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Ballet on the Beach 45SURF Fine Art Dance Portrait Photography! Pretty Leotard Model Ballet Dancer Dancing Classical Ballet Malibu Beach Sunset El Matador State Beach Dr. Elliot McGucken 45EPIC Master Ballet Photographer Luxury Fine Art Photography!
Dr. Elliot McGucken Fine Art Spacetime Sculpture dx4//dt=ic:
Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
The Alexander Hamilton Custom House is one of New York's finest examples of Beaux Arts architecture, incorporating City Beautiful Movement planning principles with architecture, engineering, and fine arts. The seven story structure with 450,000 square feet sits on three city block in Bowling Green.
Is is here, at the southern terminus of the old Algonquin trade route, Wiechquaekeck Trail, that Peter Minuet purchased the island of Manhattes for trinkets valued at 60 guilders, or about $24, from the Lenape Indians in 1626. Soon thereafter the Dutch West India Company built Fort Amsterdam on this site, which came to be the nucleus for the New Amsterdam settlement. After the American Revolution the fort was replaced by the brick Government House, which was intended to be but never used as a residence for the President. Instead it became the residence of New York Governors DeWitt Clinton and John Jay. The building served briefly as the Custom House from 1799 and 1815 before being torn down and replaced with rowhouses.
Before a federal income tax was imposed in 1916, a primary source of revenue for the federal government was custom duty. New York City, as the country's most active port, has had a Custom House since the country's founding in in 1781. In 1899, the United States Department of the Treasury acquired the Bowling Green property and sponsored a competition to build a new U.S. Custom House. Minnesotan Cass Gilbert, who later designed the Woolworth Building, won the competition by designing a building that was not just a functional building for commerce, but exuded a palatial grandeur. Construction began in 1900 and completed in 1907.
The interior of the building is dominated by the huge rotunda, which survives as one of the largest public spaces in New York. Commissioned In 1936 as part of the Treasury Relief Art Project, Reginald Marsh was commissioned to paint the elliptical space around the 140-ton skylight with sixteen frescoes. The larger sections portray eight successive stages of the arrival of an ocean liner in the harbor. Eight smaller panels, painted in grisaille to simulate statuary, depict famous explorers like Amerigo Vespucci, Christopher Columbus, Giovanni da Verrazano and Henry Hudson.
Above the main cornice on the sixth story are standing sculptures representing the great commercial sea-faring nations, from the Phoenicians to the Americans.
Central to Gilbert's design of the Custom House were four separate sculptures to be placed at the front entrance of the Custom House, representing four continents (from left to right) - Asia, America, Europe and Africa. Gilbert asked both Daniel Chester French and August Saint-Gaudens both to submit designs for the sculptures. Saint-Gaudens declined the invitation, citing other work he was occupied with, so French received the commission. French began designing the sculptures of "Continents" in 1903 and they were completed and installed in 1907. Art scholars consider French's "Continents" to be perhaps the best examples of architecture sculpture in the United States. Each of the four "Continents" represent a view of the continents through French's early 20th century lens: Asia and Africa are still cloaked in mystery, Europe is in the waning years of its colonial conquests, and America is emerging as a new, vibrant society.
The building was subsequently abandoned in the 1970's and was scheduled for demolition before being saved and restored in the early 1980's. In 1987, the United States Bankruptcy Court for the Southern District of New York occupied the building and in 1994, the Smithsonian Institution's National Museum of the American Indian took over two floors of the Old Custom House.
The United States Custom House was designated a landmark by the New York Landmarks Preservation Commission in 1965. Its interior was designated separately in 1979.
National Historic Register #72000889
The Eastern State Penitentiary (ESP[4]) is a former American prison in Philadelphia, Pennsylvania. It is found at 2027 Fairmount Avenue between Corinthian Avenue and North 22nd Street in the Fairmount section of the city, and was operational from 1829 until 1971. The penitentiary refined the revolutionary system of separate incarceration first pioneered at the Walnut Street Jail which emphasized principles of reform rather than punishment.[5]
Notorious criminals such as bank robber Willie Sutton and Al Capone were held inside its innovative wagon wheel design. At its completion, the building was the largest and most expensive public structure ever erected, and quickly became a model for more than 300 prisons worldwide.
The prison is currently a U.S. National Historic Landmark,[3] which is open to the public as a museum for tours seven days a week, twelve months a year 10 am to 5 pm.
I used 6 images in photomatix.Photographed with a Canon g2 converted to infrared.
#AbFav_WORDS_TEXT_ 🆒
#AbFav_PHOTOSTORY
This modern facade caught my attention with their words.
For them it must mean what they stand for?
For me, terms that also are used very much in photography.
Have a great day and take care!
Thank you, M, (*_*)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
windows, glass, building, street, facade, outside, words, text, colour, horizontal, NikonD7200, "Magda Indigo"
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
The Epic Seascape! Malibu Sea Caves!
Landscape photography is not only about traveling through space, but it is also about traveling through time. One may return to the same beach time and again throughout the seasons to find a million different universes, changing in an infinitude of manners with each passing wave.
Not only do we voyage outwardly to get the shot, but we travel even further inwardly. While I spend my year trekking along the John Muir Trail, and on through Zion, Yosemite, the Grand Canyon, Death Valley, and the Colorado Plateau, my heart always finds its home in these Malibu sea caves, where I have stood in awe during all hours of the day and night.
Included within are a few shots that only I have so far captured, including a miraculous winter solstice sunrise.
Best wishes throughout the coming year!
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
An anti-establishment view or belief is one which stands in opposition to the conventional social, political, and economic principles of a society. The term was first used in the modern sense in 1958, by the British magazine New Statesman to refer to its political and social agenda. Antiestablishmentarianism (or anti-establishmentarianism) is an expression for such a political philosophy.
In the UK anti-establishment figures and groups are seen as those who argue or act against the ruling class. Having an established church, in England, a British monarchy, an aristocracy, and an unelected upper house in Parliament made up in part by hereditary nobles, the UK has a clearly definable[citation needed] Establishment against which anti-establishment figures can be contrasted. In particular, satirical humour is commonly used to undermine the deference shown by the majority of the population towards those who govern them. Examples of British anti-establishment satire include much of the humour of Peter Cook and Ben Elton; novels such as Rumpole of the Bailey; magazines such as Private Eye; and television programmes like Spitting Image, That Was The Week That Was, and The Prisoner (see also the satire boom of the 1960s). Anti-establishment themes also can be seen in the novels of writers such as Will Self.
However, by operating through the arts and media, the line between politics and culture is blurred, so that pigeonholing figures such as Banksy as either anti-establishment or counter-culture figures can be difficult. The tabloid newspapers such as The Sun, are less subtle, and commonly report on the sex-lives of the Royals simply because it sells newspapers, but in the process have been described as having anti-establishment views that have weakened traditional institutions. On the other hand, as time passes, anti-establishment figures sometimes end up becoming part of the Establishment, as Mick Jagger, the Rolling Stones frontman, became a Knight in 2003, or when The Who frontman Roger Daltrey was made a Commander of the Order of the British Empire in 2005 in recognition of both his music and his work for charity.
Anti-establishment in the United States began in the 1940s and continued through the 1950s.
Many World War II veterans, who had seen horrors and inhumanities, began to question every aspect of life, including its meaning. Urged to return to "normal lives" and plagued by post traumatic stress disorder (discussing it was "not manly"), in which many of them went on to found the outlaw motorcycle club Hells Angels. Some veterans, who founded the Beat Movement, were denigrated as Beatniks and accused of being "downbeat" on everything. Lawrence Ferlinghetti wrote a Beat autobiography that cited his wartime service.
Citizens had also begun to question authority, especially after the Gary Powers U-2 Incident, wherein President Eisenhower repeatedly assured people the United States was not spying on Russia, then was caught in a blatant lie. This general dissatisfaction was popularized by Peggy Lee's laconic pop song "Is That All There Is?", but remained unspoken and unfocused. It was not until the Baby Boomers came along in huge numbers that protest became organized, who were named by the Beats as "little hipsters".
"Anti-establishment" became a buzzword of the tumultuous 1960s. Young people raised in comparative luxury saw many wrongs perpetuated by society and began to question "the Establishment". Contentious issues included the ongoing Vietnam War with no clear goal or end point, the constant military build-up and diversion of funds for the Cold War, perpetual widespread poverty being ignored, money-wasting boondoggles like pork barrel projects and the Space Race, festering race issues, a stultifying education system, repressive laws and harsh sentences for casual drug use, and a general malaise among the older generation. On the other side, "Middle America" often regarded questions as accusations, and saw the younger generation as spoiled, drugged-out, sex-crazed, unambitious slackers.
Anti-establishment debates were common because they touched on everyday aspects of life. Even innocent questions could escalate into angry diatribes. For example, "Why do we spend millions on a foreign war and a space program when our schools are falling apart?" would be answered with "We need to keep our military strong and ready to stop the Communists from taking over the world." As in any debate, there were valid and unsupported arguments on both sides. "Make love not war" invoked "America, love it or leave it."
As the 1960s simmered, the anti-Establishment adopted conventions in opposition to the Establishment. T-shirts and blue jeans became the uniform of the young because their parents wore collar shirts and slacks. Drug use, with its illegal panache, was favored over the legal consumption of alcohol. Promoting peace and love was the antidote to promulgating hatred and war. Living in genteel poverty was more "honest" than amassing a nest egg and a house in the suburbs. Rock 'n roll was played loudly over easy listening. Dodging the draft was passive resistance to traditional military service. Dancing was free-style, not learned in a ballroom. Over time, anti-establishment messages crept into popular culture: songs, fashion, movies, lifestyle choices, television.
The emphasis on freedom allowed previously hushed conversations about sex, politics, or religion to be openly discussed. A wave of radical liberation movements for minority groups came out of the 1960s, including second-wave feminism; Black Power, Red Power, and the Chicano Movement; and gay liberation. These movements differed from previous efforts to improve minority rights by their opposition to respectability politics and militant tone. Programs were put in place to deal with inequities: Equal Opportunity Employment, the Head Start Program, enforcement of the Civil Rights Act, busing, and others. But the widespread dissemination of new ideas also sparked a backlash and resurgence in conservative religions, new segregated private schools, anti-gay and anti-abortion legislation, and other reversals. Extremists[clarification needed] tended to be heard more because they made good copy for newspapers and television.[citation needed] In many ways, the angry debates of the 1960s led to modern right-wing talk radio and coalitions for "traditional family values".
As the 1960s passed, society had changed to the point that the definition of the Establishment had blurred, and the term "anti-establishment" seemed to fall out of use.
In recent years, with the rise of the populist right, the term anti-establishment has tended to refer to both left and right-wing movements expressing dissatisfaction with mainstream institutions. For those on the right, this can be fueled by feelings of alienation from major institutions such as the government, corporations, media, and education system, which are perceived as holding progressive social norms, an inversion of the meaning formerly associated with the term. This can be accounted for by a perceived cultural and institutional shift to the left by many on the right. According to Pew Research, Western European populist parties from both sides of the ideological spectrum tapped into anti-establishment sentiment in 2017, "from the Brexit referendum to national elections in Italy." Sarah Kendzior of QZ opines that "The term "anti-establishment" has lost all meaning," citing a campaign video from then candidate Donald Trump titled "Fighting the Establishment." The term anti-establishment has tended to refer to Right-wing populist movements, including nationalist movements and anti-lockdown protests, since Donald Trump and the global populist wave, starting as far back as 2015 and as recently as 2021.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Monument Valley John Ford Point Fine Art Landscape Nature Photography Utah! Fujifilm GFX 100 Medium Format Mirrorless Camera! Elliot McGucken Fuji GFX100 Fine Art Landscape & Nature Photography Monument Valley John Wayne/John Ford Point! Fujinon Fujifilm Fujinon GF 32-64mm f/4 R LM WR GFX Medium Format!
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me my good friends!
Facebook: geni.us/A0Na3
Instagram: geni.us/QD2J
Golden Ratio: geni.us/9EbGK
45SURF: geni.us/Mby4P
Fine Art Ballet: geni.us/C1Adc
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
2019 Women’s Empowerment Principles Forum: Organized by UN Women, UN Global Compact and UN Office of Partnerships. Annual flagship event on gender equality for the private sector, bringing together 500+ other leaders and innovators from business, government, civil society, academia and the UN. The Forum participants gain exposure to new knowledge on strategies for advancing women's empowerment in the future of work, through gender-lens investing and by addressing sexual harassment in the world of work.
speakers included:
Robert Skinner, Executive Director, UN Office of Partnerships; Phumzile Mlambo-Ngucka, United Nations Under-Secretary-General and Executive Director, UN Women; Lise Kingo, CEO and Executive Director, UN Global Compact; Ambassador Maria Marinaki, Principal Advisor on Gender and the Implementation of UNSCR 1325 on Women, Peace and Security, European Union; Isabelle Durant, Deputy Secretary General, UNCTAD; Patricia Greene, Director, Women’s Bureau, US Department of Labour; Suzanne Biegel, Founder, Catalyst at Large; Carlos André, Executive Director, Banco de Brasil DTVM; Michael Denham, CEO, Business Development Bank of Canada; Sarah Chen, Co-founder and Managing Partner, The Billion Dollar Fund for Women; Stephanie Queda Cruz, Head of Gender, Diversity and Inclusion, Inter-American Development Bank; Deborah Gibbins, Chief Operating Officer, Mary Kay; Diana Kobas Deskovic, Founder, Mamforce; Alan Joyce, CEO, Qantas; Michael Ptasznik, CFO, Nasdaq; Banu Isci Sezen, General Manager, Turkcell Academy, Turkcell; Anne Claire Berg, Diversity and Inclusion Director, Danone; Purna Sen, Executive Coordinator and Spokesperson on Sexual Harassment and Other Forms of Discrimination, UN Women; Ibukun Awosika, Chairman, First Bank of Nigeria; Valeri Chekheria, CEO, Adjara Group; Emmanuel Lulin, Senior Vice President & Chief Ethics Officer, L’Oreal; Lebo Ramafoko, CEO, Soul Institute; Katherine Bell, Editor in Chief, Barron’s
Photo: UN Women/Amanda Voisard
2019 Women’s Empowerment Principles Forum: Organized by UN Women, UN Global Compact and UN Office of Partnerships. Annual flagship event on gender equality for the private sector, bringing together 500+ other leaders and innovators from business, government, civil society, academia and the UN. The Forum participants gain exposure to new knowledge on strategies for advancing women's empowerment in the future of work, through gender-lens investing and by addressing sexual harassment in the world of work.
speakers included:
Robert Skinner, Executive Director, UN Office of Partnerships; Phumzile Mlambo-Ngucka, United Nations Under-Secretary-General and Executive Director, UN Women; Lise Kingo, CEO and Executive Director, UN Global Compact; Ambassador Maria Marinaki, Principal Advisor on Gender and the Implementation of UNSCR 1325 on Women, Peace and Security, European Union; Isabelle Durant, Deputy Secretary General, UNCTAD; Patricia Greene, Director, Women’s Bureau, US Department of Labour; Suzanne Biegel, Founder, Catalyst at Large; Carlos André, Executive Director, Banco de Brasil DTVM; Michael Denham, CEO, Business Development Bank of Canada; Sarah Chen, Co-founder and Managing Partner, The Billion Dollar Fund for Women; Stephanie Queda Cruz, Head of Gender, Diversity and Inclusion, Inter-American Development Bank; Deborah Gibbins, Chief Operating Officer, Mary Kay; Diana Kobas Deskovic, Founder, Mamforce; Alan Joyce, CEO, Qantas; Michael Ptasznik, CFO, Nasdaq; Banu Isci Sezen, General Manager, Turkcell Academy, Turkcell; Anne Claire Berg, Diversity and Inclusion Director, Danone; Purna Sen, Executive Coordinator and Spokesperson on Sexual Harassment and Other Forms of Discrimination, UN Women; Ibukun Awosika, Chairman, First Bank of Nigeria; Valeri Chekheria, CEO, Adjara Group; Emmanuel Lulin, Senior Vice President & Chief Ethics Officer, L’Oreal; Lebo Ramafoko, CEO, Soul Institute; Katherine Bell, Editor in Chief, Barron’s
Photo: UN Women/Amanda Voisard
Date: 1963
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Part of series that included books by Ken Garland, Michael Hutchins (shown elsewhere), Alan Fletcher, Colin Forbes and Bob Gill.
