View allAll Photos Tagged primitive
...with one notable exception, and that's the ticket booth. That's state of the art. Oh, and also the souvenir shop. So, the important bits.
This is the biggest insect i've ever seen in my life! About 2" long at first i thought it was a wasp but then noticed it's wings and realised that it was a giant stonefly. The others i've seen were less than half the size of this beast!!
18/52 - Teleidoscope theme: "Contact"
O conceito dessa imagem é sobre o Homem evoluído e o primitivo, o externo e interno, sobre oque guardamos em nosso interior.
Na viagem que fiz pra São Paulo a um tempo atrás para uma chácara, fiz algumas fotos e enquanto passeava pelo lugar e surgiu a ideia de criar esse conceito. com a ajuda de meu amigo Nico (e a camisa emprestada) cheguei a esse resultado.
Fiz uma segunda foto que você pode ver nos coments.
Meu computador deu problema novamente, isso significa que vou ficar mais sumido do que o de costume por uns dias, mas eu pretendo fazer um novo post amanhã (porque pra mim ainda é sábado xp).
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Ourém Castle is one of Portugal’s most innovative 15th century military architectural works. Commissioned by the Count of Ourém, the grandson of D. Nuno Álvares Pereira, the castle has a compact structure with modern active defensive system, including two large pentagonal towers that served as bulwarks and offered greater resistance to enemy fire. There is a palatial residence located behind the towers that served as the Counts’ dwelling. It has the form of a wide tower connected to the bulwarks.On top of the hill, slightly set back from the palace and the castle, is the primitive 12th century castle of “Abdegas”, that bears the ancient name of this settlement.
Found at Finca Las Piedras, near town of Monterrey in Madre de Dios region in southeastern Peru.
Single exposure, moderately cropped, handheld, in situ. Canon MT-24EX flash unit, Ian McConnachie diffuser.
County Line Primitive Baptist Church, Floyd County, Virginia. Voigtlander Vito III with Ultron lens (circa 1950-54), Ilford Delta 400 film developed in Adox FX-39 for 8 minutes at 20C in a JOBO.
Available NOW!! In Mainstore & Marketplace!!
100% Original Mesh made by the {OBD} team!!
Click to ZoooOOoomm...go ahead, it's super purty!!
It feels a bit strangled in a cycle of light and shadow. The untold stories accumulate, and appear sudden, just as they fade away the same way they came.
- Copenhagen, Denmark (September 2017)
Set-up for shooting through the viewfinder of the Brownie Reflex. The exposures were long so both cameras were set up on tripods. For the actual exposures I used a dark cloth to cut down stray light reflections. I really need to make a cool, dedicated TTV jig like @original_ann's.
lonely : 4
mixed media on wood: acrylic paint., photograph (taken by me), carpet tacks, africa horn, crackle paint, doll's hand, fishing lure, african glass beads, petrified wood amulet
21" X 11" X 3"
this is lonely. she has now joined her friends in this "lonely doll" series.
i think the series is now complete.
lonely is not lonely anymore as she now has all her friends...and of course she is never lonely when you dear flickr friends come to visit her.
EXPLANATION OF PIECE:
this past summer i was traveling down a back road in utah and saw a old baby doll sitting on the front porch of an antique store. i was drawn to her.
since i have so many old baby dolls sitting in my art studio, and little room for another, i decided to take a photograph of her so i could remember her.
she looked so lonely to me (hence the title). perhaps lonely for her "long ago" little girl owner?
when i came home i knew i wanted to make an art piece to remember her. i happen to have an old piece of painted wood that i found in the trash and knew it would be perfect.
i "worked on" the colors of the photograph to suit the painted wood.
