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With the public release of some of the initial JWST images it is possible to download and process the raw data yourself.

This object is the NGC 1365, the "Great Barred Spiral Galaxy", meaning it has a bar of stars at the centre with spiral arms further out.

Images from four infrared wavelengths from the NIRCAM and MIRI instruments have been combined, the choice of mapping these images into an RGB colour space is left up to the end user.

Raw data credit: NASA/ESA/CSA/STSCI processing: Anthony Holloway

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Whispery White Wednesday!

bokeh project 189/365

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Corroding statue in a "reclamation yard" in Wells, just outside Bath

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I love the outcome

All my architectural works here : www.flickr.com/photos/s-d-g/sets/72157633432317796

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f/5.6 / 1/800 sec / Auto ISO 356 / 100 mm + 36mm extension tube / Manual mode

Usual suspects on a couple of images

Artwork ©jackiecrossley

Stock:

model: Blair-W

Globe: hdfootagestock.com/

Listen & enjoy: David Bowie – Space Oddity

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Build process for my SHIPtember build. I haven't shared WIP shots neither in 2019 or 2020, so a brief follow-up post should compensate that.

Thanks to everybody who provided feedback on the build and made it possible!

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This Snowdog wears an abstract pattern in colours inspired by the colour printing process. Designed by Josh Ford, who creates art that focuses on repetition, replication and disorientation through the use of abstract pattern and colour.

Later sold for £6000

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processed from an image of a soap bubble

Heceta Head Lighthouse — before and after post processing. When a photo doesn’t meet your vision or expectations, don’t give up.

The left image is the original. I knew this camera RAW image had all the potential ingredients for what I saw in my mind’s eye.

Middle image: By making three exposures out of the original (one underexposed and one overexposed), I could extend the dynamic range (HDR) in this "natural" fusion of the three exposures.

Right image: Using this middle image as a base, I then extended the latent colors and tones that were there into 12 different reiterations (tonemapping) of this base image, using the Photomatic app. From each of these variations (some subtle, some extreme), I blended portions of each deviation via Photoshop layers into one final image that matched my original vision for that image.

It’s important to note that nothing in this image was “photoshopped” — that is: changed, altered or created from nothing. Photoshop and Photomatic were only used to pull out details, tones and colors that were latent or already there.

Afterlight phone app. It's always fun to try a new phone app to edit a pic. I don't think Afterlight will be my favourite phone app but it's fun and easy to use. I like some of the masks/frames in it. A poppy from my yard.

Thanks Chic (www.flickr.com/photos/80454089@N00/) for bringing the app to my attention.

the drawing process

with w.i.p

(from may '21) ..

something different, don't normally share any w.i.p as they can end up different than when started ..

Processed on a plane and sent via a slow phone connection. Next few days are likely to be more offline than online...