Beautiful Swimsuit Bikini Model Surfer Goddesses! Early AM Surfrider's Beach Malibu! A Midsummer Night's Dream! Golden Ratio Composition The Birth of Venus dx4/dt=ic! Surf Girl Blonde & Brunette Bikini Girls! Long Legs Beautiful Blonde Blue Eyes Bikini Swimsuit Model Lady!
My Epic Gear Guide for Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me my good friends!
Facebook: geni.us/A0Na3
Instagram: geni.us/QD2J
Golden Ratio: geni.us/9EbGK
45SURF: geni.us/Mby4P
Fine Art Ballet: geni.us/C1Adc
Some of my epic books, prints, & more!
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Boy George, 1988 (Collage, Acryl, Fumage/Collage, arcylic, fumage), Albertina - Schenkung/Donation, 2015
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Everything you can imagine is real.
~ Pablo Picasso
I wasn't sure whether to put up this shot or not. But then I did, hope you all enjoy this one. This is a 3 shot HDR with a bit of other post processing =)
Explored #346 - Aug 15th, 2008 =) ...Thank u so much guys; u r the stars here... hugs n kisses for u all.. =)
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Origins of a 14 Trillion Dollar Defecit
Project for the New American CenturyFrom Wikipedia, the free encyclopedia
Project for the New American Century
Formation 1997
Extinction 2006
Public policy think tank
Location Washington, D.C.
Website newamericancentury.org
The Project for the New American Century (PNAC) was an American think tank based in Washington, D.C. that lasted from 1997 to 2006. It was co-founded as a non-profit educational organization by William Kristol and Robert Kagan. The PNAC's stated goal was "to promote American global leadership."[1] Fundamental to the PNAC were the view that "American leadership is both good for America and good for the world" and support for "a Reaganite policy of military strength and moral clarity."[2] The PNAC exerted influence on high-level U.S. government officials in the administration of U.S. President George W. Bush and affected the Bush Administration's development of military and foreign policies, especially involving national security and the Iraq War.[3][4]
Contents [hide]
1 History
1.1 Statement of Principles
1.2 Calls for regime change in Iraq during Clinton years
1.3 Rebuilding America's Defenses
1.4 Post-9/11 call for regime change in Iraq
1.5 Human Rights and the EU Arms Embargo
1.6 End of the organization
2 Controversy
2.1 US world dominance
2.2 Excessive focus on military strategies, neglect of diplomatic strategies
2.3 "New Pearl Harbor"
2.4 Inexperienced in realities of war
2.5 PNAC role in promoting invasion of Iraq
2.6 PNAC role in promoting genetically operating racist bioweapons
3 Persons associated with the PNAC
3.1 Project directors
3.2 Project staff
3.3 Former directors and staff
3.4 Signatories to Statement of Principles
3.5 Signatories or contributors to other significant letters or reports[15]
3.6 Associations with Bush administration
4 See also
5 Notes
6 References
6.1 External links
6.2 Further reading and media programs: Analysis and criticism
History Statement of PrinciplesPNAC's first public act was releasing a "Statement of Principles" on June 3, 1997, which was signed by both its members and a variety of other notable conservative politicians and journalists (see Signatories to Statement of Principles). The statement began by framing a series of questions, which the rest of the document proposes to answer:
As the 20th century draws to a close, the United States stands as the world's pre-eminent power. Having led the West to victory in the Cold War, America faces an opportunity and a challenge: Does the United States have the vision to build upon the achievements of past decades? Does the United States have the resolve to shape a new century favorable to American principles and interests?[5]
In response to these questions, the PNAC states its aim to "remind America" of "lessons" learned from American history, drawing the following "four consequences" for America in 1997:
we need to increase defense spending significantly if we are to carry out our global responsibilities today and modernize our armed forces for the future;
we need to strengthen our ties to democratic allies and to challenge regimes hostile to our interests and values;
we need to promote the cause of political and economic freedom abroad; [and]
we need to accept responsibility for America's unique role in preserving and extending an international order friendly to our security, our prosperity, and our principles.
While "Such a Reaganite policy of military strength and moral clarity may not be fashionable today," the "Statement of Principles" concludes, "it is necessary if the United States is to build on the successes of this past century and to ensure our security and our greatness in the next."[5]
[edit] Calls for regime change in Iraq during Clinton yearsThe goal of regime change in Iraq remained the consistent position of PNAC throughout the 1997-2000 Iraq disarmament crisis.[6][7]
Richard Perle, who later became a core member of PNAC, was involved in similar activities to those pursued by PNAC after its formal organization. For instance, in 1996 Perle composed a report that proposed regime changes in order to restructure power in the Middle East. The report was titled A Clean Break: A New Strategy for Securing the Realm and called for removing Saddam Hussein from power, as well as other ideas to bring change to the region. The report was delivered to Prime Minister Benjamin Netanyahu.[8] Two years later, in 1998, Perle and other core members of the PNAC - Paul Wolfowitz, R. James Woolsey, Elliot Abrams, and John Bolton - "were among the signatories of a letter to President Clinton calling for the removal of Hussein."[8] Clinton did seek regime change in Iraq, and this position was sanctioned by the United Nations. These UN sanctions were considered ineffective by the neoconservative forces driving the PNAC.
The PNAC core members followed up these early efforts with a letter to Republican members of the U.S. Congress Newt Gingrich and Trent Lott,[9] urging Congress to act. The PNAC also supported the Iraq Liberation Act of 1998 (H.R.4655), which President Clinton had signed into law.[10]
On January 16, 1998, following perceived Iraqi unwillingness to co-operate with UN weapons inspections, members of the PNAC, including Donald Rumsfeld, Paul Wolfowitz, and Robert Zoellick drafted an open letter to President Bill Clinton, posted on its website, urging President Clinton to remove Saddam Hussein from power using U.S. diplomatic, political, and military power. The signers argue that Saddam would pose a threat to the United States, its Middle East allies, and oil resources in the region, if he succeeded in maintaining what they asserted was a stockpile of Weapons of Mass Destruction. They also state: "we can no longer depend on our partners in the Gulf War to continue to uphold the sanctions or to punish Saddam when he blocks or evades UN inspections" and "American policy cannot continue to be crippled by a misguided insistence on unanimity in the UN Security Council." They argue that an Iraq war would be justified by Hussein's defiance of UN "containment" policy and his persistent threat to U.S. interests.[11]
On November 16, 1998, citing Iraq's demand for the expulsion of UN weapons inspectors and the removal of Richard Butler as head of the inspections regime, Kristol called again for regime change in an editorial in his online magazine, The Weekly Standard: "...any sustained bombing and missile campaign against Iraq should be part of any overall political-military strategy aimed at removing Saddam from power."[12] Kristol states that Paul Wolfowitz and others believed that the goal was to create "a 'liberated zone' in southern Iraq that would provide a safe haven where opponents of Saddam could rally and organize a credible alternative to the present regime ... The liberated zone would have to be protected by U.S. military might, both from the air and, if necessary, on the ground."
In January 1999, the PNAC circulated a memo that criticized the December 1998 bombing of Iraq in Operation Desert Fox as ineffective, questioned the viability of Iraqi democratic opposition which the U.S. was supporting through the Iraq Liberation Act, and referred to any "containment" policy as an illusion.[13]
[edit] Rebuilding America's DefensesIn September 2000, the PNAC published a controversial 90-page report entitled Rebuilding America's Defenses: Strategies, Forces, and Resources For a New Century. The report, which lists as Project Chairmen Donald Kagan and Gary Schmitt and as Principal Authors. Thomas Donnelly, quotes from the PNAC's June 1997 "Statement of Principles" and proceeds "from the belief that America should seek to preserve and extend its position of global leadership by maintaining the preeminence of U.S. military forces."[14][15]
The report argues:
The American peace has proven itself peaceful, stable, and durable. It has, over the past decade, provided the geopolitical framework for widespread economic growth and the spread of American principles of liberty and democracy. Yet no moment in international politics can be frozen in time; even a global Pax Americana will not preserve itself.[14]
After its title page, the report features a page entitled "About the Project for the New American Century", quoting key passages from its 1997 "Statement of Principles":
“ [What we require is] a military that is strong and ready to meet both present and future challenges; a foreign policy that boldly and purposefully promotes American principles abroad; and national leadership that accepts the United States’ global responsibilities. Of course, the United States must be prudent in how it exercises its power. But we cannot safely avoid the responsibilities of global leadership of the costs that are associated with its exercise. America has a vital role in maintaining peace and security in Europe, Asia, and the Middle East. If we shirk our responsibilities, we invite challenges to our fundamental interests. The history of the 20th century should have taught us that it is important to shape circumstances before crises emerge, and to meet threats before they become dire. The history of the past century should have taught us to embrace the cause of American leadership.[14]
”
In its "Preface", in highlighted boxes, Rebuilding America's Defenses states that it aims to:
ESTABLISH FOUR CORE MISSIONS for the U.S. military:
defend the American homeland;
fight and decisively win multiple, simultaneous major theater wars;
perform the “constabulary” duties associated with shaping the security environment in critical regions;
transform U.S. forces to exploit the “revolution in military affairs”;
and that
To carry out these core missions, we need to provide sufficient force and budgetary allocations. In particular, the United States must:
MAINTAIN NUCLEAR STRATEGIC SUPERIORITY, basing the U.S. deterrent upon a global, nuclear net assessment that weighs the full range of current and emerging threats, not merely the U.S.-Russia balance.
RESTORE THE PERSONNEL STRENGTH of today’s force to roughly the levels anticipated in the “Base Force” outlined by the Bush Administration, an increase in active-duty strength from 1.4 million to 1.6 million.
REPOSITION U.S. FORCES to respond to 21st century strategic realities by shifting permanently-based forces to Southeast Europe and Southeast Asia, and by changing naval deployment patterns to reflect growing U.S. strategic concerns in East Asia. (iv)
It specifies the following goals:
MODERNIZE CURRENT U.S. FORCES SELECTIVELY, proceeding with the F-22 program while increasing purchases of lift, electronic support and other aircraft; expanding submarine and surface combatant fleets; purchasing Comanche helicopters and medium-weight ground vehicles for the Army, and the V-22 Osprey “tilt-rotor” aircraft for the Marine Corps.
CANCEL “ROADBLOCK” PROGRAMS such as the Joint Strike Fighter, CVX aircraft carrier,[16] and Crusader howitzer system that would absorb exorbitant amounts of Pentagon funding while providing limited improvements to current capabilities. Savings from these canceled programs should be used to spur the process of military transformation.
DEVELOP AND DEPLOY GLOBAL MISSILE DEFENSES to defend the American homeland and American allies, and to provide a secure basis for U.S. power projection around the world.[17]
CONTROL THE NEW “INTERNATIONAL COMMONS” OF SPACE AND “CYBERSPACE,” and pave the way for the creation of a new military service – U.S. Space Forces – with the mission of space control.
EXPLOIT THE “REVOLUTION IN MILITARY AFFAIRS” to insure the long-term superiority of U.S. conventional forces. Establish a two-stage transformation process which
• maximizes the value of current weapons systems through the application of advanced technologies, and,
• produces more profound improvements in military capabilities, encourages competition between single services and joint-service experimentation efforts.
INCREASE DEFENSE SPENDING gradually to a minimum level of 3.5 to 3.8 percent of gross domestic product, adding $15 billion to $20 billion to total defense spending annually. (v)
The report emphasizes:
Fulfilling these requirements is essential if America is to retain its militarily dominant status for the coming decades. Conversely, the failure to meet any of these needs must result in some form of strategic retreat. At current levels of defense spending, the only option is to try ineffectually to “manage” increasingly large risks: paying for today’s needs by shortchanging tomorrow’s; withdrawing from constabulary missions to retain strength for large-scale wars; “choosing” between presence in Europe or presence in Asia; and so on. These are bad choices. They are also false economies. The “savings” from withdrawing from the Balkans, for example, will not free up anywhere near the magnitude of funds needed for military modernization or transformation. But these are false economies in other, more profound ways as well. The true cost of not meeting our defense requirements will be a lessened capacity for American global leadership and, ultimately, the loss of a global security order that is uniquely friendly to American principles and prosperity. (v-vi)
In relation to the Persian Gulf, citing particularly Iraq and Iran, Rebuilding America's Defenses states that "while the unresolved conflict in Iraq provides the immediate justification [for U.S. military presence], the need for a substantial American force presence in the [Persian] Gulf transcends the issue of the regime of Saddam Hussein" and "Over the long term, Iran may well prove as large a threat to U.S. interests in the [Persian] Gulf as Iraq has. And even should U.S.-Iranian relations improve, retaining forward-based forces in the region would still be an essential element in U.S. security strategy given the longstanding American interests in the region."[14]
One of the core missions outlined in the 2000 report Rebuilding America's Defenses is "fight and decisively win multiple, simultaneous major theater wars."[4][18]
[edit] Post-9/11 call for regime change in IraqOn September 20, 2001 (nine days after the September 11, 2001 attacks), the PNAC sent a letter to President George W. Bush, advocating "a determined effort to remove Saddam Hussein from power in Iraq," or regime change:
...even if evidence does not link Iraq directly to the attack, any strategy aiming at the eradication of terrorism and its sponsors must include a determined effort to remove Saddam Hussein from power in Iraq. Failure to undertake such an effort will constitute an early and perhaps decisive surrender in the war on international terrorism.[4][19]
From 2001 through 2002, the co-founders and other members of the PNAC published articles supporting the United States' invasion of Iraq.[20] On its website, the PNAC promoted its point of view that leaving Saddam Hussein in power would be "surrender to terrorism."[21][22][23][24]
In 2003, during the period leading up to the 2003 invasion of Iraq, the PNAC had seven full-time staff members in addition to its board of directors.[1]
[edit] Human Rights and the EU Arms EmbargoIn 2005, the European Union considered lifting the arms embargo placed on Beijing. The embargo was put in place after the events at Tiananmen Square in 1989. The PNAC, along with other concerned countries, composed a letter to Javier Solana, asking that the EU not lift the embargo until three conditions were met:
A general amnesty of all prisoners of conscience, including those imprisoned in connection to peaceful protest in 1989, and public trials by independent court for those charged with ‘criminal’ acts.
