From a 2013 article on WCAI, the Cape & Islands' NPR station. By A J Orsini Lebeda​ • SEP 6, 2013

----

Christopher Seufert is a documentary film producer and photographer known equally for portraits, aerial shots, and landscapes. But he started his professional life as an archaeologist, specializing in the impacts of climate change and sea level rise on Native American populations. A deep love of Cape Cod is the theme that seems to connect all of Seufert's careers.

Have you always lived in Chatham?

I grew up in Chatham and spent most of my 20's and 30's away in San Francisco, Australia, New York City, and Boston. I do love many towns on the rest of the Cape but like the convenience of being more centrally located here on the elbow. If practicality were no issue I'd live in the wilds of Wellfleet.

What inspired you to become an archaeologist? And why study climate change from that angle?

I did a semester abroad in Rome, Italy in college working for the city of Rome in the Roman forum as a conservateur on the Arch of Septimius Severus (A.D. 203). I loved the combination of the physical techniques we practiced in the field with the academic methods when we returned to the lab to digest findings and make sense of them for the general public. (Also, it's standard in Rome for workers to drink wine on lunch breaks on the scaffolding of a city project.) Then I graduated from Trinity College with a BA in Creative Writing. By then I had a strong on-the-job training as an archeologist that I used right away to work as a field technician for the National Park Service. After a brutal winter on the beach, I then decided to up my government pay rating by getting the next education level of training.

My master's thesis (which you can find in the Cape Cod library system or read online here www.worldcat.org/title/predictive-archaeological-model-ch...) was a predictive archaeological model of the town of Chatham, which showed where cultural resources (artifacts and human remains) were likely to appear in the present day landscape for the purpose of protecting them from disturbances like construction and utility projects. What resulted was a map that had few areas that one could subtract from consideration due to the fact that the town of Chatham was inhabited and utilized by Native Americans in many different ways over the course of the last 15,000 or so. This is primarily due to the effect of sea level rise. For example, what remains today in Chatham was once just hilltops over looking a vast plain, which is now underwater. Across this plain the paleo-indians could once walk to Nantucket. We are in fact a stage in between glacial periods, which means the earth is warming. If the past historic cycles hold true the earth will cool again and this cycle will be happening for millennia to come if we don't screw it up.

How did you get started on photography?

While I studied archaeology in the nineties I kept my hand in writing as a journalist, first in print and then in television. I worked for the now-defunct Cape 11 News Channel as a videographer. I used this video production experience in my graduate studies to produce documentaries that were distributed commercially to the educational market to colleges, grad programs, and places like the Massachusetts Historical Commission. My program demanded that we publish our work to places that were usable, not just in academia, but in the public realm. So my core media work was video, but my company, Mooncusser Films LLC is now multimedia, specializing broadly in video, photography, audio, and new media. It's a business thing, you can't be too specialized here on Cape Cod yearround. There's a great convergence of media going on, as you can see when those NPR reporters are not just getting the story, but recording audio, and shooting video and photos, too.

My current photography book about the late Yarmouth illustrator Edward Gorey actually stems from a documentary that I shot with him before his death from 1996 to 2000. So the photography comes right out of my video background and is hard to separate. With that said, I love the potential immediacy of the one-shot and its ability to hit you at gut-level right away.

Do you still dabble in archaeology at all anymore?

I don't professional, but continue as an avocational archeologist. I've got my head down wherever I trek with my kids. Walking the beaches and pulling up old pieces of ceramic and pharmacy bottles is one of our favorite things. My 3-year-old son, Ethan, and I found a Monomoyick sharpening stone on Goose Pond in 2009, the only one I know of in Chatham. The report is in process now at the Massachusetts Historical Commission. I also believe strongly in protecting archaeological remains from casual pot-hunting and construction projects.

Newspaper article here www.flickr.com/photos/mychatham/3903532913

Where did the idea for a documentary about Henry Beston come from?

The Henry Beston project is the brainchild of producer Don Wilding, who is the director of the Henry Beston Society in Eastham. We work very well together and I'm proud of the freedom he gives me to get the best footage possible.

I'm working as the director/editor of the project and help Don to break the feature-length project into small fundable sub-projects that we'll be streaming as webisodes. We'd love it if we can get PBS and/or NPR as distribution partners. We're shooting reenactment sequences with Sandwich actor Chris Kolb, who you'd swear was Beston himself.

Trailer here vimeo.com/70875552

What was it like to live - temporarily - in the historic dune shacks at Cape Cod National Seashore?

I've had four dune shack stays now, totaling six weeks at the Margo-Gelb, Fowler, and Ray Wells dune shacks. Time off the grid, pumping water by hand, hiking the wilds of the Provincelands, and swimming alone on Peaked Hill Beach helps to keep me grounded and sane. Having totally unstructured, unscheduled time to do whatever strikes you in the moment is a luxury few people get between childhood and retirement. And I am refreshed by reconnecting to the Cape in that way, remembering what it is that I love about this place. Book available here www.amazon.com/Dune-Shack-Life-Christopher-Seufert/dp/132...

Mooncusser Films LLC​

The Jaguar I-PACE is the electric vehicle drivers have been waiting for Clean, smart and safe, the

I-PACE delivers sustainable sports car performance, next-generation artificial intelligence (AI) technology and five-seat SUV practicality to place Jaguar at the forefront of the EV revolution.

celebrations with the Dutch Solar Team Eindhoven as they are awarded first prize with world's first family solar car Stella for best of the Cruiser Class in the 2013 Bridgestone World Solar Challenge. Apart from time, in Cruiser Class also practicality and total driver-kliometers are counted (Stella usually carried 2 to 4 people). /

bevrijdende vreugde bij de studenten van Solar Team Eindhoven wanneer ze de eerste prijs winnen met 's werelds eerste familie-zonne-auto voor beste deelnemer in de Cruiser klasse tijdens de 2013 Bridgestone World Solar Challenge. Behalve tijd wordt in de Cruiser Class ook de praktische ervaring van het rijden van de auto, en het aantal berijders-kilometers geteld (Stella had gewoonlijk twee tot vier berijders aan boord)

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »

The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

I selected Collen Atwood as I have been In love with her designs in such productions as Sweeny Todd, Alice in Wonderland and Fantastic beasts. But it was her Work on the CW's superhero shows "The Flash", "Arrow", "Super girl" And "Batwoman" that made a huge impact on this project. She utilises leather in a way that creates form and allows practicality within movement, and her varied textures with softer fabrics in areas that require joint movement, made me think of fabrics in relation to movement, aerodynamics of fabrics and most importantly, how to utilise a stylistic manipulation of fabrics to convey anatomical structure.

I looked into designs by Rick Owens. His designs are mostly comprised of leathers that take on the stereotypical biker look, but manipulated in a way that produces, unique, asymmetric designs. The way the structures utilises negative space and textural separation with both pleated and ribbed areas, draws towards structurally sound compositions with a natural undertone, as if his designs could be used to not only make an impact on the high street but also wouldn't be out of place as protective ware.

These two designers contributed in creating the style of the character. Taking most my inspiration from Colleen Atwood by interrogating a superhero look with the harsher materials and shades from Rick Owens. Reflecting the look of the early two thousands designs for the X-men by predominantly having a leather look, drawing parallels to "biker suits" as a contrast to Puck. Wear the character is more natural with there design while this style suggests a manufactured look, creating the idea of a manipulation or a hybrid look to the design.

Ethiopian Orthodox Christmas Celebration at the Church of the Nativity, West Bank town of Bethlehem January 6, 2011. Ethiopia (and especially the Ethiopian Orthodox Church) still use the old Julian calendar, so the celebrate Christmas on January 7th. The Christmas celebration in the Ethiopian Orthodox Church is called Ganna. Most people go to Church on Christmas day.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »

The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

it’s not a felony to paint a Hunter like this, just a Miss Demeanour!

