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Collaged on canvas. The little birds have vintage bingo numbers on them and are collaged on bizarrely rhyming old spelling book pages circa 1872 with some silver leafing. For more zee blog www.tartx.com/blog
Greece is considered the cradle of Western civilization, being the birthplace of democracy, Western philosophy, Western literature, historiography, political science, major scientific and mathematical principles, theatre and the Olympic Games. From the eighth century BC, the Greeks were organised into various independent city-states, known as poleis (singular polis), which spanned the Mediterranean and the Black Sea. Philip II of Macedon united most of present-day Greece in the fourth century BC, with his son Alexander the Great rapidly conquering much of the known ancient world, from the eastern Mediterranean to the North Western parts of India. The subsequent Hellenistic period saw the height of Greek culture and influence in antiquity. Greece was annexed by Rome in the second century BC, becoming an integral part of the Roman Empire and its continuation, the Byzantine Empire, which was culturally and linguistically predominantly Greek. The Greek Orthodox Church, which emerged in the first century AD, helped shape modern Greek identity and transmitted Greek traditions to the wider Orthodox world. After falling under Ottoman rule in the mid-15th century, Greece emerged as a modern nation state in 1830 following a war of independence.
Over the first hundred years the kingdom of Greece sought its territorial expansion, which was mainly achieved in the early 20th century, during the Balkan Wars and up until the catastrophe of Greece's Asia Minor Campaign in 1922. The short-lived republic that followed, beset by the ramifications of civil strife, came to an end in 1936, when the imposition of a royalist dictatorship inaugurated a long period of authoritarian rule, marked by military occupation during World War II, civil war and military dictatorship. Greece achieved record economic growth from 1950 through the 1970s, allowing it to join the ranks of developed nations. Democracy was restored in 1974–75, and Greece has been a parliamentary republic ever since. The country's rich historical legacy is reflected in part by its 18 UNESCO World Heritage Sites.
Greece is a unitary parliamentary republic, and a developed country, with an advanced high-income economy. Its economy is the second largest in the Balkans, where it is an important regional investor. A founding member of the United Nations, Greece was the tenth member to join the European Communities (precursor to the European Union) and has been part of the Eurozone since 2001. It is also a member of numerous other international institutions, including the Council of Europe, NATO, the OECD, the WTO, and the OSCE. Greece has a unique cultural heritage, large tourism industry, and prominent shipping sector. Wikipedia
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
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Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
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And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
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Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
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Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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Newstead House is a large mid-nineteenth century house located on a ridge of parkland overlooking the Hamilton Reach of the Brisbane River at its confluence with Breakfast Creek, and is four kilometres north-east of the Brisbane Central Business District (CBD). The core of the house is the oldest known surviving residence in Brisbane, established by Patrick Leslie in 1846. The house has undergone numerous structural changes, particularly between 1846 and 1867. It was the first heritage property in Queensland to be protected by an Act of Parliament. Newstead Park was acquired by Brisbane City Council and formally opened in 1921. It was designed according to landscaping principles of the early 20th century and has retained the layout and plantings initiated by the Superintendent of Parks Harry Moore from 1915.
John Oxley explored the Brisbane River in 1823 and 1824 and recommended the area around the confluence with Breakfast Creek would be an ideal place to establish a settlement. The local indigenous people had been given the name of the ‘Duke of York's Clan' by European residents and the area was known as ‘Booroodabin', meaning 'place of oaks'.
Following the 1839 closure of the penal settlement, Brisbane town was surveyed and offered for sale from 1842. Land on the banks of the Brisbane River near Breakfast Creek was purchased by brothers-in-law Patrick Leslie and John Clements Wickham in April 1845. Leslie purchased Eastern Suburban Allotments (ESA) 63 and 64 (sold as ESA 13 at the time), while Wickham purchased ESA 62.
Captain John Clements Wickham served in the Royal Navy under Philip Parker King (son of NSW Governor Philip Gidley King). He settled in New South Wales in 1841 where he married Anna, the daughter of Hannibal Macarthur, nephew of John Macarthur who had established a merino flock at Camden Park. Patrick Leslie had married another daughter of Hannibal's, Catherine (Kate) in 1840. Philip Gidley King (son of Philip Parker King) married another sister, Elizabeth Macarthur (his cousin) in 1843, while George Leslie married a fourth sister, Emmeline Macarthur in 1848. Wickham was appointed Police Magistrate for Moreton Bay in January 1843, living in the Commandant's Cottage in George Street.
Patrick Leslie, the second son of William Leslie, ninth laird of Warthill and eighth of Folla in Scotland, came to Australia in 1834 to work on his uncle Walter Davidson's property Collaroi in the Upper Hunter. To gain experience, he went to work on John Macarthur's property at Camden, and by 1839 moved to Philip Parker Kings' property Dunheved near Penrith.
Explorer Allan Cunningham told him of the Darling Downs to the north that he had discovered in 1827. Patrick, his younger brothers George and Walter and their sheep, headed north in 1840 selecting runs which became Toolburra and Canning Downs Stations. Still financially indebted to his uncle, Leslie was eventually assisted by his father to clear some debts and purchased two parcels of Brisbane riverfront land in 1845 in his father's name.
By the end of 1845, Patrick Leslie was sourcing building materials for a house he was planning for himself and his wife Kate and son Willy. He named it ‘Newstead', and the family moved in between April and July 1846. Patrick Leslie wrote to his father providing a detailed description of the house, as well as floor plans and a site plan. Constructed from brick, stone and timber, the original house was two storeyed, with living rooms and bedrooms on the upper floor and servants' rooms, cellars and kitchen on the lower floor. A steep staircase in what is now the entry vestibule connected the two floors, and other utilitarian structures were located to the rear (western side) of the house. An 8ft (2.4m) wide verandah on the first floor eastern side, adjoining the sitting room and main bedroom, faced the best views of the river.
He wrote a lengthy description of the setting of the house and the plants grown in the garden, including Kate's garden on the southern side of the house. There was a well, milking yard, and cow pen, and a road following a gully to the west. In the same letter, he told his father that he had purchased a run adjacent to Canning Downs in his son's name, and kept his stock on his brother's property. The family had barely settled into the house at Newstead when he decided to return to the Downs. The Leslies departed Newstead on the 10th of October 1846, leaving it under the management of two employees.
In June 1847 Newstead House was sold to Captain John Clements Wickham for £1000, although not formally transferred by deed until the 1st of February 1854. The sale was a mutually beneficial arrangement as John and Anna Wickham were about to build on their adjoining lot at Newstead.
Wickham undertook extensions in late 1847 when they moved in. A sketch dated 1848 by Owen Stanley, shows the building was light in colour, (indicating it had been rendered) with verandahs extended to the north and south with the bedrooms extended onto the verandahs.
In April 1853, Captain Wickham was appointed Government Resident for Moreton Bay, having served in the role since January that year. The house then became the unofficial government house. A servants' wing adjacent to the house is evident in a painting produced in July 1853.
In April 1854 the Governor General, Sir Charles Fitz Roy, came to Moreton Bay on an official visit, staying at Newstead. Following a public dinner, Wickham arranged for a meeting on the subject of separation from New South Wales, between the Governor General and key citizens. While Wickham supported separation meetings, the actual event led to the abolition of his position. The new Governor, Sir George Ferguson Bowen, arrived in Brisbane on the 10th of December 1859. Wickham left the new colony of Queensland in January 1860 and returned to England.