A reversal of the official verdict on the 1989 movement as a ‘counter-revolution riot,’ allowing an independent ‘truth commission’ to investigate and provide a comprehensive account of the killings, torture, and arbitrary detention, and bringing to justice those responsible for the violations of human rights involved.
Adoption and implementation of the International Covenant on Civil Political Rights, taking concrete actions to enforce other international human rights conventions and treaties that China has joined.
The justification for these conditions was explained as follows:
“Doing away with this sanction without corresponding improvements in human rights... would send the wrong signal to the Chinese people, including especially those of us who lost loved ones, who are persecuted, and for all Chinese who continue to struggle for the ideal that inspired the 1989 movement.”[25]
[edit] End of the organizationBy the end of 2006, PNAC was "reduced to a voice-mail box and a ghostly website", with "a single employee" "left to wrap things up", according to the BBC News.[26] According to Tom Barry, "The glory days of the Project for the New American Century (PNAC) quickly passed."[27] In 2006, Gary Schmitt, former executive director of the PNAC, a resident scholar at the American Enterprise Institute and director of its program in Advanced Strategic Studies, stated that PNAC had come to a natural end:
When the project started, it was not intended to go forever. That is why we are shutting it down. We would have had to spend too much time raising money for it and it has already done its job. We felt at the time that there were flaws in American foreign policy, that it was neo-isolationist. We tried to resurrect a Reaganite policy. Our view has been adopted. Even during the Clinton administration we had an effect, with Madeleine Albright [then secretary of state] saying that the United States was 'the indispensable nation'. But our ideas have not necessarily dominated. We did not have anyone sitting on Bush's shoulder. So the work now is to see how they are implemented.[26]
PNAC's successor organization is the Foreign Policy Initiative.[28][29]
[edit] Controversy[edit] US world dominanceAccording to critics, including Paul Reynolds, PNAC promoted American "hegemony" and "full-spectrum" dominance in its publications.[30][31][32][33]
Ebrahim Afsah, in "Creed, Cabal, or Conspiracy – The Origins of the Current Neo-Conservative Revolution in US Strategic Thinking", published in the German Law Journal, cited Jochen Bölsche's view that the goal of the PNAC was world dominance or global hegemony by the United States.[34][35] According to Bölsche, Rebuilding America's Defenses "was developed by Rumsfeld, Cheney, Wolfowitz and Libby, and is devoted to matters of 'maintaining US pre-eminence, thwarting rival powers and shaping the global security system according to US interests.'"[34][35]
George Monbiot, a political activist from the United Kingdom, stated: "...to pretend that this battle begins and ends in Iraq requires a willful denial of the context in which it occurs. That context is a blunt attempt by the superpower to reshape the world to suit itself."[36]
PNAC co-founder Robert Kagan countered such criticism in his statement during a debate on whether or not "The United States Is, and Should Be, an Empire":
"There is a vital distinction between being powerful--even most powerful in the world--and being an empire. Economic expansion does not equal imperialism, and there is no such thing as "cultural imperialism". If America is an empire, then why was it unable to mobilize its subjects to support the war against Saddam Hussein? America is not an empire, and its power stems from voluntary associations and alliances. American hegemony is relatively well accepted because people all over the world know that U.S. forces will eventually withdraw from the occupied territories. The effect of declaring that the United States is an empire would not only be factually wrong, but strategically catastrophic. Contrary to the exploitative purposes of the British, the American intentions of spreading democracy and individual rights are incompatible with the notion of an empire. The genius of American power is expressed in the movie The Godfather II, where, like Hyman Roth, the United States has always made money for its partners. America has not turned countries in which it intervened into deserts; it enriched them. Even the Russians knew they could surrender after the Cold War without being subjected to occupation."[37]
[edit] Excessive focus on military strategies, neglect of diplomatic strategiesJeffrey Record, of the Strategic Studies Institute, in his monograph Bounding the Global War on Terrorism, Gabriel Kolko, research professor emeritus at York University in Toronto, and author of Another Century of War? (The New Press, 2002), in his article published in CounterPunch, and William Rivers Pitt, in Truthout, respectively, argued that the PNAC's goals of military hegemony exaggerated what the military can accomplish, that they failed to recognize "the limits of US power", and that favoring pre-emptive exercise of military might over diplomatic strategies could have "adverse side effects."[38][39][40] (Paul Reynolds and Max Boot have made similar observations.[30][31])
The Sydney Morning Herald published an English translation of an article published in German in Der Spiegel summarizing former President Jimmy Carter's position and stating that President Carter:
judges the PNAC agenda in the same way. At first, argues Carter, Bush responded to the challenge of September 11 in an effective and intelligent way, "but in the meantime a group of conservatives worked to get approval for their long held ambitions under the mantle of 'the war on terror'." The restrictions on civil rights in the US and at Guantanamo, cancellation of international accords, "contempt for the rest of the world", and finally an attack on Iraq "although there is no threat to the US from Baghdad" - all these things will have devastating consequences, according to Carter. "This entire unilateralism", warns the ex-President, "will increasingly isolate the US from those nations that we need in order to do battle with terrorism".[34]
[edit] "New Pearl Harbor"Section V of Rebuilding America's Defenses, entitled "Creating Tomorrow's Dominant Force", includes the sentence: "Further, the process of transformation, even if it brings revolutionary change, is likely to be a long one, absent some catastrophic and catalyzing event––like a new Pearl Harbor" (51).[14]
Though not arguing that Bush administration PNAC members were complicit in those attacks, other social critics such as commentator Manuel Valenzuela and journalist Mark Danner,[41][42][43] investigative journalist John Pilger, in New Statesman,[44] and former editor of The San Francisco Chronicle Bernard Weiner, in CounterPunch,[45] all argue that PNAC members used the events of 9/11 as the "Pearl Harbor" that they needed––that is, as an "opportunity" to "capitalize on" (in Pilger's words), in order to enact long-desired plans.
[edit] Inexperienced in realities of warFormer US Congressman Lionel Van Deerlin and UK Labour MP and Father of the House of Commons, Tam Dalyell, criticized PNAC members for promoting policies which support an idealized version of war, even though only a handful of PNAC members have served in the military or, if they served, never seen combat.[46]
As quoted in Paul Reynolds' BBC News report, David Rothkopf stated:
Their [The Project for the New American Century's] signal enterprise was the invasion of Iraq and their failure to produce results is clear. Precisely the opposite has happened. The US use of force has been seen as doing wrong and as inflaming a region that has been less than susceptible to democracy. Their plan has fallen on hard times. There were flaws in the conception and horrendously bad execution. The neo-cons have been undone by their own ideas and the incompetence of the Bush administration.[26]
In discussing the PNAC report Rebuilding America's Defenses (2000), Neil MacKay, investigations editor for the Scottish Sunday Herald, quoted Tam Dalyell: "'This is garbage from right-wing think-tanks stuffed with chicken-hawks -- men who have never seen the horror of war but are in love with the idea of war. Men like Cheney, who were draft-dodgers in the Vietnam war. These are the thought processes of fanaticist Americans who want to control the world.'"[47]
Eliot A. Cohen, a signatory to the PNAC "Statement of Principles", responded in The Washington Post: "There is no evidence that generals as a class make wiser national security policymakers than civilians. George C. Marshall, our greatest soldier statesman after George Washington, opposed shipping arms to Britain in 1940. His boss, Franklin D. Roosevelt, with nary a day in uniform, thought otherwise. Whose judgment looks better?"[48]
[edit] PNAC role in promoting invasion of IraqCommentators from divergent parts of the political spectrum––such as Democracy Now! and American Free Press, including Nobel Peace Prize Laureate Jody Williams and former Republican Congressmen Pete McCloskey and Paul Findley––voiced their concerns about the influence of the PNAC on the decision by President George W. Bush to invade Iraq.[49][50] Some have regarded the PNAC's January 16, 1998 letter to President Clinton, which urged him to embrace a plan for "the removal of Saddam Hussein’s regime from power,"[11] and the large number of members of PNAC appointed to the Bush administration as evidence that the 2003 invasion of Iraq was a foregone conclusion.[42][51]
The television program Frontline, broadcast on PBS, presented the PNAC's letter to President Clinton as a notable event in the leadup to the Iraq war.[52]
Media commentators have found it significant that signatories to the PNAC's January 16, 1998 letter to President Clinton (and some of its other position papers, letters, and reports) included such later Bush administration officials as Donald Rumsfeld, Paul Wolfowitz, Richard Perle, John Bolton, Richard Armitage, and Elliott Abrams.[30][38][41][52]
[edit] PNAC role in promoting genetically operating racist bioweapons"And advanced forms of biological warfare that can “target” specific genotypes may transform biological warfare from the realm of terror to a politically useful tool"(60). [14] This quote shows PNAC thoughts about genetically operating racist bioweapons and mentions them as "a politically useful tool".
[edit] Persons associated with the PNAC[edit] Project directors[as listed on the PNAC website:]
William Kristol, Co-founder and Chairman[1]
Robert Kagan, Co-founder[1]
Bruce P. Jackson[1]
Mark Gerson[1]
Randy Scheunemann[1]
[edit] Project staffEllen Bork, Deputy Director[1]
Gary Schmitt, Senior Fellow[1][53]
Thomas Donnelly, Senior Fellow[1]
Reuel Marc Gerecht, Senior Fellow[1]
Mitch Jackson, Senior Fellow
Timothy Lehmann, Assistant Director[1]
Michael Goldfarb, Research Associate[1]
[edit] Former directors and staffDaniel McKivergan, Deputy Director[54]
[edit] Signatories to Statement of PrinciplesElliott Abrams[5]
Gary Bauer[5]
William J. Bennett[5]
John Ellis "Jeb" Bush[5]
Richard B. Cheney[5]
Eliot A. Cohen[5]
Midge Decter[5]
Paula Dobriansky[5]
Steve Forbes[5]
Aaron Friedberg[5]
Francis Fukuyama[5]
Frank Gaffney[5]
Fred C. Ikle[5]
Donald Kagan[5]
Zalmay Khalilzad[5]
I. Lewis "Scooter" Libby[5]
Norman Podhoretz[5]
J. Danforth Quayle[5]
Peter W. Rodman[5]
Stephen P. Rosen[5]
Henry S. Rowen[5]
Donald Rumsfeld[5]
Vin Weber[5]
George Weigel[5]
Paul Wolfowitz[5]
[edit] Signatories or contributors to other significant letters or reports[15]Elliott Abrams[9][11]
Kenneth Adelman[55]
Richard V. Allen[19]
Richard L. Armitage[11]
Gary Bauer[19][55]
Jeffrey Bell[19][55]
William J. Bennett[9][11][19][55]
Jeffrey Bergner[9][11][19]
John Bolton[9][11]
Ellen Bork[55]
Rudy Boschwitz[19]
Linda Chavez[55]
Eliot Cohen[14][19][55]
Seth Cropsey[19]
Midge Decter[19][55]
Paula Dobriansky[9][11]
Thomas Donnelly[14][19][55]
Nicholas Eberstadt,[19][55][56]
Hillel Fradkin[19][55][57]
Aaron Friedberg[19]
Francis Fukuyama[9][11][19]
Frank Gaffney[19][55]
Jeffrey Gedmin[19][55]
Reuel Marc Gerecht[19][55]
Charles Hill[19][55]
Bruce P. Jackson[19][55]
Eli S. Jacobs[19]
Michael Joyce[19]
Donald Kagan[14][19][55]
Robert Kagan[9][11][14][19][55]
Stephen Kantany
Zalmay Khalilzad[9][11]
Jeane Kirkpatrick[19]
Charles Krauthammer[19]
William Kristol[9][11][14][19]
John Lehman[19][55]
I. Lewis Libby[14]
Tod Lindberg[55][58]
Rich Lowry[55]
Clifford May[19][55]
John McCain[59]
Joshua Muravchik[55]
Michael O'Hanlon [60][61]
Martin Peretz[19][55]
Richard Perle[9][11][19][55]
Daniel Pipes[55]
Norman Podhoretz[19][55]
Peter W. Rodman[9][11][19]
Stephen P. Rosen[14][19][55]
Donald Rumsfeld[9][11]
Randy Scheunemann[19][55]
Gary Schmitt[14][19][53][55]
William Schneider, Jr.[9][11][19][55]
Richard H. Shultz[19][62]
Henry Sokolski[19]
Stephen J. Solarz[19]
Vin Weber[9][11][19]
Leon Wieseltier[19]
Marshall Wittmann[19][55]
Paul Wolfowitz[9][11][14]
R. James Woolsey[9][11][55]
Dov Zakheim[14][63]
Robert B. Zoellick[9][11]
[edit] Associations with Bush administrationAfter the election of George W. Bush in 2000, a number of PNAC's members or signatories were appointed to key positions within the President's administration:
Name Position(s) held
Elliott Abrams Special Assistant to the President and Senior Director for Democracy, Human Rights, and International Operations (2001–2002), Special Assistant to the President and Senior Director for Near East and North African Affairs (2002–2005), Deputy Assistant to the President and Deputy National Security Advisor for Global Democracy Strategy (2005–2009) (all within the National Security Council)
Richard Armitage Deputy Secretary of State (2001–2005)
John R. Bolton Under-Secretary of State for Arms Control and International Security Affairs (2001–2005), U.S. Ambassador to the United Nations (2005–2006)
Dick Cheney Vice President (2001–2009)
Eliot A. Cohen Member of the Defense Policy Advisory Board (2007–2009)[64]
Seth Cropsey Director of the International Broadcasting Bureau (12/2002-12/2004)
Paula Dobriansky Under-Secretary of State for Global Affairs (2001–2007)
Aaron Friedberg Deputy Assistant for National Security Affairs and Director of Policy Planning, Office of the Vice President (2003–2005)
Francis Fukuyama Member of The President's Council on Bioethics (2001–2005)
Zalmay Khalilzad U.S. Ambassador to Afghanistan (11/2003 - 6/2005), U.S. Ambassador to Iraq (6/2005 - 3/2007) U.S. Ambassador to the United Nations (2007–2009)
I. Lewis "Scooter" Libby Chief of Staff to the Vice President of the United States (2001–2005)
Richard Perle Chairman of the Board, Defense Policy Board Advisory Committee (2001–2003)
Peter W. Rodman Assistant Secretary of Defense for International Security (2001–2007)
Donald Rumsfeld Secretary of Defense (2001–2006)
Randy Scheunemann Member of the U.S. Committee on NATO, Project on Transitional Democracies, International Republican Institute
Paul Wolfowitz Deputy Secretary of Defense (2001–2005) 10th President of the World Bank (2005-2007)
Dov S. Zakheim Department of Defense Comptroller (2001–2004)
Robert B. Zoellick Office of the United States Trade Representative (2001–2005), Deputy Secretary of State (2005–2006), 11th President of the World Bank (2007–Present)
[edit] See alsoCenter for a New American Security
American Century
A Clean Break: A New Strategy for Securing the Realm
Committee for the Liberation of Iraq
Jewish Institute for National Security Affairs
Office of Special Plans
The New American
[edit] Notes^ a b c d e f g h i j k l m "About PNAC", newamericancentury.org, n.d., accessed May 30, 2007: "Established in the spring of 1997, the Project for the New American Century is a non-profit, educational organization whose goal is to promote American global leadership. The Project is an initiative of the New Citizenship Project (501c3); the New Citizenship Project's chairman is William Kristol and its president is Gary Schmitt."