Miss Demeanour – The Colour Scheme

In answer to the most common question I’m asked, no, I wasn’t on anything at the time.

As far back as my own military flying days, I’ve been envious of the American attitude to paint schemes on military and ex-military aircraft. From the most basic nose art, through the wartime P-51 Mustang schemes to the ultimate paint jobs, the racers at Reno.

There is a plethora of ex-military aircraft in the UK, all dressed up to represent some squadron or other’s markings, often a squadron with which the aircraft never actually served and there are more than enough Hunters around to satisfy the purists.

So, in these days of political correctness, I thought it would make a change to see a Hunter painted as an art form. A celebration of one of the few aircraft that fall in to that category of aircraft that somehow “look right” and, from its looks, you know that they fly right too. In the Hunter’s case, it flies even better than it looks.

Custom motorbikes are often painted using a similar approach. Some bikes are made for customisation and others aren’t. In my quest for a scheme, I therefore decided that what I needed to find was an air brush wielding Hell’s Angel, someone who wanted a machine with a bit more horsepower to work on. Seriously, I started hanging around bikers but quickly realised that any artist was going to need a proper brief.

By this time I had, if you’ll excuse the pun, the ember of an idea that flames were going to form part of the scheme and this progressed on to something based around a Space Shuttle re-entry.

Whilst at Jet Heritage, I met a kindred spirit in Robin “Chippy” Carpenter who, at that time, had an aircraft spraying company. I explained my ideas to him and within a few days, he had produced a couple of airbrush sketches. Those initial concepts fired me in to action and, using Corel Draw, I began playing around with some ideas based on the flames, smoke and re-entry.

That early enthusiasm slowly gave way to practicality. The sheer man hours required to airbrush all those flames meant they were out of the question. I wanted the colours to be blended and the early concept was that of a white hot leading edge applied to all the surfaces, getting cooler and fading, through smoke, to a midnight star studded sky.

But somehow the lines just didn’t look right, whether it was a curve or a straight line, it didn’t seem to fit the wing’s plan form. I straightened the line but that didn’t look right either and, in an attempt to get back to the angular swept back lines, placed the pattern in mirror by mistake. Bingo! It somehow looked very neat.

From that point on it was just a matter of tweaking the curves and colours and I was stretching the boundaries of Corel Draw’s blending function to the limit!

Although I have a 3D modelling program, attempts to use it to portray the scheme proved themselves to be a waste of both time and effort. Working in 2D, I was confident that the scheme would work and yet again Chippy came up trumps by building Revell’s 32nd scale Hunter model and painting it in my proposed colours. It worked.

As for the stars, they indicate position of the major stars in the three signs present in my family, Aries (myself), Virgo (Annie my wife and our daughter Melissa) and Taurus (our son Mark). These were accurately researched using a superb software package called Starrynight Pro.

All I needed now was a sponsor for the paint and the spraying. I tried all the paint companies and was delighted when PRC-DeSoto (then called Courtaulds Aerospace) said they would provide the paint free of charge. Then AIM Aviation (Jecco) at Bournemouth came up with sponsorship for the actual spraying. The fact that Chippy was now working for them had, I am quite sure, absolutely nothing to do with it!

The work took four nerve wracking weeks. There were gantries rigged to give a birds-eye view and enable us to check both the colouring and the shape of the blends. I mounted a time lapse video camera on to one of those gantries to record the progress. The actual spraying took less than 10% of the time – most of it was spent flatting down coats of paint and masking up for the next.

She was wheeled out in the first week of January 1999, looking perfect. Many felt that the scheme was simply outrageous, nothing more, nothing less. That was until they saw her airborne, then the design comes in to its own – somehow accentuating the clean lines of the Hunter.

As for the registration, she was going to be registered as G-FLAP until I started on the artwork, and then the phrase “psssst, look at this!” came to mind. Others thought, “pissed again” but G-PSST she became, or as one Jet Heritage museum volunteer said to me, Personal Super Sonic Transport.

The name came out of the blue many years ago. I promised myself that my first “warbird” would have a name and I enjoyed the double meaning. It was intended for the aircraft top of my wish list, an OV-10 Bronco, but they only built 370 of them and they’re still in demand by those nations who acquired them from the US, not to mention the DEA, BLM and the Californian Forestry Dept.

The above is taken from www.heritageaviation.com/

Golf 1

When Volkswagen launched the sporting version of its successful and popular family hatchback in 1976 it started a new motoring trend. The Golf GTI, with its combination of practicality, performance and handling, was the first ‘hot hatchback’ and was soon copied by many other manufacturers. The GTI featured a tuned engine with Bosch K-Jetronic fuel injection, combined with uprated suspension and brakes. Right-hand drive versions were produced from 1978, a five-speed gearbox followed in 1980.

In 1982 the Golf GTI received a more powerful 1,800cc engine in a bid to stay ahead of similar cars from competitors. By the time the Mk2 Golf reached production in 1984 the Ford Escort XR3i, Vauxhall Astra GTE and Peugeot 205GTi were well established as rivals in the booming ‘hot hatch’ market.

1.588 cc

4 In-line

110 bhp @ 6.100 rpm

The National Motor Museum - Beaulieu

New Forest

Hampshire

England - United kingdom

November 2018

Copyright John G. Lidstone

Here at Cambridge Circus, LT8 is lightly loaded, whilst conventional Geminis - much faster away at bus stops with 1 staircase and 2 doors instead of 2 staircases and 3 doors - leave them behind regularly.

Yes, they're new and eye-catching. Yes, we all wanted a new open-platform bus that works. Yes, there are some great facets to this bus (like world-leading hybrid performance), but it's so marred with peculiarities that ride roughshod over the all-important operational practicalities, which have been ignored. Those that didn't fit the 'committee design' have been "rubbished" in the best tradition of Thatcherites of the 1980s.

Time will be the judge on these vehicles, but I'd still just love to see the Hybrid 'guts' of these - which is exceptionally good - imported into sensible vehicles with one staircase and one door, which could be market leaders and do Wright proud. Yes, I would love to see that.

Hundreds of African Refugees from Eritrea and Ethiopia make a pilgrimage to Bethlehem to visit Manger Square and the Church of the Nativity for a Coptic Christmas. Bethlehem, Palestine, 6th January 2012.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

Hundreds of African Refugees from Eritrea and Ethiopia make a pilgrimage to Bethlehem to visit Manger Square and the Church of the Nativity for a Coptic Christmas. Bethlehem, Palestine, 6th January 2012.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

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Mercedes-Benz is a German manufacturer of luxury automobiles, buses, coaches, and trucks. It is currently a division of the parent company, Daimler AG (formerly DaimlerChrysler AG), after previously being owned by Daimler-Benz. Mercedes-Benz has its origins in Karl Benz's creation of the first petrol-powered motorcycle in January 1886, ] and by Gottlieb Daimler and engineer Wilhelm Maybach's conversion of a 1873 Bollée steam-engine automobile by the addition of a petrol engine the same year. The Mercedes automobile was first marketed in 1901 by Daimler Motoren Gesellschaft. The first Mercedes-Benz brand name vehicles were produced in 1926, following the merger of Karl Benz's and Gottlieb Daimler's companies into the Daimler-Benz company. Mercedes-Benz has introduced many technological and safety innovations that have become common in other vehicles several years later.

In 1925, in Germany, 80 manufacturers produce 144 different cars mostly in small numbers. The merger in 1926 of two manufacturers and Daimler Benz gave birth to a group of considerable power. Therefore, the Stuttgart firm would offer a range of models that would often be admired the world over. Since 1928, the S Series would give birth to the famous SS and SSK (1929). This series would soon lead luxurious famous 380K (1932), 500K (1934) and 540K (1936) all featuring an 8-cylinder engine compressor. The range was crowned by the Grosser 770K (1937), featuring a large limousines 8-cylinder engine compressor 7.7 liters of displacement, which were the official cars of dignitaries of the regime. The average range was composed of 170 (1930), 200 (1932) and 230 (1936) in all 6 cylinders. The 230 is also available with a diesel engine (the first diesel car series). These cars were the first to be equipped with wheel suspension.