Newstead House was offered for sale from September 1862, having been occupied by the Attorney General, Ratcliffe Pring, from February 1860. By December 1862 George and Jane Harris advertised for servants for Newstead, presumably indicating their occupation of the house. George Harris, a member of the Legislative Council of Queensland, had married Jane Thorn, daughter of Member of the Legislative Assembly and businessman George Thorn, in Ipswich in 1860. George Harris' brother John had initiated a mercantile and shipping business in Brisbane in the 1840s. George joined the business in 1848 and the firm J & G Harris was formed in April 1853, with John as an agent in London. The Harris brothers established a store in Short Street at North Quay and operated a fleet of ships, a fellmongery, tannery, and a boot and harness factory. The town of Harrisville, south of Ipswich, evolved from J & G Harris's cotton plantation and gin. George Harris commissioned architect James Cowlishaw to design Harris Terrace in George Street in 1865 - 1867. He also called for tenders for repairs and additions to Newstead House in 1865 and 1867.
George Harris had acquired the Newstead property (Lots 62, 63, and 65) in 1867, mortgaged for the sum of £4000 to the trustees of the estate of JC Wickham, having previously leased the property. The repairs and additions undertaken by Cowlishaw in 1865 and 1867 led to a major re-design of the house, building four new rooms on both the northern and southern sides. Each of these extensions included new double fireplaces and chimneys. The staircase to the lower floor was removed and replaced by a trapdoor in the verandah floor. A new entrance was created by building a retaining wall which supported the extended front verandah. Fill was deposited to create a gently sloping lawn on the western side, taking water away from the basement structure. Sandstone steps were built, providing a new western entrance to the house. This made a basement of the ground floor of the Leslie structure. The verandahs were extended to 10 feet (3m) in width, provided with railings, new posts, gutters and rainwater heads. The roof shingles were replaced with slate, although sheet metal was used on the verandahs. A marble floor was installed in the entry foyer and marble mantelpieces built into the formal rooms. A substantial new kitchen and servants' quarters were also built during the Harris era.
George Harris arranged for a new certificate of title under the Real Property Act in May 1874. The property was then mortgaged for 10 years to James Taylor of Toowoomba for £10,000. Further building work was required when the stables burnt down in November 1873. Harris declared his business to be insolvent in August 1876 and both Newstead and Harris Terrace were transferred to James Taylor by December 1876.
The Harris's continued to lease the property for many years. Their financial position may have been buoyed by the distribution of the estate of Jane's father, George Thorn, who died in April 1876, with extensive property interests including the Claremont Homestead, land in Ipswich and Cleveland (Thornlands), and Normanby Station which were offered for sale in 1878 - 1879. James Taylor subdivided much of the estate into housing lots, retaining 11 acres (4.5ha) on which Newstead House was located. The estate was advertised for sale in July 1878.
A further lease for Newstead House was drawn up to George Harris in March 1887, which was surrendered in November the following year. Liquidators were called in to wind-up the affairs of J and G Harris. An attempt was made to sell the property, now reduced to 4.5 acres (8200m2) in December 1888. The newspaper advertisement referred to the main house as being built of stone and brick with a slate roof, comprising an extra large drawing room, dining room, breakfast room, principal bedroom, library, three bedrooms and bathroom with 10ft (3m) verandahs all round; a wooden wing with a slate roof comprising four large bedrooms, a workroom, two storerooms and bathroom; a kitchen wing built of brick with a slate roof incorporating a kitchen, pantry, large storeroom, two servants' rooms, scullery and man's room; and an outhouse consisting of a four stall stable, man's room, harness room, large coach house and laundry. Also on the property was another four stall stable, fowl house, landing jetty, boathouse, bathing house, two 20,000 gallon (90,000 litre) underground tanks and various other tanks; and a magnificent flower, fruit and vegetable garden.
Further subdivision of the surrounding land into suburban lots occurred in 1888 and in 1890, after it was transferred to the Federal Building Land and Investment Society Ltd. An auction sale of all of the Harris's furnishings and belongings was held on the 22nd of April 1890, and George and Jane departed the following day.
Newstead House played host to numerous important visitors over the years, including high ranking members of the clergy, the Governor General, and royalty, as well as hosting large events such as weddings, dinners, balls and boating events on the river, particularly during the occupation of the Harris's. Daughter Evelyn Harris married RG Casey, manager of her grandfather George Thorn's former property, Normanby Station. The 1888 wedding was followed by a lavish reception at Newstead House. Her son Richard, born in 1890, was Governor of Bengal from 1944 - 1946 and in 1960 was appointed life peer to the House of Lords, the Upper House of the United Kingdom. Lord Casey became Governor General of Australia in 1965 to 1969.
The departure of the Harris family was the end of an era for the house, in that no subsequent owners or tenants occupied the dwelling for any substantial length of time. The sale of furnishings of a tenant in March 1896 indicated that the substantial servants' quarters and kitchen of the Harris era had been replaced with the building now referred to as the Annex. It included a kitchen, pantry laundry and possibly one other servants' room. The property was owned by Lysaght Brothers and Company for several years from August 1896. Lysaghts had plans for a wire netting and galvanised iron factory on the site that were never realised. Newstead was briefly run as a boarding house in 1906.
Newstead House was sold in October 1908 to Caroline Amelia Heaslop, wife of Thomas Heaslop, a wholesale grocery merchant, and by November 1909 a major refurbishment had been undertaken. The house continued to be leased to tenants. The Council of the City of Brisbane began negotiations with Mrs Heaslop to purchase the property in 1915 and it was formally acquired by the Council of the City of Brisbane in 1918.
The Council had been keen to acquire this prime riverfront site for parkland, and were influenced by the international town planning movement of the time. The Queensland Town Planning Association had formed in March 1915, advocating the need for more metropolitan parks, particularly along the river. In 1918, the property that comprised most of the original ESA 63 including Newstead House was transferred to the Council. This was later devested to the Brisbane City Council (BCC) in 1933 under section 30 of The City of Brisbane Act 1924. A number of options for the use of the house were proposed, including availing the property to returned soldiers as a hostel. Parks Superintendent Henry (Harry) Moore moved into Newstead House in late 1917 or early 1918. The slate roof was replaced at this time, with red painted concrete tiles.
Harry Moore was appointed as Superintendent of Parks in September 1912, initially based at Bowen Park which had recently been vacated by the Acclimatisation Society. From 1909 Moore had been curator of Canterbury Park in Eaglehawk, near Bendigo in Victoria. He had a distinctive style of park layout with a preference for circular garden beds. He preferred the fluidity of gently curving walkways radiating from a few entrance points. His influence can be seen in one remnant section of Canterbury Park, as well as in his other works in Queensland including New Farm Park, Bowen Park and Gympie Memorial Park. He is also well known for using dry stone walls to create raised garden beds, examples of which can be found in Centenary Place, Yeronga Memorial Park, and in the streets of Kangaroo Point and Spring Hill. For shade trees, he favoured a bold mix of palms, pines, and dramatic flowering species such as poinsettias (Euphorbia pulcherrima) and jacarandas (Jacaranda mimosifolia).
Moore's appointment occurred during the time of the nascent town planning movement which, among other things, promoted the building of roads in relation to the contours of the land. This is evident in Moore's path layout in Newstead Park. His design included the removal of all riverbank vegetation and the creation of stone revetment walls, removal of old fences, construction of paths, path lighting, and planting additional trees in front of the house. He planted about 150 trees, palms, and shrubs initially and then prepared trenching and beds for 700 roses. Newstead Park was officially opened in January 1921.
In 1923, the centenary of the arrival of John Oxley was celebrated in Newstead Park with a band for entertainment. The band rotunda appears to have evolved from a temporary platform provided in 1921, becoming a bandstand by 1925. A World War I trophy cannon was unveiled in the park, near the rotunda, in November 1922. In 1924 the Council announced further resumptions of contiguous land. Twelve buildings were auctioned for removal, from Newstead Avenue, Breakfast Creek Road, and Newstead Drive, in March 1926. Stone entrance pillars with lamps mounted on top were built in November 1927. The park also features a large draughts board installed in 1929. A newspaper report in 1929 discussed Harry Moore's ten years of work in the park. Mature trees he retained included bunya pines, Moreton Bay ash, silky oaks, white Cyprus and the Flacourtia ramoutchi of East India. He also planted avenues of Queen Palms, here and in other parks and streets of Brisbane, and was responsible for introducing the distinctive tropical character to Brisbane's open spaces. The large fig tree (Ficus infectoria) within the circular drive dates to the occupation by the Wickhams, and appears to be the oldest tree remaining on the property. Moore and his family continued to live in Newstead House until late 1938.