^ Home page of the Project for the New American Century, accessed May 30, 2007.
^ "Empire builders - Neoconservatives and their blueprint for US power", The Christian Science Monitor (Copyright © 2004), accessed May 22, 2007.
^ a b c The PNAC was often identified as a "neo-con" or "right-wing think tank" in profiles featured on the websites of "left-wing" and "progressive" "policy institute" and "media watchdog" organizations, which were critical of it; see, e.g., "Profile: Project for the New American Century", Right Web (International Relations Center), November 22, 2003, accessed June 1, 2007.
^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa Elliott Abrams, et al., "Statement of Principles", June 3, 1997, newamericancentury.org, accessed May 28, 2007.
^ Kristol, William; Kagan, Robert (January 30, 1998). "Bombing Iraq Isn't Enough". The New York Times. www.nytimes.com/1998/01/30/opinion/bombing-iraq-isn-t-eno...
^ Kristol, William; Kagan, Robert (February 26, 1998). "A 'Great Victory' for Iraq". The Washington Post. www.newamericancentury.org/iraq-022698.htm
^ a b Wedel, Janine (2009). Shadow Elite. New York: Basic Books. p. 170.
^ a b c d e f g h i j k l m n o p q r Elliott Abrams, et al.,Letter to Newt Gingrich and Trent Lott, May 28, 1998, newamericancentury.org, accessed May 30, 2007.
^ "ENR H.R. 4655: Iraq Liberation Act of 1998 (Enrolled as Agreed to or Passed by Both House and Senate)", 105th Congress of the United States, thomas.loc.gov (THOMAS online database at the Library of Congress), January 27, 1998, accessed June 1, 2007.
^ a b c d e f g h i j k l m n o p q r s t "Open Letter to President Bill Clinton", January 16, 1998, accessed May 28, 2007.
^ William Kristol, "How to Attack Iraq", The Weekly Standard, November 16, 1998, editorial, online posting, newamericancentury.org, web.archive.org, accessed May 30,
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Gyeongbokgung (Hangul: 경복궁; hanja: 景福宫), also known as Gyeongbokgung Palace or Gyeongbok Palace, was the main royal palace of the Joseon dynasty. Built in 1395, it is located in northern Seoul, South Korea. The largest of the Five Grand Palaces built by the Joseon dynasty, Gyeongbokgung served as the home of Kings of the Joseon dynasty, the Kings' households, as well as the government of Joseon.
Gyeongbokgung continued to serve as the main palace of the Joseon dynasty until the premises were destroyed by fire during the Imjin War and abandoned for two centuries. However, in the 19th century, all of the palace's 7,700 rooms were later restored under the leadership of Prince Regent Heungseon during the reign of King Gojong. Some 500 buildings were restored on a site of over 40 hectares. The architectural principles of ancient Korea were incorporated into the tradition and appearance of the Joseon royal court.
In the early 20th century, much of the palace was systematically destroyed by Imperial Japan. Since then, the walled palace complex is gradually being reconstructed to its original form. Today, the palace is arguably regarded as being the most beautiful and grandest of all five palaces. It also houses the National Palace Museum of Korea and the National Folk Museum within the premises of the complex.
OVERVIEW
Gyeongbokgung was built three years after the Joseon dynasty was founded and it served as its main palace. With Mount Bugak as a backdrop and the Street of Six Ministries (today's Sejongno) outside Gwanghwamun Gate, the main entrance to the palace, Gyeongbokgung was situated in the heart of the Korean capital city. It was steadily expanded before being reduced to ashes during the Japanese invasion of 1592.
For the next 273 years the palace grounds were left derelict until being rebuilt in 1867 under the leadership of Regent Heungseon Daewongun. The restoration was completed on a grand scale, with 330 buildings crowded together in a labyrinthine configuration. Within the palace walls were the Outer Court (oejeon), offices for the king and state officials, and the Inner Court (naejeon), which included living quarters for the royal family as well as gardens for leisure. Within its extensive precincts were other palaces, large and small, including Junggung (the Queen`s residence) and Donggung (the Crown prince’s residence).
Owing to its status as the symbol of national sovereignty, Gyeongbokgung was demolished during the Japanese occupation of the early 20th century. In 1911, ownership of land at the palace was transferred to the Japanese Governor-General. In 1915, on the pretext of holding an exhibition, more than 90% of the buildings were torn down. Following the exhibition the Japanese leveled whatever still remained and built their colonial headquarters, the Government-General Building (1916–26), on the site.
Restoration efforts have been ongoing since 1990. The Government-General Building was removed in 1996 and Heungnyemun Gate (2001) and Gwanghwamun Gate (2006-2010) were reconstructed in their original locations and forms. Reconstructions of the Inner Court and Crown Prince’s residence have also been completed.
HISTORY
14th—16th CENTURIES
Gyeongbokgung was originally constructed in 1394 by King Taejo, the first king and the founder of the Joseon dynasty, and its name was conceived by an influential government minister named Jeong Do-jeon. Afterwards, the palace was continuously expanded during the reign of King Taejong and King Sejong the Great. It was severely damaged by fire in 1553, and its costly restoration, ordered by King Myeongjong, was completed in the following year.
However, four decades later, the Gyeongbokgung Palace was burnt to the ground during the Japanese invasions of Korea of 1592-1598. The royal court was moved to the Changdeokgung Palace. The Gyeongbokgung palace site was left in ruins for the next three centuries.
19th CENTURY
In 1867, during the regency of Daewongun, the palace buildings were reconstructed and formed a massive complex with 330 buildings and 5,792 rooms. Standing on 4,657,576 square feet (432,703 square meters) of land, Gyeongbokgung again became an iconic symbol for both the Korean nation and the Korean royal family. In 1895, after the assassination of Empress Myeongseong by Japanese agents, her husband, Emperor Gojong, left the palace. The Imperial Family never returned to Gyeongbokgung.
20th—21st CENTURIES
Starting from 1911, the colonial government of the Empire of Japan systemically demolished all but 10 buildings during the Japanese occupation of Korea and hosted numerous exhibitions in Gyeongbokgung. In 1926, the government constructed the massive Japanese General Government Building in front of the throne hall, Geunjeongjeon, in order to eradicate the symbol and heritage of the Joseon dynasty. Gwanghwamun Gate, the main and south gate of Gyeongbokgung, was relocated by the Japanese to the east of the palace, and its wooden structure was completely destroyed during the Korean War.
Gyeongbokgung's original 19th-century palace buildings that survived both the Japanese rule of Colonial Korea and the Korean War include:
- Geunjeongjeon (the Imperial Throne Hall) — National Treasure No. 223.
- Gyeonghoeru Pavilion — National Treasure No. 224.
- Hyangwonjeong Pavilion; Jagyeongjeon Hall; Jibokjae Hall; Sajeongjeon Hall; and Sujeongjeon Hall.
Modern archaeological surveys have brought 330 building foundations to light.
RESTAURATION
In 1989, the South Korean government started a 40-year initiative to rebuild the hundreds of structures that were destroyed by the colonial government of the Empire of Japan, during the period of occupied Colonial Korea (1910-1945).
In 1995, the Japanese General Government Building, after many controversial debates about its fate, was demolished in order to reconstruct Heungnyemun Gate and its cloisters. The National Museum of Korea, then located on the palace grounds, was relocated to Yongsan-gu in 2005.
By the end of 2009, it was estimated that approximately 40 percent of the structures that were standing before the Japanese occupation of Korea were restored or reconstructed. As a part of phase 5 of the Gyeongbokgung restoration initiative, Gwanghwamun, the main gate to the palace, was restored to its original design. Another 20-year restoration project is planned by the South Korean government to restore Gyeongbokgung to its former status.
LAYOUT
MAIN GATES OF GYEONGBOKGUNG
Gwanghwamun (The Main and South Gate)
Heungnyemun (The Second Inner Gate)
Geunjeongmun (The Third Inner Gate)
Sinmumun (The North Gate)
Geonchunmun (The East Gate)
Yeongchumun (The West Gate)
OEJEON (Outer Court)
Geunjeongmun (The Third Inner Gate)
Geunjeongjeon (The Throne Hall)
Sajeongjeon (The Executive Office)
Sujeongjeon
Cheonchujeon
Manchunjeon
NAEJEONG (Inner Court)
Gangnyeongjeon (The King's Quarters)
Gyotaejeon (The Queen's Quarters)
Jagyeongjeon (The Late Queen's Quarters)
DONGGUNG (Palace of the Crown Prince)
Jaseondang (The Crown Prince's and Princesses' Quarters)
Bihyeongak (The Study of the Crown Prince)
PAVILIONS
Gyeonghoeru (The Royal Banquet Hall)
Hyangwonjeong
BRIDGES
Yeongjegyo
Having passed through the initial main gate and secondary gate (Heungnyemun Gate), visitors would pass over a small bridge named Yeongjegyo. Located on the top of the canal right next to the bridge were several imaginary creatures known as Seosu.
Chwihyanggyo
The bridge Chwihyanggyo was originally located on the north side of the island and was the longest bridge constructed purely of wood during the Joseon Dynasty; however, it was destroyed during the Korean War. The bridge was reconstructed in its present form on the south side of the island in 1953.
BIHYEONGAK
Bihyeongak (Hangul: 비현각; hanja: 丕顯閣) means big and bright a royal palace where crown prince brush up on his' study with his teacher.
BUILDINGS
GANGNYEONGJEON
Gangnyeongjeon (Hangul: 강녕전; hanja: 康寧殿), also called Gangnyeongjeon Hall, is a building used as the king's main residing quarters. First constructed in 1395, the fourth year of King Taejo, the building contains the king's bed chamber. Destroyed during the Japanese invasions of Korea in 1592, the building was rebuilt when Gyeongbokgung was reconstructed in 1867, but it was again burned down by a major fire on November 1876 and had to be restored in 1888 following the orders of King Gojong.
However, when Huijeongdang of Changdeokgung Palace was burned down by a fire in 1917, the Japanese government dismembered the building and used its construction materials to restore Huijeongdang in 1920. Current Gangnyeongjeon was built in 1994, meticulously restoring the building to its original specifications and design.
Gangnyeongjeon consists of corridors and fourteen rectangular chambers, each seven chambers located to the left and right side of the building in a layout out like a checkerboard. The king used the central chamber while the court attendants occupied the remaining side chambers to protect, assist, and to receive orders. The building rests on top of a tall stone foundation, and a stone deck or veranda is located in front of the building.
The noted feature of the building is an absence of a top white roof ridge called yongmaru (Hangul: 용마루) in Korean. Many theories exist to explain the absence, of which a prominent one states that, since the king was symbolized as the dragon during the Joseon dynasty, the yongmaru, which contains the letter dragon or yong (龍), cannot rest on top of the king when he is asleep.
GEUNJEONGJEON
Geunjeongjeon (Hangul: 근정전; hanja: 勤政殿), also known as Geunjeongjeon Hall, is the throne hall where the king formally granted audiences to his officials, gave declarations of national importance, and greeted foreign envoys and ambassadors during the Joseon dynasty. The building was designated as Korea's National Treasure No. 223 on January 8, 1985.
Geunjeongjeon was originally constructed in 1395 during the reign of King Taejo, but was burned down in 1592 when the Japanese invaded Korea. The present building was built in 1867 when Gyeongbokgung was being reconstructed. The name Geunjeongjeon, created by the minister Jeong Do-jeon, means "diligence helps governance".
Constructed mainly of wood, Geunjeongjeon sits on the center of a large rectangular courtyard, on top of a two-tiered stone platform. This two-tiered platform is lined with detailed balustrades and is decorated with numerous sculptures depicting imaginary and real animals, such as dragons and phoenixes. The stone-paved courtyard is lined with two rows of rank stones, called pumgyeseoks (Hangul: 품계석; hanja: 品階石), indicating where the court officials are to stand according to their ranks. The whole courtyard is fully enclosed by wooden cloisters.
Geunjeongmun (Hangul: 근정문; hanja: 勤政門), aligned and located directly to the south of Geunjeongjeon, is the main gate to the courtyard and to Geunjeongjeon. The gate is divided into three separate aisles, and only the king was allowed to walk through the center.
GWANGHWAMUN
Gwanghwamun (Hangul: 광화문; hanja: 光化門) is the main gate of Gyeongbokgung Palace.
GYEONGHOERU
Gyeonghoeru (Hangul: 경회루; hanja: 慶會樓), also known as Gyeonghoeru Pavilion, is a hall used to hold important and special state banquets during the Joseon Dynasty. It is registered as Korea's National Treasure No. 224 on January 8, 1985.
