View allAll Photos Tagged processing

Susan saradon caricature painting process

Processed with VSCOcam with m5 preset

How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.

1.0GHZMP/3ML3/400/1.5V

SL6P7 MALAY

L240A630-0146

I was just "playing around"... ^_^

Processed with VSCO with c9 preset

Shannon Slane: Processed

An Exploration of modern food through new sculpture. Sculpture, Senior Exhibition.

The Granite Room

211 Peters St SW

Atlanta, GA 30313

 

My current work addresses the production of food in modern American society. From factory farming to locally raised produce, I seek to explore what may be one of the most pressing issues of our time in a lighthearted and approachable manner. It is widely acknowledged that the industrialization of food manufacturing has transformed the lives, habits, and bodies of Americans, as well as alerted the way that most of our society thinks-or doesn’t think-about where food comes from and what food is. I create digitally fabricated representations of animals that are engineered and produced, and may have more in common with products or raw materials than other living creatures. These animals, which are designed, fabricated and then placed on assembly lines that guide their existence from inception to processing, include chickens, cows, pigs, and fish. My work is also concerned with edible plants and their role in our lives both historically and presently. Plants as well as animals are now being generated inside laboratories, and travel unimaginable distances to reach our supermarkets and tables. This is a marvel of human technology and global society as well as a complex system that may need re-working if humanity is to move toward a sustainable future.

I hope that I can put what goes onto your plate into your thoughts as well.

 

www.shannonslane.com

shannonleighslane.blogspot.com/

www.flickr.com/photo/shannonslane/

surfboards in a surf shop

Tamron SP 90mm f:2.8 Di Macro

Dörr Combi TTL Macro Flash

 

View On Black

This was an assignment for an alternative colour photography course at my local community college. This is shot on Fuji RTP II – an ISO 64 tungsten balanced transparency film that I had developed as negative film. Love what is going on with the colour shifts and the contrast.

 

It's been so long that I can't remember how we lit this anymore. My apologies on that front.

Ektachrome 100 from 1995, Zenith E (1980 Olympics model), Görlitz Lydith 30mm lens. Film acceleration process.

Escultura marmol de Antonio Canovas (1808) en museo del Hermitage, Sant Petersburgo

Cianotipia sobre papel Montval 300 gr.

Processing sketches projected on the cyc wall wit me standing it front of it...

Processed with VSCO with a6 preset

Fa traditional chief and president of the Timber Association focused on wood works. There are several sections of the operation: reception of wood, wood processing and sales displays (Counter). The wood comes from the forests but also the UTB (government processing unit), sawmills and community forests and unknown sources. The processing is done on a per-order basis. We would like to replant our forests, but for now it is not possible. Yaoundé - Cameroon.

 

Photo by Ollivier Girard/CIFOR

 

cifor.org

 

forestsnews.cifor.org

 

If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org

The task was to choose a painting by a favorite artist or by one of the artists proposed: Gustav Klimt, Paul Klee, Theo van Doesburg, Wassily Kandinsky and to recreate it with. The piece could be a variation of the artwork which was provided. I rethought about Wassily Kandinsky‘s – Several Circles painting. I used one geometrical rule: random intersecting ellipses and keyPressed function to draw freely the picture each time. www.openprocessing.org/visuals/?visualID=17214

 

For further information of this and other projects go to:

www.mas.caad.arch.ethz.ch/mas1011/

Processing, Hemesh Library, Sunflow

Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.

One frame from an art piece that will hopefully be projected on a dome screen. Image is created with Processing.

Some of my buddies heard I was processing film in my underwear and they requested a photo (of course). Since I'm more than a little bit of a smart-ass this is what they got. :p

Transferred the image but it did not come out very well. The pen is for scale

Proof of concept experiment. I had this idea that I could paint or draw different elements on separate pieces of paper, scan them, and combine them on the iPad in separate layers. I’d have the look of analog and the editing capabilities of digital.

 

Bee Paper Co-Mo Heavyweight Sketch Paper 9x12 inches (22.9x30.5 cm), Turner Acryl Gouache, and Crayola Black crayon.

 

iPad Pro

Apps: Superimpose X and Sketch Club.

mannequin etched & bleached

Using Peter Kirkeskov Rasmussen's photo 'return the cart' as the source [ www.flickr.com/photos/peterras/15732813631 ] & a bit of Processing code to swaps blocks of pixels inside the image continually . . . the little app creates decay in the image. I'm continuing a series of works meditating on forgetting, recognition, loss, avoidance, etc.

MAZAR-E SHARIF, 30 June 2016 - Afghan women working at a Mazar-e-Sharif food processing cooperative.

 

With the support of UNDP’s Gender Equality Program, women at the cooperative have had access to machinery and hands-on training related to production and marketing.

 

Photo UNAMA / Sayed Barez.

Shot with a Mamiya 645 Pro TL & 80mm f/2.8 lens... Fuji Velvia 50, Cross Processed...Scanned with my Epson 4490

surface sacn

Unfortunatley the 24 hr delay after iodisation was a mistake with this paper, see the scan with transmitted light, serious fogging could be seen emerging after exposure

15 min exposure bright day blue sky f/6,3 whole plate

Winther's tannin process with Sumac extract

 

Pre-silver brushed 5,2% AgNO3, dried iodised in 4% KJ for 10 min followed by 2 water baths of 10 min each (pure water) blotted off and dried

Sensitized just before exposure with sumac extract 28 drops, AgNO3 14% 7 drops, gl. acetic acid 2 drops made double.Exposed moist in a glass sandwich.

Developer brushed and sprayed with 25% alcohol for 1 hr 10 min

Developer consists also of sumac extract 28 drops, AgNO3 14% 7 drops, gl. acetic acid 2 drops made double. After brushing sprayed and left wet face up under cover, brushed also just with Sumac extract saving the silver nitrate for later to boost density.

Short wash before 2 x 10 min hypo and 1 hr running water bath

 

Canson Marker paper was pre-silvered and iodized the day before exposure and processing.

The paper behaved well when prepared pre-silvering and iodisation on the same day as exposure and processing.

" I will be back..."

Kangaroo and bear

 

Development of a corporate identity

by Wolfgang Schmittel

ABC Verlag, Zurich, 1978

 

With dustcover

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