In 1927 the BCC Tramways Department announced plans to build a substation at Newstead Park. Brisbane Tramways had evolved from a private company which established horse drawn trams in 1885 and a subsequent company delivering electric trams from 1895. The first power station for trams was built in Countess Street in 1897. Various arrangements with the City Electric Light Company continued to supply power until the Brisbane Tramways Trust was initiated by an Act of Parliament in 1922. After the establishment of Greater Brisbane City Council in 1925, which included the acquisition of the Brisbane Tramways Trust, there was an expansion of electricity supply and public transport.
Substation No. 5 in Newstead Park was designed by BCC architect and construction engineer Roy Rusden Ogg, and opened in June 1928. Ogg designed at least 10 of the city's substations up until 1936, as well as the first two stages of the New Farm Powerhouse, which provided electricity to the city's tram network. A total of 10 tramways substations: Russell Street South Brisbane (1927); Ballow Street, Fortitude Valley (1928); Logan Road, Woolloongabba (1928); Petrie Terrace (1928); Windsor (1927); Paddington (1930); Norman Park (1935); Kedron Park Road, Kedron (1935); and Ipswich Road, Annerley (1936), were built through to the mid-1930s, seven of which survive. Many had additions enabling equipment upgrades and a further 5 were built after World War II. Only Newstead and Petrie Terrace substations retain the BT (Brisbane Tramways) logo. To help integrate the industrial substation buildings into their often residential settings, Ogg used neo-classical detailing to ornament the facades.
By the late 1920s Brisbane City Council could not foresee a potential use for Newstead House except as a museum. In September 1931 the Queensland Historical Society (founded 1913) approached the Lord Mayor, Alderman Greene, proposing that Newstead House be made available as an historical library and technological museum. In May 1932, the Society was given use of 3 rooms, although Harry Moore still occupied the house until late 1938. Between 1934 and 1938 a number of proposals were made in relation to the use of the house as a museum. In March 1938 the Queensland Historical Society appointed a special committee to prepare a draft scheme for the creation of a Trust to control the proposed museum.
In February 1939, the Finance Committee of BCC recommended that Newstead House be placed under trust for the use of the Historical Society of Queensland. The Trust would administer the Newstead House Trust Fund and receive donations, bequests, legacies, and grants. The Newstead House Trust Act came into force on the 1st of March 1940, with the State Treasurer, Mr Cooper as chairman, and the Lord Mayor, Alderman Jones, and the President of the Historical Society, Mr Fergus McMaster, as trustees. In preparation for its role as a museum, fire proofing of two rooms and repairs to the house were undertaken to the specification of architects R Coutts and Sons.
From late 1942 through to the end of World War II, Newstead House was occupied by the Photographic Detachment of the 832nd Signal Service Company, Signal Section of the Unites States Army Services of Supply. The house was used as a barracks for the men, while nearby Cintra House housed the photographic laboratory. A gun emplacement was located on the riverfront beyond the bandstand.
In 1950, the Annex was transferred to the Trust and a new certificate of title issued. These are now lots 1 & 2 on RP58673 (house and annex footprints).
The Queensland Women's Historical Association, formed in April 1950, held its inaugural meeting at Newstead House. In late 1951 the Association was given use of the old Breakfast Room for housing records and equipment. It also involved itself with renovation of the house. The Association acquired its own quarters in 1966, purchasing a house known as ‘Beverly Wood' (later reverting to its original name ‘Miegunyah') in 1967.
From 1968 through to the early 1970s, a major renovation of Newstead House was managed by the State Works Department, facilitating its transformation into a house museum. The verandah timbers were taken up allowing the replacement of defective joists. Major earthworks were undertaken around the house at this time and the timber bathroom to the annex and the annex chimney were removed. Works on the basement included removal of plaster from brickwork, some re-pointing of brick walls, damp proofing and paving the floor. The house was opened to the public in February 1971. The works have been ongoing, including re-roofing with concrete tiles in 1977.
David Gibson was appointed as curator in August 1974, a position he retained until 2011. He initiated the ‘Friends of Newstead' committee to assist in fundraising for the development and interpretation of the house. The committee utilised the celebration of the house's 130th anniversary in 1976 to embark on a fundraising campaign to begin renovation and interpretation of the dining room and gentleman's library. Volunteers each devoted one Sunday a month, serving refreshments to visitors, and had raised $6500 by mid 1977. The Royal Historical Society relocated to the former Commissariat Store in William Street in October 1981.
After the discontinuation of the Brisbane tramway system in 1969 the substation at Newstead Park, along with Brisbane's other tramway substations, became redundant to Council's needs. The substation was transferred to the Newstead House Board of Trustees in June 1977 and work commenced on its conversion into a resource centre. The first phase of the project included the removal of the electrical machinery, rewiring, re-design of the entry door, laying of new carpet and the repainting of the interior. Later a mezzanine level was installed to provide an office area. The Newstead House Resource Centre officially opened in the former tramways substation on the 29th of September 1978.
In August 1987 the Queensland Government proposed that Newstead House and Park be absorbed by the Queensland Museum citing the advantages of placing the house and surrounding land under common control. This proved to be a controversial proposal which never eventuated, although its administration was ultimately transferred from the Arts portfolio to that of the Department of Environment and Heritage in 1990.
Newstead Park was managed by Harry Oakman, the new BCC Superintendent of Parks, from 1945. One of his first tasks was rejuvenating the many parks occupied by the military during the war years. He re-designed Newstead Park along Breakfast Creek following the realignment of the road for the 1959 construction of a new bridge. He designed and planted shrubberies on either side of the main drive, and filled in gaps in the line of palms with new palms of the same species as those flanking the Moore pathways.
A number of structures and features have been added to the park over the years. A brick tool shed was built behind the substation in 1939. The American Memorial, a Helidon sandstone pillar (10.6m high) with an American eagle on top, was carved by sculptor Tom Farrell, of PJ Lowther and Sons. It was unveiled on the 3rd of May 1952 by Governor Sir John Lavarack, marking the 10th anniversary of the American-Australian naval and air victory in the Coral Sea Battle. The early band rotunda and World War I cannon were removed to allow for the new memorial. This was the first American war memorial in Australia. The second, similar in design, was opened in February 1954 by the Queen, in Kings Avenue Canberra.
Another significant inclusion is the sandstone mounted tide gauge donated by the British India Steam Navigation Company to celebrate Queensland's Centenary in 1959. The stone housing was built by PJ Lowther and Son and the project unveiled in August 1961.
A flagpole was donated to the Historical Society in August 1956 and it was erected near to the house in September, although taken down and reinstated during the renovations of the late 1960s. It flies a replica of the Queensland Ensign which was first unfurled to honour the arrival of Governor Bowen in 1859. On the house wall outside the main bedroom is a plaque honouring Captain John Clements Wickham, donated by his grandson in 1933.
Near the American Memorial, is Lyndon B Johnson Place, unveiled during the American President's visit in 1966. A sundial was installed to the west of the front entry to the house, commemorating the generosity of the Rotary Club of Newstead in providing floodlighting to the river side of the house. It was relocated from a park in Holland Park to Newstead in 1977. A memorial to the Australian Navy Corvettes was established in 1988, near Lyndon B Johnson Place. On the eastern side of the property, near to the site of the former Newstead Wharves, is the Oxley Memorial, constructed in 1983. There is a Service to Vietnam memorial, a Submariner's memorial, the Prisoners from Rakuyo Memorial and a memorial to Charles Willers, the founder of the first Rostrum Club. The park also contains a number of mature trees planted in honour of various people with links to the historical societies.
