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Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
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Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
en.wikibooks.org/wiki/Quantum_theory_of_observation/Quant...
Quantum theory of observation - Thierry Dugnolle
Quantum physics for dummies
Fundamental principles and concepts
Examples of measurements
Entanglement
General theory of measurement
The forest of destinies
The appearance of relative classical worlds in the quantum Universe
Quantum entanglement is the fundamental concept to explain the reality of observation.
---
Wave-particle duality
Is light a flow of particles or a wave phenomenon ? Light rays could be particle paths and they were regarded thus by Newton in his Optics. Light reflection in a mirror is then naturally interpreted with the hypothesis that particles of light, or photons, are like bouncing balls. Nevertheless Huygens argued that this phenomenon and others were better interpreted with the hypothesis that light rays are perpendicular lines to wave fronts.
Photography gives an evidence of the existence of particles of light, for traces left by light are always like impacts of particles.
But if light is made of particles how can we explain interference patterns such as those found by Young and Fresnel ? Interference is always interference between waves. It seems there can not be any interference with particles. An interference pattern is an experimental evidence that light is a wave phenomenon. It is confirmed by Maxwell's theory of electomagnetism, which defines light as an electromagnetic wave.
That light be made of particles is not contradicted by the existence of interference patterns. Here is what we can see if we look at how an interference pattern appears on a photographic plate (see photo - animated in original publication)
The wave phenomenon, interference, results from impacts of particles.
The superposition principle gives a very direct explanation of wave-particle duality. Any physical system is a particle or a system of particles, but these behave sometimes like waves because they can be in many places at the same time. The wave of a particle or of a system of particles determines its diffuse presence.
---
Stanford Encyclopedia of Philosophy
seop.illc.uva.nl/entries/qt-entangle/
1. Quantum Entanglement
In 1935 and 1936, Schrödinger published a two-part article in the Proceedings of the Cambridge Philosophical Society in which he discussed and extended an argument by Einstein, Podolsky, and Rosen. The Einstein-Podolsky-Rosen (EPR) argument was, in many ways, the culmination of Einstein’s critique of the orthodox Copenhagen interpretation of quantum mechanics and was designed to show that the theory is incomplete. (See the entries on the Einstein-Podolsky-Rosen argument in quantum theory and the Copenhagen interpretation of quantum mechanics.)
In classical mechanics the state of a system is essentially a list of the system’s properties — more precisely, it is the specification of a set of parameters from which the list of properties can be reconstructed: the positions and momenta of all the particles comprising the system (or similar parameters in the case of fields).
The dynamics of the theory specifies how properties change in terms of a law of evolution for the state. In a letter to Max Born, Wolfgang Pauli characterized this mode of description of physical systems as a ‘detached observer’ idealization (see The Born-Einstein Letters, Born, 1992; p. 218).
On the Copenhagen interpretation, such a description is not possible for quantum systems. Instead, the quantum state of a system should be understood as a catalogue of what an observer has done to the system and what has been observed, and the import of the state then lies in the probabilities that can be inferred (in terms of the theory) for the outcomes of possible future observations on the system.
Einstein rejected this view and proposed a series of arguments to show that the quantum state is simply an incomplete characterization of a quantum system. The missing parameters are sometimes referred to as ‘hidden parameters’ or ‘hidden variables.’
It should not be supposed that Einstein’s notion of a complete theory included the requirement that the theory should be deterministic. Rather, he required certain conditions of separability and locality for composite systems consisting of separated component systems: each component system separately should be characterized by its own properties (its own ‘being-thus,’ as Einstein put it — ‘So-sein’ in German), and it should be impossible to alter the properties of a distant system instantaneously (or the probabilities of these properties) by acting on a local system.
In later analyses, notably in Bell’s argument for the nonlocality of quantum correlations, it became apparent that these conditions, suitably formulated as probability constraints, are equivalent to the requirement that statistical correlations between separated systems should be reducible to probability distributions over common causes (deterministic or stochastic) in the sense of Reichenbach. (See the entries on Bell’s theorem and Reichenbach’s common cause principle.)
Collaged on canvas. The little birds have vintage bingo numbers on them and are collaged on bizarrely rhyming old spelling book pages circa 1872 with some silver leafing. For more zee blog www.tartx.com/blog
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
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Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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Vik Iceland Reynisdrangar Seastacks Black Sands Beach Pretty Icelandic Landscape Photography Southern Iceland Coast Sunset Dusk Long Exposure! Dr. Elliot McGucken Master Fine Art Nature Photographer Vík í Mýrdal Ocean Art Seascape Photography!
"Beauty will save the world." --Dostoevsky
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!ult
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
As the name implies, Châtel-Montagne suggests a castle built in a mountainous area. Villages are scarce in such areas, and usually smaller than the ones in the plains, where living is easier. So, it is quite a surprise to find such a large church in the small village of Châtel-Montagne in the French province of Bourbonnais, a small domain wedged between Auvergne and Burgundy, and known only to connoisseurs, even though that small province is home to the Bourbon family which gave France its most famous kings.
The answer to the “small village, big church” question is, as often, because it used to be a monastery. Of the Mediæval castle, once the seat of a powerful barony, only a few ruins remain, but the church, listed as a Historic Landmark on the very first list of 1840, has reached us in a condition very close to what it was when the Benedictine monks of Cluny built it as a priory church around 1100, in four or five successives construction campaigns.
The floor plan is basilical with three naves, a barely wider transept (the oldest part of the church [around 1020–50], probably re-used from a former sanctuary that stood there before), and an ambulatory with four radiating chapels. The church is built entirely with local thick-grain granite, including the sculpted capitals. Stylistically, it offers an interesting mix of local traditions imported from nearby Auvergne (square pillars, structure of the aisles with quarter-barrel vaults, simplicity of the arches’ profiles) and of Cluniac principles from Burgundy (three-level elevations, archaic “false triforium”).
One last example of the rudimentary, yet deep-relief sculpture to be found in Châtel-Montagne. Quite remarkable, given the hardness of the granite.
Parámetros :: Parameters :: Paramètres: FinePix SL1000; ISO 400; 0 ev; f 2.9; 0.22 s; 4 mm Fuji lens.
Título :: Title :: Titre ::: Fecha (Date): Mirada fija; Principios sólidos :: Long stare; Solid principles :: Yeux fixés; Principes solides ::: 2015/02/01 21:17
(Es). Historia: León. España. La psicóloga Frances Chen indica en un estudio que la mirada sostenida es una señal de intento de dominio y en el caso de los cánidos supone una actitud agresiva. Pero también es así en chimpancés y humanos… y en los patios de colegio. "La Negrilla" nos sostiene la mirada por encima de su brazo en un día de nieve en León. Si un político nos mirase así para convencernos de esas ideas que no nos huelen bien, y más hoy en día, ¿nos apartarían sus teorías de nuestros convencimientos?. Esa noche hay poco tránsito de personas por la plaza de Santo Domingo. El termómetro que esta detrás de la estatua marca en ese momento la hora, pero instantes antes marcaba 1 grado. Había caído algo de nieve unos minutos antes; algunos copos se mantenían y otros se convertían en gotas que daban una apariencia de sudor en su frente.
Toma: Después de varias tomas encuentro esta posición donde veo los ojos de la estatua apareciendo por encima de su antebrazo. Al enfocar la cámara intento que esos ojos queden casi tocando el borde de ese antebrazo. Se reflejaban en la mano y los dedos los colores morados de la marquesina de la tienda que hay a escasos metros a la derecha. Espero a que las dos chicas estén más cerca aprovechando que con un poco de suerte la luz del escaparate de la misma tienda evite que queden sólo como siluetas. La velocidad que me indica es lenta, lo que favorece que ellas no queden reconocibles. Con suerte no pasan coches por la parte izquierda. Disparo.
Tratamiento: Con Aperture. Original en JPG. En las curvas de color hago que desciendan en la parte de las luces bajas y lo contrario en las altas, los tres canales; de forma más intensa el azul y el verde. Elevo un poco la definición y apago bastantes las luces altas para obtener más detalle de las zonas puntuales que tienen mucha luz, además de conseguir unos reflejos más reducidos en el suelo húmedo.
¡Eso es todo amigos!
(En). The History: León. Spain. The psychologist Frances Chen indicated in a study that sustained look is an attempt to signal domain and in the case of canids assumed an aggressive attitude. But it is also true in chimpanzees and humans ... and in schoolyards. "La Negrilla" sustains us look over his arm on a snowy day in León. If a politician look our way and to convince those ideas that do not smell us well, and today, his theories do we divert our convictions ?. That night there is little movement of people through the Plaza de Santo Domingo. The thermometer is behind the statue marks the time at that time, but moments before showed 1 degree. There was some snow fallen few minutes before; some flakes were kept and others became drops gave an appearance of sweat on his forehead.