At the beginning of the 1930s, inspired by the modern streamlined shape, there were attempts to move the engines from the forward compartment to the rear of the car. Such a move allows to decrease the volume of the front compartment. At the same time, the voluminous rear provides a lot of space above and behind the rear axle. Moreover, when fitted on the drive axle shaft were eliminated. The most famous such development was with the Tatra cars under the leadership of Hans Ledwinka.

In 1930, Daimler-Benz AG entrusted Hans Nibel with the development of a small rear engine car based on the same principles. In 1931 the type W17 or 120 was created, a four-seat, equipped with two doors, vertical front and rear wheels and a four-cylinder boxer engine in the rear, with a displacement of 1200 cc and a power of 25 hp (18.4 kW). There were also attempts to row across built four-cylinder engines. In 1933 Mercedes built a vehicle with a front similar to the VW Beetle later and a far extensive tail. The front wheel of the type W25 D or 175 is slanted or tilted backwards, in the middle of the tail fin attached hood divides the oval rear window, so it anticipated the small oval two piece rear window of the Beetles known as "pretzel form". The "D" referred to the three-cylinder diesel engine OM 134 with an output of 30 hp (22 kW), but due to high noise level, this vehicle was again rejected. From this type, 12 test cars were assembled

The Mercedes-Benz 130 was presented in February 1934 at the Berlin Car Show. The car was powered by a four-cylinder 1308 cm³ engine installed longitudinally in the rear compartment. The motor had a power of 26 PS (19 kW) and was able to propel the small two-door coach at a speed of 92 km/h. The synchronised four-speed gearbox (which would be called later 3 + E by VW) is accommodated in front of the rear axle, the balance being provided by coil springs. The front axle was equipped two cross-leaf springs.

The Mercedes-Benz 150 was derived in 1935 from the 130 with only two seats and a more powerful engine, with 1498 cm³ and a power of 55 PS (40 kW). The top speed of the car was 125 km/h.

The car was only offered as a Sport Roadster. The gas tank, which in the case of the Mercedes-Benz 130 was installed over the engine, was transferred to the front compartment, and therefore there was no room for luggage there. The practicality of the 150 was therefore very limited, and the price of the car was quite high at 6600 RM ; as a comparison the Mercedes-Benz 170 V had a price of 5500 RM. The car was discontinued in 1936 due to poor sales.

Mercedes-Benz is a German manufacturer of luxury automobiles, buses, coaches, and trucks. It is currently a division of the parent company, Daimler AG (formerly DaimlerChrysler AG), after previously being owned by Daimler-Benz. Mercedes-Benz has its origins in Karl Benz's creation of the first petrol-powered motorcycle in January 1886, ] and by Gottlieb Daimler and engineer Wilhelm Maybach's conversion of a 1873 Bollée steam-engine automobile by the addition of a petrol engine the same year. The Mercedes automobile was first marketed in 1901 by Daimler Motoren Gesellschaft. The first Mercedes-Benz brand name vehicles were produced in 1926, following the merger of Karl Benz's and Gottlieb Daimler's companies into the Daimler-Benz company. Mercedes-Benz has introduced many technological and safety innovations that have become common in other vehicles several years later.

In 1925, in Germany, 80 manufacturers produce 144 different cars mostly in small numbers. The merger in 1926 of two manufacturers and Daimler Benz gave birth to a group of considerable power. Therefore, the Stuttgart firm would offer a range of models that would often be admired the world over. Since 1928, the S Series would give birth to the famous SS and SSK (1929). This series would soon lead luxurious famous 380K (1932), 500K (1934) and 540K (1936) all featuring an 8-cylinder engine compressor. The range was crowned by the Grosser 770K (1937), featuring a large limousines 8-cylinder engine compressor 7.7 liters of displacement, which were the official cars of dignitaries of the regime. The average range was composed of 170 (1930), 200 (1932) and 230 (1936) in all 6 cylinders. The 230 is also available with a diesel engine (the first diesel car series). These cars were the first to be equipped with wheel suspension.

At the beginning of the 1930s, inspired by the modern streamlined shape, there were attempts to move the engines from the forward compartment to the rear of the car. Such a move allows to decrease the volume of the front compartment. At the same time, the voluminous rear provides a lot of space above and behind the rear axle. Moreover, when fitted on the drive axle shaft were eliminated. The most famous such development was with the Tatra cars under the leadership of Hans Ledwinka.

In 1930, Daimler-Benz AG entrusted Hans Nibel with the development of a small rear engine car based on the same principles. In 1931 the type W17 or 120 was created, a four-seat, equipped with two doors, vertical front and rear wheels and a four-cylinder boxer engine in the rear, with a displacement of 1200 cc and a power of 25 hp (18.4 kW). There were also attempts to row across built four-cylinder engines. In 1933 Mercedes built a vehicle with a front similar to the VW Beetle later and a far extensive tail. The front wheel of the type W25 D or 175 is slanted or tilted backwards, in the middle of the tail fin attached hood divides the oval rear window, so it anticipated the small oval two piece rear window of the Beetles known as "pretzel form". The "D" referred to the three-cylinder diesel engine OM 134 with an output of 30 hp (22 kW), but due to high noise level, this vehicle was again rejected. From this type, 12 test cars were assembled

The Mercedes-Benz 130 was presented in February 1934 at the Berlin Car Show. The car was powered by a four-cylinder 1308 cm³ engine installed longitudinally in the rear compartment. The motor had a power of 26 PS (19 kW) and was able to propel the small two-door coach at a speed of 92 km/h. The synchronised four-speed gearbox (which would be called later 3 + E by VW) is accommodated in front of the rear axle, the balance being provided by coil springs. The front axle was equipped two cross-leaf springs.

The Mercedes-Benz 150 was derived in 1935 from the 130 with only two seats and a more powerful engine, with 1498 cm³ and a power of 55 PS (40 kW). The top speed of the car was 125 km/h.

The car was only offered as a Sport Roadster. The gas tank, which in the case of the Mercedes-Benz 130 was installed over the engine, was transferred to the front compartment, and therefore there was no room for luggage there. The practicality of the 150 was therefore very limited, and the price of the car was quite high at 6600 RM ; as a comparison the Mercedes-Benz 170 V had a price of 5500 RM. The car was discontinued in 1936 due to poor sales.

Here we have it, one of the most iconic little cars in the whole of history. A machine that revolutionised the concept of the city car, and what has now become a pure symbol of Englishness!

This little machine is simply known as the Mini! :D

Construction of the Mini first began in 1959, with the car designed by the British Motor Corporation's (BMC) chief designer Sir Alec Issigonis, who envisaged a car that had as much space as was humanly possible devoted to the passenger so as to combine the practicality of a big car with the nippy nature of a Dune Buggy. The result was that 80% of the car's platform was available for use by both passengers and luggage. The car was also designed to be fuel efficient, built in response to the 1956 Suez Crisis which resulted in rising fuel prices and petrol rationing. During this period it became apparent that German 'Bubble Car' equivalents such as the Heinkel Kabine and various Messerschmitt designs were starting to corner the market, and thus the Mini project was launched under project name ADO15 (Amalgamated Drawing Office project number 15). Great care was taken to make sure that as much space was saved for the passenger, including the instalment of compact rubber springs instead of conventional metal and the small but powerful BMC A-Series four-cylinder engine tucked away at the front.

