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The 2014 Nanjing Youth Olympic Games
3D Floor Sticker Design
We design 3D floor/wall image and print it into sticker in our own factory.
Main Products list:
3D advertisement: for Mall, Supermarket, Square, etc.
3D exhibition: to hold a 3D interactive exhibition.
3D decoration: for booth, house, restaurant, etc.
Contact: Ye Jun (Mr.)
Email: info@sinyim.com
Skype: junyeinuk
Company Intro:
We're a professional manufacturer of printing products and the pioneer in 3D advertising on floor in malls and super markets.
3D Design:
3D street painting becomes popular nowadays. But until now most of those works were created by the artists. We are able to make the 2D pic into 3D one and print it in large quantity. The floor between the two shelves is the best position for doing advertising, but it is usually ignored. Our product can easily attract people's attention. And also the advertising can be interactive, so people will feel happy to share their photos with their friends.
Our Service:
We can design 3D graphic accord with your creative or make 2D pic into 3D effect. If you want to see more items, please visit our website.
Should any of these items be of interest to you, please let us know. We will be happy to give you a quotation upon receipt of your detailed requirements.
"Pegatina 3D piso" "etiqueta de la pared 3D" "cartel 3D" "pegatina pavimento 3D" "pintura de la calle 3D" "pegatina 3D" "floor graphics 3D" "branding piso 3D" "publicidad piso 3D" "conceptos de suelo 3D" "3D envolturas de piso " " posters piso 3D " " envolturas de pared 3D " " envolturas de vidrio 3D " " envolturas de edificios 3D " " envolver piso 3D " " muestra de suelo 3D " " piso pintura 3D " " 3D " " ilusión " " cruzar los ojos " " sinyim " " street art 3D " " pintura 3D " " pintura anamórfica " " callejero "
"Autocollant 3D de-chaussée" "autocollant 3D de mur" "affiche 3D" "autocollant 3D de la chaussée" "peinture de rue 3D" "autocollant 3D" "graphique 3D de sol" "l'image de marque de sol 3D" "la publicité 3D de plancher" "sur les concepts 3D de sol" "3D enveloppements de sol " " sol 3D affiches " " wraps muraux 3D " " enveloppements de verre 3D " " enveloppements de construction 3D " " sol 3D emballage " " plancher affiche 3D " " peinture 3D de plancher " " 3D " " illusion " " croiser les yeux " " sinyim " " street art 3D " " de peinture 3D " " peinture anamorphique " " street art "
"3D-Grund Aufkleber" "Aufkleber der Wand 3D" "3D-Plakat" "3D Pflaster Aufkleber" "3D Straßenmalerei" "3D-Aufkleber" "3D-Grundgrafik " "3D-Grund Branding" "3D Bodenwerbung" "3D-Grundkonzepte" "3D Boden Wraps " " 3D-Grund Poster " " 3D Wand Wraps " " 3D Glas Wraps " " 3D-Gebäude Wraps " " 3D-Grund Wrapping " " 3D Bodendisplays " " 3D Bodenmalerei " " 3D " " Illusion " " überqueren Sie die Augen " " sinyim " " 3D Street Art " " 3D Malerei " " anamorphen Malerei " " Street-Art "
"3D стикер этаж" "3D стикер стены" "3D постер" "3D стикер тротуар" "3D уличная живопись" "3D стикер" "3D графика этаж" "3D брендинг этаж" "3D реклама этаж" "3D концепции этаж" "3D этаж обертывания " " 3-й этаж плакаты " " 3D обертывания стен " " 3D стеклянные обертывания " " 3D строительных обертывания " " 3D этаж упаковка " " 3D отображает пол " " 3D живопись этаж " " 3D " " иллюзия " " скрестите глаза " " sinyim " " 3D стрит-арт " " 3D картина " " анаморфное картина " " стрит-арт "