Taking up: After several captures I find this position where I see the eyes of the statue appearing over his forearm. When the chamber focuses attempt that these eyes continue touching almost the edge of this forearm. There were reflected in the hand and the fingers the purple colors of the marquee of the shop that exists to scanty meters to the right. I hope that both girls are more nearby taking advantage that with little luck the light of the shop window of the same shop prevents from staying only as silhouettes. The speed that indicates me is slow, which favors that they do not remain recognizable. With luck cars do not happen on the left part. I shoot.
Treatment: With Aperture. Original JPG. In the curves of color I do that they descend in the part of the low lights and the opposite in the discharges, three channels; of more intense form the blue and the green one. I raise a bit the definition and extinguish enough the high lights to obtain more detail of the punctual zones that have light great, beside obtaining a few reflections more reduced in the humid soil.
That's all folks !!
(Fr). Histoire: León. L'Espagne. Le psychologue Frances Chen a indiqué dans une étude qui a soutenu look est une tentative de signaler domaine et dans le cas de canidés suppose une attitude agressive. Mais il est également vrai chez les chimpanzés et les humains ... et les cours d'école. "La Negrilla" nous soutient regarder par-dessus son bras un jour de neige à León. Si un politicien chercher notre chemin et de convaincre ces idées qui ne nous sentent pas bien, et aujourd'hui, ses théories ne nous détournons nos convictions?. Cette nuit-là il y a peu de circulation des personnes à travers la Plaza de Santo Domingo. Le thermomètre est derrière la statue marque le temps à l'époque, mais a montré quelques instants avant 1 degré. Il y avait un peu de neige tombée quelques minutes avant; quelques flocons ont été conservés et d'autres sont devenus des gouttes ont donné une apparence de sueur sur son front.
Prendre: Après quelques prises je trouve cette position où je vois les yeux de la statue en apparaissant au-dessus de son avant-bras. Après avoir mis au point la chambre je tente que ces yeux restent en touchant presque bord de cet avant-bras. Elles se reflétaient à la main et les doigts, les couleurs violettes de la marquise du magasin qui existe aux mètres peu abondants à la droite. J'attends à que les deux filles mettent à profit plus près qu'avec un peu d'un sort la lumière de la vitrine du même magasin évite qu'ils restent seuls comme silhouettes. La vitesse qui m'indique est lente ce qui favorise qu'elles ne restent pas reconnaissables. Avec sort des voitures ne passent pas par la partie gauche. Je fais feu.
Traitement: Avec Aperture. Origine JPG. Dans les courbes de couleur je fais qu'ils descendent dans la partie des basses lumières et de l'opposé dans les inscriptions, les trois canaux; d'une forme plus intense le bleu et le vert. J'élève un peu la définition et éteins assez les hautes lumières pour obtenir plus le détail des zones ponctuelles qui ont une lumière beaucoup, en plus d'obtenir quelques reflets plus réduits du sol humide.
Voilà, c'est tout!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Japan, Food, Bentō
Seared Atlantic Cod loin seasoned with organic light soy sauce on steamed lemon grass rice with black onion seeds, pickled vegetables. Yakitori on mizuna salad & white daikon radish. Soba noodle salad with seaweed, crab claw meat & wasabi mayonnaise. Fresh fruits; watermelon, papaya, pineapple, rambutan, kiwi, grapes.
The term Bentō is derived from the Chinese term “Biàndāng”, which means "convenient".
A Bentō is the Japanese iteration of a single-portion take-out or at home-packed meal, mostly for lunch.
In the 5th century simple food was still placed in bamboo tubes to make them transportable.
This was followed by the development of the traditional Japanese Bentō box, consisting of lacquered bowls artfully wrapped in cloth.
There are boxes with matching lids made of many imaginable materials & sizes, from cheap plastic to pressed cardboard ones, up to high-quality lacquered or decorated boxes. The boxes are always divided into various compartments, usually 4 or 5, with partitions so that everything does not mesh with each other during transport.
When filling the Bentō boxes, the rule of thumb is 4:2:1, four parts carbohydrates, mostly rice but also pasta, two parts proteins, fish, meat, egg etc. & one part other ingredients such as vegetables & fruits. If you follow this ratio, the milliliter information in the box also roughly corresponds to the number of calories in a meal.
What goes into a Bentō box is basically up to you. However, if one follows some traditional rules;
"The eye eats with you", which is important with Bentō, apart from the taste, it must have an appetizing presentation.
Therefore, the portions must be small & easy to eat with chopsticks or fingers; they should look pretty & be handmade.
In general, no traditional Japanese ingredients have to be used. If you don't like rice, sushi & Asian spices, you can still prepare a healthy Bentō. Instead of rice, pasta, bread or potatoes are also suitable, instead of raw fish, fried meat, sausage or scrambled eggs.
For many, it takes some getting used to the fact that a Bentō is generally eaten at room temperature. However, this has advantages, especially for lunch in the office, since a microwave is not always available. In addition, the feeling of fullness after a cold meal is less than with a warm meal. If you don't want to do without something warm, you can of course also pack heat able dishes. Many newer bento boxes are microwaveable, adapting to European preferences.
📌… “Washoku”: Preparation of a Japanese Bentō
If you want to prepare a Bentō according to traditional Japanese cuisine, you should adhere to the principles of Washoku, which simply means "Japanese food". An important aspect of Washoku is the harmony of the food, i.e. that a dish is aesthetically pleasing to the eye & taste, as mention before.
"Washoku", the five principles for preparing a harmonious dish,
📍…Go Shiki, - The Five Colours
… A Bentō should always contain five different colours, red, white, black/brown/purple, green & yellow. The five colours are not just about an aesthetic and colourful look. A varied food combination provides the body with a variety of important nutrients. The more colour, the more nutrients!
📍…Go Mi, - The Five Flavours,
…The variety of flavours in a Bentō is just as important. Anyone who has a completely sweet or sour meal with them will soon lose interest in it. If there are many flavours such as sweet, sour, tart, hot & mild, the food is more harmonious & more enjoyable.
📍…Go Ho, - The Five Ways of Cooking
…In addition to colour / taste, the type of preparation also plays an important role in Japanese cuisine. A Bentō should therefore not only contain cooked or raw ingredients, but also something roasted, fried & pickled.
📍…Go Kan, - The Five Senses
… Not only does the taste of the ingredients affect our eating experience, but also the smell, look, sound & texture of the dish. Again, it is about a harmonious overall picture of the dish.
📍…Go Kan Mon, - The Five Perspectives
The last principle deals with the state of mind with which the dish is to be consumed. Appreciation & respect for the person who prepared the dish is particularly important.
•••Of course, not all principles need to be followed consistently. Rather, they are intended to be a suggestion & reminder on how to prepare & eat a healthy meal. These principles actually apply to all types, traditional or contemporary, cuisines on our planet to put together a balanced meal.
…last but not less important, “Bentōs as a sign of affection”
In Japan, a bento is not only a lunch, but also a sign of affection. If the wife, a friend or whoever prepares a particularly nice Bentō for someone, he, she etc. can take this as a token of love & to express their affection. In Japan, if you are invited to someone's home, it is considered polite to bring something with you, here, too, an artfully prepared bento box is a sign of recognition & is gladly accepted.
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Some of my epic books, prints, & more!
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
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Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
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And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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The aquatics community is small. Everyone seems to know everyone, but even if they don’t they do know a select few. Sean is one of those few. He’s taught my friends, he probably taught me at some point, and most recently he trained the new team on the pivot system. Coincidentally he’s also one of the principles at my old highschool now as well. The first distinguished memory of him I have was when we recertified our NLS together. It stands out to me as I’d never thought him or any of the other instructor of instructors needing to recertify those courses. The second distinguished one was during the Barnsley competition which I think is when we got to know each other best. It’s a blessing to have someone who can give feedback in a positive way while stilling being corrective. He’s finished teaching our team for a little while now though I know it’s only a matter of time until I see him around the pool again.
St. Hilda’s By The Sea is a small Anglican church in Sechelt. Set among the verdant green trees of the temperate rainforest, it is an eclectic mix of old and new: retired British pensioners polish the altar crystal and set out flowers for Sunday services, presided over by a gay Chinese-Canadian priest. Tai chi mixes with Celtic mysticism in a melange that is somehow stronger than its parts. And isn’t that what community is all about?
From the official website:
Walking the labyrinth is an ancient spiritual act that is being rediscovered during our time.
Usually constructed from circular patterns, labyrinths are based on principles of sacred geometry. Sometimes called “divine imprints”, they are found around the world as sacred patterns that have been passed down through the ages for at least 4,000 years. When a pattern of a certain size is constructed or placed on the ground, it can be used for walking meditations and rituals.
