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Desenho submerso em recipiente de vidro com água, água sanitária e oxigenada (45 dias de submersão).
Grafite, carvão e pastel seco sobre papel - 2012.
Anonymous picture in an article by Sakaki Yoshinobu (榊由信) in the May 1953 issue of Shashin Kōgyō (写真工業).
Document owned and scanned by Rebollo_fr. It is in public domain, as are all anonymous documents published in Japan more than fifty years ago.
See also the Camera-wiki page about the Elmoflex.
The best way for me to come up with new ideas is by changing or challenging the process itself.
I used the roller paint to save time, but I think it had a real effect on the overall shapes of the letters. Looking forward to more...
The scan of this print did not work as well as I wanted it to but this is one of my fav landscape pics, taken from the dirt road running behind the Langeberg Mountains, past Tradouw towards Heidelberg. The "sheep" on the hill are actually rocks; the colours are all distorted because of the cross processing.
~ Scan of print taken with an old Canon SLR (cross process film)
Six popular Dutch processed cocoa powders:
top to bottom 1.Rexim 2.Droste 3.Valrhona 4.Cadbury 5.E. Guittard 6.Nestle
Lol, my husband just realised that all these cocoas are in our pantry ;) I do love the nuances in flavours that "ingredients" offer... part of the joy of baking.
part of the cocoa blog post www.thelonebaker.com/journal/2011/8/30/dutch-process-coco...
The photo shows the tools I used to hold a 2x4 against the ceiling of my garage. I was attaching 2x4s to the ceiling to make it easier to hang things and brace things (like free-standing shelves).
The picture was taken part-way through the process of pressing the board to the ceiling. I was acting alone. Based on something I saw in a magazine, and heavily influenced by my make-it-as-complicated-as-possible philosophy, the method I used was this:
1. Mark location on ceiling for the 2x4 ceiling board (hereafter referred to as "ceiling board").
2. Nail two small string cradles to the ceiling near the ends of the proposed position of the ceiling board. The ceiling board will hang temporarily in these cradles.
3. Insert one end of the ceiling board into one cradle, then the other end into the other cradle. Result: the ceiling board is hanging in the two cradles about two inches (5cm) below the ceiling.
4. Place two clamps within easy reach of each end of the ceiling board. They will be used later.
5. Grab two other boards: a pre-cut board that is almost as long as the floor-to-ceiling distance and a short board. These, clamped together, will act as temporary supports for the ceiling board. Stand on a stool under one end of the ceiling board, holding the two supports together vertically.
6. Keeping the supports pressed together, move the short board upward as far as possible, elevating the end of the ceiling board. Clamp the two supports together. RESULT: the very end of the ceiling board is pressed against the ceiling. The other end of the ceiling board is still lying in its cradle.
7. Repeat the raising process at the other end of the ceiling board. RESULT: this end of the ceiling board is now pressed against the ceiling, but the other end is still a bit loose.
8. Return to the first end of the ceiling board, loosen the clamps, repeat the raising process, and re-clamp the supports. RESULT: this end of the hanging board is tight enough against the ceiling to require no more raising.
9. Return (again) to the second end and repeat the raising process there. RESULT: the ceiling board is pressed tightly enough against the ceiling to allow drilling of pilot holes for the screws that will attach the ceiling board to the ceiling.
10. Drill holes, install screws, remove the hanging cradles and supports.
The process is tedious to say the least. But it worked: I attached four 2x4s to the ceiling in this manner. After this work was finished I realized I could have simplified this process by using my stepladders as bases for holding the 2x4s in place. One can buy devices called "third hands" (often used by carpenters and drywall installers) to hold things in place, but I am too cheap to shell out $50 for a tool that gets little use.
I am in a rare fit of industriousness in the garage. That's why I've been inactive on Flickr lately. The goal is to create a better working environment on my side of the garage and enough additional storage space that we can park my wife's Jeep in the garage again.
A Mexican wolf lays on a table while staff performs health checks, takes measurements and administers vaccines.
Credit: Mexican Wolf Interagency Field Team
MAZAR-E SHARIF, 30 June 2016 - Afghan women working at a Mazar-e-Sharif food processing cooperative.
With the support of UNDP’s Gender Equality Program, women at the cooperative have had access to machinery and hands-on training related to production and marketing.
Photo UNAMA / Sayed Barez.
Rural Women’s group in Kokoligu, Upper West region of Ghana, in focus group discussions on how to generate an income to improve their livelihoods through shea nut processing. In collaboration with the Ministry of Food and Agriculture, FAO is in the process of procuring the community with a shea-butter milling machine. The picture also shows how the shea-nuts are pounded in the mortar. Photo taken in December 2015. ©FAO/Cecilia Akita and Sebastian Brahene
12/52
I found a cool new website on another Flickr contact stream and thought I'd give the presets a try. I'm digging the "cross processed" action. Check it out www.picnik.com/. A little bump in contrast in Lightroom as well.
Off to Wisconsin tomorrow.
I have printed off the block to see where the imperfections are from the marbelling, then marked them on layout paper so I can work out the image
Abstract re-interpretations of landscape photographs. Produced using a modified Hough transform implemented in Processing and Photoshop: www.cutsquash.com/2014/03/hough-colour-swirls/
Image created using particles obeying certain "gravitational" laws. Mostly variations on "accelerate toward/away from some particle unless some condition is met, in which case move toward/away from some other particle".
Made with processing (processing.org).
Why, why, why oh why...?
isn't it a privilege to live each day
a live performance,
a festival of kindred spirits
a reflection of soulful conformance
I get back up again and again
to do it again and again
watching you procumbent
feels so special when I'm close to you
what opinion has come to represent
I thought you should know
when I run out of comments
these sweet arms of spathic will
meet if you keep your memory still
raining down harder where heartbeats fulfill
my body aches as it breaks new ground
a tonguetied convergence of silence
deactivating sorrow and regret
for what we are about to embrace
our lateral desire enflames what it can never forget.
by anglia24
13h30: 07/10/2007
© 2007anglia24
☀
Toho 11/o and Nymo thread.
I think about clasp - may be I do a toggle clasp with a loop, or I add just a button..
I know, heavily processed. I used some speedlights to help get lighting to the rear flowers with a white behind. It will spilt opinion but I reckon if you're going to process, process quite heavily. Much more to do with getting an arty effect than anything. Colours white and pink work.
Early in the render process. Probably too much red. After a few hundred frames, I think the red is going to overwhelm. Whatev. I will let it ride.
Read about it here.