In April 1959 the car was launched to the press under the designation of both the Austin Seven and the Morris Mini-Minor (due to the amalgamation of the Austin and Morris brands under BMC). By the time the car was let loose thousands had already been sent abroad in an audacious promotional campaign. Things however started slow for the Mini, but this rising star soon became an icon during the 1960's, selling 1,190,000 by 1967.

But, behind all the shining sales figures, there were some major problems for BMC and their wonderchild. Baffled by the car, Ford bought one for the base price of £497 and took it apart, desperate to know how their rivals were doing it for the money. As it turns out they weren't, and were able to determine that BMC was losing at least £30 on every single car they sold. Novelty was the only way to get the car properly moving in this competitive new world, and the Mini was all about that. By 1970 the car had appeared in a variety of movies and TV shows, the most famous of which was their charge to glory in the 1969 film 'The Italian Job', where a trio of Minis were used to plunder gold from under the noses of the Mafia and the Italian Authorities. A Leyland Mini holds a place in the heart of British TV under the ownership of Mr. Bean and his various clumsy antics, usually involving an unfortunate Reliant Regal. At the same time it was a car of choice for TV and Music Stars who wanted to show off their quirks!

From then on the car continued to keep up its notorious status as a British symbol of motoring, with a huge variety of cars being made including a spacious van, a country camper, a pickup truck and the Moke dune buggy! There were also two almost identical saloon versions of the car known as the Wolseley Hornet and the Riley Elf that were built between 1961 and 1969 as more luxurious alternatives to the original.

In 1969 the first major facelift came in the form of the Clubman, designed under British Leyland to give the car a new lease of life, but ended up being something of a mongrel. Although functionally the same, the boys at British Leyland couldn't help but get things off to a bad start by relocating construction from the Cowley Plant to the Longbridge Plant, which meant that all kits and tools had to be moved too and thus initial sales were very slow. British Leyland's reliability reputation was soon to follow, with the unfortunate Mini becoming a victim of the shoddy workmanship that had mired so many of its other products.

Eventually the Clubman was killed off in 1980, although the original Mini design had been built alongside and was still selling strong. British Leyland however had plans to kill off the Mini in 1980 by introducing its new small economy car, the Austin Metro. Built very much to the same principals of the Mini, the Metro was a much more angular design but still a capable little family hatchback. But the angular lines and big bulky body did nothing for the Metro, and the car failed to sell in the numbers domestically than those of the Mini internationally!

Towards the end of the 1980's and 1990's, the car came in a variety of different 'Special Editions' as the car became less of a mass-market machine and more a fashion item. The iconic nature of the car had sealed its fate with new owners of the Rover Group, BMW, who intended to keep the car going for as long as possible. At the same time the car was a major seller in Japan, which gave a boost of sales in the early 1990's with 40,000 new cars being exported there.

Eventually however, the design was starting to look very tired and with Rover Group making heavy losses, the Mini and its spiritual cousin the Metro were killed off in 2000 and 1999, respectively. Rover was granted the ability to run-out the model to the very end before Rover itself was sold off in 2000. During the breakup, BMW designed a new version of the Mini which was launched in 2000 and is still being built today as quite a sleek and popular machine, a little bit more bulky than the original but certainly keeping the novelty and charm. The originals however ended on the 4th October 2000, with a red Mini Cooper S bringing an end to 5,387,862 cars.

However, although the original Mini is now very much dead, the novelty that surrounds these tiny little cars is enough to keep thousands and thousands of these machines preserved or in continual everyday usage. Older Mini-Minors are a bit hard to come by and the Clubmans rusted away before you could get them home from the showroom, but the later Mini's sold in the 1980's and 1990's are still alive and kicking on the roads of Britain, and can still draw the attention of passers by even 56 years after the first ones left the production line!

Australia, Adelaide, 24-10-2015.

Stella Lux, de energie-positieve familie zonnewagen van Solar Team Eindhoven tijdens de 2015 Bridgestone World Solar Challenge. Veel zonne-auto's in verschillende klassen reden 3000 km. van Darwin naar Adelaide. De Cruiser klasse met Stella Lux en het Japanse Kogakuin namen een ruime voorsprong en zorgen voor een spannende finale. In de Cruiser klasse is snelheid niet de enige factor, ook aantal passagiers gereden en jury-oordeel voor het echte auto-gevoel tellen mee. Ondanks de voorsprong van Kogakuin lijkt Stella Lux daarom een goede kandidaat voor de eerste plaats.De jurering bestaat uit onderdelen als zitcomfort, ruimte, besturingsgemak, aantrekkelijkheid, innovatie, achteruit inparkeren, bagageruimte, etc. De Challenger klasse is eerder gefinished met Nuon Solar Team (Delft) als winnaar en Solar Team Twente als 2e. /

photo: TU Eindhoven, Bart van Overbeeke /

Stella Lux, the energy-positive family solar car from Dutch Solar Team Eindhoven at the 2015 Bridgestone World Solar Challenge. Lots of solar cars in different classes competed during a 3000 km. trip from Darwin to Adelaide.The Cruiser class with Stella Lux and Japanese Kogakuin took the lead and make for an exciting finale. In Cruiser Class speed is not the only aspect, number of passengers and practical judgement also count. Despite the lead of Kogakuin Stella Lux seems to have a good chance on winning. Judges look at aspects like cabin space and comfort; features; ease of operation; desirability and innovation, reverse parking, room for luggage, etc. The Challenger Class has finished with Nuon Solar Team as winner and Solar Team Twente second.

celebrations with solar car Stella from the Dutch Solar Team Eindhoven at the official time-finish just outside Adelaide on day six of the 2013 Bridgestone World Solar Challenge, probably still leading in the Cruiser Class, although eVe Sunswift (UNSW) reached the finish earlier in total time count. Apart from time, in Cruiser Class also practicality and total driver-kliometers are counted (Stella usually took two to four people whereas Sunswift mostly one)

bevrijdende vreugde bij de studenten van zonne-auto Stella van Solar Team Eindhoven bij de officiële tijd-finish net buiten Adelaide tijdens de 2013 Bridgestone World Solar Challenge, waarschijnlijk aan de leiding in de Cruiser Class, alhoewel eVe Sunswift (UNSW) de finish eerder haalde, ook in totale tijdstelling. Echter behalve tijd wordt in de Cruiser Class ook de praktische ervaring van het rijden van de auto, en het aantal berijders-kilometers geteld (Stella had gewoonlijk twee tot vier berijders aan boord, terwijl Sunswift meestal met één reed)

celebrations with solar car Stella from the Dutch Solar Team Eindhoven at the ceremonial finish in the herart of Adelaide on day six of the 2013 Bridgestone World Solar Challenge, probably still leading in the Cruiser Class, although eVe Sunswift (UNSW) reached the finish earlier in total time count. Apart from time, in Cruiser Class also practicality and total driver-kliometers are counted (Stella usually took two to four people whereas Sunswift mostly one)

bevrijdende vreugde bij de studenten van zonne-auto Stella van Solar Team Eindhoven bij de ceremoniële finish in het centrum van Adelaide tijdens de 2013 Bridgestone World Solar Challenge, waarschijnlijk aan de leiding in de Cruiser Class, alhoewel eVe Sunswift (UNSW) de finish eerder haalde, ook in totale tijdstelling. Echter behalve tijd wordt in de Cruiser Class ook de praktische ervaring van het rijden van de auto, en het aantal berijders-kilometers geteld (Stella had gewoonlijk twee tot vier berijders aan boord, terwijl Sunswift meestal met één reed)

www.vapordna.com/Sugoi-Vapor-RYU-100ml-p/svryug.htm

Sugoi Vapor - Ryu - 100ml

Made in the USA

Ryu by Yami Vapor is a fruity concoction of Asian tropical flavors including sweet Dragon Fruit, juicy Lychee, and tart Kiwi. Ryu is a delicious smooth fruity taste that you will never want to put down. Sugoi Vapor Ryu is presented in ultra premium packaging, in a certified and authentic 100 milliliter Chubby Gorilla Unicorn Bottle.