Labyrinths and their geometric cousins (spirals and mandalas) can be found in almost every religious tradition. For example, the Kabbala, or Tree of Life, is found in the Jewish mystical tradition. The Hopi Medicine Wheel, and the Man in the Maze are two forms from the Native American labyrinth traditions. The Cretan labyrinth, the remains of which can be found on the island of Crete, has seven path rings and is the oldest known labyrinth (4,000 or 5.000 years old).
In Europe, the Celts and later the early Christian Celtic Church revered labyrinths and frequently built them in natural settings. Sacred dances would be performed in them to celebrate solar and religious festivals. During the Middle Ages, labyrinths were created in churches and cathedrals throughout France and Northern Italy. These characteristically flat church or pavement labyrinths were inlaid into the floor of the nave of the church.
The Chartres Labyrinth
The labyrinth constructed at St. Hilda’s is an 11-circuit labyrinth. It is a replica of the one embedded in the floor of Chartres Cathedral in France. The design of this labyrinth, and many of the other church labyrinths in Europe, is a reworking of the ancient labyrinth design in which an equal-armed cross is emphasized and surrounded by a web of concentric circles. As with many Christian symbols, this was an adaptation of a symbol; that is known to have predated the Christian faith. This medieval variation is considered a breakthrough in design because it is less linear than the preceding, more formal, Roman design that developed from quadrant to quadrant. The medieval design made one path as long as possible, starting at the outer circumference and leading to the centre. Fraught with twists and turns, the path’s meanderings were considered symbolic representations of the Christian pilgrim’s journey to the Holy City of Jerusalem and of one’s own journey through life. This classical design is sometimes referred to as “the Chartres Labyrinth” due to the location of its best known example. The labyrinth was built at Chartres in the early 13th century (~ 1215 A.D.). No one knows the source of this classical 11-circuit labyrinth design, and much of its spiritual meaning and use has been lost.
The Chartres Labyrinth is located in the west end of the nave, the central body of the cathedral. When you walk in the main doors and look towards the high altar, you see the center of the labyrinth on the floor about 50 feet in front of you. It is approximately 42 feet in diameter and the path is 16 inches wide. At Chartres, the center of the Rose Window mirrors the center of the labyrinth. The cathedral is perfectly proportioned, so that if we put the west wall of the cathedral on hinges and folded it down on the labyrinth, the Rose Window would fit almost perfectly over the labyrinth.
Labyrinth or Maze?
The difference between a labyrinth used for meditation and mazes can be confusing. Mazes often have many entrances, dead-ends and cul-de-sacs that frequently confound the human mind. In contrast, meditation labyrinths offer only one path. By following the one path to the center, the seeker can use the labyrinth to quiet his or her mind and find peace and illumination at the center of his or her being. “As soon as one enters the labyrinth, one realizes that the path of the labyrinth serves as a metaphor for one’s spiritual journey. The walk, and all that happens on it, can be grasped through the intuitive, pattern-discerning faculty of the person walking it. The genius of this tool is that it reflects back to the seeker whatever he or she needs to discover from the perspective of a new level of conscious awareness.”
The Labyrinth is a Universal Meditation Tool
Anyone from any tradition or spiritual path can walk into the labyrinth and, through reflecting in the present moment, can benefit from it. A meditation labyrinth is one of many tools that can be used for spiritual practice. Like any tool, it is best used with a proper, good, intention. A church or temple can be used simply as a refuge from a rainstorm, but it can be so much more with a different intention. The same is true of the labyrinth. The seeker is only asked to put one foot in front of the other. By stepping into the labyrinth, we are choosing once again to walk the contemplative spiritual path. We are agreeing to let ourselves be open to see, to be free to hear, and to becoming real enough to respond. The labyrinth is a prayer path, a crucible of change, a meditation tool, a blueprint where psyche meets soul.
The best way to learn about the labyrinth is to walk a well-constructed one a few times, with an open heart and an open mind. Then allow your experience to guide you as to whether this will be a useful spiritual tool for you.
The Chartres Labyrinth and the Pilgrim’s Journey
Pilgrims are persons in motion – passing through territories not their own – seeking something we might call completion, or perhaps the word clarity will do as well, a goal to which only the spirit’s compass points the way.
Richard R. Niebuhr in Pilgrims and Pioneers
“The tradition of pilgrimage is as old as religion itself. Worshippers on pilgrimage traveled to holy festivals whether to solstice celebrations, to Mecca to gather around the Ka’aba for the high holy days of Islam, or to Easter festivals in the Holy City of Jerusalem. Pilgrimages were a mixture of religious duty and holiday relaxation for the peasant, the commoner and rich land owner alike. The journey was often embarked on in groups with designated places to stay at night. The pilgrims were restless to explore the mystical holy places, and many were in search of physical or spiritual healing.
The Christian story, which emphasized the humanity of Christ, fascinated the pilgrims. In the Middle Ages, most people did not read. As a result, they were much more oriented to the senses than we are today. They learned the story by traveling to Jerusalem to walk where Jesus walked, to pray where he prayed, and to experience, in a solemn moment, where he died. Unlike today, Pilgrims encountered the truth of the Christian mystery through an ongoing intimacy with all their senses.
When a person committed his or her life to Christ in the early Middle Ages, they sometimes made a vow to make a pilgrimage to the Holy City of Jerusalem. However, by the 12th century when the Crusades swept across Europe and the ownership of Jerusalem was in tumultuous flux, travel became dangerous and expensive. In response to this situation, the Roman Church appointed seven pilgrimage cathedrals to become “Jerusalem” for pilgrims. Consequently, in the pilgrimage tradition, the path within the labyrinth was called the Chemin de Jerusalem and the center of the labyrinth was called “New Jerusalem”.
The walk into the labyrinth marked the end of the physical journey across the countryside and served as a symbolic entry-way into the spiritual realms of the Celestial City. The image of the Celestial City – taken straight out of the Book of Revelation to John – captivated the religious imagination of many during the Middle Ages. The wondrous Gothic cathedrals, with painted walls either in bright, even gaudy colours, or else white-washed, were designed to represent the Celestial City. The stained glass windows – when illuminated by the sun – created the sense of colourful, dancing jewels, allowing the pilgrim to experience the awesome mystery of the City of God.”
The Journey of Life
A fundamental approach to the labyrinth is to see it as a metaphor for life’s journey. The labyrinth reminds us that all of life, with its joys, sorrows, twists and turns, is a journey that comes from God (birth) and goes to God (death). It is a physical metaphor for the journey of healing, spiritual and emotional growth and transformation. Following the path is like any journey. Sometimes you feel you are at or nearing your destination, and at other times you may feel distant or even lost. Only by faithfully keeping to the path will you arrive at the physical center of the labyrinth, which signifies God, the center of our lives and souls.
Applying the Three Fold Mystical Tradition to the Labyrinth
In the Christian mystical tradition, the journey to God was articulated in the three stages. These stages have become recognized as being universal to meditation: to release and quiet; to open and receive; and to take what was gained back out into the world.
The Three Stages
The first part of the Three- Fold Mystical Path is Purgation. This archaic word is from the root word “to purge”, meaning to cleanse, to let go. Shedding is another way of describing the experience. The mystical word is empting or releasing. It is believed that monks journeyed the first part of the labyrinth Purgation on their knees as a penitential act. This was not done for reasons of punishment as we might think, but as a way to humble oneself before God.
The second stage of the Three-Fold Path, Illumination, is found in the center of the labyrinth. Usually it is a surprise to reach the center because the long winding path seems “illogical” and cannot be figured out by the linear mind. After quieting the mind in the first part of the walk, the center presents a new experience: a place of meditation and prayer. Often people at this stage in the walk find insight into their situation in life, or clarity about a certain problem, hence the label “illumination”. As one enters the
center, the instruction is simple: enter with an open heart and mind; receive what there is for you.
The third stage, Union, begins when you leave the center of the labyrinth and continues as you retrace the path that brought you in. In this stage the meditation takes on a grounded, energized feeling. Many people who have had an important experience in the center feel that this third stage of the labyrinth gives them a way of integrating the insights they received. Others feel that this stage stokes the creative fires within. It energizes insight. It empowers, invites, and even pushes us to be more authentic and confident and to take risks with our gifts in the world. Union means communing with God.
The Monastic Orders experienced a union with God through their community life by creating a fulfilling balance between the work that was assigned, sleep and the many hours of worship attended daily. Our times present a similar challenge: we struggle to find balance between work, sleep, family and friends, leisure and spiritual life. The lack of structured communities in which people share work responsibilities and the “every person for himself or herself” mentality (or every family for itself) prevalent in our highly individualistic society makes the task of finding balance even more difficult.