and here she is.....lonely
jenniferbeinhacker.com
art outside the edge
In Valencia, May 2016
Original shot taken with a Revere Eyematic EE127, Wollensack Raptor 58mm F2.8 lens, 40x40 format on 80 asa B/W Agfa 127 rollfilmexpired in 1953 (exposed at 10 asa)
After a successful weekend of excursions, the Milwaukee Road 261 returns home, crossing over the Mississippi River bridge and pulled by the MILW 32A. There was no indication as to when the train would make its ferry move home, but that didn't stop myself and half a dozen others from waiting on different banks of the river, waiting for the train to return home. A good hour and a half of waiting paid off as a single, almost strangled, call over the scanner bearing "Milwaukee 32A-" announced the incoming train. Though the golden light of sunset was fading greatly as the last of the sun fell beneath the horizon, there was still light enough to capture a classic scene.
Every time I see the 261, I stop at this place for a shot. Sure, it's been done a billion times by a million people, but that doesn't stop me from catching it at this bridge every time. Maybe I'm just too simple, or maybe I just like bridges. Who knows?
From the Primitive Area in Capitol Reef National Park, the rising sun picks out the towering Navajo Sandstone domes that reminded people of the Capitol Dome in Washington, DC. That recollection inspired the name of this National Park.
Excerpt from www.oldebenezerchapel.com/history-of-the-chapel:
The first Ebenezer Primitive Methodist Chapel was a simple one room building constructed by the early settlers. It was made of straw and mud bricks on the present site in 1843 and was appropriately named Ebenezer which means, “Hitherto hath the Lord helped us.”
Fifteen years later, in 1858, in order to have a more substantial church, proper bricks were made in a kiln by members of the congregation on a farm nearby and this is the church that stands today.
In the beginning, the two rows of pews were divided by a centre aisle, the men sitting on the left, and the women on the right side of the church but that arrangement was changed 24 years later to allow families to sit together. The pulpit was built quite high and the preacher, sitting on the left of the pulpit, would place his red ’kerchief carefully over his head, a protection from the cold in winter, and pesky flies in summer. Hydro was installed in 1927.
The choir occupied two rows of seats in a raised space at the rear of the church, the male singers sitting behind the ladies. A few years later, the choir loft was moved to the front of the church. The first organ was purchased in 1888 exactly 30 years after the church was built.
In June of 1925 the Congregationalists, Methodists, and some Presbyterians joined to become the United Church of Canada in a Nation Wide bid to bring religions together. Thus the original Ebenezer Methodist Church became Ebenezer United Church.
The 1950’s and early 1960’s were boom years for Ebenezer with the church being full on most Sundays. By the late 1990’s attendance had dwindled to around 15 people a Sunday, due to the sale of local farms, and people retiring and moving away. It was decided that the church was no longer viable. On Sunday June 7th 1998, a service was held to officially mark the closing of Ebenezer United Church after a long and faithful ministry.
On Sunday September 20, 2001 at 3:00 p.m. a general meeting was held and a motion was passed to request to be incorporated under the Ontario Historical Society. The Historical Society accepted the application and the group named themselves Ebenezer, Toronto Gore Historical Foundation. The United Church of Canada deeded the property to the Foundation for one dollar. A Charitable
Donations number was registered January 24, 2002.
A deer browses for food along the Primitive Campground Road at Highlands Hammock State Park.
Nikon D7500, 100-400mm Tamron Lens
f/6.3, 230mm
1/1600, ISO 1600
The four shapes on the left are gap primitives in the pentagonal mandalas. The ones on the right are not. A pentagonal gap is not primitive if pentagons can be placed in the gap to form other smaller primitives. For example the ten pentagon circle on top right can accept three more pentagons to make three primitives.
My latest creation is a primitive garden vignette: a pair of bunnies in a cabbage leaf garden along with two carrots and two turnips (a Kentucky Primitives design). Each part of the garden is made of muslin stuffed with natural fibers that has been painted, stained, sanded, and grungied with cinnamon many times over. The primitive bunnies have stick legs, vintage cotton batting tails, and sewn eyes and noses. View the Large version to see more detail.