"3D 바닥 스티커" "3D 벽 스티커" "3D 포스터" "3D 포장 스티커" "3D 거리 페인팅" "3D 스티커" "3D 바닥 그래픽" "3D 바닥 브랜드" "3D 바닥 광고" "3D 바닥 개념" "3D 바닥 랩 " "3D 바닥 포스터 " "3D 벽 랩 " "3D 유리 랩 " "3D 건물 랩 " "3D 바닥 배치 " "3D 바닥에 " "3D 바닥 그림 " "3D " "환상 " "당신의 눈을 건너 " " sinyim " "3D 거리 예술 " "3D 그림 " "아나모픽 그림 " "거리 예술"
“3Dフロアステッカー” “3Dウォールステッカー” “3Dポスター” “3D舗装ステッカー” “3Dストリートペインティング” “3Dステッカー” “3Dフロアグラフィック” “3Dフロアブランディング” “3Dフロア広告” “3Dフロアコンセプト” “3D床ラップ” “3Dフロアのポスター” “3Dウォールラップ” “3Dグラスラップ” “3D建物ラップ” “3Dフロアラッピング” “3Dフロアディスプレイ” “3Dフロア絵画" "3D " "錯覚" "あなたの目を渡る" "sinyim” “3Dストリートアート” “3Dペインティング” “アナモフィック絵” “ストリートアート”
"3D vloer sticker" "3D-muur sticker" "3D poster" "3D stoep sticker" "3D straat schilderen" "3D sticker" "3D vloer graphics" "3D vloer branding" "3D vloerreclame" "3D vloer begrippen" "3D vloer wraps " " 3D vloer posters " " 3D muur wraps " " 3D glazen wraps " " 3D geveldoeken " " 3D vloer wrapping " " 3D vloer displays " " 3D vloer schilderen " " 3D " " illusie " " kruis je ogen " " sinyim " " 3D street art " " 3D schilderen " " anamorfe schilderen " " street art "
"3D kat sticker" "3D duvar sticker" "3D posteri" "3D kaldırım sticker" "3D sokak boyama" "3D etiket" "3D kat grafik" "3D kat markalaşma" "3D kat reklam" "3D kat kavramlar" "3D kat sarar " " 3D kat posterleri " " 3D duvar sarar " " 3D cam tamamladı " " 3D bina kaplamaları " " 3D kat sarma " " 3D kat görüntüler " " 3D kat boyama " " 3D " " yanılsama " " gözleri çapraz " " sinyim " " 3D sokak sanatı " " 3D boyama " " anamorfik boyama " " sokak sanatı "
"Sticker 3D piano" "autoadesivo della parete 3D" "poster 3D" "sticker marciapiede 3D" "street painting 3D" "sticker 3D" "grafica in 3D del pavimento" "marchio pavimento 3D" "pubblicità pavimento 3D" "concetti da terra 3D" "3D avvolge piano " " poster " " pavimento 3D impacchi parete 3D " " involucri di vetro 3D " " involucri edilizi 3D " " pavimento " " wrapping 3D espositori da terra 3D " " pittura in 3D piano" "3D " " illusione " " attraversare i tuoi occhi " " sinyim " " 3D street art " " pittura in 3D " " pittura anamorfico " " street art "
"สติกเกอร์ 3D ชั้น" "สติกเกอร์ผนัง 3D" "โปสเตอร์ 3D" "สติกเกอร์ทางเท้า 3D" "ภาพวาดถนน 3D" "3D สติกเกอร์" "กราฟิกชั้น3D" "แบรนด์ชั้น 3D" "การโฆษณาชั้น3D" "แนวคิดที่ชั้น3D" "3D wraps ชั้น " " โปสเตอร์ชั้น3D " " ตัดผนัง 3D " " ตัดกระจก 3D " " ตัดอาคาร 3D " " การตัดพื้น 3D " " การแสดงชั้น 3D " " การวาดภาพชั้น3D " " 3D " " ภาพลวงตา " " ข้ามตาของคุณ " " sinyim " " ถนนศิลปะ3D " " 3D ภาพวาด " " การวาดภาพ anamorphic " " ถนนศิลปะ "
"ملصقا 3D الأرض" "جدار ملصقا 3D" "3D ملصق" "الرصيف ملصقا 3D" "3D الشارع اللوحة" "3D ملصقا" "رسومات الطابق 3D" "العلامات التجارية الطابق 3D" "الدعاية الطابق 3D" "مفاهيم الطابق 3D" "3D يلف الأرض " " الملصقات الطابق 3D " " يلتف الجدار 3D " " يلتف الزجاج 3D " " يلتف بناء 3D " " التفاف الطابق 3D " " يعرض الطابق 3D " " اللوحة الطابق 3D " " 3D " " وهم " " عبور عينيك " " sinyim " " 3D فن الشارع " " اللوحة 3D " " اللوحة صورة بصرية مشوهة " " فن الشارع "
Wooden printing block with metal printing plate depicting child with baby.