Monastic communities offered a mystical spirituality that spoke to highly intuitive and intensely introverted people and (paradoxically to some) at the same time provided an economic structure throughout Europe. Monasteries during the Middle Ages provided schools and hospitals managed by monks; yet, at the same time, cloistered life helped the monks stay inwardly directed. Today, without any reliable structure directing us, the way of union needs to be re-thought. Our times call for most of us to be outer-directed. We are called to action in every aspect of our society in order to meet the spiritual challenges that confront us in the 21st century. Gratefully, there are still people in religious orders holding the candle for deep contemplation, but the majority of people involved in the spiritual transformation are searching for a path that guides them to service in the world in an active, extroverted, compassionate way. The third stage of the labyrinth empowers the seeker to move back into the world replenished and directed – which makes the labyrinth a particularly powerful tool for transformation.
Walking the Labyrinth: The Process
The purpose of all spiritual disciplines – prayer, fasting, meditation – is to help create an open attentiveness that enables us to receive and renew our awareness of our grounding and wholeness in God.
The Experience of Walking Meditation
Many of us have trouble quieting our minds. The Buddhists call the distracted state of mind the “monkey mind”, which is an apt image of what the mind is frequently like: thoughts swinging like monkeys from branch to branch, chattering away without any rhyme or conscious reason. When the mind is quiet, we feel peaceful and open, aware of a silence that embraces the universe.
Complete quiet in the mind is not a realistic goal for most of us. Instead, the task is to dis-identify with the thoughts going through our minds. Don’t get hooked by the thoughts, let them go. Thomas Keating, a Cistercian monk who teaches Centering Prayer (meditation) in the Christian tradition, described the mind as a still lake. A thought is like a fish that swims through it. If you get involved with the fish (“Gee what an unusual fish, I wonder what it is called?”), then you are hooked. Many of us have discovered through learning meditation how difficult it is to quiet the mind; yet, the rewards are great.
In the labyrinth, the sheer act of walking a complicated, attention demanding path begins to focus the mind. Thoughts of daily tasks and experiences become less intrusive. A quiet mind does not happen automatically. You must gently guide the mind with the intention of letting go of extraneous thoughts. This is much easier to do when your whole body is moving – when you are walking. Movement takes away the excess charge of psychic energy that disturbs our efforts to quiet our thought processes.
Two Basic Approaches to the Walk
One way to walk the labyrinth is to choose to let all thought go and simply open yourself to your experience with gracious attention. Usually – though not always – quieting happens in the first stage of the walk. After the mind is quiet, you can choose to remain in the quiet. Or use the labyrinth as a prayer path. Simply begin to talk to God. This is an indication that you are ready to receive what is there for you, or you allow a sincere part of your being to find its voice.
A second approach to a labyrinth walk is to consider a question. Concentrate on the question as you walk in. Amplify your thoughts about it; let all else go but your question. When you walk into the center with an open heart and an open mind, you are opening yourself to receiving new information, new insights about yourself.
Guidelines for the Walk
Find your pace. In our chaotic world we are often pushed beyond a comfortable rhythm. In this state we lose the sense of our own needs. To make matters worse, we are often rushed and then forced to wait. Anyone who has hurried to the bank only to stand in line knows the feeling. Ironically, the same thing can happen with the labyrinth, but there is a difference. The labyrinth helps us find what our natural pace would be and draws our attention to it when we are not honouring it.
Along with finding your pace, support your movement through the labyrinth by becoming conscious of your breath. Let your breath flow smoothly in and out of your body. It can be coordinated with each step – as is done in the Buddhist walking meditation – if you choose. Let your experience be your guide.
Each experience in the labyrinth is different, even if you walk it often in a short period of time. The pace usually differs each time as well. It can change dramatically within the different stages of the walk. When the labyrinth has more than a comfortable number of seekers on it, you can “pass” people if you want to continue to honour the intuitive pace your inner process has set. If you are moving at a slower pace, you can allow people to pass you. At first people are uncomfortable with the idea of “passing” someone on the labyrinth. It looks competitive, especially since the walk is a spiritual exercise. Again, these kinds of thoughts and feelings, we hope, are greeted from a spacious place inside that smiles knowingly about the machinations of the human ego. On the spiritual path we meet every and all things. To find our pace, to allow spaciousness within, to be receptive to all experience, and to be aware of the habitual thoughts and issues that hamper our spiritual development is a road to self-knowledge.
Summary of How to Walk the Labyrinth
Pause at the entry way to allow yourself to be fully conscious of the act of stepping into the labyrinth. Allow about a minute, or several turns on the path, to create some space between yourself and the person in front of you. Some ritual act, such as a bow, may feel appropriate during the labyrinth walk. Do what comes naturally.
Follow your pace. Allow your body to determine the pace. If you allow a rapid pace and the person in front of you is moving slower, feel free to move around this person. This is easiest to do at the turns by turning earlier. If you are moving slowly, you can step onto the labyrs (wide spaces at the turns) to allow others to pass.
The narrow path is a two-way street. If you are going in and another person is going out, you will meet on the path. If you want to keep in an inward meditative state, simply do not make eye contact. If you meet someone you know, a touch of the hand or a hug may be an important acknowledgement of being on the path together.
Symbolism and Meanings Found in the Chartres Labyrinth
Circles and Spirals
The circle is the symbol of unity or union and it is the primary shape of all labyrinths. The circle in sacred geometry represents the incessant movement of the universe (uncomprehensible) as opposed to the square which represents comprehensible order. The labyrinth is a close cousin to the spiral and it, too, reflects the cyclical element of nature and is regarded as the symbol of eternal life.
The labyrinth functions like a spiral, creating a vortex in its center. Upon entering, the path winds in a clockwise pattern. Energy is being drawn out. Upon leaving the center the walker goes in a counter clockwise direction. The unwinding path integrates and empowers us on our walk back out. We are literally ushered back out into the world in a strengthened condition.
The Path
The path lies in 11 concentric circles with the 12th being the labyrinth center. The path meanders throughout the whole circle. There are 34 turns on the path going into the center. Six are semi-right turns and 28 are 180° turns. So the 12 rings that form the 11 pathways may symbolically represent, the 12 apostles, 12 tribes of Israel or 12 months of the year. Twelve is a mystical number in Christianity. In sacred geometry three represents heaven and four represents earth. Twelve is the product of 3 x 4 and, therefore, the path which flows through the whole is then representative of all creation.
The obvious metaphor for the path is the difficult path to salvation, with its many twists and turns. Since we cannot see a straight path to our destination, the labyrinth can be viewed as a metaphor for our lives. We learn to surrender to the path (Christ) and trust that he will lead us on our journey.
The path can also be viewed as grace or the Church guiding us through chaos.
The Cruciform and Labyrs
The labyrinth is divided equally into four quadrants that make an equal-armed cross or cruciform. The four arms represent in symbol what is thought to be the essential
structure of the universe for example, the four spatial directions, the four elements (earth, wind, water and fire), the four seasons and, most important, salvation through the cross. The four arms of the cross emerging from the center seem to give order to the would-be chaos of the meandering path around it.
The Chartres labyrinth cross or cruciform is delineated by the 10 labyrs (labyr means to turn and this is the root of the word labyrinth). The labyrs are double-ax shaped and visible at the turns and between turns. They are traditionally seen as a symbol of women’s power and creativity.
The Centre Rosette
In the Middle Ages, the rose was regarded as a symbol for the Virgin Mary. Because of its association with the myths of Percival and the Holy Grail at that time, it also was seen as a sign of beauty and love. The rose becomes symbolic of both human and divine love, of passionate love, but also love beyond passion. The single rose became a symbol of a simple acceptance of God’s love for the world.
Unlike a normal rose (which has five petals) the rosette has six petals and is steeped in mysticism. Although associated with the Rose of Sharon, which refers to Mary, it may also represent the Holy Spirit (wisdom and enlightenment). The six petals may have corresponded to the story of the six days of creation. In other mystical traditions, the petals can be viewed as the levels of evolution (mineral, plant, animal, humankind, angelic and divine).
The Lunations
The lunations are the outer ring of partial circles that complete the outside circle of the labyrinth. They are unique to the Chartres design.
Celtic Symbols on the St. Hilda’s Labyrinth
The Celtic peoples have given us seven enduring spiritual principles:
1. A deep respect of nature, regarding creation as the fifth Gospel.
2. Quiet care for all living things.
3. The love of learning.
4. A wonder-lust or migratory nature.
5. Love of silence and solitude.
6. Understanding of time as a sacred reality and an appreciation of ordinary life, worshipping God through everyday life, and with great joy.
7. The value of family and clan affiliation, and especially spiritual ties of soul friends.
To show our respect for such wisdom, two Celtic designs adorn the St. Hilda’s labyrinth.
To mark the entrance to the labyrinth is a Celtic zoomorphic design painted in red. Traditionally, Celtic monks used intricate knotwork and zoomorphic designs (odd animals intertwined in uncomfortable ways) as mere filler for their illuminated gospel texts. They had no discernible meaning.
However, because of their unique design components, zoomorphs are now associated with transformations.
Transformation, change, action, and passion are also associated with red, the colour of fire. Therefore, this entrance symbol may well be an appropriate sign for the journey ahead.