Newstead Park and its facilities continue to be managed by Brisbane City Council. The lawn and carriageway providing access to the house was re-designed in 1987, initially paved in decomposed granite. The Friends funded paving to this area in 1987, due to damage to the floors from granite stones caught in visitor's shoes. A gazebo was built in 1984 near the site of the original band rotunda. A drinking fountain was donated in 1985 by the Brisbane Lord Mayor Sallyanne Atkinson, who also organised for the relocation of a pissoir from Merthyr Road, New Farm, to a site between the house and the substation in 1987.
In 2006, the Friends of Newstead employed a conservation architect to refurbish the main bedroom of Newstead House. During the site works, the removal of non-significant elements such as the 1970s wallpaper and picture rail revealed: the outline of the 1865 wall that once divided the space into two rooms; fragments of early wallpaper; and the early ceiling which was sheeted over circa 1940. The evidence gathered as part of the investigation informed the re-decoration of the room. The ceiling and rose were painted to approximate early colours found and the walls were papered from skirting to cornice with commercially available wallpaper similar to the original.
Equitable access to the house was provided in 2013 with the installation of a disabled parking bay, and a lift and accessible toilets within the Annex, thereby ensuring the continued enjoyment of Newstead House by all Queenslanders. The property is valued for its historic significance as well as being a site for ritual events and celebrations, such as weddings. The house has appeared in numerous tourism promotions, travel guides, and television programs over the decades, indicating its landmark status in Brisbane.
Source: Queensland Heritage Register.
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Homer: Tell me, O muse, of that ingenious hero who traveled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home. . . --Homer's Odyssey, Book I
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
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All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
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When defenses against the most immediate forms of mental disturbance have been raised, the assimilation of the principles of "right conduct" arouses in the mind an "intimate, unalloyed joy" joined with the stability and sureness of one who feels himself in a state of "justice." For which we are given the simile of a lawfully crowned king who knows that his enemies are routed and that there is no threat of any kind to his sovereignty. We have also acquired the strengthened "neutrality" or "sidereality" of the mind that, thanks to the fourfold contemplation, has further freed itself and is now at the center of all its experience, both internal and external. At this point we undertake the really cathartic action whose aim is to neutralize, by degrees, any possibility of "combustion" and of self-abandonment to the multiple variety of "contacts."
Contacts wound; contacts consume by exciting the fire that burns the body and the mind, which nourishes the samsaric stem and prostrates the higher principle. "The fool, struck by force, perishes; the wise man, when struck, does not tremble," he remains intact, remains unshakable, remains elusive; we must become like the wise man. It is a question, then, of dealing a blow at the transcendental "desire" that lurks in the visual and other senses, in the khandha (the groups of the personality), in the elements, and which is corruption, disease, suppuration. All this must naturally take place, not on the psychological or moral plane, but on the existential and metaphysical one. The beginning of the process of alteration lies in the senses, which are likened to so many "wounds." (…) In order to "bandage the wounds" and neutralize the infection provoked by contacts, we must ensure that "the internal sight, the internal smelling, the internal hearing, the internal tasting, the internal touching, the internal thinking are not distracted," that is to say, that we are present in the sixfold seat of the senses in such a way that we can immediately prevent any self-relaxation, self-attachment, self-intoxication, any luring of ourselves by enjoyment. There will be, then, no further building of combinations, at first in the fundamental stem of the will, and then in the five stems of the personality." This is the essence of the new work of catharsis.
This work is based on what is known as the "watch over the doors of the senses," for which the canonical formula is: "Upon perceiving a form with the eye, the ascetic conceives no inclination, no interest. Since craving and aversion and damaging and harmful thoughts soon overcome the man who lives with the eye unguarded, he remains vigilant, he guards the eye, he remains vigilant over the eye." Upon hearing a sound with the ear, upon smelling an odor with the nose, upon tasting a flavor with the tongue, upon touching a contact with the body, upon representing to himself a mental state with the mind, he conceives no inclination, he conceives no interest. Since craving and aversion and damaging and harmful thoughts soon overcome the man who lives with his mind unguarded, he remains vigilant, he guards the mind, he remains vigilant over the mind." To fail in this vigilance at some point is to suffer the fate of the tortoise: when the tortoise unthinkingly put out one of its limbs a jackal seized it by that limb and carried it off to its ruin.
In this matter then, we have to come to grips with the samsaric entity with which we are associated and that constitutes our double, composed of thirst. A continually tightening circle closes round it. It is effectively likened to an enemy who, knowing that he cannot openly defeat his adversary, gets himself employed by him as a servant and gains his confidence so that he may then defeat him by treachery: this is the part that the illusory "I," created by identification, plays in us until the time of initiation into the doctrine of the Ariya.
That the discipline of the watch over the senses or binding the wounds leads to a higher liberation is shown by the simile of the man who has at a crossroads a thoroughbred team and can guide them wherever he pleases. The man who does not know or who forgets this practice is dominated by forms, sounds, smells, tastes, contacts, and thoughts, instead of being their master.
In another way this discipline can also he summed up by the word silentium: "to gird oneself with silence," silence in the technical and initiatory sense. Impressions are arrested at the periphery, at the limit of the senses. Between them and the "I" there is now a distance, a zone of "silence." We thus become endowed with that form of silence that consists of not pronouncing either the exterior word or the interior word, and this in turn implies not hearing, not seeing, not imagining. This theme has also been expressed in a popular form. It is, in fact, the deeper, hidden significance of the well-known statuette of the three sacred monkeys, one with the ears closed, one with the mouth closed, and one with the eyes closed: speak not, hear not, see not. And we may here also recall the curious hermetical formula: "Who has ears, let him open them [in the sense of a close watch on every impression], who has a mouth, let him keep it shut [in the sense of the aforesaid silence, of calm, intangible 'neutrality']."
It is thus that the conditions for further liberation and then for awakening the extrasamsāric principle are consolidated.
As the natural counterpart of the watch on the doors of the senses, a world of disintoxication is carried out within the zone that is now isolated, in order to eliminate or reduce those internal smoldering embers of agitation and self-identification that may be made to burst into life by external contacts. This is what is known as the removal of the five nīvarana, a term that means a "dross," a "hindrance," or an "impediment." The five nīvarana are: desire (kāmacchanda); hate or anger (vyāpāda); slothful idleness (thīna-middha); pride and impatience (uddhacca- kukkucca); doubtful uncertainty (vicikicchā).
The action of these five hindrances is clearly indicated by the following similes: it is like trying to look at one's reflection in water wherein all kinds of colors are mixed (desire), or in boiling water (hate and anger), or in water full of mud and moss (slothful idleness), or in water agitated by the wind (pride and impatience), or finally, in dark and murky water (doubt). Removal is effected by direct action of the mind on the mind, together with accurate and calm self-examination. The discipline is described in the texts in the following manner.
The ascetic finds a solitary place and begins to meditate. A well-known yoga position is counseled: sit with legs crossed and body straight upright. This traditional Indo-Aryan position is, however, only suitable if one is so accustomed to it that it is quite natural and requires no special effort and does not produce fatigue. In general, the position recommended for this, as for other contemplations, must be one of equilibrium, which does not have to be changed; it must have a kind of symbolical meaning of self-awareness and it must not demand efforts that would distract the mind.
It is fundamentally a more advanced development of the states already induced by sīla or "right conduct." The aim here is obviously to bring us to a deeper zone by means of the strengthened power of internal vision that we have gained through the preceding disciplines. It is a matter of attacking, to some degree, the sankhara, that is to say, the innate and congenital tendencies that come, in part, from the extra-individual heredity that we have assumed.
Here, too, the purity achieved at certain moments comes to be developed until it has almost attained a state of permanency. This is how we must understand what is known as the "threefold watch": "by day, walking and sitting, turn the mind away from disturbing things; in the first watch of the night, walking and sitting, turn the mind away from disturbing things; in the middle watch of the night, lie down on the right side, like the lion, one foot on the other, bringing to mind the hour of waking; in the last watch of the night, after arising, walking or sitting, turn the mind away from disturbing things."