Accession Number: HH4748/14/88
Plates are the illustrations separately printed and inserted into a book once it is bound. The copper plate is the master surface from which printing is done.
Used at Holmes McDougall, Edinburgh. Holmes McDougall were educational publishers based at 137 - 141 Leith Walk, Edinburgh.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
Haeinsa (해인사, 海印寺: Temple of the Ocean Mudra) is a head temple of the Jogye Order (대한불교조계종, 大韓佛敎 曹溪宗) of Korean Buddhism in the Gaya Mountains (가야산, 伽倻山), South Gyeongsang Province South Korea. Haeinsa is most notable for being the home of the Tripitaka Koreana, the whole of the Buddhist Scriptures carved onto 81,350 wooden printing blocks, which it has housed since 1398.
Haeinsa is one of the Three Jewel Temples of Korea, and represents Dharma or the Buddha’s teachings. It is still an active Seon (선, 禪) practice center in modern times, and was the home temple of the influential Rev. Seongcheol (성철, 性徹), who died in 1993.
HISTORY
The temple was first built in 802. Legend says that two Korean monks returned from China, Suneung and Ijeong, and healed King Aejang's (애장왕, 哀莊王) wife of her illness. In gratitude of the Buddha's mercy, the king ordered the construction of the temple.[1] Another account, by Choe Chi-Won in 900 states that Suneung and his disciple Ijeong, gained the support of a queen dowager who converted to Buddhism and then helped to finance the construction of the temple.
The temple complex was renovated in the 10th century, 1488, 1622, and 1644. Huirang, the temple abbot enjoyed the patronage of Taejo of Goryeo during that king’s reign. Haeinsa was burned down in a fire in 1817 and was rebuilt in 1818. Another renovation in 1964 uncovered a royal robe of King Gwanghaegun, who was responsible for the 1622 renovation, and an inscription on a ridge beam.
The main hall, Daejeokkwangjeon (대적광전, 大寂光殿: Hall of Great Silence and Light), is unusual because it is dedicated to Vairocana where most other Korean temples house Shakyamuni (Kr. Seokgamoni) in their main halls.
The Temple of Haeinsa and the Depositories for the "Tripitaka Koreana" Woodblocks, were added to the UNESCO World Heritage List in 1995. The UNESCO committee noted that the buildings housing the Tripitaka Koreana are unique because no other historical structure was specifically dedicated to the preservation of artifacts and the techniques used were particularly ingenious.
The temple also holds several official treasures including a realistic wooden carving of a monk and interesting Buddhist paintings, stone pagodas, and lanterns.
CRISIS
After independence, when the Korean War broke out, Haeinsa encountered a crisis. In September 1951, after the Battle of Inchon, South Korea turned the war around but then North Korea did not retreat so the remnants of one thousand North Korean soldiers around Haeinsa enacted guerrilla war. UN forces were ordered to bomb Haeinsa with four bombers. However, at that time Kim Young Hwan, Leader of Air Force pilots worried about the loss of Haeinsa Tripitaka Koreana and did not obey the command. Due to his lack of action, Haeinsa weathered the crisis and did not experience the bombing. Haeinsa gongdeokbi honors him with the landscaped grounds of Haeinsa.
JANGGYEONG PANJEON
The storage halls known as the Janggyeong Panjeon complex are the depository for the Tripitaka Koreana woodblocks at Haeinsa and were also designated by the Korean government as a national treasure of Korea on December 20, 1962. They are some of the largest wooden storage facilities in the world. Remarkably, the halls were untouched during the Japanese invasion of Korea and were spared from the 1818 fire that burned most of the temple complex down. All told, the storage halls have survived seven serious fires and one near-bombing during the Korean War when a pilot disobeyed orders because he remembered that the temple held priceless treasures.