At the labyrinth’s centre is a Celtic triquetra. This interlocked knotwork design of three stylized fish (whales) is often interpreted as the Trinity knot. It is a perfect representation of the concept of "three in one" in Christian trinity beliefs. Having the design enclosed within the centre circle further emphasizes the unity theme.
The triquetra can also be considered to represent the triplicities of mind, body, and soul, as well as the three domains of earth- earth, sea, and sky.
Final Reflection: The Labyrinth as a “Thinning Place”
In Celtic Christianity, places where people felt most strongly connected with God’s presence were referred to as thin places. It was these places in nature (forest groves, hilltops and deep wells) that the seen and unseen worlds were most closely connected, and the inhabitants of both worlds could momentarily touch the other. Today our churches, temples and sacred sites are the new thin places to meet the Divine. Here, at St Hilda’s, we have opportunities to encounter many thinning places – whether it be during Eucharistic or Taize services, while singing or praying, or through the love of a welcoming inclusive community. The labyrinth is a welcome addition; and with the right intent can also become a new thinning place for the modern pilgrim/spiritual seeker.This outward journey is an archetype with which we can have a direct experience. We can walk it. It can serve to frame the inward journey – a journey of repentance, forgiveness and rebirth, a journey that seeks a deeper faith, and greater holiness, a journey in search of God.
This 360° High Dynamic Range panorama was stitched from 66 bracketed photographs images with PTGUI Pro, tone-mapped with Photomatix, processed with Color Efex, and touched up in Aperture.
Original size: 20000 × 10000 (200.0 MP; 1.04 GB).
Location: St. Hilda’s By The Sea Anglican Church, Sechelt, British Columbia, Canada
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Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
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A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
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Homer: Tell me, O muse, of that ingenious hero who traveled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home. . . --Homer's Odyssey, Book I
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Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
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And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
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Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
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And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
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Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
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Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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When defenses against the most immediate forms of mental disturbance have been raised, the assimilation of the principles of "right conduct" arouses in the mind an "intimate, unalloyed joy" joined with the stability and sureness of one who feels himself in a state of "justice." For which we are given the simile of a lawfully crowned king who knows that his enemies are routed and that there is no threat of any kind to his sovereignty. We have also acquired the strengthened "neutrality" or "sidereality" of the mind that, thanks to the fourfold contemplation, has further freed itself and is now at the center of all its experience, both internal and external. At this point we undertake the really cathartic action whose aim is to neutralize, by degrees, any possibility of "combustion" and of self-abandonment to the multiple variety of "contacts."
Contacts wound; contacts consume by exciting the fire that burns the body and the mind, which nourishes the samsaric stem and prostrates the higher principle. "The fool, struck by force, perishes; the wise man, when struck, does not tremble," he remains intact, remains unshakable, remains elusive; we must become like the wise man. It is a question, then, of dealing a blow at the transcendental "desire" that lurks in the visual and other senses, in the khandha (the groups of the personality), in the elements, and which is corruption, disease, suppuration. All this must naturally take place, not on the psychological or moral plane, but on the existential and metaphysical one. The beginning of the process of alteration lies in the senses, which are likened to so many "wounds." (…) In order to "bandage the wounds" and neutralize the infection provoked by contacts, we must ensure that "the internal sight, the internal smelling, the internal hearing, the internal tasting, the internal touching, the internal thinking are not distracted," that is to say, that we are present in the sixfold seat of the senses in such a way that we can immediately prevent any self-relaxation, self-attachment, self-intoxication, any luring of ourselves by enjoyment. There will be, then, no further building of combinations, at first in the fundamental stem of the will, and then in the five stems of the personality." This is the essence of the new work of catharsis.
This work is based on what is known as the "watch over the doors of the senses," for which the canonical formula is: "Upon perceiving a form with the eye, the ascetic conceives no inclination, no interest. Since craving and aversion and damaging and harmful thoughts soon overcome the man who lives with the eye unguarded, he remains vigilant, he guards the eye, he remains vigilant over the eye." Upon hearing a sound with the ear, upon smelling an odor with the nose, upon tasting a flavor with the tongue, upon touching a contact with the body, upon representing to himself a mental state with the mind, he conceives no inclination, he conceives no interest. Since craving and aversion and damaging and harmful thoughts soon overcome the man who lives with his mind unguarded, he remains vigilant, he guards the mind, he remains vigilant over the mind." To fail in this vigilance at some point is to suffer the fate of the tortoise: when the tortoise unthinkingly put out one of its limbs a jackal seized it by that limb and carried it off to its ruin.
In this matter then, we have to come to grips with the samsaric entity with which we are associated and that constitutes our double, composed of thirst. A continually tightening circle closes round it. It is effectively likened to an enemy who, knowing that he cannot openly defeat his adversary, gets himself employed by him as a servant and gains his confidence so that he may then defeat him by treachery: this is the part that the illusory "I," created by identification, plays in us until the time of initiation into the doctrine of the Ariya.
That the discipline of the watch over the senses or binding the wounds leads to a higher liberation is shown by the simile of the man who has at a crossroads a thoroughbred team and can guide them wherever he pleases. The man who does not know or who forgets this practice is dominated by forms, sounds, smells, tastes, contacts, and thoughts, instead of being their master.
In another way this discipline can also he summed up by the word silentium: "to gird oneself with silence," silence in the technical and initiatory sense. Impressions are arrested at the periphery, at the limit of the senses. Between them and the "I" there is now a distance, a zone of "silence." We thus become endowed with that form of silence that consists of not pronouncing either the exterior word or the interior word, and this in turn implies not hearing, not seeing, not imagining. This theme has also been expressed in a popular form. It is, in fact, the deeper, hidden significance of the well-known statuette of the three sacred monkeys, one with the ears closed, one with the mouth closed, and one with the eyes closed: speak not, hear not, see not. And we may here also recall the curious hermetical formula: "Who has ears, let him open them [in the sense of a close watch on every impression], who has a mouth, let him keep it shut [in the sense of the aforesaid silence, of calm, intangible 'neutrality']."
It is thus that the conditions for further liberation and then for awakening the extrasamsāric principle are consolidated.
As the natural counterpart of the watch on the doors of the senses, a world of disintoxication is carried out within the zone that is now isolated, in order to eliminate or reduce those internal smoldering embers of agitation and self-identification that may be made to burst into life by external contacts. This is what is known as the removal of the five nīvarana, a term that means a "dross," a "hindrance," or an "impediment." The five nīvarana are: desire (kāmacchanda); hate or anger (vyāpāda); slothful idleness (thīna-middha); pride and impatience (uddhacca- kukkucca); doubtful uncertainty (vicikicchā).
The action of these five hindrances is clearly indicated by the following similes: it is like trying to look at one's reflection in water wherein all kinds of colors are mixed (desire), or in boiling water (hate and anger), or in water full of mud and moss (slothful idleness), or in water agitated by the wind (pride and impatience), or finally, in dark and murky water (doubt). Removal is effected by direct action of the mind on the mind, together with accurate and calm self-examination. The discipline is described in the texts in the following manner.
The ascetic finds a solitary place and begins to meditate. A well-known yoga position is counseled: sit with legs crossed and body straight upright. This traditional Indo-Aryan position is, however, only suitable if one is so accustomed to it that it is quite natural and requires no special effort and does not produce fatigue. In general, the position recommended for this, as for other contemplations, must be one of equilibrium, which does not have to be changed; it must have a kind of symbolical meaning of self-awareness and it must not demand efforts that would distract the mind.
It is fundamentally a more advanced development of the states already induced by sīla or "right conduct." The aim here is obviously to bring us to a deeper zone by means of the strengthened power of internal vision that we have gained through the preceding disciplines. It is a matter of attacking, to some degree, the sankhara, that is to say, the innate and congenital tendencies that come, in part, from the extra-individual heredity that we have assumed.
Here, too, the purity achieved at certain moments comes to be developed until it has almost attained a state of permanency. This is how we must understand what is known as the "threefold watch": "by day, walking and sitting, turn the mind away from disturbing things; in the first watch of the night, walking and sitting, turn the mind away from disturbing things; in the middle watch of the night, lie down on the right side, like the lion, one foot on the other, bringing to mind the hour of waking; in the last watch of the night, after arising, walking or sitting, turn the mind away from disturbing things."
This is a kind of continuous examination of consciousness. The yama, the watches of the night that are recognized in this discipline consist, according to the Buddhist tradition, of four hours each; the first runs from six until ten in the evening, the second from ten until two in the morning, the third from two to six in the morning. Thus, strictly speaking, the period of true sleep or of the state that in the common man would correspond to sleep is restricted to four hours only, from ten in the evening until two in the morning. In this we must not see an "ascetic" discipline in the Western sense of mortification: on the contrary, it is natural that in advancing along the road of illumination the need for sleep is considerably reduced, and this reduction produces no ill effect. Here, too, a unilateral "authoritarian" intervention would only serve to create states of fatigue and inattention unfavorable for spiritual life by day.