This is a kind of continuous examination of consciousness. The yama, the watches of the night that are recognized in this discipline consist, according to the Buddhist tradition, of four hours each; the first runs from six until ten in the evening, the second from ten until two in the morning, the third from two to six in the morning. Thus, strictly speaking, the period of true sleep or of the state that in the common man would correspond to sleep is restricted to four hours only, from ten in the evening until two in the morning. In this we must not see an "ascetic" discipline in the Western sense of mortification: on the contrary, it is natural that in advancing along the road of illumination the need for sleep is considerably reduced, and this reduction produces no ill effect. Here, too, a unilateral "authoritarian" intervention would only serve to create states of fatigue and inattention unfavorable for spiritual life by day.
With attentive care of the "wounds" and with action taken against the hindrances or impediments, the zone of "silence" is strengthened, and a gradual interior increase of the extrasamsāric quality takes place therein; this increase should he aided by illuminated effort and it is related to the aforesaid "seven awakenings". These "awakenings" are the positive counterpart of the cathartic or prophylactic action, that is to say, they are a "defence against intoxication produced by action." The canonical formula is: "[The ascetic] rightly causes the awakening of mindfulness derived from detachment, derived from dispassion, derived from cessation [of the flux], ending in renunciation, he causes the awakening of investigation -of inflexible energy- of enthusiasm -of calm- of concentration -of equanimity, of these awakenings derived from detachment, derived from dispassion, derived from cessation, ending in renunciation."
Various interpretations of the place of these awakenings in the whole development are, nevertheless, possible. Their sense as a whole, indeed, reflects that of the four jhānas, of the contemplation that is to be performed in complete detachment from external experience. Here, however, we may understand them on a more relative plane, as a kind of transfiguration and liberation of faculties that are already pervaded by the element of bodhi, whence the expression bojjhanga. It must be realized that we are not dealing with a simple schematic enu¬meration, but rather with a series in which the meditation whereby they are appre¬hended should pursue an intimate causal linking of the single terms so that we are naturally led on from one to the next, and so that in the one we see the integration and resolution of its predecessors. Thus, we must first achieve nondistracted medita¬tion: then we must awaken the state of "mindfulness," fix it in the mind, develop it, master it, and see how this state leads to the second awakening and passes into "investigation," which may find support in some element of the doctrine; this inves¬tigation, when developed, fixed, extended, and mastered must lead on to the awak¬ening of "inflexible energy," whose perfect conquest should herald a state of spe¬cial, purified "enthusiasm," of purified joy. By further developing the meditation, we should realize that this enthusiasm, this joy, awakened and perfectly developed in a body that is becoming calm, in a mind that is becoming calm, will become resolved and liberated in the next awakening, which is that of "calm." When calm has been developed, extended, fixed, and mastered, "concentration" awakens; this, in its turn, when completely developed, becomes established and shines forth in the "equanimity" that is the seventh awakening.
These form a series of landmarks in meditation that is concerned with realization and they are connected by an inherent continuity. Through these, one is led in another way to the confirmation of what was already becoming established in the satipatthāna, the fourfold contemplation of detachment, that is to say, one is led to that impassibility that is qualified as "pure, clear, ductile, flexible, resplendent," but which has nothing to do-it should be noted-with the indifference of a blunt mind, with the indifference "of a fool, of an ignorant man, of an inexpert common man." For our part, we think it opportune to add that the state in question must on no account be confused with apathy, and that it develops together with a feeling of purified intellectualized and heroic joy, although this may at first seem difficult to understand. The Bhagavadgītā says: "When the mind, lamed by ascesis, becomes quiet; when [the ascetic], seeing the self in the self, rejoices in himself, knows that boundless joy which, transcending the senses, can only be ap¬prehended by the intellect and, when fixed in it, does not stir from the truth ... he knows that this detachment from union with pain is called yoga." At the same time, Buddhism speaks of a pleasure that is "like dung" when compared to that based on detachment, calm, and illumination (thus two kinds of joy are considered and contrasted. the one bound to life in the world, to mania, to enjoyment, the other to ascesis or to ultramundane states of detachment and of freedom from mania; and it is said that the second is the higher joy. "Extinction is the greatest joy.")
Furthermore, such sequences as these are frequent: "In the ascetic joy arises; this joy makes him blissful; being blissful, his body becomes calm: with the body calmed, serenity arises; in this serenity the mind comes to rest, becomes concentrated"; this is a preparation for the four jhāna. This is another sequence that has the character of a connected series, developing in an upward sense, not unlike that which, through the twelve nidana, led us downward to samsāric existence. The point of departure of this new series is, in fact, the state of suffering, of agitation, of contingency, which corresponds to the last nidāna of the descending path. Beyond it, there is the state of confidence; this leads to purified joy; then follows serenity, which gives place to bliss, passing on to equanimity - the term used here literally means also to vanish, to cease being in a place: it is a question of detached equilibrium. In this text the supreme realization has behind it a linked series in which special states of liberated joy play a particular part: a kind of joy that Plato contrasted with all mixed and conditioned forms of joy or of pleasure.
Let us quote another text that represents the state at which we may reckon to have arrived at this point of our exposition: „Concentration which knows neither increase nor decrease, which is not based on wearisome subjugation, which, because of its detached nature is constant, because of its constancy is full of bliss, because of its bliss cannot be destroyed — such concentration has suprene wisdom as its result.”
This should destroy the idea that the path of awakening is arid and desolate, that it kills all joy, that it offers only renunciation and destruction. That everyone whose furthest horizon is still within the effective, samsarically conditioned world should have this idea is quite natural but is of very little account.
A text reminds us that only an Awakened One can comprehend the Awakened One. An expressive simile demonstrates this: two companions leave a city together and reach a rock that one of them climbs. He says to the other: "I see from up here a wonderful view of gardens, woods, fields, and lakes," but the other retorts: "It is impossible, it is inadmissible, friend, that from up there you can see all that." Then the companion standing on the rock comes down, takes the other by the arm, makes him climb up on the rock and. after he has recovered his breath, asks him: "What do you then see, friend, standing on the rock?" The other replies: "I see a wonderful view of gardens, woods, fields, and lakes." "And your previous opinion?" "While I was obstructed by this great rock, I could not see what is now visible." It concludes: it is impossible that what is knowable, discernible, capable of achievement, capable of realization through detachment can be known, discerned, achieved, realized by one who lives among desires and who is consumed by desires." Quite apart from the higher "sidereal" principle. the Buddhist also knows the kind of joy that is contentedness, rejoicing, jubilation, enthusiasm, exultation, transport of the spirit and that, among others, is considered as "a factor of the great awakening”.
[Countering those who believe that the Buddhist road is one of desolation and aridity, Louis de La Vallée-Poussin most opportunely writes: “We must, rather, recognise that India is difficult when it comes to being and bliss; that as she puts being beyond existence, so she puts bliss beyond sensation.”]
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Julius Evola: The Doctrine of Awakening - Part II., Chapter 4. - Sidereal Awareness: The Wounds Close (excerpt)
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The Epic Seascape! Malibu Sea Caves!
Landscape photography is not only about traveling through space, but it is also about traveling through time. One may return to the same beach time and again throughout the seasons to find a million different universes, changing in an infinitude of manners with each passing wave.
Not only do we voyage outwardly to get the shot, but we travel even further inwardly. While I spend my year trekking along the John Muir Trail, and on through Zion, Yosemite, the Grand Canyon, Death Valley, and the Colorado Plateau, my heart always finds its home in these Malibu sea caves, where I have stood in awe during all hours of the day and night.
Included within are a few shots that only I have so far captured, including a miraculous winter solstice sunrise.