Janggyeong Panjeon complex is the oldest part of the temple and houses the 81,258 wooden printing blocks from the Tripitaka Koreana. Although the exact construction date of the hall that houses the Tripitaka Koreana is uncertain, it is believed that King Sejo expanded and renovated it in 1457. The complex is made up of four halls arranged in a rectangle and the style is very plain because of its use as a storage facility. The northern hall is called Beopbojeon (Hall of Dharma) and the southern hall is called Sudarajang (Hall of Sutras). These two main halls are 60.44 meters in length, 8.73 meters in width, and 7.8 meters in height. Both have fifteen rooms with two adjoining rooms. Additionally, there are two small halls on the east and west which house two small libraries.
Several ingenious preservation techniques are utilized to preserve the wooden printing blocks. The architects also utilized nature to help preserve the Tripitaka. The storage complex was built at the highest point of the temple and is 655 meters above sea level. Janggyeong Panjeon faces southwest to avoid damp southeasterly winds from the valley below and is blocked from the cold north wind by mountain peaks. Different sized windows on the north and south sides of both main halls are used for ventilation, utilizing principles of hydrodynamics. The windows were installed in every hall to maximize ventilation and regulate temperature. The clay floors were filled with charcoal, calcium oxide, salt, lime, and sand, which reduce humidity when it rains by absorbing excess moisture which is then retained during the dry winter months. The roof is also made with clay and the bracketing and wood rafters prevent sudden changes in temperature. Additionally, no part of the complex is exposed to sun. Apparently, animals, insects, and birds avoid the complex but the reason for this is unknown. These sophisticated preservation measures are widely credited as the reason the woodblocks have survived in such fantastic condition to this day.
In 1970, a modern storage complex was built utilizing modern preservation techniques but when test woodblocks were found to have mildewed, the intended move was canceled and the woodblocks remained at Haeinsa.
Screen Printing Posters for this years End of the Road Festival.
big ol' pile of 'em
All posters will be available at End of the Road Festival on the Jacknife stall and also on the Jacknife website:
Suggestion »A« for about £100
Suggestion »B« for about £400 (incl. Arab Platen!)
Stephenson, Blake & Co. Ltd. 1935
Rights: Permission to use this image commercially must be obtained from the San Francisco History Center, San Francisco Public Library. www.sfpl.org/permissions When using this image please credit: BOOK ARTS & SPECIAL COLLECTIONS, SAN FRANCISCO PUBLIC LIBRARY.
2 paper negatives from my diy 5x7 pinhole + contact prints from 4x5 pinhole and 4x5 speed graphic.
I decided to make some overexposed prints for lith printing process.. (2nd lith pass, this i'm not sure yet). ha!
Malibu Canyons Sunset : Nikon D810 HDR Landscape Photos! Dr. Elliot McGucken Fine Art Photography! 14-24mm Nikkor Wide Angle F/2.8 Lens!
New Instagram! instagram.com/45surf
Facebook: www.facebook.com/45surfAchillesOdysseyMythology
Dr. Elliot McGucken's Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
Will be busy printing and framing in nice large, matted formats and frames and museum glass! Five of these photos will be printed on 40" x 60" floating wall mounted metal sheets! I think I know which--will share photos of the photos hanging on the walls!
And I am mounting some on plexiglass/acryllic--front mounting them! Some I am printing on lossy fuji-crystal archival paper too, and then front mounting 40"x60" versions to plexiglass--will send photos!
The secret to HDR photography is that you want people to say, "Woe dude--that's unreal!" And not, "Dude--that's not real!" "Unreal" is the word they use when they're trying to figure out the photo--what makes it cool--is it a photo? Is it painted? How'd it come to be--how'd you bend the light that way? "That's not real," is what they say if you have the saturation/HDR/ etc. turned up too high. :)
Some (almost) final edits for my Los Angeles Gallery Show! Printing them on metallic paper at 13" x 19" and mounting and framing them on a 4mm 18x24 white mat and 2" dark wood frame. Also printing some 40" x 70" which is over three feet by five feet! Wish you all could come (and hang out with the goddesses)!
Let me know your favs.!
New Instagram!
Videos!
I booked a major photography show at a major LA gallery in December! Will also be giving some lectures on the story--the Hero's Odyssey Mythology--behind the photography!