The first Gyeonghoeru was constructed in 1412, the 12th year of the reign of King Taejong, but was burned down during the Japanese invasions of Korea in 1592. The present building was constructed in 1867 (the 4th year of the reign of King Gojong) on an island of an artificial, rectangular lake that is 128 m wide and 113 m across.
Constructed mainly of wood and stone, Gyeonghoeru has a form where the wooden structure of the building sits on top of 48 massive stone pillars, with wooden stairs connecting the second floor to the first floor. The outer perimeters of Gyeonghoeru are supported by square pillars while the inner columns are cylindrical; they were placed thus to represent the idea of Yin & Yang. When Gyeonghoeru was originally built in 1412, these stone pillars were decorated with sculptures depicting dragons rising to the sky, but these details were not reproduced when the building was rebuilt in the 19th century. Three stone bridges connect the building to the palace grounds, and corners of the balustrades around the island are decorated with sculptures depicting twelve Zodiac animals.
Gyeonghoeru used to be represented on the 10,000 won Korean banknotes (1983-2002 Series).
GYOTAEJEON
Gyotaejeon (Hangul: 교태전; hanja: 交泰殿), also called Gyotaejeon Hall, is a building used as the main residing quarters by the queen during the Joseon Dynasty. The building is located behind Gangnyeongjeon, the king's quarters, and contains the queen's bed chamber. It was first constructed in around 1440, the 22nd year of King Sejong the Great.
King Sejong, who was noted to have a frail health later in his reign, decided to carry out his executive duties in Gangnyeongjeon, where his bed chamber is located, instead of Sajeongjeon. Since this decision meant many government officials routinely needed to visit and intrude Gangnyeongjeon, King Sejong had Gyotaejeon built in consideration of his wife the queen's privacy.
The building was burned down in 1592 when the Japanese invaded Korea, but was reconstructed in 1867. Nevertheless, when Daejojeon of Changdeokgung Palace was burned down by a fire in 1917, the Japanese government disassembled the building and recycled its construction materials to restore Daejojeon. The current building was reconstructed in 1994 according to its original design and specifications. The building, like Gangnyeongjeon, does not have a top roof ridge called yongmaru.
Amisan (Hangul: 아미산; hanja: 峨嵋山), a famous garden created from an artificial mound, is located behind Gyotaejeon. Four hexagonal chimneys, constructed around 1869 in orange bricks and decorative roof tiles, adorn Amisan without showing their utilitarian function and are notable examples of formative art created during the Joseon Dynasty. The chimneys were registered as Korea's Treasure No. 811 on January 8, 1985.
HYANGWONJEONG
Hyangwonjeong (Hangul: 향원정; hanja: 香遠亭), or Hyangwonjeong Pavilion, is a small, two-story hexagonal pavilion built around 1873 by the order of King Gojong when Geoncheonggung residence was built to the north within Gyeongbokgung.
The pavilion was constructed on an artificial island of a lake named Hyangwonji (Hangul: 향원지; hanja: 香遠池), and a bridge named Chwihyanggyo (Hangul: 취향교; hanja: 醉香橋) connects it to the palace grounds. The name Hyangwonjeong is loosely translated as "Pavilion of Far-Reaching Fragrance", while Chwihyanggyo is "Bridge Intoxicated with Fragrance".
The bridge Chwihyanggyo was originally located on the north side of the island and was the longest bridge constructed purely of wood during the Joseon dynasty; however, it was destroyed during the Korean War. The bridge was reconstructed in its present form on the south side of the island in 1953.
JAGYEONGJEON
Jagyeongjeon (Hangul: 자경전; hanja: 慈慶殿), also called Jagyeongjeon Hall, is a building used as the main residing quarters by Queen Sinjeong (Hangul: 신정왕후; hanja: 神貞王后), the mother of King Heonjong. First constructed in 1865, it was burned down twice by a fire but was reconstructed in 1888. Jagyeongjeon is the only royal residing quarters in Gyeongbokgung that survived the demolition campaigns of the Japanese government during the Japanese occupation of Korea.
The chimneys of Jagyeongjeon are decorated with ten signs of longevity to wish for a long life for the late queen, while the west walls of the Jagyeongjeon compound are adorned with floral designs. The protruding southeast part of Jagyeongjeon, named Cheongyeollu (Hangul: 청연루; hanja: 清讌樓), is designed to provide a cooler space during the summer, while the northwest part of Jagyeongjeon, named Bokandang (Hangul: 복안당; hanja: 福安堂), is designed for the winter months. The eastern part of Jagyeogjeon, named Hyeopgyeongdang (Hangul: 협경당; hanja: 協慶堂) and distinguished by the building's lower height, was used by the late queen's assistants.
The building and the decorative walls were registered as Korea's Treasure No. 809 on January 8, 1985.
JIBOKJAE
Jibokjae (Hangul: 집옥재; hanja: 集玉齋), located next to Geoncheonggung Residence, is a two-storey private library used by King Gojong. In 1876, a major fire occurred in Gyeongbokgung Palace, and King Gojong, for a brief period, moved and resided in Changdeokgung Palace. He eventually moved back to Gyeongbokgung in 1888, but he had the pre-existing Jibokjae building disassembled and moved from Changdeokgung to the present location in 1891. Its name, Jibokjae, translates loosely in English as the "Hall of Collecting Jade".
The building uniquely shows heavy influence of Chinese architecture instead of traditional Korean palace architecture. Its side walls were entirely constructed in brick, a method commonly employed by the contemporary Chinese, and its roof formations, interior screens, and columns also show Chinese influences. Its architecture possibly was meant to give it an exotic appearance.
Jibokjae is flanked by Parujeong (Hangul: 팔우정; hanja: 八隅亭), an octagonal two-story pavilion, to the left and Hyeopgildang (Hangul: 협길당; hanja: 協吉堂) to the right. Parujeong was constructed to store books, while Hyeopgildang served as a part of Jibokjae. Both of the buildings are internally connected to Jibokjae.
Bohyeondang (Hangul: 보현당; hanja: 寶賢堂) and Gahoejeong (Hangul: 가회정; hanja: 嘉會亭), buildings that also formed a library complex to the south of Jibokjae, were demolished by the Japanese government in the early 20th century.
SAJEONGJEON
Sajeongjeon (Hangul: 사정전; hanja: 思政殿), also called Sajeongjeon Hall, is a building used as the main executive office by the king during the Joseon Dynasty. Located behind Geunjeongjeon Hall, the king carried out his executive duties and held meetings with the top government officials in Sajeongjeon. Two separate side buildings, Cheonchujeon (Hangul: 천추전; hanja: 千秋殿) and Manchunjeon (Hangul: 만춘전; hanja: 萬春殿), flank the west and east of Sajeongjeon, and while Sajeongjeon is not equipped with a heating system, these buildings are equipped with Ondols for their use in the colder months.
SUJEONGJEON
Sujeongjeon (Hangul: 수정전; hanja: 修政殿), a building located to the south of Gyeonghoeru, was constructed in 1867 and used by the cabinet of the Joseon dynasty.
TAEWONJEON
Taewonjeon (Hangul: 태원전; hanja: 泰元殿), or Taewonjeon Shrine, is an ancestral shrine originally built in 1868 to house a portrait of King Taejo, the founder of the Joseon dynasty, and to perform rites to the deceased royalties. Completely destroyed by the Japanese government in the early 20th century, the shrine was accurately restored to its former design in 2005.
DONGGUNG
Donggung (Hangul: 동궁; hanja: 東宮), located south of the Hyangwonjeong pavilion, was the compound where the crown prince and his wife were living. The four main buildings of the compound were Jaseondang and Bihyeongak, Chunbang (lecture hall, where the prince got the education preparing him to the throne), as well as Gyebang (the security building). In the 19th century, the future Emperor Sunjong lived in the compound. Dongdung was razed to the ground during the Japanese occupation. The restoration started in 1999, only Jaseondang and Bihyeongak were restored.
GEONCHEONGGUNG
Geoncheonggung (Hangul: 건청궁; hanja: 乾淸宮), also known as Geoncheonggung Residence, was a private royal residence built by King Gojong within the palace grounds in 1873.
King Gojong resided in Geoncheonggung from 1888 and the residence was continuously expanded, but on October 8, 1895, Empress Myeongseong, the wife of King Gojong, was brutally assassinated by the Japanese agents at the residence. Her body was burned and buried near the residence.
Haunted by the experiences of the incident, the king left the palace in January 1896, and never returned to the residence. Demolished completely by the Japanese government in 1909, the residence was accurately reconstructed to its former design and open to the public in 2007.
GOVERNOR-GENERAL´S RESIDENCE
The back garden of Gyeongbokgung used to contain the main part of the Japanese Governor-General's residence, that was built in the early 20th century during the Japanese occupation. With the establishment of the Republic of Korea in 1948, President Syngman Rhee used it as his office and residence. In 1993, after President Kim Young-sam's civilian administration was launched, the Japanese Governor-General's residence in the Cheongwadae compound was dismantled to remove a major symbol of the Japanese colonialism.
TOURISM
In 2011 in a survey conducted, by Seoul Development Institute, which included 800 residents and 103 urban planners and architects. It listed 39 percent of residents, voted that the palace as the most scenic location in Seoul, following Mount Namsan and Han River in the top spots.
ACCESS
Today, the Gyeongbokgung Palace is open to the public and houses the National Folk Museum of Korea, the National Palace Museum of Korea, and traditional Korean gardens.
TRANSPORTATION
Gyeongbokgung entry is located 22 Sajik-no, Jongno-gu. The nearest subway station is Gyeongbokgung Station (Station #327 on Line 3).
There has been off and on talk to extending the Shinbundang Line near the palace including during a March 2012 campaign promise by Hong Sa-duk to expand the line near Gyeongbok Palace
EVENS
In a poll of nearly 2,000 foreign visitors, conducted by the Seoul Metropolitan Government in November 2011, stated that watching the changing of the guards at the main gate Gwanghwamun as their third favorite activity in Seoul. The royal changing of the guard ceremony is held in front of the main gate every hour from 10:00 to 15:00.
From October, Gyeongbokgung open night season. from 7PM to 10PM. This event is only available to reservation in Inter Park Website.
WIKIPEDIA
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Finally, a Principles edition! Doesn't seem like there are any others documented on flickr, apart from the advert our very own 'VAGDave' posted a while ago. According to HML there are only two on the road, and this is the only one on SORN.
The vehicle details for E786 KDL are:
Date of First Registration 04 07 1988
Year of Manufacture 1988
Cylinder Capacity (cc) 1275cc
CO₂ Emissions Not Available
Fuel Type PETROL
Export Marker N
Vehicle Status SORN in place
Vehicle Colour WHITE
Pride of Longbridge 2014.
I decided not to follow the Hermetic Principles, according to the ordering found in the book "The Kybalion" by a purely personal matter of organization of ideas. Considering that all principles are interrelated, I will not make much difference in the end.
II. The Principle of Vibration
Nothing rests, everything moves, everything vibrates.
(The Kybalion)
This Principle embodies the truth that everything is in motion, everything vibrates, nothing rests; fact that modern science says, and that each new scientific discovery tends to verify. And yet this Hermetic Principle was enunciated thousands of years by the Masters of Ancient Egypt. This Principle explains that the differences between different manifestations of Matter, Energy, Mind and Spirit, result largely from varying rates of Vibration. From THE ALL, which is Pure Spirit, down to the grossest form of matter, everything is vibration.
The higher the vibration, the higher the position in the scale, like a musical note. The sound is movement (compression and vibration of the molecules caused by sound waves). The larger the scale of the note, the higher the frequency (vibration), thinner (subtle) look, to our ears, the sound. The same goes for the colors: All colors we perceive are in fact vibration ( waves ), captured (and filtered) by our optic nerve, the red in the lower range (visible to us), and violet, in the highest. And do not stop there: the difference between rock, water and air is also a matter of vibration (and not talking here of esotericism). The denser a material is, the more stable it is, the less vibration .
So spirituality use the same analogy dense / subtle to represent the evolution / state of mind or of the energies that surround it. If a man wears as the stone is rough, the spirit (disembodied human) would be like water, and "angels" represent the air.
It is said that the vibration of Spirit is an intensity and speed so great that it is almost stationary, like a wheel that moves too quickly it seems stuck. On the other hand, the lower end of the scale there are gross forms of matter whose vibrations are so low that also seem at rest. Between these poles there are millions upon millions of varying degrees of vibration. From corpuscle and electron, atom and molecule, to worlds and universes, everything is vibration. This is true on the planes of energy and force (which are but varying degrees of vibration); mental planes (whose states depend upon vibrations) and also in the spiritual.
According to the Hermetic, the mastery of this principle provides the student meet his mental vibrations, as well as those of others, and makes even the conquering of Natural phenomena, in various ways. "He who understands the principle of vibration has grasped the scepter of power " , said an ancient writer. Doubts? A good example of applying this principle to the conquest of power might be seen in Greece, when the wise Archimedes designed a system of mirrors (at the time made of polished metal) to protect the port city of Syracuse in Sicily. With them, the soldiers would focus sunlight on Roman ships sails of enemy, firing on them. For those who do not know the concentration of light (electromagnetic radiation, infrared, etc.). Makes the molecules vibrate the material reached, and the result is the release of heat. Roughly speaking, this is the same principle behind today's banal things, like the lightbulb, and some not so trivial as well as the microwave, and nothing banal things, like the atomic bomb.
By vibration can describe the universe! That's right, and that in the philosophical / scientific, accepted (with reservations) for most of the academic world. In the beginning were the particles ... at least that's how physics explains the world until recently. And so we study physics in schools today. Atoms that combine to form a huge Lego set that represent the forms, air, sea, finally, the universe. While this model worked well to describe the macro-reality (people, planets, galaxies, etc.), he proved to be flawed to study the subatomic world of electrons, protons and neutrons. Even today we still have two theories to represent the universe: one, the macro: the General Theory of Relativity of Einstein , the other, the micro: the Quantum Mechanics . These two sets of rules are extremely accurate in its domain, but when combined to describe something that involves something very heavy and incredibly small (like the moment of creation of the universe), what we have is a general panic, the " blue screen of death "to physics.
A single theory to describe the universe would be the "Holy Grail" of any physical. As postulated Hermes, with its principle of correspondence , intuitively scientific men also know that " What is above is like so below ", and that explains the movement of the planets should also explain the atom. It was this dream of unified theory that Einstein pursued to the end of life, without success.