With attentive care of the "wounds" and with action taken against the hindrances or impediments, the zone of "silence" is strengthened, and a gradual interior increase of the extrasamsāric quality takes place therein; this increase should he aided by illuminated effort and it is related to the aforesaid "seven awakenings". These "awakenings" are the positive counterpart of the cathartic or prophylactic action, that is to say, they are a "defence against intoxication produced by action." The canonical formula is: "[The ascetic] rightly causes the awakening of mindfulness derived from detachment, derived from dispassion, derived from cessation [of the flux], ending in renunciation, he causes the awakening of investigation -of inflexible energy- of enthusiasm -of calm- of concentration -of equanimity, of these awakenings derived from detachment, derived from dispassion, derived from cessation, ending in renunciation."
Various interpretations of the place of these awakenings in the whole development are, nevertheless, possible. Their sense as a whole, indeed, reflects that of the four jhānas, of the contemplation that is to be performed in complete detachment from external experience. Here, however, we may understand them on a more relative plane, as a kind of transfiguration and liberation of faculties that are already pervaded by the element of bodhi, whence the expression bojjhanga. It must be realized that we are not dealing with a simple schematic enu¬meration, but rather with a series in which the meditation whereby they are appre¬hended should pursue an intimate causal linking of the single terms so that we are naturally led on from one to the next, and so that in the one we see the integration and resolution of its predecessors. Thus, we must first achieve nondistracted medita¬tion: then we must awaken the state of "mindfulness," fix it in the mind, develop it, master it, and see how this state leads to the second awakening and passes into "investigation," which may find support in some element of the doctrine; this inves¬tigation, when developed, fixed, extended, and mastered must lead on to the awak¬ening of "inflexible energy," whose perfect conquest should herald a state of spe¬cial, purified "enthusiasm," of purified joy. By further developing the meditation, we should realize that this enthusiasm, this joy, awakened and perfectly developed in a body that is becoming calm, in a mind that is becoming calm, will become resolved and liberated in the next awakening, which is that of "calm." When calm has been developed, extended, fixed, and mastered, "concentration" awakens; this, in its turn, when completely developed, becomes established and shines forth in the "equanimity" that is the seventh awakening.
These form a series of landmarks in meditation that is concerned with realization and they are connected by an inherent continuity. Through these, one is led in another way to the confirmation of what was already becoming established in the satipatthāna, the fourfold contemplation of detachment, that is to say, one is led to that impassibility that is qualified as "pure, clear, ductile, flexible, resplendent," but which has nothing to do-it should be noted-with the indifference of a blunt mind, with the indifference "of a fool, of an ignorant man, of an inexpert common man." For our part, we think it opportune to add that the state in question must on no account be confused with apathy, and that it develops together with a feeling of purified intellectualized and heroic joy, although this may at first seem difficult to understand. The Bhagavadgītā says: "When the mind, lamed by ascesis, becomes quiet; when [the ascetic], seeing the self in the self, rejoices in himself, knows that boundless joy which, transcending the senses, can only be ap¬prehended by the intellect and, when fixed in it, does not stir from the truth ... he knows that this detachment from union with pain is called yoga." At the same time, Buddhism speaks of a pleasure that is "like dung" when compared to that based on detachment, calm, and illumination (thus two kinds of joy are considered and contrasted. the one bound to life in the world, to mania, to enjoyment, the other to ascesis or to ultramundane states of detachment and of freedom from mania; and it is said that the second is the higher joy. "Extinction is the greatest joy.")
Furthermore, such sequences as these are frequent: "In the ascetic joy arises; this joy makes him blissful; being blissful, his body becomes calm: with the body calmed, serenity arises; in this serenity the mind comes to rest, becomes concentrated"; this is a preparation for the four jhāna. This is another sequence that has the character of a connected series, developing in an upward sense, not unlike that which, through the twelve nidana, led us downward to samsāric existence. The point of departure of this new series is, in fact, the state of suffering, of agitation, of contingency, which corresponds to the last nidāna of the descending path. Beyond it, there is the state of confidence; this leads to purified joy; then follows serenity, which gives place to bliss, passing on to equanimity - the term used here literally means also to vanish, to cease being in a place: it is a question of detached equilibrium. In this text the supreme realization has behind it a linked series in which special states of liberated joy play a particular part: a kind of joy that Plato contrasted with all mixed and conditioned forms of joy or of pleasure.
Let us quote another text that represents the state at which we may reckon to have arrived at this point of our exposition: „Concentration which knows neither increase nor decrease, which is not based on wearisome subjugation, which, because of its detached nature is constant, because of its constancy is full of bliss, because of its bliss cannot be destroyed — such concentration has suprene wisdom as its result.”
This should destroy the idea that the path of awakening is arid and desolate, that it kills all joy, that it offers only renunciation and destruction. That everyone whose furthest horizon is still within the effective, samsarically conditioned world should have this idea is quite natural but is of very little account.
A text reminds us that only an Awakened One can comprehend the Awakened One. An expressive simile demonstrates this: two companions leave a city together and reach a rock that one of them climbs. He says to the other: "I see from up here a wonderful view of gardens, woods, fields, and lakes," but the other retorts: "It is impossible, it is inadmissible, friend, that from up there you can see all that." Then the companion standing on the rock comes down, takes the other by the arm, makes him climb up on the rock and. after he has recovered his breath, asks him: "What do you then see, friend, standing on the rock?" The other replies: "I see a wonderful view of gardens, woods, fields, and lakes." "And your previous opinion?" "While I was obstructed by this great rock, I could not see what is now visible." It concludes: it is impossible that what is knowable, discernible, capable of achievement, capable of realization through detachment can be known, discerned, achieved, realized by one who lives among desires and who is consumed by desires." Quite apart from the higher "sidereal" principle. the Buddhist also knows the kind of joy that is contentedness, rejoicing, jubilation, enthusiasm, exultation, transport of the spirit and that, among others, is considered as "a factor of the great awakening”.
[Countering those who believe that the Buddhist road is one of desolation and aridity, Louis de La Vallée-Poussin most opportunely writes: “We must, rather, recognise that India is difficult when it comes to being and bliss; that as she puts being beyond existence, so she puts bliss beyond sensation.”]
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Julius Evola: The Doctrine of Awakening - Part II., Chapter 4. - Sidereal Awareness: The Wounds Close (excerpt)
My Epic Gear Guide for Epic Landscapes & Portraits!
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Epic High Resolution Malibu Sunset! Malibu Sea Cave Sunset California Socal Photography! Fine Art Landscape & Nature Photography: Light Beams & Dr. Elliot McGucken Epic Fine Art! High Res!
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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's . . . !
My fine art photography graces my physics books!
Regarding the award-winning physicist Dr. Elliot McGucken at Princeton University, the late John Archibald Wheeler stated, "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student. . . Originality, powerful motivation, and a can-do spirit make me think that McGucken is a top bet."
Dr. E would go on to heal the blind with his NSF-funded, award-winning Ph.D. dissertation which also laid down the foundations of Light Time Dimension Theory. Over the years, LTD Theory added foundational *physical* postulates, principles, and equations en route to becoming numerous books, with this one forming the simple, illustrated introduction.
Epic Landscape Photography:
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The great thing about the beach is that it presents an entirely different universe from season to season, from day to day, from hour to hour, from second to second, with the ever changing wind, tides, clouds, and sun. A split second with tumbling surf and a sinking sun can make a vast different, resulting in entirely different photographs.
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Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic...
Nomadic Monks: Spiritual Dyads and Triads in Rituals - Structures, Meanings, and Practices in the Rovingian Journey by Daniel Arrhakis (2026)
Nomadic Monks: Spiritual Dyads and Triads in Rituals
Structures, Meanings, and Practices in the Rovingian Journey
The Triad of Colors in Ritual Practices
The cultural and ritual diversity among nomadic monks is respected, but there is an ancestral triad of colors that stands out in ritual practices: black, white, and red. Black represents mystery and emptiness, white symbolizes the balance between light and shadow, while red expresses vital energy and ancestry. This chromatic combination is fundamental for facing the unknown and, at the same time, positions the monk as a diplomat between the physical and spiritual worlds.
The Trio of Wise Monks: Origin and Symbolism
The triad of monks, often called the "Trio of Wise Monks" or "Trio of Wisdom Buddhas," has Eastern origins, especially in Buddhism and Japanese folklore. This trio represents ethical principles of conduct, protection, and wisdom, becoming a popular symbol of righteousness and balance.
Meaning of the Three Monks
Each monk in the triad symbolizes an essential rule of conduct for maintaining inner peace:
Blind Monk (Mizaru): Covers his eyes to ignore the negativity or evil of the world.
Deaf Monk (Kikazaru): Covers his ears, closing himself off to slander or destructive words that contaminate the mind.