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
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And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
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Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
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Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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The Delicate Arch! Arches NP Fine Art Travel Photorgaphy! Epic National Parks Fine Art & Nature Landscape Photography: Elliot McGucken Fine Art Nature Photography!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
„I've wanted to go to art college, but in school, I was too poor in math. Now they won't let me do what I'm really good at, just because I'm too poor in something else, that I don't even want to do.“
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After finishing my 100 Strangers Project, I continue to photograph strangers based on the principles of the Project. Find out more about the project at the group page 100 Strangers.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
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Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
My Epic Gear Guide for Epic Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
Epic books, prints, & more!
Epic High Resolution Malibu Sunset! Malibu Sea Cave Sunset California Socal Photography! Fine Art Landscape & Nature Photography: Light Beams & Dr. Elliot McGucken Epic Fine Art! High Res!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's . . . !
My fine art photography graces my physics books!
Regarding the award-winning physicist Dr. Elliot McGucken at Princeton University, the late John Archibald Wheeler stated, "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student. . . Originality, powerful motivation, and a can-do spirit make me think that McGucken is a top bet."
Dr. E would go on to heal the blind with his NSF-funded, award-winning Ph.D. dissertation which also laid down the foundations of Light Time Dimension Theory. Over the years, LTD Theory added foundational *physical* postulates, principles, and equations en route to becoming numerous books, with this one forming the simple, illustrated introduction.
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
Follow me friends!
facebook.com/goldennumberratio
The great thing about the beach is that it presents an entirely different universe from season to season, from day to day, from hour to hour, from second to second, with the ever changing wind, tides, clouds, and sun. A split second with tumbling surf and a sinking sun can make a vast different, resulting in entirely different photographs.
Photographing Women Models! geni.us/m90Ms
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic...
Beauty Will Save The World! -- Dostoevsky
Pretty 45SURF 45EPIC Swimsuit Bikini Model Goddess! Beautiful Helen from Homer's Iliad! The Birth of Venus! Pretty Swimsuit Malibu Surf Girl Lifestyle Portraiture! Canon 5D Mark II & Canon EF 24-105mm f/4 L IS USM Lens !
Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Elliot McGucken Fine Art Epic Seacape Malibu Milky Way Sea Cave! Epic Landscape Photography: Dr. Elliot McGucken Fine Art Nature Photography! !
Pretty Professional Surf Athlete Bikini Model Goddess! Beautiful Surfer Girls Van's US Open Huntington Beach Surf City USA! Athletic Action Portraits of Swimsuit Bikini Models! Aphrodite! Fitness Model! Pretty Woman! Nikon D810 + Tamron SP 150-600mm F/5-6.3 Di VC USD Zoom Lens for Nikon ! Surfing the Socal Waves!
My Epic Gear Guide for Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
Support epic fine art! 45surf! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
My Epic Book Exalting the Venus Archetype: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ...
Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me friends!
facebook.com/goldennumberratio
Epic books, prints, & more!
Pretty Portraits & Headshots! Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite! Fitness Model! Pretty Woman! Sexy hot women!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
Enjoy my physics!! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical
Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.
Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.
Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.
Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:
Continuum, 2002.
Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.
Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.
Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.
Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.
de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.
de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.
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Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.
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Philosophical Perspectives. Aachen: Meyer & Meyer Verlag, 2007.
Siegmund, Gerald, and Stefan Hölscher, eds. Dance, Politics, and Co-Immunity: Thinking Resistances, Current Perspectives on Politics and Communities in the Arts. Volume 1. Zürich- Berlin: Diaphanes, 2013.
Sileo, Diego, and Eugenio Viola, PAC (Milano), eds. Marina Abramović: The Abramović Method. 2 Volumes. Milan: 24 ORE Cultura, 2012.
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Slevin, Tom. Vision of the Human: Art, World War One and the Modernist Subject. London: I.B.
Tauris, 2015.
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Solnit, Rebecca. Wanderlust: A History of Walking. London: Verso, 2001.
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Spieker, Sven. The Big Archive: Art from Bureaucracy. Cambridge: MIT Press, 2008. Stepišnik, Drago. Oris Zgodovine Telesne Kulture na Slovenskem. Ljubljana: Dražavna založba
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----
------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
-------
In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
Eagles are large, powerful, resilient, courageous, daring and ever-soaring birds of prey. They have seven principles that have made them the greatest birds. These principles are:
PRINCIPLE 1: Eagles fly alone at high altitude and not with sparrows or other small birds. No other bird can go to ...
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Well here the 3rd part of the Principles of Levitation, The Sharing
I think that it is very important to share the knowledge we have about certain things with the people around us, specially with those who are important to us...
So this is the 3rd part of the series, if you want to see the other two Click Here
Ps. Thank you very much to the Jaakkola family for their friendship and support on the making of this pic!... Kiitos!!!
Press L to see it in black background ;)
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Big Sur California Keyhole Rock Pfeiffer Beach Fine Art Fuji GFX100 Landscape Photography! Dirt Road Canopy Tree Tunnel! Elliot McGucken Master Medium Format Landscape Nature Photography Fuji GFX 100 & FUJINON Fujifilm GF 45-100mm f/4 R LM OIS WR Lens
Enjoy some epic drone footage and more on my newish Youtube channel, where I fly the DJI Mavic 2 Pro & DJI Mavic 2 Zoom!
Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
Follow me on Instagram!
Facebook:
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Best wishes on your Epic Odyssey!
Homer: Tell me, O muse, of that ingenious hero who traveled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home. . . --Homer's Odyssey, Book I
These Seven Principles of Human Learning taken from the National Academies Press free ebook Learning and Understanding (2002).
"During the last four decades, scientists have engaged in research that has increased our understanding of human cognition, providing greater insight into how knowledge is organized, how experience shapes understanding, how people monitor their own understanding, how learners differ from one another, and how people acquire expertise. From this emerging body of research, scientists and others have been able to synthesize a number of underlying principles of human learning. This growing understanding of how people learn has the potential to influence significantly the nature of education and its outcomes."
Image licensed under Creative Commons by gordon (TK8316): www.flickr.com/photos/gordonator_sg/3227082487/
Pretty Swimsuit Bikini Cowgirl Model in Cowboy Hat ! Tall, Pretty Brunette Venus Goddess! Pretty Malibu Beach Cowgirl Surf Girl Swimsuit Model Long Long Legs! Tall, Thin, Fit Fitness Models Long Long Legs! 45EPIC 45SURF!
My Epic Gear Guide for Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me my good friends!
Facebook: geni.us/A0Na3
Instagram: geni.us/QD2J
Golden Ratio: geni.us/9EbGK
45SURF: geni.us/Mby4P
Fine Art Ballet: geni.us/C1Adc
Some of my epic books, prints, & more!
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
45EPIC Eagle T-shirts & 45SURF Hoodies designed with the golden ratio:
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All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
I had fun shooting portraits with both the Nikon D850 & Sigma 50mm f/1.4 DG HSM ART Lens and the Sony A7R III & GMASTER Sony FE 70-200mm f/2.8 GM OSS Lens SEL70200GM! If you had to choose one camera and lens system for portraiture, which would you choose and why?
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Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
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Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
These Seven Principles of Human Learning taken from the National Academies Press free ebook Learning and Understanding (2002).
"During the last four decades, scientists have engaged in research that has increased our understanding of human cognition, providing greater insight into how knowledge is organized, how experience shapes understanding, how people monitor their own understanding, how learners differ from one another, and how people acquire expertise. From this emerging body of research, scientists and others have been able to synthesize a number of underlying principles of human learning. This growing understanding of how people learn has the potential to influence significantly the nature of education and its outcomes."
Image licensed under Creative Commons by *Blunight 72*: www.flickr.com/photos/blunight72/164070593/
11 May 2009. I got another email from former councillor Harry Lister, until 13 May 2009 Chief Whip of Haringey Labour Group.
► This is the third instalment on this topic.
Click here for Part 1 ; and here for Part 2.