Well, a (relatively) new set of ideas called " string theory "( String Theory ) proposes to do this. And if it is correct, may be one of the greatest successes in the history of science. The great minds of our time huddled over this theory in search of empirical evidence (not likely to find), but aware that she explains with elegance and sobriety from electrons to galaxies. And the key to the secrets of the universe lies in the statement, revolutionary to the scientific world (but not esoteric), which states: ALL OPERA BY VIBRATION IN THE UNIVERSE !
This is the plot of the excellent PBS documentary " The Elegant Universe ", based on the eponymous book of the physical handsome Brian Greene (who by the way is the "star" series), divided into three parts: Einstein's Dream ; String's the Thing and Welcome to the 11th Dimension .
I strongly recommend this documentary to any student of esotericism, especially Hermeticism. Are the videos available on the internet Elegant Universe - Part 1 , Part 2 and Part 3 , with subtitles in Portuguese, a reasonable quality, with each file 120MB on average. To give an example of how this documentary, I'll get a stretch of the second chapter, which explains in detail the theory:
This elegant new version of String Theory ( String Theory ) seemed capable of describing all the raw material of nature. Here's how: Within each grain of sand there are billions of tiny atoms. Each atom is made of even smaller bits of matter, electrons orbiting the nucleus made of protons and neutrons are made of still smaller particles called quarks. But string theory says that this is not the end of the line. It makes the incredible claim that the particles that make up everything in the universe are made of even smaller ingredients, small fibers vibrant energy that look like strings ( strings ). Each of these strings is unimaginably small. In fact, if an atom were enlarged to the size of the Solar System, a rope would only be as big as a tree!
And here's the key idea:
Just as different vibrational patterns or frequencies of a one-stringed cello create what we hear as different musical notes, the different ways in which strings vibrate to give particles their unique properties such as mass and charge. For example, the only difference between the particles that make up you and me and the particles that transmit gravity and other forces, is just how these tiny strings vibrate . Composed of a large number of these oscillating strings, the universe can be thought of as a great cosmic symphony .
Fantastic, no? We could amend that with the Principle of Rhythm , but that's another post to ...
I could stop here, but physics is a field as fascinating as the esoteric and I am keen to share ideas "crazy" from the brightest minds humanity has ever produced:
The String Theory, to work, need necessarily to 11 dimensions. This brought a major complication to the scientific world about how they operate in these extra dimensions. Only in 90 years the theory was reformulated and renamed to M-theory , which brings with it the idea that the strings are not exactly cylindrical (as strings), but Branas (of membrane ), extended objects in various dimensions . According to the " heterotic M-theory ', our universe would fit with what's in ALL, Brana a four-dimensional (height, width, depth and time) floating in a fifth dimension, such that physicists call "immensity "( bulk ). Viewed in this fifth dimension, our universe seem stretched a sheet of paper, and if these ideas are correct, the "multitude" must contain other "leaves", other universes, which may even be next to our (less than one millimeter !) and are, in fact, parallel universes . Some of them could be similar to our universe with its own dimensions, with matter and planets and, who knows, maybe even some kind of beings. Others would certainly be very strange, and may be based on completely different laws of physics.
The universe in a slice of bread
is like being trapped in the Phantom Zone, a universe apart, within an even bigger!
But if this is true, why not see nor touch? Because almost nothing escapes our Brana! It is as if we were three-dimensional beings trapped in a two-dimensional surface, such as General Zod in the Phantom Zone, and maybe, just maybe, a nuclear explosion in space on the release ...
Er ... nerd moment ignore the above, well, as I said, neither light nor matter can leave the brane, gravity is just that (theoretically) can escape to another Brana that is very close, and that is where they want to do (one day ) to prove the theory in practice. It is a very powerful idea because, if true, means that our whole picture of the universe is hampered by the fact that we are trapped in a small slice of a space with more dimensions.
Interesting, no? If this text had not come to serious physical (I'm not talking about plumbing or Chiropractors) probably detractors would say it's a new religion, a new Scientology. Due to the extremely microscopic nature of Strings (never seen, only theorized) some scientists are reluctant to admit the scientific character of these ideas, but even they acknowledge that the explanation is quite convincing on the bizarre mathematical models with which these scientists in their experiments deal . For example, dark matter , which is perfectly verifiable but totally invisible, could be elegantly explained as a result of gravitational influence of matter in another Brana (Universe), parallel to ours. Even the Big Bang could be explained as a clash of two Branas .
As someone in physics posits a theory while taking a bath and lunch, will the board, proves that it is mathematically consistent with models describing the universe and comes to history, esotericism is much more difficult (or impossible) to prove some theory , because it is not dealing with reality, but with moral and spiritual values, but not so let's ignore the ideas from this branch. We will now see an excerpt from the book spirit in the next dimension , written by Carlos Baccelli and Ignatius Ferreira in 2002, it has everything to do with the subject:
We have to reincarnate better prepared and aware, especially knowing that the time passes quickly in the body and not worth giving ourselves the illusion, until about age 40, the man adds: health, pleasure, acquisitions, then 40, begins subtract in the opposite direction ...
With technological progress and the speed of thought, human existence has been taking breathtaking; a century with continuous 100 years, but one day seems to go on the same number of hours ... Man's mind is shortening their length of stay in the body: life expectancy has increased significantly, but the creature's mental time is decreasing progressively incarnated ...
- With the word physicists to better explain this phenomenon of shortening the time-interior-accentuated. The trends continue, within a few centuries, man is called to change their standard measure of time, the extent to which life on Earth is spiritualized, the time has dematerialized, that is: the more a man is absorbed within more things to be let out reference points ...
For this reason, when we went to our brothers embodied usually do without the notion of clock and calendar, for the life beyond death is only a matter acceleration of the particles that make up the space we move into the new body that shelters us ... the spiritual dimension is characterized by a speed and, consequently, by a geographical space, the speed difference causes the two spatial dimensions coexist, ie, to interpenetrate, this modifies old concepts of physics, which is very likely come, shorter time than expected, putting the issue of survival of the soul in a mathematical equation ...
the future, the Religion of Man is Science, which, in turn, constitutes the most legitimate expression of faith!
__________
I think this last sentence, but the wedding day of the Faith to Science is still far, because is still full of esoteric mysticism, many veils that served to conceal from the uninitiated the great truths, but today only serve to cloud our perception ... It is also the legacy of their bloody where people were sentenced for knowing too much. Until the chaff is effectively separated from the wheat, we still have science on one hand, and Religion / Faith / Esotericism of the other. The two remain good friends, possibly a roll sex without commitment, but it hid the family of Science, which is very traditional and prejudiced.
Things are not what they seem. Nor is anything else
(Buddha, Lankavatara Sutra)
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Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
Photo by Ted Robledo
Rikugi-en is a Tokyo metropolitan park in Bunkyō-ku. The name Rikugi-en means Garden of the Six Principles, referring to the six elements in waka poetry, based on the traditional division of Chinese poetry into six categories.
Hannibal Lecter: First principles, Clarice. Simplicity. Read Marcus Aurelius. Of each particular thing ask: what is it in itself? What is its nature? What does he do, this man you seek?
Clarice Starling: He kills women...
Hannibal Lecter: No. That is incidental. What is the first and principal thing he does? What needs does he serve by killing?
Clarice Starling: Anger, um, social acceptance, and, huh, sexual frustrations, sir...
Hannibal Lecter: No! He covets. That is his nature. And how do we begin to covet, Clarice? Do we seek out things to covet? Make an effort to answer now.
Clarice Starling: No. We just...
Hannibal Lecter: No. We begin by coveting what we see every day. Don't you feel eyes moving over your body, Clarice? And don't your eyes seek out the things you want?
My Epic Gear Guide for Epic Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
Epic books, prints, & more!
Epic High Resolution Malibu Sunset! Malibu Sea Cave Sunset California Socal Photography! Fine Art Landscape & Nature Photography: Light Beams & Dr. Elliot McGucken Epic Fine Art! High Res!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's . . . !
My fine art photography graces my physics books!
Regarding the award-winning physicist Dr. Elliot McGucken at Princeton University, the late John Archibald Wheeler stated, "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student. . . Originality, powerful motivation, and a can-do spirit make me think that McGucken is a top bet."
Dr. E would go on to heal the blind with his NSF-funded, award-winning Ph.D. dissertation which also laid down the foundations of Light Time Dimension Theory. Over the years, LTD Theory added foundational *physical* postulates, principles, and equations en route to becoming numerous books, with this one forming the simple, illustrated introduction.
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
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The great thing about the beach is that it presents an entirely different universe from season to season, from day to day, from hour to hour, from second to second, with the ever changing wind, tides, clouds, and sun. A split second with tumbling surf and a sinking sun can make a vast different, resulting in entirely different photographs.
Photographing Women Models! geni.us/m90Ms
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic...
Getting Things Done - Basic Principles summarized.
Currently, I'm yet to practice GTD but that's a start.
Update: I *AM* practicing GTD, since the 23rd of May.
I picked this dress up in the Debenhams sale a few weeks ago and this was the first chance to wear it. I'm really pleased with it and how it hangs (it is a fluid silky jersey type fabric with mesh sleeves) and also was a bargain (just £16.50 from £55!)
Epic books & prints! Call me any time! :)
Enjoy my new book "Epic Landscape Photography: A Simple Guide to the Principles of Fine Art Nature Photography:"
Master Composition, Lenses, Camera Settings, Aperture, ISO, and more !
Epic 45SURF Gear for your Epic Hero's Odyssey!
Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Odyssey Mythology Photography Book 3)
Epic Malibu Sea Cave Calendar!
Call me about purchasing epic fine art! 310 806 3647!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Landscape photography is not only about traveling through space, but it is also about traveling through time. One may return to the same beach time and again throughout the seasons to find a million different universes, changing in an infinitude of manners with each passing wave.
Not only do we voyage outwardly to get the shot, but we travel even further inwardly. While I spend my year trekking along the John Muir Trail, and on through Zion, Yosemite, the Grand Canyon, Death Valley, and the Colorado Plateau, my heart always finds its home in these Malibu sea caves, where I have stood in awe during all hours of the day and night.
Included within are a few shots that only I have so far captured, including a miraculous winter solstice sunrise.
Best wishes throughout the coming year!
Join my new 45EPIC fine art landscapes page on facebook!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Have you ever wanted to up your photo game beyond what your phone's camera can do? If so, I've made a short video just for you that explains the basic principles that go into getting an awesome photograph.
Old books
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The Hermetic philosophy says that " The lips of wisdom are closed, except to the ears of Understanding ". For millennia the esoteric circles have been marked in this teaching to disseminate their information. Teachings were passed from master to disciple, disguised in various rituals and symbols. In this way, a certain book stands out for its teachings, which form the basis of all magic, the whole universe perceptible and imperceptible to our senses: The Kybalion . Written by one who calls himself The three started , it is a compilation of the teachings that (supposedly) came from ancient Egypt, by Hermes Trismegistus, who is perhaps the first of Avatars contribute to this planet.
Transcribe the text of the book itself the presentation of Hermes:
"Among the great Masters of Ancient Egypt, there was one that they hailed as the Master of Masters. This man, if indeed he was a man, lived in Egypt in ancient times. He was known under the name of Hermes Trismegistus. He was the father of the Occult, the founder of Astrology, the discoverer of Alchemy. The details of his life were lost due to the immense amount of time, which is thousands of years, and despite many ancient countries compete among themselves the honor of having been his home. The date of his sojourn in Egypt, in his last incarnation on this planet, is not now known, but it was fixed at the early days of the oldest dynasties of Egypt, very before the time of Moses. The best authorities regard him as a contemporary of Abraham, and some Jewish traditions say clearly that Abraham acquired a portion of his mystic knowledge from Hermes himself. Having spent many years of his passing from this plane of existence ( tradition states that he lived three hundred years), the Egyptians deified Hermes, and made him one of their gods, under the name of Thoth. Years later, the people of Ancient Greece also deified by the name of Hermes, the God of Wisdom . The Egyptians revered for many centuries his memory, calling it the messenger of the Gods, and bestowing upon him, distinctively, his ancient title Trismegistus , which means three times great, great among the greats.
In the early days, there was a compilation of certain Basic Hermetic Doctrines, passed on from master to disciple, which was known under the name of The Kybalion , whose exact meaning is lost for several centuries. This teaching, however, is known by several men who were passed from lip to ear, since many centuries. These precepts have never been written or printed, so far as we know. They were simply a collection of maxims, axioms, and precepts not understandable to outsiders, but were readily understood by students and, moreover, were then explained and exemplified by the Hermetic Initiates to their Neophytes. "
A Master is not measured by the number of followers, or who speak it, but what he says and does. In the case of Hermes, all we have is the Kybalion, but this "little book" of 56 pages is of such depth and grandeur that I shudder to write about it. The book deals with the seven hermetic principles, stated in The Kybalion as initiates comment on them.
The Principles of Truth are Seven; one who knows perfectly possesses the Magic Key, with which all the doors of the Temple fly open.
(The Kybalion)
These are the Principle of Mentalism, Correspondence, Vibration, Polarity, Rhythm, Cause and Effect and Gender. Take the first transcribed the book:
I. The Principle of Mentalism
THE ALL is MIND, the Universe is Mental
(The Kybalion)
This Principle explains that everything is mental , that THE ALL is Spirit , is unknowable and indefinable in itself, but may be considered as a living mind infinite and universal . Also teaches that all the phenomenal world or universe is simply a Mental Creation of THE ALL, subject to the Laws of Created Things, and that the universe as a whole in its parts or units, has its existence in the Mind of THE ALL, in which Mind we live and move and have our being. This Principle, by establishing the Mental Nature of the Universe, it explains the mental and psychic phenomena that occupy much of public attention, and that without such an explanation would be unintelligible and defy scientific examination.
This Principle explains the true nature of force, Energy and Matter, how and why they are all subordinate to the Mastery of Mind. An old Hermetic Masters wrote, long ago: "He who understands the truth of the Mental Nature of the Universe is well advanced on the Path to Mastery.
_____________________
We see here a correspondence with one of the basic principles of quantum physics, the coherent superposition . But what is it?
When an electron (or any other particle) is observed, it presents with well-defined physical properties: it is located at a precise point in space at a given time, and their attributes can be measured (within certain limits set by the principle Heisenberg's uncertainty). Before the measurement is made, however, these properties and attributes do not exist. What exists is only the probability that the electron present such and such characteristics as well as other characteristics that are opposite. That is, the electron can either be at point x and at y or at the point z, and so on for each of your attributes (speed, angular momentum, spin, etc.).. Before we measure the electrons, all these attributes are interwoven, and it is this intermingling that produces waves of probability. Physicists call this the wave function or coherent superposition , because in this state, the odds of the electron overlap each other. During the act of measuring the entanglement vanishes and, among all possible sets of attributes to the electron, only one becomes "real." This time the superposition of waves vanishes is called the collapse of the wave function . While the electron is not measured, it has no specific characteristics. It is the measure that creates the characteristics of the electron, and thus in a sense, it is my observation that creates the electron. In other words, the reality I perceive is created by my perception. ( source )
A particle, something we think is solid, there is overlap in what we call, sparking a wave of possible locations, all at the same time. And when you look, it is now possible in only one of the positions. That is, things only become constants when you look at them. When it did not look like a wave, when we look at is as a particle.
