds lines (however this could take away from the image's composition).
Problem/Solution: The image feels very cold. While that may contribute to the accurate feeling of the location, it makes for a somewhat unpleasant photo. This could have been helped by using editing software to make the white balance of the image (and especially the clouds) somewhat warmer.
Strength: The contrast between the subject and the bright sky behind him also draws more attention to the subject.
My 1st roll of colour (C-41 process) film processed at home, by hand.
The (35mm) film was several years expired.
I used my Zeiss Ikon Contina iii.
I've altered some images in Photoshop, but in general, I was really pleased with the results, and it was so exciting to process at home!.
I think this was a 5 second exposure, at 200mm, I wasn't really expecting it to be sharp, but I didn't think I'd love the soft feel to the edges.
Edited ISS042 image of a hazy (a really really hazy) day on a coast. Processed a bit to cut through the haze.
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Last night around 10 a repetitive sound started outside. It had been going for at least half an hour when Tony said, "is that a bird?"
His dad nodded without listening. We have had odd chirpy birds at night but once the sound was pointed out, I realised it wasn't quite right. I made the others quieten down and listen and it became clear it wasn't a bird.
It was a lost and very frightened kitten.
I went out and sat with it for a while, hoping his mother would arrive for him, he was clearly too young to fend for himself. After a few hours, I gave up and brought him in. I reckon he's about five weeks old. Thank goodness he's weaned and after a rather distressed night and morning, he's starting to explore a bit.
It seems we've been adopted. She certainly is starting to act as if she owns the place.
I am shifting rather randomly between he and she -- fact is I can't actually tell yet!
But he ...er, or she ... is a real cutie!
Flying back to Vancouver from Calgary. Blessed with clear skies and a window seat.
January 13th 2015.
Nikon D600 + Nikkor 50mm F1.4
Canada.
My 1st roll of colour (C-41 process) film processed at home, by hand.
The (35mm) film was several years expired.
I used my Zeiss Ikon Contina iii.
I've altered some images in Photoshop, but in general, I was really pleased with the results, and it was so exciting to process at home!.
Oban to Mull ferry.
f/22, 1/100th, ISO-100, 55mm, close-up filters(+1 & +2)
Strobist: 1 AB1600, 1/2+ power, @~3:30, bounced out of umbrella, triggered w/ Cybersync
I really like the close-up filters, I just can't get used to the limited DOF.