Available in 0, 3 and 6 milligrams of nicotine.

CALIFORNIA PROPOSITION 65 - Warning: This product contains nicotine, a chemical known to the state of California to cause birth defects or other reproductive harm.

All pictures are based on practicality, copyright reserved.

The sea horses were made in Cincinnati at the world renowned Rookwood Pottery.

The Hilton Cincinnati Netherland Plaza hotel opened in 1931 and is a National Historic Landmark and charter member of Historic Hotels of America. This Cincinnati hotel features breathtaking French Art Deco that has been restored to its 1930's grandeur. With rare Brazilian rosewood paneling, indirect German silver-nickel light fixtures and soaring ceiling murals, our historic Cincinnati hotel is one of the world's finest examples of French Art Deco.

Mercedes-Benz is a German manufacturer of luxury automobiles, buses, coaches, and trucks. It is currently a division of the parent company, Daimler AG (formerly DaimlerChrysler AG), after previously being owned by Daimler-Benz. Mercedes-Benz has its origins in Karl Benz's creation of the first petrol-powered motorcycle in January 1886, ] and by Gottlieb Daimler and engineer Wilhelm Maybach's conversion of a 1873 Bollée steam-engine automobile by the addition of a petrol engine the same year. The Mercedes automobile was first marketed in 1901 by Daimler Motoren Gesellschaft. The first Mercedes-Benz brand name vehicles were produced in 1926, following the merger of Karl Benz's and Gottlieb Daimler's companies into the Daimler-Benz company. Mercedes-Benz has introduced many technological and safety innovations that have become common in other vehicles several years later.

In 1925, in Germany, 80 manufacturers produce 144 different cars mostly in small numbers. The merger in 1926 of two manufacturers and Daimler Benz gave birth to a group of considerable power. Therefore, the Stuttgart firm would offer a range of models that would often be admired the world over. Since 1928, the S Series would give birth to the famous SS and SSK (1929). This series would soon lead luxurious famous 380K (1932), 500K (1934) and 540K (1936) all featuring an 8-cylinder engine compressor. The range was crowned by the Grosser 770K (1937), featuring a large limousines 8-cylinder engine compressor 7.7 liters of displacement, which were the official cars of dignitaries of the regime. The average range was composed of 170 (1930), 200 (1932) and 230 (1936) in all 6 cylinders. The 230 is also available with a diesel engine (the first diesel car series). These cars were the first to be equipped with wheel suspension.

At the beginning of the 1930s, inspired by the modern streamlined shape, there were attempts to move the engines from the forward compartment to the rear of the car. Such a move allows to decrease the volume of the front compartment. At the same time, the voluminous rear provides a lot of space above and behind the rear axle. Moreover, when fitted on the drive axle shaft were eliminated. The most famous such development was with the Tatra cars under the leadership of Hans Ledwinka.

In 1930, Daimler-Benz AG entrusted Hans Nibel with the development of a small rear engine car based on the same principles. In 1931 the type W17 or 120 was created, a four-seat, equipped with two doors, vertical front and rear wheels and a four-cylinder boxer engine in the rear, with a displacement of 1200 cc and a power of 25 hp (18.4 kW). There were also attempts to row across built four-cylinder engines. In 1933 Mercedes built a vehicle with a front similar to the VW Beetle later and a far extensive tail. The front wheel of the type W25 D or 175 is slanted or tilted backwards, in the middle of the tail fin attached hood divides the oval rear window, so it anticipated the small oval two piece rear window of the Beetles known as "pretzel form". The "D" referred to the three-cylinder diesel engine OM 134 with an output of 30 hp (22 kW), but due to high noise level, this vehicle was again rejected. From this type, 12 test cars were assembled

The Mercedes-Benz 130 was presented in February 1934 at the Berlin Car Show. The car was powered by a four-cylinder 1308 cm³ engine installed longitudinally in the rear compartment. The motor had a power of 26 PS (19 kW) and was able to propel the small two-door coach at a speed of 92 km/h. The synchronised four-speed gearbox (which would be called later 3 + E by VW) is accommodated in front of the rear axle, the balance being provided by coil springs. The front axle was equipped two cross-leaf springs.

The Mercedes-Benz 150 was derived in 1935 from the 130 with only two seats and a more powerful engine, with 1498 cm³ and a power of 55 PS (40 kW). The top speed of the car was 125 km/h.

The car was only offered as a Sport Roadster. The gas tank, which in the case of the Mercedes-Benz 130 was installed over the engine, was transferred to the front compartment, and therefore there was no room for luggage there. The practicality of the 150 was therefore very limited, and the price of the car was quite high at 6600 RM ; as a comparison the Mercedes-Benz 170 V had a price of 5500 RM. The car was discontinued in 1936 due to poor sales.

SIMPLICITY, ELEGANCE AND PRACTICALITY.

modelina-architekci.com/pivotx/?e=380

Description:  Swooping fenders and six exhaust pipes make the Tucker look like a rocket ship. But Preston Tucker's car mixes fantasy with practicality. The center light turns with the front wheels to cast light around corners. Tail lights are visible from the side for safety. Doors curve into the roof for easier entry and exit, while grilles on the rear fenders feed cooling air to the rear-mounted engine.

Maker:  Designed by Preston Tucker and Alex Tremulis; made by Tucker Corporation, Chicago, Illinois.

Object ID:  58.62.1

Image:  THF90623. Midcoast Studios, photographer

Location:  Henry Ford Museum, The Henry Ford

URL: collections.thehenryford.org/Collection.aspx?objectKey=283379

Strange lobby "concept" (that's what artists call something that defies explanation and practicality .. in other disciplines, its called "crap") in the revamped lobby of the Bangkok Pullman Hotel Silom. The ex-Sofitel recently morphed into the Pullman Hotel G...another French hotel chain. In the process, the once spacious lobby has shrunk into a narrow room bordered by white curtains and this long "bar" with vegetable accents. Later in the evening, this table is occupied by patrons with their computer-jewelry Macbooks and wine glasses amid the celery.

Not sure what the chest of ice is supposed to signify, but i'm sure it's something trendy.

It's not the first time that a functional hotel lobby has been radically transformed ... I used to wonder if the garish lobby of the Shangri la was the result of some hotel managers child coming back from art school with a recommendation that will woo the tourists ("dear, we spent so much on sending little Noi to that expensive farang art institute...so we should listen to her fashion suggestions, no matter how tacky they seem ! Jaaaa!"

Where once there were big, comfy sofas and chairs, now guests are crammed onto a couple of benches, where they can rest their heads on the window glass and flowing white curtains ...

Words derived from the name/character Don Quixote: Quixotic, Quixotical, Quixotically, Quixotism

(Don is not a name nor a pejorative adjective as portraited in the movies. Don is a title of respect.)

From Wikipedia:

Quixotism, (adj. quixotic) is impracticality in pursuit of ideals, especially those ideals manifested by rash, lofty and romantic ideas or extravagantly chivalrous action. It also serves to describe an idealism without regard to practicality. An impulsive person or act might be regarded as quixotic.

Quixotism is usually related to "over-idealism", meaning an idealism that doesn't take consequence or absurdity into account. It is also related to naïve romanticism and to utopianism.

Origin:

Quixotism as a term or a quality appeared after the publication of Don Quixote in 1605. Don Quixote, the hero of this novel, written by Spanish author Miguel de Cervantes Saavedra, dreams up a romantic ideal world which he believes to be real, and acts on this idealism, which most famously leads him into imaginary fights with windmills that he regards as giants, leading to the related metaphor of "tilting at windmills".