The overlap means that a particle can be in two or more places at once.
It's a very bizarre concept, but it is a cornerstone of quantum physics. This finding made the renowned physicist Stephen Hawking asked: The distinction (between the real and imaginary) is only in our minds?
Article in The Quantum Revolution and High Energy Physics , Roberto Claudio, we see that in reality, science can not prove that a subatomic particle exists to detect it before, not knowing where it will come, but to say that there is a probability it exists and to appear at a particular location. Four hypotheses try to explain this "measurement problem":
The Copenhagen interpretation says that this probability is all we can and what there is to know, is something totally random to know where the particle appears (the theory advocated by Niels Bohr and Werner Eisenberg),
The hidden variable theory says that quantum events do not are purely random, but that particles arise in a particular place for reasons that we have yet to discover hidden (advocated by Einstein, David Bohm and others),
The Many Worlds Hypothesis states that when a particle appears in one location, all other probabilities of occurrences happen in other universes entirely different. This hypothesis, although fantastic, was developed a very sophisticated mathematical style (proposed by Everett, Wheeler and Graham);
The connection Matter / Mind says it's possible that the very mind of the observer in the act of measurement, influence the manifestation of the event; the mind would be the factor that would interfere with the onset of the appearance and location of subatomic particles or even create (backed up by Eugene Paul Wigner, Jack Sarfatti, and Walker Muses).
Einstein, who favored the second theory, on the first screamed, " God does not play dice with the universe! ". The unpredictability of quantum was too much for him to accept, although Bohr and others, using their own theories of Einstein, explain all your objections. The dispute between the first two theories meant to prove that quantum mechanics was unpredictable or determined, and the last two betrayed that if the first were true, my mind would be able to choose my destiny, of all existing probabilities ( free will). So far science has been proving (successfully) the first theory.
Everything we call real is made of things that can not be considered real
(Niels Bohr)
In the movie What the bleep do we know we see the physicist Amit Goswami explain: " The world has many potential forms of reality, to choose from. But as an object can have two states at once? Instead of thinking about things like possibilities, we have the habit of thinking that things around us are objects that already exist without my input, without my choice. You need to ban this form of thinking, has to recognize that even the material world around us - chairs , tables, rooms, rugs - are nothing but possible movements of consciousness, all the time and I am choosing these movements moments to express my current experience.
It's something we need to understand that radical, but it is very difficult, because we think the world exists independent of my experience. Not so, and quantum physics is clear. The very Eisenberg , after the discovery of quantum physics, said that atoms are not objects, are trends. Instead of thinking about objects, you should think in possibilities.
Everything possible is subconsciously " .
But speaking of particles does little to explain the consequences of quantum physics, so let's find a more easy-going, I found an article of Scientifc American: get a playing card with a perfectly sharp edge and try to balance it over the edge on a table. According to classical physics, the letter will remain, in principle, balanced forever. However, according to quantum physics (Schrödinger's wave function), the card will fall in a few seconds, even if you do your best to balance it - and both fall for the two sides , right and left. When it puts into practice this experiment with an actual card, it is concluded that classical physics is wrong: even if the letter falls. But what we see is that it falls to the right or left, seemingly at random, and never to the right and left at the same time as the Schrodinger equation would have us believe. This contradiction goes to the very heart of one of the most original and enduring mysteries of quantum mechanics.
Many Worlds
In the mid-50, U.S. Hugh Everett III, then a student at Princeton University, decided to review the collapse postulate in his doctoral thesis. He took the idea to the quantum limit, with the following question: "What would happen if the time evolution of the entire universe is always unitary?" In this scenario, the wave function evolves in a deterministic way, leaving no room for the mysterious collapse of non-unitary or God playing dice. In this case, our quantum card would really be in two places at once. Moreover, a person who was looking at the card would enter a superposition of two different mental states, each one seeing the results. If you bet money on the hunch that the letter would fall face up, a superposition would smile and frown, because the bet to win and lose simultaneously. Everett's brilliant insight that the observers in such a deterministic (but schizophrenic) quantum world could perceive the plain old reality with which we are familiar. More importantly, they perceive an apparent randomness, obeying the correct probability rules. The view became known as the Everett many-worlds interpretation of quantum mechanics, because each component of which is a superposition observer recognizes or perceives its own world . When removing the collapse postulate, this viewpoint simplifies the underlying theory. But the price one pays for this simplicity is the conclusion that these parallel perceptions of reality are equally real.
Everett's work was ignored for nearly two decades. Many physicists were confident that would appear to show a fundamental theory that the world was, after all, classic in some sense, no weirdness like "a body being in two places at once." But a whole series of new experiments would put an end to that expectation. The experiment of "delayed choice", proposed by Max Tegmark and John Archibald Wheeler, showing another feature of the quantum world that defies classical description: not only one photon can be in two places at once, but the experimenter can choose after the event, if the photon was in two places or just one. In short, the verdict of experience is: the weirdness of the quantum world is real, like it or not.
Even in the movie What the bleep ... , see Jeffrey Satinover talking about it: "Now you can see in many U.S. laboratories by objects that are large enough to be seen with the naked eye and are in two places simultaneously. You can even take a picture of it! I suppose if you showed this picture, people would say ' Great, I can see the colored light, a little there, a bit ... here is a picture of two dots, which is too much? I see two things. " No, It's one thing in two places at once. I think people do not impress, because I think they do not believe. Not to say that I am a liar, or that scientists are confused. I think it's not so mysterious you can understand how amazing it is.'ve all seen Star Trek and the teleportation, then ask, ' But who cares, what does that mean? " But we have to stop and think about what that really means. It's the same object and it is in two places at once! "
Returning to the Article of Scientific American , we see that the work of Everett left a crucial question: if the real world is so bizarre macroscopic superpositions, why do not we perceive them? The answer came in 1970 through an article by Heinz Dieter Zeh of the University of Heidelberg, Germany. He showed that the Schrödinger equation gives rise to the effect of decoherence . Our letter overthrow quantum is always receiving the impact of busybody photons and air molecules, which can prove whether the letter fell to the right or left, thereby destroying the superposition and making it unobservable.
That is, the world is always contributing to remain in the illusion that things are "normal", ie, that the letter will fall to only one side up, more or less as agents of the Matrix ensure that human remain in ignorance (as at the end of the episode haunted house in the Animatrix ). Any resemblance to the Buddhist theory of Maya is not a coincidence.
It is as if the environment play the role of observer, collapsing the wave function (a simple molecule of air is enough). For all practical purposes, this tiny interaction changes the superposition to a classical situation in the twinkling of an eye. But as a photon can play the role of "observer"? It requires a "conscience", a "trial" to interfere with reality? Then the photon is also part of consciousness?! And here we go back to Buddhism, where everything, absolutely everything is alive and has consciousness .
The general notions about human understanding (...) illustrated by the discoveries of atomic physics are far from being something entirely unknown, unheard, again. These notions have a history in our own culture, enjoying a more prominent and central position in Hindu or Buddhist thought. What we face is just an illustration of an encouragement and a refinement of old wisdom.
(Robert Oppenheimer, father of the atomic bomb)
The religion of the future will be a cosmic religion, based on experience, which refuses dogmatism. If there is any religion that could cope with scientific needs, it would be Buddhism.
(Albert Einstein)
The theory of decoherence explains why do not routinely see quantum superpositions in the world around. Not because quantum mechanics intrinsically stops working for objects larger than a certain size magic. In fact, it is virtually impossible to macroscopic objects like cats and playing cards, isolated from a distance that prevents non-coherence. Microscopic objects, by contrast, are more easily separable from its environment and thus retain their quantum behavior.
If we seek a parallel to the lesson of atomic theory, we must turn to those kinds of epistemological problems with which we faced in the past, thinkers like Buddha and Lao Tzu, in his attempt to harmonize our position as spectators and actors in the great drama of existence.
(Niels Bohr, father of quantum mechanics)
Reference: 100 years of quantum mysteries ; Experience "Schrödinger cat" ; Samba crazy physicist , Amit Goswami interview the Roda Viva program
Ipê Amarelo, Tabebuia [chrysotricha or ochracea].
Ipê-amarelo em Brasília (UnB), Brasil.
This tree is in Brasília, Capital of Brazil.
Text, in english, from Wikipedia, the free encyclopedia
"Trumpet tree" redirects here. This term is occasionally used for the Shield-leaved Pumpwood (Cecropia peltata).
Tabebuia
Flowering Araguaney or ipê-amarelo (Tabebuia chrysantha) in central Brazil
Scientific classification
Kingdom: Plantae
(unranked): Angiosperms
(unranked): Eudicots
(unranked): Asterids
Order: Lamiales
Family: Bignoniaceae
Tribe: Tecomeae
Genus: Tabebuia
Gomez
Species
Nearly 100.
Tabebuia is a neotropical genus of about 100 species in the tribe Tecomeae of the family Bignoniaceae. The species range from northern Mexico and the Antilles south to northern Argentina and central Venezuela, including the Caribbean islands of Hispaniola (Dominican Republic and Haiti) and Cuba. Well-known common names include Ipê, Poui, trumpet trees and pau d'arco.
They are large shrubs and trees growing to 5 to 50 m (16 to 160 ft.) tall depending on the species; many species are dry-season deciduous but some are evergreen. The leaves are opposite pairs, complex or palmately compound with 3–7 leaflets.
Tabebuia is a notable flowering tree. The flowers are 3 to 11 cm (1 to 4 in.) wide and are produced in dense clusters. They present a cupular calyx campanulate to tubular, truncate, bilabiate or 5-lobed. Corolla colors vary between species ranging from white, light pink, yellow, lavender, magenta, or red. The outside texture of the flower tube is either glabrous or pubescentThe fruit is a dehiscent pod, 10 to 50 cm (4 to 20 in.) long, containing numerous—in some species winged—seeds. These pods often remain on the tree through dry season until the beginning of the rainy.
Species in this genus are important as timber trees. The wood is used for furniture, decking, and other outdoor uses. It is increasingly popular as a decking material due to its insect resistance and durability. By 2007, FSC-certified ipê wood had become readily available on the market, although certificates are occasionally forged.
Tabebuia is widely used as ornamental tree in the tropics in landscaping gardens, public squares, and boulevards due to its impressive and colorful flowering. Many flowers appear on still leafless stems at the end of the dry season, making the floral display more conspicuous. They are useful as honey plants for bees, and are popular with certain hummingbirds. Naturalist Madhaviah Krishnan on the other hand once famously took offense at ipé grown in India, where it is not native.
Lapacho teaThe bark of several species has medical properties. The bark is dried, shredded, and then boiled making a bitter or sour-tasting brownish-colored tea. Tea from the inner bark of Pink Ipê (T. impetiginosa) is known as Lapacho or Taheebo. Its main active principles are lapachol, quercetin, and other flavonoids. It is also available in pill form. The herbal remedy is typically used during flu and cold season and for easing smoker's cough. It apparently works as expectorant, by promoting the lungs to cough up and free deeply embedded mucus and contaminants. However, lapachol is rather toxic and therefore a more topical use e.g. as antibiotic or pesticide may be advisable. Other species with significant folk medical use are T. alba and Yellow Lapacho (T. serratifolia)
Tabebuia heteropoda, T. incana, and other species are occasionally used as an additive to the entheogenic drink Ayahuasca.
Mycosphaerella tabebuiae, a plant pathogenic sac fungus, was first discovered on an ipê tree.
Tabebuia alba
Tabebuia anafensis
Tabebuia arimaoensis
Tabebuia aurea – Caribbean Trumpet Tree
Tabebuia bilbergii
Tabebuia bibracteolata
Tabebuia cassinoides
Tabebuia chrysantha – Araguaney, Yellow Ipê, tajibo (Bolivia), ipê-amarelo (Brazil), cañaguate (N Colombia)
Tabebuia chrysotricha – Golden Trumpet Tree
Tabebuia donnell-smithii Rose – Gold Tree, "Prima Vera", Cortez blanco (El Salvador), San Juan (Honduras), palo blanco (Guatemala),duranga (Mexico)
A native of Mexico and Central Americas, considered one of the most colorful of all Central American trees. The leaves are deciduous. Masses of golden-yellow flowers cover the crown after the leaves are shed.
Tabebuia dubia
Tabebuia ecuadorensis
Tabebuia elongata
Tabebuia furfuracea
Tabebuia geminiflora Rizz. & Mattos
Tabebuia guayacan (Seem.) Hemsl.
Tabebuia haemantha
Tabebuia heptaphylla (Vell.) Toledo – tajy
Tabebuia heterophylla – roble prieto
Tabebuia heteropoda
Tabebuia hypoleuca
Tabebuia impetiginosa – Pink Ipê, Pink Lapacho, ipê-cavatã, ipê-comum, ipê-reto, ipê-rosa, ipê-roxo-damata, pau d'arco-roxo, peúva, piúva (Brazil), lapacho negro (Spanish); not "brazilwood"
Tabebuia incana
Tabebuia jackiana
Tabebuia lapacho – lapacho amarillo
Tabebuia orinocensis A.H. Gentry[verification needed]
Tabebuia ochracea
Tabebuia oligolepis
Tabebuia pallida – Cuban Pink Trumpet Tree
Tabebuia platyantha
Tabebuia polymorpha
Tabebuia rosea (Bertol.) DC.[verification needed] (= T. pentaphylla (L.) Hemsley) – Pink Poui, Pink Tecoma, apama, apamate, matilisguate
A popular street tree in tropical cities because of its multi-annular masses of light pink to purple flowers and modest size. The roots are not especially destructive for roads and sidewalks. It is the national tree of El Salvador and the state tree of Cojedes, Venezuela
Tabebuia roseo-alba – White Ipê, ipê-branco (Brazil), lapacho blanco
Tabebuia serratifolia – Yellow Lapacho, Yellow Poui, ipê-roxo (Brazil)
Tabebuia shaferi
Tabebuia striata
Tabebuia subtilis Sprague & Sandwith
Tabebuia umbellata
Tabebuia vellosoi Toledo
Ipê-do-cerrado
Texto, em português, da Wikipédia, a enciclopédia livre.
