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Cereal Food Processors cybershutterbug.com/wordpress/cereal-food-processors/

process

inbetween works

XOXO

Sascha Carvalho

#Metaverse #speculativedesign #art #virtualfashion #fashion #design

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Infrared 830nm

Olympus Zuiko 55mm f1.2

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process

Live visuals made with processing. wormy thingy with

sound reactive colors. It was the first attempt to get

sound reacting working in linux using PD to analyse the signal and send it via osc to processing. Unfortunatelly it isn't as precise i i was expecting... one day i'll get it right... one day i'll...

more info there : www.yesyesnono.co.uk/?miam=7

Casa da música from architect Rem Koolhaas. Porto - Portugal

Olympus XA2 + Kodak Ektachrome Extra 100 (Expired)

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Yesterday I showed you a standard handcrafted cyanotype print. I described the process of applying the sensitising chemicals to the paper and exposing it to sunlight. I then showed what happens to the print when it is toned using a simple dark tea (tannic acid).

That's what I have done here with this cyanotype print of "The Soldier" (on the left hand side). You can see clearly how it has been stained in a bath of strong black tea. The tannic acid in the tea reacts with the ferric oxide and turns the blue to grey. The stained paper then takes on a kind of sepia tone.

The cyanotype process is very rewarding, but it requires a carefully thought-out hands on crafting experience. Planning and workflow is everything. So the four-part image above shows the main stages of preparing the print you will see next, "The Soldier".

1. Start with a raw image of the statue.

2. Convert this to black and white.

3. Produce a digital negative.

4. Make the cyanotype print (which will appear blue). Then stain it in a tea bath. This was soaked in tea for 10 minutes.

Once you have your stained print fully dried, you can cut it to size as seen in the next picture.

* A NOTE ON THE PAPER:

Since this is a wet process involving washing and soaking the paper it is vital to use high quality art paper. No less than 360 gsm. It is also important that it be acid free paper (since acids react with the cyanotype chemicals). In my case I used Reeves acrylic paper. For the soldier I produced an A4 size negative and initial print, but tomorrow I will show you two prints made on A5 size paper.

My son was up there. I tried myself and had a bad vertigo afterwards.

Girls and Roses canvas full color!

acrylic on canvas / 100 x 80 cm

photo ref: Laura Encursiva, sus fotos son por demas increibles.

www.flickr.com/photos/encursiva/

photo model: www.flickr.com/photos/encursiva/2886217172/

My week's work.

(view large)

© kelly langner sauer

All rights reserved.

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August 2024

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i love kandinsky...i know it's a stupid work,nothing hard to do, but i like the global effect a lot