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Image from '[Parisian Sights and French Principles, seen through American spectacles. [By J. J. Jarvis.]]', 002777737
Author:
Page: 177
Year: 1853
Place: London
Publisher:
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Value: (Top left corner) The light reflecting off the water illuminates the seal and contrasts the dark wood of the wharf, creating depth in the photo.
Form: (Middle far left side) The Stagnaro sign pops with its 3D shape against the background that looks more two dimensional.
Shape: (Bottom left corner) The rides are given shape by the sun hitting them and defining their outlines against the clear blue sky. The ferris wheels are complex with round parts and geometric lines. Tidal Wave's outline is angular and sharp.
Space: (Bottom middle) Agnès's figure-- the positive space--is emphasized by the blank blue wall behind her.
Line: (Bottom right corner) The trestle itself has lines moving away from the camera and criss crossing along its top. The railroad tracks have lines leading towards the trestle and the pipes on the side do the same. The fence located on the left also has many lines crossing in 'x' formations.
Color: (Top right corner) The vibrant red mustang pops and captures the eye's attention since it contrasts the less colorful and older looking building in the background.
Texture: (Middle) Scout's fur appears soft, his nose moist, and his tongue looks dried out.
timing and spacing: Timing is achieved in animation by using varying numbers of frames between the key poses and is used in an animation to get a sense of pacing to both movement and/or the animation as a whole or help to exemplify a characters emotions through the speed of their actions. Spacing is the amount of space between these frames giving a different type of movement to an object in the spread of frames, this can be used to add a sort of “ease in – ease out” effect to a particular movement as opposed to the point a-b effect that could be accomplished if the same frames were spaced out differently. Combined these two methods can give an animated element a sense a sense of realism and personality, giving it mass and/or urgency of movement as well as differentiating between the more artificial forms of motion and more natural acceleration.
anticipation: Anticipation is the practice of giving an animated object a subtle movement or shifts in stance that will foreshadow what is going to happen in a short time space to the audience, for example bending the knees before making a huge leap. Anticipation helps to make actions appear more realistic as a human doesn't often move from pose to pose, instead often readying and preparing their body first in order to get the most beneficial result from their action or simply because it is necessary to get a result at all.
straight ahead/ pose to pose:Straight ahead and pose to pose are two different methods of animation, pose to pose is the practice of creating the key poses of an animation and either drawing the in-between frames in later or in digital animation, allowing the software to calculate the necessary motion and implementing it itself (tweening) this style of animation is generally used in Maya. Straight ahead animation is the style stereotypically used in cell animation and is the practice of creating an animation frame by frame purely going forwards, while this method often supplies more control over an animation it is often much more time consuming.
arcs: Arcs are the most natural form of movement and as a result limbs and thrown objects commonly move in arcs and parabolic trajectories, speed and momentum often affect the course of arcs with slower moving objects having greater curvatures and faster moving objects moving over more straightforward trajectories. When an object deviates from its animation curve it appears unpredictable and inconsistent, therefore it is important – especially during pose to pose animation - that the motion remains fluid.
following through and overlapping action: Following through and overlapping action are a pair of elements in animation that help to add a sense of realism. Follow through actions are a bi-product of motion and apply to a characters more malleable and flowing ornamentation/accessories such as clothing and hair for instance if a character wearing a shirt with baggy sleeves moves his arm from one point to another his sleeve will continue to move for a short while after until its own momentum is spent. Overlapping action is a series of smaller actions that add up to a single flow of movement, for example when someone crosses their arms they generally start by bending their elbows to around 90 degrees (with the dominant hand moving first), followed by moving their shoulders and finally moving their arms in opposing arcs and interlacing their arms.
staging: Staging is the practice of putting a pose in the optimal position to view and extrapolate information from quickly and easily, it brings focus to any important elements and is accomplished through camera placement, the use of strategic lighting and or the placement of characters and objects in a frame. This principle is very important when considering what and how needs to be conveyed to the audience.
slow ins and outs: Slow ins and outs is essentially extrapolating and replicating acceleration and deceleration of motion to create more realistic animations and make them more authentic in the way they move. This technique also relates to spacing as it can be accomplished through strategic frame placement and spacing.
secondary action: Secondary actions are subtle background character animations that help to bring a character to life and support the primary animation without pulling focus from the primary action and distracting the audience. An example maybe something simple such as a moving chest as a character breathes after running for a long distance and they start to feel tired. Secondary action’s focus is to emphasize an action not just add lots of stuff and convolute the animation.
exaggeration: Exaggeration is typically more noticeable in cartoonish animations, and is generally used to make an animation more interesting and likeable. Exaggeration is the act of overly emphasizing and pushing the form and shape of an action, even though it will remain faithful to the original form and pose. While exaggeration is used in more realistic animation it is generally more subtle to make certain movements more noticeable to the audience. When pushed to its extreme on the other hand it is generally used more often for comedic effect. Either way exaggeration generally makes an action or movement more dramatic than its real life counter-part.