Ipê-do-cerrado
Classificação científica
Reino: Plantae
Divisão: Magnoliophyta
Classe: Magnoliopsida
Subclasse: Asteridae
Ordem: Lamiales
Família: Bignoniaceae
Género: Tabebuia
Espécie: T. ochracea
Nome binomial
Tabebuia ochracea
(Cham.) Standl. 1832
Sinónimos
Bignonia tomentosa Pav. ex DC.
Handroanthus ochraceus (Cham.) Mattos
Tabebuia chrysantha (Jacq.) G. Nicholson
Tabebuia hypodictyon A. DC.) Standl.
Tabebuia neochrysantha A.H. Gentry
Tabebuia ochracea subsp. heteropoda (A. DC.) A.H. Gentry
Tabebuia ochracea subsp. neochrysantha (A.H. Gentry) A.H. Gentry
Tecoma campinae Kraenzl.
ecoma grandiceps Kraenzl.
Tecoma hassleri Sprague
Tecoma hemmendorffiana Kraenzl.
Tecoma heteropoda A. DC.
Tecoma hypodictyon A. DC.
Tecoma ochracea Cham.
Ipê-do-cerrado é um dos nomes populares da Tabebuia ochracea (Cham.) Standl. 1832, nativa do cerrado brasileiro, no estados de Amazonas, Pará, Maranhão, Piauí, Ceará, Pernambuco, Bahia, Espírito Santo, Goiás, Mato Grosso, Mato Grosso do Sul, Minas Gerais, Rio de Janeiro, São Paulo e Paraná.
Está na lista de espécies ameaçadas do estado de São Paulo, onde é encontrda também no domínio da Mata Atlântica[1].
Ocorre também na Argentina, Paraguai, Bolívia, Equador, Peru, Venezuela, Guiana, El Salvador, Guatemala e Panamá[2].
Há uma espécie homônima descrita por A.H. Gentry em 1992.
Outros nomes populares: ipê-amarelo, ipê-cascudo, ipê-do-campo, ipê-pardo, pau-d'arco-do-campo, piúva, tarumã.
Características
Altura de 6 a 14 m. Tronco tortuso com até 50 cm de diâmetro. Folhas pilosas em ambas as faces, mais na inferior, que é mais clara.
Planta decídua, heliófita, xerófita, nativa do cerrado em solos bem drenados.
Floresce de julho a setembro. Os frutos amadurecem de setembro a outubro.
FloresProduz grande quantidade de sementes leves, aladas com pequenas reservas, e que perdem a viabilidade em menos de 90 dias após coleta. A sua conservação vem sendo estudada em termos de determinação da condição ideal de armazenamento, e tem demonstrado a importância de se conhecer o comportamento da espécie quando armazenada com diferentes teores de umidade inicial, e a umidade de equilíbrio crítica para a espécie (KANO; MÁRQUEZ & KAGEYAMA, 1978). As levíssimas sementes aladas da espécie não necessitam de quebra de dormência. Podem apenas ser expostas ao sol por cerca de 6 horas e semeadas diretamente nos saquinhos. A germinação ocorre após 30 dias e de 80%. As sementes são ortodoxas e há aproximadamente 72 000 sementes em cada quilo.
O desenvolvimento da planta é rápido.
Como outros ipês, a madeira é usada em tacos, assoalhos, e em dormentes e postes. Presta-se também para peças torneadas e instrumento musicais.
Tabebuia alba (Ipê-Amarelo)
Texto, em português, produzido pela Acadêmica Giovana Beatriz Theodoro Marto
Supervisão e orientação do Prof. Luiz Ernesto George Barrichelo e do Eng. Paulo Henrique Müller
Atualizado em 10/07/2006
O ipê amarelo é a árvore brasileira mais conhecida, a mais cultivada e, sem dúvida nenhuma, a mais bela. É na verdade um complexo de nove ou dez espécies com características mais ou menos semelhantes, com flores brancas, amarelas ou roxas. Não há região do país onde não exista pelo menos uma espécie dele, porém a existência do ipê em habitat natural nos dias atuais é rara entre a maioria das espécies (LORENZI,2000).
A espécie Tabebuia alba, nativa do Brasil, é uma das espécies do gênero Tabebuia que possui “Ipê Amarelo” como nome popular. O nome alba provém de albus (branco em latim) e é devido ao tomento branco dos ramos e folhas novas.
As árvores desta espécie proporcionam um belo espetáculo com sua bela floração na arborização de ruas em algumas cidades brasileiras. São lindas árvores que embelezam e promovem um colorido no final do inverno. Existe uma crença popular de que quando o ipê-amarelo floresce não vão ocorrer mais geadas. Infelizmente, a espécie é considerada vulnerável quanto à ameaça de extinção.
A Tabebuia alba, natural do semi-árido alagoano está adaptada a todas as regiões fisiográficas, levando o governo, por meio do Decreto nº 6239, a transformar a espécie como a árvore símbolo do estado, estando, pois sob a sua tutela, não mais podendo ser suprimida de seus habitats naturais.
Taxonomia
Família: Bignoniaceae
Espécie: Tabebuia Alba (Chamiso) Sandwith
Sinonímia botânica: Handroanthus albus (Chamiso) Mattos; Tecoma alba Chamisso
Outros nomes vulgares: ipê-amarelo, ipê, aipê, ipê-branco, ipê-mamono, ipê-mandioca, ipê-ouro, ipê-pardo, ipê-vacariano, ipê-tabaco, ipê-do-cerrado, ipê-dourado, ipê-da-serra, ipezeiro, pau-d’arco-amarelo, taipoca.
Aspectos Ecológicos
O ipê-amarelo é uma espécie heliófita (Planta adaptada ao crescimento em ambiente aberto ou exposto à luz direta) e decídua (que perde as folhas em determinada época do ano). Pertence ao grupo das espécies secundárias iniciais (DURIGAN & NOGUEIRA, 1990).
Abrange a Floresta Pluvial da Mata Atlântica e da Floresta Latifoliada Semidecídua, ocorrendo principalmente no interior da Floresta Primária Densa. É característica de sub-bosques dos pinhais, onde há regeneração regular.
Informações Botânicas
Morfologia
As árvores de Tabebuia alba possuem cerca de 30 metros de altura. O tronco é reto ou levemente tortuoso, com fuste de 5 a 8 m de altura. A casca externa é grisáceo-grossa, possuindo fissuras longitudinais esparas e profundas. A coloração desta é cinza-rosa intenso, com camadas fibrosas, muito resistentes e finas, porém bem distintas.
Com ramos grossos, tortuosos e compridos, o ipê-amarelo possui copa alongada e alargada na base. As raízes de sustentação e absorção são vigorosas e profundas.
As folhas, deciduais, são opostas, digitadas e compostas. A face superior destas folhas é verde-escura, e, a face inferior, acinzentada, sendo ambas as faces tomentosas. Os pecíolos das folhas medem de 2,5 a 10 cm de comprimento. Os folíolos, geralmente, apresentam-se em número de 5 a 7, possuindo de 7 a 18 cm de comprimento por 2 a 6 cm de largura. Quando jovem estes folíolos são densamente pilosos em ambas as faces. O ápice destes é pontiagudo, com base arredondada e margem serreada.
As flores, grandes e lanceoladas, são de coloração amarelo-ouro. Possuem em média 8X15 cm.
Quanto aos frutos, estes possuem forma de cápsula bivalvar e são secos e deiscentes. Do tipo síliqua, lembram uma vagem. Medem de 15 a 30 cm de comprimento por 1,5 a 2,5 cm de largura. As valvas são finamente tomentosas com pêlos ramificados. Possuem grande quantidade de sementes.
As sementes são membranáceas brilhantes e esbranquiçadas, de coloração marrom. Possuem de 2 a 3 cm de comprimento por 7 a 9 mm de largura e são aladas.
Reprodução
A espécie é caducifólia e a queda das folhas coincide com o período de floração. A floração inicia-se no final de agosto, podendo ocorrer alguma variação devido a fenômenos climáticos. Como a espécie floresce no final do inverno é influenciada pela intensidade do mesmo. Quanto mais frio e seco for o inverno, maior será a intensidade da florada do ipê amarelo.
As flores por sua exuberância, atraem abelhas e pássaros, principalmente beija-flores que são importantes agentes polinizadores. Segundo CARVALHO (2003), a espécie possui como vetor de polinização a abelha mamangava (Bombus morio).
As sementes são dispersas pelo vento.
A planta é hermafrodita, e frutifica nos meses de setembro, outubro, novembro, dezembro, janeiro e fevereiro, dependendo da sua localização. Em cultivo, a espécie inicia o processo reprodutivo após o terceiro ano.
Ocorrência Natural
Ocorre naturalmente na Floresta Estaciobal Semidecicual, Floresta de Araucária e no Cerrado.
Segundo o IBGE, a Tabebuia alba (Cham.) Sandw. é uma árvore do Cerrado, Cerradão e Mata Seca. Apresentando-se nos campos secos (savana gramíneo-lenhosa), próximo às escarpas.
Clima
Segundo a classificação de Köppen, o ipê-amarelo abrange locais de clima tropical (Aw), subtropical úmido (Cfa), sutropical de altitude (Cwa e Cwb) e temperado.
A T.alba pode tolerar até 81 geadas em um ano. Ocorre em locais onde a temperatura média anual varia de 14,4ºC como mínimo e 22,4ºC como máximo.
Solo
A espécie prefere solos úmidos, com drenagem lenta e geralmente não muito ondulados (LONGHI, 1995).
Aparece em terras de boa à média fertilidade, em solos profundos ou rasos, nas matas e raramente cerradões (NOGUEIRA, 1977).
Pragas e Doenças
De acordo com CARVALHO (2003), possui como praga a espécie de coleópteros Cydianerus bohemani da família Curculionoideae e um outro coleóptero da família Chrysomellidae. Apesar da constatação de elevados índices populacionais do primeiro, os danos ocasionados até o momento são leves. Nas praças e ruas de Curitiba - PR, 31% das árvores foram atacadas pela Cochonilha Ceroplastes grandis.
ZIDKO (2002), ao estudar no município de Piracicaba a associação de coleópteros em espécies arbóreas, verificou a presença de insetos adultos da espécie Sitophilus linearis da família de coleópteros, Curculionidae, em estruturas reprodutivas. Os insetos adultos da espécie emergiram das vagens do ipê, danificando as sementes desta espécie nativa.
ANDRADE (1928) assinalou diversas espécies de Cerambycidae atacando essências florestais vivas, como ingazeiro, cinamomo, cangerana, cedro, caixeta, jacarandá, araribá, jatobá, entre outras como o ipê amarelo.
A Madeira
A Tabebuia alba produz madeira de grande durabilidade e resistência ao apodrecimento (LONGHI,1995).
MANIERI (1970) caracteriza o cerne desta espécie como de cor pardo-havana-claro, pardo-havan-escuro, ou pardo-acastanhado, com reflexos esverdeados. A superfície da madeira é irregularmente lustrosa, lisa ao tato, possuindo textura media e grã-direita.
Com densidade entre 0,90 e 1,15 grama por centímetro cúbico, a madeira é muito dura (LORENZI, 1992), apresentando grande dificuldade ao serrar.
A madeira possui cheiro e gosto distintos. Segundo LORENZI (1992), o cheiro característico é devido à presença da substância lapachol, ou ipeína.
Usos da Madeira
Sendo pesada, com cerne escuro, adquire grande valor comercial na marcenaria e carpintaria. Também é utilizada para fabricação de dormentes, moirões, pontes, postes, eixos de roda, varais de carroça, moendas de cana, etc.
Produtos Não-Madeireiros
A entrecasca do ipê-amarelo possui propriedades terapêuticas como adstringente, usada no tratamento de garganta e estomatites. É também usada como diurético.
O ipê-amarelo possui flores melíferas e que maduras podem ser utilizadas na alimentação humana.
Outros Usos
É comumente utilizada em paisagismo de parques e jardins pela beleza e porte. Além disso, é muito utilizada na arborização urbana.
Segundo MOREIRA & SOUZA (1987), o ipê-amarelo costuma povoar as beiras dos rios sendo, portanto, indicado para recomposição de matas ciliares. MARTINS (1986), também cita a espécie para recomposição de matas ciliares da Floresta Estacional Semidecidual, abrangendo alguns municípios das regiões Norte, Noroeste e parte do Oeste do Estado do Paraná.
Aspectos Silviculturais
Possui a tendência a crescer reto e sem bifurcações quando plantado em reflorestamento misto, pois é espécie monopodial. A desrrama se faz muito bem e a cicatrização é boa. Sendo assim, dificilmente encopa quando nova, a não ser que seja plantado em parques e jardins.
Ao ser utilizada em arborização urbana, o ipê amarelo requer podas de condução com freqüência mediana.
Espécie heliófila apresenta a pleno sol ramificação cimosa, registrando-se assim dicotomia para gema apical. Deve ser preconizada, para seu melhor aproveitamento madeireiro, podas de formação usuais (INQUE et al., 1983).
Produção de Mudas
A propagação deve realizada através de enxertia.
Os frutos devem ser coletados antes da dispersão, para evitar a perda de sementes. Após a coleta as sementes são postas em ambiente ventilado e a extração é feita manualmente. As sementes do ipê amarelo são ortodoxas, mantendo a viabilidade natural por até 3 meses em sala e por até 9 meses em vidro fechado, em câmara fria.
A condução das mudas deve ser feita a pleno sol. A muda atinge cerca de 30 cm em 9 meses, apresentando tolerância ao sol 3 semanas após a germinação.
Sementes
Os ipês, espécies do gênero Tabebuia, produzem uma grande quantidade de sementes leves, aladas com pequenas reservas, e que perdem a viabilidade em poucos dias após a sua coleta. A sua conservação vem sendo estudada em termos de determinação da condição ideal de armazenamento, e tem demonstrado a importância de se conhecer o comportamento da espécie quando armazenada com diferentes teores de umidade inicial, e a umidade de equilíbrio crítica para a espécie (KANO; MÁRQUEZ & KAGEYAMA, 1978).
As levíssimas sementes aladas da espécie não necessitam de quebra de dormência. Podem apenas ser expostas ao sol por cerca de 6 horas e semeadas diretamente nos saquinhos. A quebra natural leva cerca de 3 meses e a quebra na câmara leva 9 meses. A germinação ocorre após 30 dias e de 80%.
As sementes são ortodoxas e há aproximadamente 87000 sementes em cada quilo.
Preço da Madeira no Mercado
O preço médio do metro cúbico de pranchas de ipê no Estado do Pará cotado em Julho e Agosto de 2005 foi de R$1.200,00 o preço mínimo, R$ 1509,35 o médio e R$ 2.000,00 o preço máximo (CEPEA,2005).
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