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Preparing for some gallery shows this fall to celebrate 300,000,000 views! Printing a few dozen photographs in ~ 30"x40" formats and mounting/framing. Here are some close-to-final edits. HDR photography 7 exposures shot at 1EV and combined in photomatix: 36 megapixel Nikon D8010 with the awesome Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens. 45SURF Hero's Odyssey Mythology Photography!
Epic Scenic HDR Landscapes Shot with Nikon D810: Hero's Odyssey Mythology Photography!
Three-Seven exposures @ 1EV finished in photomatix.
Enjoy the Hero's Odyssey Mythology Photography, and all the best on a hero's odyssey of your own making!
High Dynamic Range (HDR) photos rock in capturing the full dynamic range of the scene!
All the best on your epic hero's odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Nikon D810 Sunset Photos of Malibu Sea Cave! Dr. Elliot McGucken Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
45SURF Hero's Odyssey Mythology Photography
Homer's Odyssey: Tell me, O muse, of that ingenious hero who travelled far and wide. . . Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; --Homer's Odyssey translated by Samuel Butler
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Feel free to ask any questions about composing, shooting, finishing, mounting, and presenting Fine Art Photography! :)
All the Best on your Epic Hero's Odyssey from Johnny Ranger McCoy! The reflections of the reeds are titled "The Rage of Achilles!" :) Enjoy!
Corrected facebook link for my new facebook page: www.facebook.com/45surfAchillesOdysseyMythology
Shot with the awesomely sharp Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens!
Malibu Canyons Spring Colors! Before The Rain! Nikon D810 HDR Landscape Photos! Dr. Elliot McGucken Fine Art Photography! 14-24mm Nikkor Wide Angle F/2.8 Lens!
Malibu Canyons Spring Colors! Before The Rain! Nikon D810 HDR Landscape Photos! Dr. Elliot McGucken Fine Art Photography! 14-24mm Nikkor Wide Angle F/2.8 Lens!
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Hermes-Grotesk from Wilhelm Woellmers Schriftgießerei, Berlin SW.
Issued in 1911.
The specimen book is from Egmont H. Petersens Kgl. Hof-Bogtrykkeri, Copenhagen, appoximately1925.
A worker makes sure that a brochure is properly folded at a printing factory in Viet Nam. © ILO/Brenda Paik Sunoo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
Just started to get the hang of not burnishing off all of the ink to get some colour and tonal variations going.... and then the session finished. I SHALL PERSEVERE ANOTHER TIME.
Drypoint etching using Rhenalon plate and stay-open oil based inks (hand-mixed). Print on 280gsm white cartridge paper.
Wooden printing block with metal printing plate depicting two children
Accession Number: HH4748/12/88
Plates are the illustrations separately printed and inserted into a book once it is bound. The copper plate is the master surface from which printing is done.
Used at Holmes McDougall, Edinburgh. Holmes McDougall were educational publishers based at 137 - 141 Leith Walk, Edinburgh.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
I was invited to photograph at ADM Amsterdam's 18th edition of the ADM Blijft Festival, which included many bands, performers and artists as well as talks and workshops.
Rights: Permission to use this image commercially must be obtained from the San Francisco History Center, San Francisco Public Library. www.sfpl.org/permissions When using this image please credit: BOOK ARTS & SPECIAL COLLECTIONS, SAN FRANCISCO PUBLIC LIBRARY.
Here are some exciting images of the first test piece of my current development for 3D printing... but can anyone guess what it is?
Kay made another screen printing screen with geek motives.
Final inspection and cleaning of the pixels in the screen.
I'm using one of the Vandercook SP-15 presses at The Arm in Williamsburg, Brooklyn to print 2 sets of wedding invitations.
Photographic printing plate depicting people at a formal occasion.
Accession Number: hh.4748.34.88
Plates are the illustrations separately printed and inserted into a book once it is bound. The copper plate is the master surface from which printing is done.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
The prints turned out pretty nicely! Thank goodness; I only spent about 6 hours on this session! These are my very first two-color prints. Created on my Chandler & Price Pilot letterpress, August, 2010. Limited quantity available for sale at cuddlefishpress.bigcartel.com/