Squash and Stretch: Squash and stretch is a central principal to the point of being vital. Squash and stretch is the act of giving an object the appearance and sense of elasticity to help convey the mass and density and can be used on thrown objects to enhance the appearance of motion blur or to replicate the use and movement of muscles in a body. In unrealistic animation this technique can be used for comedic effect, however it can be utilized in realistic animation too, the primary difference between the two applications being that in exaggerated instances the squash and stretch ratio compared to the original size of the object doesn’t need to be related, in realistic animation on the other hand everything must stay in proportion otherwise the illusion will of reality will be punctured.
solid drawing: Solid drawing is the principle of taking three dimensional form into account when creating a character that has volume, weight and is anatomically accurate, this applies to both 2D and 3D animated projects. This principle helps to produce well balanced characters that produce a good lighting balance between lit and shaded when illuminated and more unobjectionable for the viewers.
appeal: Appeal is the animated character equivalent of charisma in real people and actors, the characters allegiance and morals don’t matter, whether the character is sympathetic or not doesn’t matter, it’s all about whether or not the character is compelling and interesting for the audience and whether they are an enjoyable character to watch for the type of role they fill/embody. This principle is generally accomplished via the use of character design such as the use of symmetry and asymmetry, and the poses the characters use.
I had the honour to shoot Aleks, Tina and Hanna while doing some areal acro on a beautiful sandy beach in Thailand's little paradise called Koh Phangan.
more pictures of the concert are in the UT Connewitz account: www.flickr.com/photos/utconnewitz/albums/72177720317252162/
I had the honour to shoot Aleks, Tina and Hanna while doing some areal acro on a beautiful sandy beach in Thailand's little paradise called Koh Phangan.
Principles of Extractive Metallurgy
Volume 2 — Hydrometallurgy (Vietnamese translation)
by Fathi Habashi
Fathi Habashi, Nguyên Lý Các Quá Trình Luyện Kim Từ Quặng, volume 2 — Thủy Luyện (272 pages), Nhà xuất bản khoa học và kỹ thuật, Hanoi, Vietnam 1977
Contact: Fathi.Habashi@arul.ulaval.ca
13 February 2020, Rome Italy - Mediterranean Diet principles for Agenda 2030 - A call from the past – Ancient knowledge for a sustainable management of land and water resources, FAO Headquarters, (Sheikh Zayed Centre).
Photo credit must be given: ©FAO/Pier Paolo Cito. Editorial use only. Copyright ©FAO
Great American West Landscape Photography by California Fine Art Landscape Photographer Elliot McGucken! Fine Art Landscape & Nature Photography
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I had the honour to shoot Aleks, Tina and Hanna while doing some areal acro on a beautiful sandy beach in Thailand's little paradise called Koh Phangan.
Circulation staff learned foundational skills to develop effective processes that will shape the Library of the future during a series of strategy sprints.
Teams collaborated on solving customer problems via a prototyping framework that can be rapidly implemented to test potential solutions. Training was provided by Charlotte un-agency Wily.
Circulation also moved FOREWORD and applied the Library's culture principles during fun team-building activities.
March 5 & 6, 2019
Uploaded courtesy: Cody Fink
Photo by: Everett Blackmon
Rundgren Countdown Clock: 6 days!
I have no idea what's going on here with Todd and his tweed suit and that book. But I do know that I love his teeth and his silky hair.
In this infographic, you’ll find some of the most valuable rules from Charlie Munger’s investment philosophy.
I chose this picture for Principles of design for pattern because these animals have a specific way they line up. The animals skin is patterned in a specific way that, for example a zebra's pattern is all stripes, and a cheetah's pattern is spotted.
Presentatiemoment van het werkcollege AV&IT Principles van Design & Technologie op de Erasmushogeschool Brussel (EhB). De studenten van het 1ste jaar Multec maakten zelf aan de hand van een Arduino een muziekcontroller. Ze leerden in de Labs bij Ann Peeters coderen, ontwerpen, solderen, laseren en ze ontdekten hoe ze een digital audio workstation konden aansturen. Op woensdag 6 december 2017 verdedigden ze hun project voor een veelkoppige jury van docenten, gasten en hogerejaars. Daarna namen ze het tegen elkaar op in een 'Clash of Sounds'. Hierbij zorgden een aantal 3de jaarsstudenten voor de omkadering en 'super vette' visuals die reageerden op hun muziek. Via een app kon er bovendien gestemd worden op je favoriete team. Proficiat aan het team van Beau, Cem en Matthijs, dat met een gehackte PS3-controller en goeie beats met de trofee ging lopen!
Foto: Dieter Blockmans