From Collins Dictionary:

The hero of Miguel de Cervantes' 17th-century Spanish novel "El ingenioso hidalgo don Quijote de la Mancha" (in English "The Ingenious Hidalgo Don Quixote of La Mancha") didn't change the world by tilting at windmills, but he did leave a linguistic legacy in English. The adjective quixotic is based on his name and has been used to describe unrealistic idealists since at least the early 18th century.

IMG_9793.jpgy

Cinemateum Victoria - Ashkenaz - Director: Rachel Leah Jones, Israel 2007, 72min, Chinese and English Subtitles, A film about Aszkenazim – Jews of European origin – and the paradox of "whiteness" in Israel in comparison to Europe.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »

The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

Located at number 4. Murray Street, Colac's former post office is in a prime location at the gateway into the historical centre of the town.

Built in 1876 by the Public Works Department, it was extended in 1888 to reflect the Victorian Free Classical building that is seen today. It features a classical colonnade entrance, windows with attenuated vertical proportions, aedicules using prominent pillar detailing and a classically inspired clock over the entranceway.

The building has seen many changes over the years, as has its usage. The Colac telephone exchange commenced on the premises in 1904 with twenty-five subscribers.

Times have changed in Twentieth Century Colac, and the post office with a capacious dwelling for the postmaster became too large for the practicalities of the modern day business that Australia Post is, and they relocated to smaller, more modern and more central promises. Now the former Colac post office has found new life as a Chinese restaurant. However, because it is protected by the National Heritage Committee, no exterior advertising is permitted to be attached to the classical facade, which is why there are discreet signs in the upper floor windows and dainty Chinese lanterns hanging from the colonnade's arches. At night the clock, which still keeps good time, is illuminated by a violet coloured neon light that encircles the face.

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

"The new Koenigsegg Agera RS has its focus set firmly on the track but is still perfect for regular use on the road. It uses advanced technology developed during our exclusive Koenigsegg One:1 program, while maintaining all the functionality of previous S and R models. Such practicalities include a usable luggage compartment and a detachable hardtop that can be stowed internally for top-down motoring at any time..."

Source: Koenigsegg

Photographed at Donington Circuit during SCD Secret Meet.

____________________________________________________

Marcin Wojciechowski Photography

Marcinek_55 Instagram

Benjamin Stein, Die Leinwand (The Canvas)

An Event of the DAAD

Reading

Wed, 29.12.2010, 19:00

Goethe-Institut Jerusalem

in German

Based on the scandal of Benjamin Wilkomirski's falsified Holocaust memoir, this novel deals with the unreliability of memory and the struggle for identity. Two stories are told from both ends of the book. In one of the stories Amnon Zichroni, an Orthodox Jew who grew up in Israel and becomes a psychoanalyst in Zürich, encourages Minsky, a supposed Holocaust survivor, to write down his memories. The other story is about East German journalist Jan Wechsler who tries to expose Minsky's memoirs as false. In the centre of the book a confrontation takes place when the two narrators, Amnon Zichroni and Jan Wechsler, meet one another.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »

The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

via WordPress bit.ly/2MzZ0U4

The issue, Possibility of Perfect Research, brings up some significant issues on a research yield or research process. What is research? What is the total premise of research? Why research is started? How research is directed? How research is assessed? What is flawlessness? Is flawlessness during research process reasonable? What is viable research the executives? What is research paper? We will try to address the previously mentioned inquiries.

Oxford Dictionary characterizes research as, a cautious investigation of a subject, particularly so as to find new actualities or data about it. A research is either synopsis of data or assessment of some effectively found data. Truly, research includes “looking once more” the subject what others have composed on it. A research is mix of data, assessment, and development. Initially, it gives data on a specific subject or matter, also, assesses the previous research or audits significant writing, lastly, the new work includes some creative angles, both pragmatic just as applied.

Man is mix of three essential substances, i.e., body, brain, and soul. Human exercises are molded by physical needs, mental impulses, and soul desires. At physical level, a significant physical need is recreation or unwinding. At mental level, a significant mental impulse is interest. Once more, at otherworldly level, a significant soul desire is flawlessness. The different reasons of research are physical interest for more recreation, scholarly push because of instinctual interest, stickler yearning of soul because of imbued inclination of soul towards flawlessness. The very establishment of human life systems is subsequently extreme premise of research, with the goal that research will proceed until the end of time. There isn’t probability of ideal research in any order.

Life has two levels, individual and group. Aggregate life is authoritative plan of pioneers and devotees. Establishments are inescapable part of aggregate life. A foundation works under the stewardship of pioneers. Pioneers start different projects to keep up their power over adherents or to keep up going great of organizations. A devotee may alter her perspective towards initiative by virtue of static, poor, and degenerate administration. The answer for formal or non-performing institutional arrangement is presentation of developments, both reasonable just as pragmatic. Thus, developments are acquainted from time with time. The very establishment of development is inception of new and new research. So as to keep up the texture of aggregate life, pioneers (social or monetary or political) starts research now and again. At scholarly level, the led research is inclined towards flawlessness however for all intents and purposes it accomplishes just a reasonable yield because of different requirements, monetary and non-money related, forced by pioneers.

A research is led by savvy people. Intelligent people/Scientists are imaginative gathering of a general public. They get thoughts from numerous life occasions, every so often. The gathering of thought is exceptional psycho-social quality of educated people/researchers. A thought resembles a seed of a plant. They think-reevaluate on it and survey the practicality of thought. Finally, they are sure towards profitability of their thought. They independent/mastermind assets for thought acknowledgment. Sharing of thought with business visionary (social or monetary or political) is a significant advance for asset course of action. A thought acknowledgment movement is self-flawlessness of scholarly/researcher. It is significant that proactive methodology of a business person or society towards new thoughts is essential for the emergence of scholarly innovativeness.

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Here we have it, one of the most iconic little cars in the whole of history. A machine that revolutionised the concept of the city car, and what has now become a pure symbol of Englishness!

This little machine is simply known as the Mini! :D

Construction of the Mini first began in 1959, with the car designed by the British Motor Corporation's (BMC) chief designer Sir Alec Issigonis, who envisaged a car that had as much space as was humanly possible devoted to the passenger so as to combine the practicality of a big car with the nippy nature of a Dune Buggy. The result was that 80% of the car's platform was available for use by both passengers and luggage. The car was also designed to be fuel efficient, built in response to the 1956 Suez Crisis which resulted in rising fuel prices and petrol rationing. During this period it became apparent that German 'Bubble Car' equivalents such as the Heinkel Kabine and various Messerschmitt designs were starting to corner the market, and thus the Mini project was launched under project name ADO15 (Amalgamated Drawing Office project number 15). Great care was taken to make sure that as much space was saved for the passenger, including the instalment of compact rubber springs instead of conventional metal and the small but powerful BMC A-Series four-cylinder engine tucked away at the front.

In April 1959 the car was launched to the press under the designation of both the Austin Seven and the Morris Mini-Minor (due to the amalgamation of the Austin and Morris brands under BMC). By the time the car was let loose thousands had already been sent abroad in an audacious promotional campaign. Things however started slow for the Mini, but this rising star soon became an icon during the 1960's, selling 1,190,000 by 1967.

But, behind all the shining sales figures, there were some major problems for BMC and their wonderchild. Baffled by the car, Ford bought one for the base price of £497 and took it apart, desperate to know how their rivals were doing it for the money. As it turns out they weren't, and were able to determine that BMC was losing at least £30 on every single car they sold. Novelty was the only way to get the car properly moving in this competitive new world, and the Mini was all about that. By 1970 the car had appeared in a variety of movies and TV shows, the most famous of which was their charge to glory in the 1969 film 'The Italian Job', where a trio of Minis were used to plunder gold from under the noses of the Mafia and the Italian Authorities. A Leyland Mini holds a place in the heart of British TV under the ownership of Mr. Bean and his various clumsy antics, usually involving an unfortunate Reliant Regal. At the same time it was a car of choice for TV and Music Stars who wanted to show off their quirks!

