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We often look for expert advice when it comes to Nifty trading. Stock market authorities have drawn certain conclusions about successful #trading that have been presented in this blog... read more goo.gl/HRA5UD
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Nicholas Mitsakos's new book, “Investment Principles: Strategies for an Irrational World” Investment Principles: Strategies for an Irrational World is broken into several topics and subtopics meant to stand on their own. The book is as much a reference book, with distinct sections intended to deal with independent topics in greater depth and understanding. Visit At:- www.cakeresume.com/nicholas-mitsakos
I chose this picture for my principles of design unity because the sections of the pattern complete each other...
Principles of Persuasion Open Workshop on March 20-21, 2009 in Seoul,
2009년 3월 20일과 21일에 걸쳐 서울 프레이저 플레이스에서 열린 POP_설득의 심리학 오픈 워크샵
Chef Richard Coppedge teaching Baking and Pastry students about gluten-free products, gluten intolerance, and Celiac Disease.
The pattern is developed following genetic principles. Incremental changes from one generation to the next build up to produce unexpected configurations that conform to design requirements.
Caliper Studio 2007
V úterý 5.11. jsme v Centrum pro současné umění Praha pořádali diskuzi 'Moving Image. Curatorial Principles' zaměřenou na vybrané přístupy v současné výstavní a distribuční praxi pohyblivých obrazů. Kromě příspěvků kurátora Michala Novotného z Národní galerie Praha a kurátorek Alžběty Bačíkové a Markéty Jonášové z etc. galerie se diskuze zúčastnila také Laura Amann, kurátorka letošního ročníku soutěže Jiné vize CZ, která zde veřejně poprvé představila desítku finalistů letošních Vizí a přiblížila svou kurátorskou koncepci. //////////////
On Tuesday Nov 5th organized a discussion evening titled 'Moving Image. Curatorial Principles' held at Nadace a Centrum pro současné umění Praha, focused on various fields of curatorial praxis related to moving image. Invited to present their projects were Michal Novotný from Národní galerie Praha and Alžběta Bačíková & Markéta Jonášová from etc. galerie, while Laura Amann, the curator of this year's edition of the moving image competition Other Visions CZ, revealed ten finalists and talked about the specifics of her curatorial approach. All photos (c) We Give You Good
Definition: A significant difference between elements in the foreground, in the background, or between the two.
This photograph portrays contrast by using the difference in light between the orange glow of the entrance and the fluorescent glow of the rest of the parking lot.
Michael Parker, Global Industry Head of Shipping & Logistics, Citi and Chair of the Poseidon Principles drafting committee.
Credits: Marine Money and John Galayda.
Michael Parker, Global Industry Head of Shipping & Logistics, Citi and Chair of the Poseidon Principles drafting committee.
Credits: Marine Money and John Galayda.
V úterý 5.11. jsme v Centrum pro současné umění Praha pořádali diskuzi 'Moving Image. Curatorial Principles' zaměřenou na vybrané přístupy v současné výstavní a distribuční praxi pohyblivých obrazů. Kromě příspěvků kurátora Michala Novotného z Národní galerie Praha a kurátorek Alžběty Bačíkové a Markéty Jonášové z etc. galerie se diskuze zúčastnila také Laura Amann, kurátorka letošního ročníku soutěže Jiné vize CZ, která zde veřejně poprvé představila desítku finalistů letošních Vizí a přiblížila svou kurátorskou koncepci. //////////////
On Tuesday Nov 5th organized a discussion evening titled 'Moving Image. Curatorial Principles' held at Nadace a Centrum pro současné umění Praha, focused on various fields of curatorial praxis related to moving image. Invited to present their projects were Michal Novotný from Národní galerie Praha and Alžběta Bačíková & Markéta Jonášová from etc. galerie, while Laura Amann, the curator of this year's edition of the moving image competition Other Visions CZ, revealed ten finalists and talked about the specifics of her curatorial approach. All photos (c) We Give You Good
The 12 principles of animation were created by Disney and are guidelines to what animators should include to create successful animations. It is important than in any animation we try to use as many of these in the correct way to ensure our animations are of a good quality. I have decided to look at some of principles and explore how i could use them in my own animation to make it of a higher quality.
Squash and Stretch - Squash and stretched should be used in animation to help portray weight and flexibility. Squash and stretch can also be used to create a comedic element by exaggerating it and i could use this on the face of my character.
Anticipation - Anticipation is used to prepare the audience for an upcoming action in order to make the action feel more real. I can use this in my animation before sharp movements. Such as bending the legs before attempting to jump.
Staging - Staging is all about what items to place where in order to direct the audiences attention to the most important aspects of the scene. I have used brighter colours on the character as she interacts with the objects to make her stand out. I have also positioned the other objects among the rule of thirds to make a more pleasing composition.
Arcs - Acts are very important in creating natural movements as they make movement look more smooth and pleasing. I should use arcs in my animation through the swinging of the arms and rotation of the head.
Secondary Action - Secondary actions are things that happen after the main action. They help to support the primary action. I could use the pony tail in my characters hair to move along with the arms as a successful secondary action
Slow in and Slow out - Slow in and slow out is used to make the start and end of an action blend in well. I will use this before and after main actions to make sure the animation has a good flow and looks realistic.
Exaggeration - Exaggeration can be used in a number of ways in order to create a successful animation. Some times you can have too much realism which leads to a false, static and boring looking animation. Exaggeration is therefore then used to make the animation look more smooth, flowing and fun. Exaggeration is also a great way of adding a comedic value to a piece of work. I can include exaggeration in my animation through most of the body parts by pushing these to their limits, more than a human could do.