Mute Monk (Iwazaru): Covers his mouth and is careful with his words, avoiding lies, gossip, and aggression.
Rovingian Spiritual Ritual Dyads and Triads
The concept of spiritual dyads, especially twins, refers to two beings linked by a transcendental bond, surpassing biology to represent unity of destiny, redemption, or affinity. In traditions like Kabbalah, twins symbolize the balance between complementary forces, forming a dyad that seeks spiritual harmony.
The dyad can be seen as the union of sympathetic spirits, with timeless ancestral affinity, who walk together to enhance mutual growth. In the case of Rovingian spiritual dyads and triads, they are partners, siblings, or couples who decide to evolve and learn together, something common among nomadic monks.
Practical Function of Dyads and Triads
Beyond the mutualistic component, Rovingian spiritual dyads and triads often unite for practical purposes, such as rituals that require greater effort and collaboration in the face of adverse spiritual environments or powerful stagnant forces. These partnerships are essential to confront disturbed Genius Loci or situations of high spiritual risk.
Preparation is crucial: members must have experience working together, resilience, and mutual trust. In complex rituals, they are arranged in circular or triangular shapes, allowing everyone to physically connect, creating an unbreakable bond during the practice.
Structures in the Rovingian Context
Dyads (The Mirror): The union of two sympathetic spirits is not mere companionship, but resonance. The partner acts as a catalyst, compensating for vulnerabilities and ensuring ontological security on the journey through the unknown.
Triads (The Vertex): Applying the concepts of Mizaru, Kikazaru, and Iwazaru, the group forms an ethical shield. In spiritual nomadism, ritualistic blindness, deafness, and muteness protect the group, allowing them to maintain diplomacy between the physical and the spiritual without being contaminated by the shadows of the path.
Conclusion
The vision of Rovingian spiritual dyads and triads integrates ancient ethics with nomadic pragmatism. By adopting the chromatic triad — black (mystery/emptiness), white (purity/balance), and red (blood/vitality) — the monk not only protects himself but also affirms his presence as a living bridge between planes.
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Monges Nómadas: Díades e Tríades Espirituais Ritualísticas
Estruturas, Significados e Práticas na Jornada Rovingiana
Tríade de Cores nas Práticas Ritualistas
A diversidade cultural e ritual entre os monges nómadas é respeitada, mas existe uma tríade de cores ancestral que se destaca nas práticas ritualistas: preto, branco e vermelho. O preto representa o mistério e o vazio, o branco simboliza o equilíbrio entre luz e sombra, enquanto o vermelho expressa a energia vital e a ancestralidade. Esta combinação cromática é fundamental para enfrentar o desconhecido e, ao mesmo tempo, posiciona o monge como um diplomata entre o mundo físico e espiritual.
O Trio de Monges Sábios: Origem e Simbolismo
A tríade de monges, frequentemente denominada "Trio de Monges Sábios" ou "Trio de Budas Sabedoria", tem origem oriental, especialmente no budismo e no folclore japonês. Este trio representa princípios éticos de conduta, proteção e sabedoria, tornando-se um símbolo popular de retidão e equilíbrio.
Significado dos Três Monges
Cada monge da tríade simboliza uma regra de conduta essencial para manter a paz interior:
Monge Cego (Mizaru): Cobre os olhos para ignorar as negatividades ou o mal do mundo.
Monge Surdo (Kikazaru): Cobre os ouvidos, fechando-se a calúnias ou palavras destrutivas que contaminam a mente.
Monge Mudo (Iwazaru): Cobre a boca e cuida das próprias palavras, evitando mentiras, maledicência e agressividade.
Díades e Tríades Espirituais Ritualísticas Rovingianas
O conceito de díades espirituais, especialmente gêmeos, refere-se a dois seres ligados por um vínculo transcendental, ultrapassando a biologia para representar unidade de destino, resgate ou afinidade. Em tradições como a Cabala, os gêmeos simbolizam o equilíbrio entre forças complementares, formando uma díade que busca a harmonia espiritual.
A díade pode ser vista como a união de espíritos simpáticos, com afinidade ancestral intemporal, que caminham juntos para potencializar o crescimento mútuo. No caso das díades e tríades espirituais rovingianas, trata-se de parceiros, irmãos ou casais que decidem evoluir e aprender em conjunto, algo comum entre os monges nómadas.
Função Prática das Díades e Tríades
Para além da componente mutualista, as díades e tríades espirituais rovingianas frequentemente se unem para objetivos práticos, como rituais que exigem maior esforço e colaboração diante de ambientes espirituais adversos ou forças de estagnação poderosas. Essas parcerias são essenciais para enfrentar Génius Loci perturbados ou situações de risco espiritual elevado.
A preparação é crucial: os integrantes devem ter experiência em trabalhar juntos, resiliência e confiança mútua. Em rituais complexos, dispõem-se em formas circulares ou triangulares, de modo a permitir que todos se conectem fisicamente, criando uma ligação inquebrável durante a prática.
Estruturas no Contexto Rovingiano
Díades (O Espelho): A união de dois espíritos simpáticos não é mera companhia, mas ressonância. O parceiro atua como catalisador, compensando vulnerabilidades e garantindo segurança ontológica na jornada pelo desconhecido.
Tríades (O Vértice): Aplicando os conceitos de Mizaru, Kikazaru e Iwazaru, o grupo forma um escudo ético. No nomadismo espiritual, a cegueira, surdez e mudez ritualística protegem o grupo, permitindo manter a diplomacia entre o físico e o espiritual sem se contaminar pelas sombras do caminho.
Conclusão
A visão das díades e tríades espirituais rovingianas integra ética milenar com pragmatismo nómada. Ao adotar a tríade cromática — preto (mistério/vazio), branco (pureza/equilíbrio) e vermelho (sangue/vitalidade) — o monge não só se protege, mas também afirma sua presença como ponte viva entre planos.
Eagles are large, powerful, resilient, courageous, daring and ever-soaring birds of prey. They have seven principles that have made them the greatest birds. These principles are:
PRINCIPLE 1: Eagles fly alone at high altitude and not with sparrows or other small birds. No other bird can go to ...
Tin Pan Dragon from The Burning Man exhibit held at the Cincinnati Art Museum.
"Burning Man" is a week-long large-scale desert event focused on "community, art, self-expression, and self-reliance" held annually in Nevada at the temporary Black Rock City.
Rovingian Council - Nomadic Monks - Spiritual Diplomacy Versus Commercial Esotericism by Daniel Arrhakis (2026)
Rovingian Council - Nomadic Monks - Spiritual Diplomacy Versus Commercial Esotericism - Principles and Limitations of Ritualistic Practices
The Rovingian Council establishes a clear boundary between diplomatic animistic spirituality and practices of divination or religious dogmatism. By focusing on biomimicry and resonance with the loci genial, the nomadic monk acts as a translator of the landscape, not as a prophet of destiny.
To complete your analysis of the fundamental limitations and principles, here are the final points governing this conduct:
- The denial of proselytism: It is forbidden to attempt to convert others or expand the order through active recruitment. The monk's path is a solitary and voluntary calling, respecting the spiritual sovereignty of each people visited.
- Prohibition of Divinatory Practices: The use of cartomancy, tarot, crystal balls, or any "future reading" tool is prohibited. The Rovingian focus is on the present and present negotiation with the ecosystem; Destiny is seen as a territory shaped by free will and ecology, not as something to be predicted.
General visions of the future or past are often attributed to spirits who have reincarnated in different time periods, or outer worlds, due to time not being linear but relativistic in the spiritual world.
The prophets of Ion designate these people as Centennials.
- Liturgical Neutrality: The prohibition of baptismal or initiatory rituals serves to ensure that the monk does not "mark" or "claim" the soul of another. Entering the nomadic path is a decision of personal and legal conscience (majority), without the need for rites of passage that imply classification or submission.
- Limitation of Substance Use: Although animism frequently uses plants that facilitate altered states of consciousness, the Council mandates that any botanical element used must be of local/temporal restriction and never serve recreational purposes, always prioritizing the diplomatic lucidity necessary for the balance between worlds.
- Painting as Diplomatic Camouflage: The preferred and ancestral choice of colors (black, white, and red) is not aesthetic, but functional. The colors black and white balance the duality (light/shadow) with the vital energy and ancestral connection (red) necessary to face the unknown, while simultaneously making the monk a diplomat between the physical and spiritual worlds.
However, the freedom in choosing ritualistic/facial patterns allows the monk to visually integrate into the geometry of the local nature without disrespecting the sacred symbols of the resident populations.
- Sovereignty of the Place: Healing or ritualistic intervention is never an imposition. If the energy of a place (its ecosystem and history) "refuses" the presence, the monk must withdraw. The effectiveness of the ritual depends on the permission of the land, not the will of the practitioner.