From then on the car continued to keep up its notorious status as a British symbol of motoring, with a huge variety of cars being made including a spacious van, a country camper, a pickup truck and the Moke dune buggy! There were also two almost identical saloon versions of the car known as the Wolseley Hornet and the Riley Elf that were built between 1961 and 1969 as more luxurious alternatives to the original.

In 1969 the first major facelift came in the form of the Clubman, designed under British Leyland to give the car a new lease of life, but ended up being something of a mongrel. Although functionally the same, the boys at British Leyland couldn't help but get things off to a bad start by relocating construction from the Cowley Plant to the Longbridge Plant, which meant that all kits and tools had to be moved too and thus initial sales were very slow. British Leyland's reliability reputation was soon to follow, with the unfortunate Mini becoming a victim of the shoddy workmanship that had mired so many of its other products.

Eventually the Clubman was killed off in 1980, although the original Mini design had been built alongside and was still selling strong. British Leyland however had plans to kill off the Mini in 1980 by introducing its new small economy car, the Austin Metro. Built very much to the same principals of the Mini, the Metro was a much more angular design but still a capable little family hatchback. But the angular lines and big bulky body did nothing for the Metro, and the car failed to sell in the numbers domestically than those of the Mini internationally!

Towards the end of the 1980's and 1990's, the car came in a variety of different 'Special Editions' as the car became less of a mass-market machine and more a fashion item. The iconic nature of the car had sealed its fate with new owners of the Rover Group, BMW, who intended to keep the car going for as long as possible. At the same time the car was a major seller in Japan, which gave a boost of sales in the early 1990's with 40,000 new cars being exported there.

Eventually however, the design was starting to look very tired and with Rover Group making heavy losses, the Mini and its spiritual cousin the Metro were killed off in 2000 and 1999, respectively. Rover was granted the ability to run-out the model to the very end before Rover itself was sold off in 2000. During the breakup, BMW designed a new version of the Mini which was launched in 2000 and is still being built today as quite a sleek and popular machine, a little bit more bulky than the original but certainly keeping the novelty and charm. The originals however ended on the 4th October 2000, with a red Mini Cooper S bringing an end to 5,387,862 cars.

However, although the original Mini is now very much dead, the novelty that surrounds these tiny little cars is enough to keep thousands and thousands of these machines preserved or in continual everyday usage. Older Mini-Minors are a bit hard to come by and the Clubmans rusted away before you could get them home from the showroom, but the later Mini's sold in the 1980's and 1990's are still alive and kicking on the roads of Britain, and can still draw the attention of passers by even 56 years after the first ones left the production line!

Hundreds of African Refugees from Eritrea and Ethiopia make a pilgrimage to Bethlehem to visit Manger Square and the Church of the Nativity for a Coptic Christmas. Bethlehem, Palestine, 6th January 2012.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

Hundreds of African Refugees from Eritrea and Ethiopia make a pilgrimage to Bethlehem to visit Manger Square and the Church of the Nativity for a Coptic Christmas. Bethlehem, Palestine, 6th January 2012.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

Around the mid-'00s, Hyundai, having become a large-scale manufacturer selling worldwide, started to differentiate its models to fit differing market tastes.

That meant instead of building one compact sedan (Elantra), it started building different versions for different markets. For the Korean domestic market and North America, which prefer formal sedans, the Elantra was retained and refined as a nice sedan. But for Europe and the rest of the world, which prefer the practicality of a hatchback, Hyundai's German design studio modified the Elantra into a 5-door hatchback, the i30, as seen here. As part of the differentiation, Hyundai started deploying European-style alphanumeric model names on models intended primarily for Europe (or coming up with such names on global models - such as the ix35 for Tucson and ix55 for Veracruz).

The i30, which uses chassis code FD (rather than concurrent Elantra's HD), actually ended up being available around the world - including South Korean domestic market; South Korea is responsible for bulk of the i30 production, though some European-market models are built within Europe. The wagon version, the i30cw, even made it to North America, as the Elantra Touring. That contrasts with Hyundai's smaller i- models, which are built exclusively in India primarily for European and Indian consumption, and not even sold in South Korea where American-style big cars are considered far more desirable.

A near-twin of the i30 is the Kia cee'd, which is built exclusively in Slovakia and is unique to Europe.

The highest selling item was this

one of a kind 1917 WILLMAR LITTLE OAK 24-45 – Sold $420,000

Believed to be the only known Little Oak in existence

Purchased from Ralph Hall

Featured in the magazine Antique Power - March/April 2015 edition.

Old advertising promoted it as a one-man tractor.

Cross-mounted engine - engine sits crossways in the frame to eliminate the need for bevel.

Engine is located between the machine's rear wheels.

Engine is started from the driver's seat with a lever.

One of the first tractors to use the engine's power to lift the plow.

Upon looking at the tractor in its original form, it was discovered there was red paint hidden in the corners and edges on the exterior of the sheet metal and under the hood.

Waukesha Model P Engine

4-cylinder engine

20 HP - drawbar

40 HP - belt

Chain driven

All-new clutch parts were cast

New drive chains

Radiator cleaned and repaired

All-new sheet metal

Painted with high-quality automotive paint

The Little Oak tractor was an engineering masterpiece of its time. This machine was coined the one-man tractor for the operator's ability to start the tractor from the platform and raise and lower the plow from the operating position. While most tractors of the time were unstyled machines built for practicality, the Little Oak was built as an absolute work of art.

An example of the amazing craftsmanship on this tractor is the oil tank above the chain that drips oil on the chain as it operates. In today’s world, where tractors steer themselves and turn around on their own, it’s hard to imagine how revolutionary a one-man tractor like this was at the time.

There is no other prairie tractor like it. George has a keen eye for capturing the absolute best tractors ever built, and this Little Oak is a testament to the extraordinary machines in his museum.

Mecum Gone Farmin’ Auction

Schaaf Truck & Tractor Museum

Frankfort, Illinois

Will County, USA.

Located at number 4. Murray Street, Colac's former post office is in a prime location at the gateway into the historical centre of the town.

Built in 1876 by the Public Works Department, it was extended in 1888 to reflect the Victorian Free Classical building that is seen today. It features a classical colonnade entrance, windows with attenuated vertical proportions, aedicules using prominent pillar detailing and a classically inspired clock over the entranceway.

The building has seen many changes over the years, as has its usage. The Colac telephone exchange commenced on the premises in 1904 with twenty-five subscribers.

Times have changed in Twentieth Century Colac, and the post office with a capacious dwelling for the postmaster became too large for the practicalities of the modern day business that Australia Post is, and they relocated to smaller, more modern and more central promises. Now the former Colac post office has found new life as a Chinese restaurant. However, because it is protected by the National Heritage Committee, no exterior advertising is permitted to be attached to the classical facade, which is why there are discreet signs in the upper floor windows and dainty Chinese lanterns hanging from the colonnade's arches. At night the clock, which still keeps good time, is illuminated by a violet coloured neon light that encircles the face.

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

The Chevrolet Corvette (C1) is the first generation of the Corvette sports car produced by Chevrolet. It was introduced late in the 1953 model year, and produced through 1962. It is commonly referred to as the "solid-axle" generation, as the independent rear suspension did not appear until the 1963 Sting Ray. The Corvette was rushed into production for its debut model year to capitalize on the enthusiastic public reaction to the concept vehicle, but expectations for the new model were largely unfulfilled. Reviews were mixed and sales fell far short of expectations through the car's early years. The program was nearly canceled, but Chevrolet would ultimately stay the course.