________________________________________________
The story so far.
Our hero, Hank Lister, former Marshal of Haringeyville, is tipped-off by the councillor-with-no-name that Al Stanton has bin a-postin' on the notorious Flickr website. Al is tellin' inconvenient truth an' askin' awkward questions about some fine upstandin' citizens & pillars of the local political community.
Stubbin' out his ceegar and loadin' up a top-secret report, Marshall Lister heads fer the Civic Centre and a showdown at High 7 pm.
§ Link to councillor-with-no-name theme music. (Updated 15 June 2012. Thanks to JS.)
§ Great version by the Ukulele Orchestra of Great Britain.
(Yup Hank, pardner. Them's a-playin' yor toon.)
Click the BACK button to return to Haringeyville.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
From : Cllr Harry Lister, Chief Whip, Haringey Labour Group
To : Cllr Alan Stanton
Sent : Monday, May 11, 2009 1:08 PM
Subject : Special Group Meeting
Alan,
I urge you to attend the meeting on Tuesday at 7pm at which point you will get sight of the report. This is completely in accordance with the rules. I had hoped to discuss the matter in more detail on the 5th of May but this is an opportunity you declined to accept.
As you will see in Clause XIII (Breach of Rule), 3.A. of Chapter 13 of the Labour Party Rule Book, I am required to ensure that there is no party discussion on the proposed action outside the meeting with the group officers that I held last week. This is made especially hard because you have decided to make this process public. That is why you cannot expect me to be flexible with the rules and give you confidential, internal information when you are not entitled to it.
You are quite right that you will be allowed to speak either by way of rebutting my particular findings or in mitigation but contrary to what you might believe, there is no provision for you to have early sight of my report. I have laid out the rules that I think you have broken (the charges) on a number of occasions; I will present my evidence at the meeting as required and I look forward to seeing you there.
Regards,
Harry
----- Original Message -----
From : Alan Stanton
To : Cllr Harry Lister
cc : Labour Councillors
Sent : Monday, May 11, 2009 4:27 PM
Subject : Special Group Meeting
Cllr Lister
I got your email above. I note that you once again you refuse to give me the evidence for your 'charges'. And that I must wait until "Tuesday at 7pm at which point you will get sight of the report" .
Your 'explanation' that I am not entitled to it because it "contains confidential, internal information" is laughable. How "internal" and "confidential" can anything be which you say I've posted on a website or which has appeared in a newspaper?
Can I please refer you to Clause XI. 3.B of the Labour Party Rules which appears to say that the matter shall be determined with "evidence taken in writing, from the defendant and from witnesses as necessary".
Are you proposing that I attend the meeting tomorrow evening and write my evidence at the same time as I read your report and listen to you present it? And at the same time as I consider questions; and respond to questions from other people?
Even were you to email me your report this evening, I will not have time to read it and write my response.
I may indeed wish to call witnesses, but until I see your report and the evidence you base it on, I don't know which witnesses, if any, may be appropriate.
I've already explained why I didn't attend your investigatory meeting. Once again, for the record, you did not tell me the details of what you were investigating. In any case, I believe you have a conflict of interest, are not impartial, and should not have conducted any such investigation.
I realise that the principles of Natural Justice are sometimes a little inconvenient.
You are a full time official of UNISON, a union with a proud tradition for ensuring justice in the workplace. Would this process stand up to their / your scrutiny?
“Women and cats will do as they please, and men and dogs should relax and get used to the idea.” - Robert A. Heinlein
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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
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A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
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My Career Path
When I graduated from high school in 2003 I was a very confused young man. I did not know much about life but I knew few things about Jesus Christ. I did not have street smarts—I matured very late!--but I knew few Biblical principles. One of the things I knew was that God has a plan for my life and being a new high school graduate I wanted to know His will for my career. So I decided after high school I would work wherever until I discern my God-given talents, and once I know His will for my career then I would pursue getting an education that prepares me for that career path. My high school teachers did not understand why would a student whose overall average never dropped below 90% would want to be a general labourer.
Anyway, after graduating I went to few temporary work agencies to find work. I had to buy steel toed safety shoes because most general labour jobs require them. Pretty soon I found myself working in the warehouse of a clothing company. My boss was a Chinese man who had spent 30 years working there, and my supervisor was an older Chinese man who been working there for many years too. They soon liked me and hired me after 6 months, while temporary workers who have been working there for years were still working for the agency. Two months after being hired the company had their annual wages raise and I did not qualify for it because I had to be working as a full-timer for a full year to qualify for it. But my boss called me into his office and told me that he liked the work I did and wanted to help me and so he gave me a 6% raise which I really appreciated. When I left the office the senior full time workers asked me how much I had gotten for a raise so I told them 6% and suddenly they disliked me! I did not know why their attitude changed toward me until the next day when I found out that the reason was becausethat all full-time workers had gotten only a 3% raise. Like I said, I was very naive and I did not know better as not to disclose this information. Anyway, in the next 3 years my boss had given me about 45% raise, while they had gotten anywhere between 1-3% annual raise.
The reason my boss liked me is that I did every and anything without complaining—I simply did whatever they asked me no matter how menial it was. The Bible says in Colossians 3:23, “Whatever you do, work at it with all your heart, as working for the Lord, not for men.” And my mottos were, “I get paid by hour so I work by hour”, and, “There is a reason why it is called ‘general labour’”—so I never complained about the type of work I had to do or the pay because when I accepted a general labour position I understood two things: I will get paid little, and I will have to do a physical and dirty work.
Anyway, my boss realized I loved to fix mechanical things: paper shredder, lift truck, a table, a cart. So over 3 years he kept asking me to fix broken things around the warehouse, and I realized how much I loved working with gears and mechanical things in general. These experiences brought back memories of how in my teenage years in Iraq I spent all my summer breaks building remote controlled cars, airplanes, and making toy guns and foosball tables, and so on! So I knew I wanted to become a mechanical engineer and therefore 4 years after working in the warehouse I started studying mechanical engineer at UofT.
What I really want to draw attention to is God’s goodness. See, I did not choose the warehouse I worked at but our heavenly Father put me in the right place working for the right boss. People told me that I was working in the wrong place because of their limited wisdom, but God in His infinite wisdom knew what He was doing. God knew what I needed, and so He put me where I needed to be. Being a stubborn person I knew better than listening to people—no matter how well intended their intentions were—because I knew few things:
1) God is real—He exists! (Hebrews 11:6)
2) He is the God of the Bible and I know Him because He revealed Himself in the person of Jesus Christ. Whenever I wondered, “Who is this God I am waiting for?” I realized I knew who He is because I knew who Jesus Christ is. (John 14:9)
3) He is a good, loving, faithful, wise and powerful God, and He is my heavenly Father.
4) He has His own timing and ways of doing things.
So working at the warehouse was His way of helping me find my God-given talent. When I applied to UofT I was told that it was a good thing I had applied then because any high school diplomas older than 4 years old would not be accepted; I did not know that but God did and that was His timing.
***
I worked at the warehouse for 2 summer breaks while I was a student at university. In the third summer, in 2010, the clothing company was going through bankruptcy and so they did not have work for me. I needed work because I needed money for the next school year so I applied to some summer engineering internship. I got an interview so I went to it. The interview lasted 2.5 hours and it was by far the worst interview I had ever heard of! It was so bad that it did not matter what I answered to the questions of the engineer who was interviewing me, the answers were wrong! I mean, he even criticized the font size I used in my resume—which was 11 points instead of 12! I wanted to be out of there so bad, and I hoped he would not hire me because I was too embarrassed to see him again! At the end of the interview he told me that his career was delayed 4 years also because when he graduated, some 30 years earlier, Canada was going through a recession and he could not find a job for 4 years.