- Absence of dogmatic position: There are no "masters" who hold the absolute truth. Authority resides in the resonance that the monk manages to establish with the environment, with each practitioner responsible for the ethics of their own journey.
The Rovingian Council thus establishes a clear boundary between spiritual diplomacy and commercial or deterministic esotericism.
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Conselho Rovingiano - Monges Nómadas - Diplomacia Espiritual Versus Esoterismo Comercial - Princípios e Limitações das Práticas Ritualísticas
O Conselho Rovingiano estabelece uma fronteira clara entre a espiritualidade animista diplomática e as práticas de adivinhação ou dogmatismo religioso. Ao focar-se na biomimética e na ressonância com o genial loci, o monge nómada atua como um tradutor da paisagem, e não como um profeta do destino.
Para completar a sua análise sobre as limitações e princípios fundamentais, aqui ficam os pontos finais que regem esta conduta:
- A negação do proselitismo: É proibido tentar converter terceiros ou expandir a ordem através do recrutamento ativo. O caminho do monge é um chamamento solitário e voluntário, respeitando a soberania espiritual de cada povo visitado.
- Proibição de Práticas Divinatórias: É proibido o uso de cartomancia, tarot, bolas de cristal ou qualquer ferramenta de "leitura de futuro". O foco rovingiano é o agora e a negociação presente com o ecossistema; o destino é visto como um território moldado pelo livre-arbítrio e pela ecologia, e não como algo a prever.
Visões generalistas do futuro ou passado são atribuídas muitas vezes a espíritos que reencarnaram em diferentes períodos temporais, ou mundos exteriores, derivado ao tempo não ser linear mas relativista no mundo espiritual.
Os profetas de Ion, designam estas pessoas como centennials.
- Neutralidade Litúrgica: A proibição dos rituais batismais ou iniciáticos serve para garantir que o monge não "marca" ou "reivindica" a alma de outrem. A entrada na senda nómada é uma decisão do foro íntimo e legal (maioridade), sem necessidade de ritos de passagem que impliquem classificação ou submissão.
- Limitação do uso de substâncias: Embora o animismo utilize frequentemente plantas que facilitam estados alterados de consciência, o Conselho impõe que qualquer elemento botânico utilizado deve ser de restrição local /temporal e nunca servir para fins recreativos, priorizando sempre a lucidez diplomática necessária para o equilíbrio entre os mundos.
- Pintura como Camuflagem Diplomática: A escolha preferencial e ancestral das cores (preto, branco e vermelho) não é estética, mas sim funcional. A cor preta, branca que equilibra a dualidade (luz/sombra) com a energia vital e a ancestralidade (vermelha) necessária para enfrentar o desconhecido mas ao mesmo tempo fazer do monge um diplomata entre o mundo físico e espiritual.
No entanto, a liberdade na escolha dos padrões ritualísticos/faciais permite ao monge integrar-se visualmente na geometria da natureza local sem desrespeitar os símbolos sagrados das populações residentes.
- Soberania do Local: A cura ou intervenção ritualística nunca é uma imposição. Se a energia de um local (o seu ecossistema e história) "recusa" a presença, o monge deve retirar-se. A eficácia do ritual depende da permissão da terra, e não da vontade do praticante.
- Inexistência de posição dogmática: Não existem "mestres" que detenham a verdade absoluta. A autoridade reside na ressonância que o monge consegue estabelecer com o meio, sendo cada praticante responsável pela ética da sua própria viagem.
O Conselho Rovingiano estabelece assim uma fronteira clara entre a diplomacia espiritual e o esoterismo comercial ou determinista.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Elliot McGucken Fine Art Epic Seacape Malibu Milky Way Sea Cave! Epic Landscape Photography: Dr. Elliot McGucken Fine Art Nature Photography! !
Amazing Bokeh! Beautiful Fountain Girl Goddess in Formal Black Dress! Pretty Elegant Blonde Woman! Fuji GFX100 Fine Art Portraiture! Elliot McGucken Master Medium Format Photography dx4/dt=ic Fuji GFX 100 & Fujifilm Fujinon Gf 110mm F/2 R Wr Lm Lens for GFX MF Portraits!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
Beautiful Brunette Brown Eyes Bikini Model Malibu Beach! Pretty Swimsuit Bikini Model Surf Girl Venus Woman Goddess! Tall Thin Fit 45SURF 45EPIC Athletic Model! Pretty Helen from Homer's Iliad! Nikon D800 E & Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens
Dr. Elliot McGucken Epic Fine Art Photography Prints:
Support epic, stoic fine art: Hero's Odyssey Gear!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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Philosophical Perspectives. Aachen: Meyer & Meyer Verlag, 2007.
Siegmund, Gerald, and Stefan Hölscher, eds. Dance, Politics, and Co-Immunity: Thinking Resistances, Current Perspectives on Politics and Communities in the Arts. Volume 1. Zürich- Berlin: Diaphanes, 2013.
Sileo, Diego, and Eugenio Viola, PAC (Milano), eds. Marina Abramović: The Abramović Method. 2 Volumes. Milan: 24 ORE Cultura, 2012.
Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.
Slevin, Tom. Vision of the Human: Art, World War One and the Modernist Subject. London: I.B.
Tauris, 2015.
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
-------
In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
These Seven Principles of Human Learning taken from the National Academies Press free ebook Learning and Understanding (2002).
"During the last four decades, scientists have engaged in research that has increased our understanding of human cognition, providing greater insight into how knowledge is organized, how experience shapes understanding, how people monitor their own understanding, how learners differ from one another, and how people acquire expertise. From this emerging body of research, scientists and others have been able to synthesize a number of underlying principles of human learning. This growing understanding of how people learn has the potential to influence significantly the nature of education and its outcomes."
Image licensed under Creative Commons by gordon (TK8316): www.flickr.com/photos/gordonator_sg/3227082487/
Well here the 3rd part of the Principles of Levitation, The Sharing
I think that it is very important to share the knowledge we have about certain things with the people around us, specially with those who are important to us...
So this is the 3rd part of the series, if you want to see the other two Click Here
Ps. Thank you very much to the Jaakkola family for their friendship and support on the making of this pic!... Kiitos!!!
Press L to see it in black background ;)
Masai people in Tanzania.
The Masai tribe: this warrior tribe of nomadic pastoralists are descendants of Nilotic and Cushitic people originally from north of Lake Turkana over 10 centuries ago. Their life is dominated by their herds of their cattle and livestock. They often move hundreds of kilometers with large herds of livestock in search of water and rich pastures. Their diet is based on fresh / curdled milk and meat from their livestock. Centuries ago the Masai were feared as ruthless conquerors and cattle rustlers who invaded other tribal areas in search of bigger grazing land and more cattle. The Masai are also famous for drinking a mixture of cattle blood and milk during ceremonial rites. An arrow is shot at close range to punture the jugular vein of the cow. The blood is drawn into a skin gourd and later mixed with milk to be drunk by the gathering. The animal is not left to bleed but is carefully tended to, till it fully heals.Their rites and traditional ceremonies are taken very seriously, and it is not common to allow outsiders to attend. Elders play a very important role in the community and society at large. There is then the 'moran' or warrior age group, men who have been circumcised and been initiated into this group and are expected to safeguard the herds of cattle from theft or attack.
Cattle are the mainstay of the traditional Masai way of life, and their importance is embedded deep into the hearts and minds of these peoples. So much so that one of the traditional Maasai beliefs was that God sent all the cattle down to earth only for the Masai. This long justified their cattle rustling activites on surrounding tribes, who they believed had 'stolen' any cattle they had from the Maasai. Social structures in the traditional way of life reflect the principles of a male dominated society with polygamy being a norm. Wife inheritance subject to certain conventions, was also practised. The traditional Masai dwelling , known as the 'manyatta', was infact constructed by the women, using a wooden structure and a plaster made of cowdung and mud. Several of these manyattas could form a household for a maasai family headed by the man. Although remnants of the traditional Masai way of life still remain, there are inevitable changes on a large scale. There are several eminent members of the Masai community in different spheres of life in Kenya. The more traditional and conservative members of the tribe still do live almost like they used to say 80 years ago, but the majority of the community is accepting change and are embracing education. Permanent settlement is also becoming a normal way of life for many Masai.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
The Epic Seascape! Malibu Sea Caves!
Landscape photography is not only about traveling through space, but it is also about traveling through time. One may return to the same beach time and again throughout the seasons to find a million different universes, changing in an infinitude of manners with each passing wave.
Not only do we voyage outwardly to get the shot, but we travel even further inwardly. While I spend my year trekking along the John Muir Trail, and on through Zion, Yosemite, the Grand Canyon, Death Valley, and the Colorado Plateau, my heart always finds its home in these Malibu sea caves, where I have stood in awe during all hours of the day and night.
Included within are a few shots that only I have so far captured, including a miraculous winter solstice sunrise.
Best wishes throughout the coming year!
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!