After the interview my sister asked, “How did the interview go?” And I told her, “Don’t even ask. If he hired me it would truly be a miracle!” And she said, “That’s right. We have a God who works on our behave.” Two weeks later he called me offering the job alongside one of my classmates. He initially just wanted to hire one student—which was my classmate--but decided to hire me anyway. My boss (the interviewer) turned out to be a very cool and nice man who I learned a lot from. I think I did a good job there and I was offered a full-year internship but I really wanted to go back to school and finish it as soon as possible. Of course this 4 months long engineering experience helped me a lot to include an actual engineering experience on my resume.
For some reason I never felt qualified to do that job, even though I believe I did a good job. I think it is because the engineer who hired me did so more because he felt sorry for me than needed my services. (I think he also hired me because he was able to associate with the experience of having your career delayed 4 years.) I want you to keep this in mind because I will touch back on this point later.
After graduating in 2011 I was desperate for a job, any job, and after few months I found myself working at a government company. I worked there for 6 months and I did not like the job even though the people were nice and the pay was good. My task in the last 2 weeks was so boring that on the last day I was afraid my boss would extend my contract! I so wanted to be out of there even though I knew that would mean I would be unemployed and without money!
After a couple of weeks and getting bored of staying at home I prayed a short and simple prayer asking for two things:
1) I told God that the point of studying mechanical engineering was not to become any engineer or to make money, but to put the talents He had given me into practice. That means I want a design position, and engineering is such a broad field that you can do so many things that are not related to your God-given talents.
2) I told God that I wanted to work at a company that wants to hire. A company that believes I am valuable to it. A company where I feel appreciated.
Few weeks ago I saw this job advertisement on the internet seeking a mechanical designer at an office furniture company. The job required the candidate to have 2-3 years experience and knowledge of sheet metal and a design software called AutoCAD. I did not have any of the requirements so I did not apply to that position, and I can still remember thinking, “This sounds like the job I want, but too bad I don’t qualify otherwise I would’ve applied to it!” Next day a staffing agency called me and told me to come see them about that same position. I was very surprised and so I went to the agency. I was so surprised by the whole ordeal that at the end of the interview with the agency personnel I asked him, “How did you get my resume?” He looked surprise and said, “What do you mean? You sent it to me!” I am sure I sent him my resume and I don’t remember it because I applied to quite few jobs, but the strange thing is that I only remember not sending the resume!
I told the agency that I have no experience in design and I have no knowledge with sheet metal or AutoCAD, but they told me it is ok because the company wants to interview me. So I went to the interview and half way through the interview the senior engineer and hiring manager asked me, “When can you start?” And I was taken aback by his question because they usually ask that question after the interview is over and they usually ask it very casually like, “If you are the successful candidate, what date are you available to start?” So I asked, “Me?” And he laughed and said, “Yes!” And his expression was like, “Who else?!” And I felt like the senior engineer really wanted to hire me, not because he felt sorry for me, but because he believed I can be a valuable member of his team.
The week after I was interview by a human resources lady and half way through the interview she said, “That’s impressive.” And again I felt like I was being valued at this company. That is when I remembered the request in my prayer.
***
Christians we often say, “Trust and obey.” In my life I noticed that is not the complete picture because it is more like, “Trust, obey and trust.” See our obedience is not the end of the story because our obedience is not what gets things done. Our obedience is only an expression of our faith; you say you trust God? Ok then act on this trust by obeying Him. But it is God who gets things done—God’s work is the end of the story. That is why after obedience we still need to trust again to see Him complete His work. For example Gideon trusted God will bring victory though him so he obeyed by downsizing his army to mere 300 men, and then he trusted again as he saw God defeating the enemy—trust, obey, and trust again.
There are few things I want to draw your attention to:
1) We must pray according to God’s will. Supposed that I had prayed for God to make me a successful singer, do you think He will honour my request? The answer is no, because singing is not my talent. When you pray according to God’s will then you do not have to beg and you can pray with confidence. You cannot disobey God and expect Him to fix your deliberate mistakes by simply praying about it.
See, I like classical music but that does not mean I have to become a musician—I can simply enjoy the music of others. I like tennis but that does not mean I have to become a tennis player—I can simply enjoy the game of others. I like cars but that does not mean I have to build my own car—I can simply enjoy the cars made by others. It is wonderful and freeing to know and accept God’s will for our lives. If we do then we can accept ourselves and others, appreciate our talents and the talents of others, and be confident of the path we are to take.
2) Focus on God’s goodness. When I was a new Christian I thought that I was saved by grace but I am to live by works, but we are both saved and are to live the Christian life by God’s grace. If I told you how imperfect and sinless I am then you would say, “Fadi, there is no way God was involved in answering your prayers or your career path!” But this is not about me but about God’s goodness. I have come to the point if life when I do not worry much because I trust in the goodness of God. I am not saying this to encourage you to sin but to free you from worry and the false teaching of living by works.
See, our God is a good God. We are His children not because of our works but because of the Cross of Jesus Christ. For example, suppose that you are Christian and you are an alcoholic and you are struggling with quitting drinking and suppose that your marriage is in trouble and your family needs a healing. Do you think God is going to say, “Gee! Look at this Christian! He can’t stop getting drunk and now He needs my help to heal his marriage! There is no way I am doing that for him! Let him fix himself first then come asking for My help! I am so going to destroy his marriage in the meantime!” No, of course not! At least that is not how the God of the Bible operate and He is the only real God.
Suppose if I am holding the hand of my nephew and we are walking on the side walk but he really wants to run into the busy street to play, do you think I will let him do so just because he wants to? Of course not! I won’t act based on his attitude or actions, but based on my goodness and the fact that I am his uncle and he is my nephew and that I love him! For you this may not be big news but to me it is because I grew up in a Middle Eastern culture where there is no Biblical understanding of who God is. That is why I want to stress the goodness and love of God to you.
3) We are not ruled by the ways this world rule. We are God’s children born by the power of the Holy Spirit, and therefore we do not belong to this world. The principles of this world do not apply to us because we are governed by spiritual principles such as God’s goodness, obedience, and glorifying our heavenly Father. The way God works in our lives is not the same way the world strive to achieve their dreams. Recently I offered to help a Christian facebook friend with her resume because she did not have one and she was about to give up applying to better jobs because she had no resume. The first thing she told me is that people have told her that she needs a really good resume to get a job as a hospital pharmacist. And that made me reflect on my career path and I answered her saying that if God wants her to work somewhere He can do it even if she had no resume at all! That is what He did to me: I got a job I am so unqualified for! He made me find favour in the eyes of the engineers who interviewed me; they knew I was not qualified for the original job posting so maybe they created a junior job position for me.
4) Do not worry. My mom says it is not good that I am worry free (I do worry, of course, but much less than the average person) because she wants me to hurry and get married, and have kids, and buy a house, etc. But why should I worry? If, motivated by love, God sent His only and beloved Son to die for my sins before I was even born, then what can separate me from the love of my heavenly Father? See, my attitude toward life does not come from self-confident (if you had read my older writings you will realize I grew up with no self-confidence), nor my careless attitude toward life as some people think I am, but from my trust “that in all things God works for the good of those who love him, who have been called according to his.” (Romans 8:28) It is good to read the Bible and understand it, but a time must come when we start living it.
I talked about God’s goodness toward me and my career path, but His goodness extends to all areas of our lives: spiritually, physically, emotionally, mentally, financially, relationships, and so on. He wants to take care of you whether it is in regard to your career, marriage, big decisions such as buying expensive things like a house or a car, or planning a career move or even finding the right mechanic for your car!
Few years ago I asked, “How can I get to know God as my heavenly Father since I do not have an idea what a good father is?” I asked that question because I rarely saw my earthly father while growing up because he had to spend most of his time in the army. I learned about what is it like to have a good father from God Himself; God did not need someone to go ahead of Him to show the way—He showed the way! He set the pattern of love, goodness, generosity, and serving and He set the pattern of how to be a good Father.
(Toronto, ON; summer 2012.)
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
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Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!