HISTORY

ORIGIN 1951

In 1927 General Motors hired designer Harley Earl who loved sports cars. GIs returning after serving overseas in the years following World War II were bringing home MGs, Jaguars, Alfa Romeos, and the like. In 1951, Nash Motors began selling an expensive two-seat sports car, the Nash-Healey, that was made in partnership with the Italian designer Pinin Farina and British auto engineer Donald Healey, but there were few moderate-priced models. Earl convinced GM that they needed to build a two-seat sports car, and with his Special Projects crew began working on the new car, "Project Opel" in late 1951. The result was the hand-built, EX-122 pre-production Corvette prototype, which was first shown to the public at the 1953 General Motors Motorama at the Waldorf-Astoria in New York City on January 17, 1953. Production began six months later. The car is now located at the Kerbeck Corvette museum in Atlantic City and is believed to be the oldest Corvette in existence.

DESIGN AND ENGINEERING

To keep costs down, GM executive Robert F. McLean mandated off-the-shelf mechanical components, and used the chassis and suspension design from the 1949–1954 Chevrolet passenger vehicles. The drivetrain and passenger compartment were moved rearward to achieve a 53/47 front-to-rear weight distribution. It had a 102-inch wheelbase. The engine was a 235 cu in (3.85 L) inline six engine that was similar to the 235 engine that powered all other Chevrolet car models, but with a higher-compression ratio, three Carter side-draft carburetors, mechanical lifters, and a higher-lift camshaft. Output was 150 horsepower (110 kilowatts). Because there was currently no manual transmission available to Chevrolet rated to handle 150 HP, a two-speed Powerglide automatic was used. 0–60 mph (0–97 km/h) time was 11.5 seconds.

During the last half of 1953, 300 Corvettes were to large degree hand-built on a makeshift assembly line that was installed in an old truck plant in Flint, Michigan while a factory was being prepped for a full-scale 1954 production run. The outer body was made out of then-revolutionary glass fiber reinforced plastic material. Although steel shortages or quotas are sometimes mentioned as a factor in the decision to use fiberglass, no evidence exists to support this. In calendar years 1952 and 1953 Chevrolet produced nearly 2 million steel bodied full-size passenger cars and the intended production volume of 10,000 Corvette for 1954 was only a small fraction of that.

The body engineer for the Corvette was Ellis James Premo. He presented a paper to the Society of Automotive Engineers in 1954 regarding the development of the body. Several excerpts highlight some of the key points in the body material choice:

The body on the show model was made of reinforced plastic purely as an expedient to get the job done quickly.

Although we were going ahead with the building of an experimental plastic body in order to get a car rolling for chassis development work – at the time of the Waldorf Show, we were actually concentrating body-design-wise on a steel body utilizing Kirksite tooling for the projected production of 10,000 units during the 1954 model year. It was some time later that we decided to produce this quantity in reinforced plastic.

About this time, some doubt was expressed that we should build the 1954 model of steel. People seemed to be captivated by the idea of the fiberglass plastic body. Furthermore, information being given to us by the reinforced plastic industry seemed to indicate the practicality of fabricating plastic body parts for automobiles on a large scale.

A 55 degree raked windshield was made of safety glass, while the license plate holder was set back in the trunk, covered with a plastic window. Underneath the new body material were standard components from Chevrolet's regular car line, including the "Blue Flame" inline six-cylinder engine, two-speed Powerglide automatic transmission, and drum brakes. The engine's output, 136 hp (101 kW), was increased however from a Carter triple-carburetor system exclusive to the Corvette, but performance of the car was decidedly "lackluster". Compared to the British and Italian sports cars of the day, the Corvette lacked a manual transmission and required more effort to bring to a stop, but like their British competition, such as Morgan, was not fitted with roll-up windows; this would have to wait until sometime in the 1956 model year. A Paxton centrifugal supercharger became available in 1954 as a dealer-installed option, greatly improving the Corvette's straight-line performance, but sales continued to decline.

The Chevrolet division was GM's entry-level marque. Managers at GM were seriously considering shelving the project, leaving the Corvette to be little more than a footnote in automotive history, and would have done so if not for three important events. The first was the 1955 introduction of Chevrolet's first V8 engine since 1919. Late in the model year, the new 195 hp (145 kW) 265 small-block became available with a Powerglide automatic transmission, until the middle of the production year when a manual 3-speed became available, coupled to a 3.55:1 axle ratio, the only one offered. The engine was fitted with a single 2218S or 2351S WCFB four-barrel (four-choke) Carter carburetor. The combination turned the "rather anemic Corvette into a credible if not outstanding performer". The second was the influence of a Russian émigré in GM's engineering department, Zora Arkus-Duntov. The third factor in the Corvette's survival was Ford's introduction of the 1955 two-seat Thunderbird, which was billed as a "personal luxury car", not a sports car. Even so, the Ford-Chevrolet rivalry in those days demanded GM not appear to back down from the challenge. The original concept for the Corvette emblem incorporated an American flag into the design, but was changed well before production since associating the flag with a product was frowned upon.

1953–1955

The 1953 model year was not only the Corvette's first production year, but at 300 produced it was also the lowest-volume Corvette. The cars were essentially hand-built and techniques evolved during the production cycle, so that each 1953 Corvette is slightly different. All 1953 models had Polo White exteriors, red interiors, and black canvas soft tops. Order guides showed heaters and AM radios as optional, but all 1953 models were equipped with both. Over two-hundred 1953 Corvettes are known to exist today. They had independent front suspension, but featured a rigid axle supported by longitudinal leaf springs at the rear. The cost of the first production model Corvettes in 1953 was $3490.

The quality of the fiberglass body as well as its fit and finish was lacking. Other problems, such as water leaks and doors that could open while the car was driven, were reported with the most severe errors corrected in subsequent units produced, but some shortcomings continued beyond the Corvette's inaugural year. By December 1953, Chevrolet had a newly equipped factory in St. Louis ready to build 10,000 Corvettes annually. However, negative customer reaction in 1953 and early 1954 models caused sales to plummet.

In 1954, only 3,640 of this model were built and nearly a third were unsold at year's end. New colors were available, but the six-cylinder engine and Powerglide automatic, the only engine and transmission available, were not what sports car enthusiasts expected. It is known that 1954 models were painted Pennant Blue, Sportsman Red, and Black, in addition to Polo White. All had red interiors, except for those finished in Pennant Blue that had a beige interior, and beige canvas soft top. Order guides listed several options, but all options were "mandatory" and all 1954 Corvettes were equipped the same.

In the October 1954 issue of Popular Mechanics there was an extensive survey of Corvette owners in America. The surprising finding was their opinions in comparison to foreign sports cars. It was found that 36% of those taking the survey had owned a foreign sports car, and of that half, they rated the Corvette as better than their previous foreign sports car. Ninteen percent rated the Corvette as equal to their foreign sports car and 22% rates the Corvette as inferior. While many were well pleased with the Corvette, they did not consider it as a true sports car. The principal complaint of the surveyed owners was the extensive body leaks during rain storms.

Chevrolet debuted its 265 cu in (4.34 L) small-block, 195 hp (145 kW) V8 in 1955 and the engine found its way into the Corvette. At first 1955 V8 Corvettes continued with the mandatory-option Powerglide automatic transmission (as did the few 6-cylinder models built), but a new three-speed manual transmission came along later in the year for V8 models only. Exterior color choices were expanded to at least five, combined with at least four interior colors. Even soft-tops came in three colors and different materials. Despite all this, only 700 1955 Corvettes were built, making it second only to 1953 in scarcity. Very few six-cylinder 1955 models were built, and all documented examples are equipped with automatic transmissions. The "V" in the Corvette emblem was enlarged and gold colored, signifying the V8 engine under the hood and 12 volt electrical systems, while 6-cylinder models retained the 6-volt systems used in 1953-54. Rare option estimate: Manual transmission (75).

Although the C1 Corvette chassis and suspension design were derived from Chevrolet's full-size cars, the same basic design was continued through the 1962 model even after the full-size cars were completely redesigned for the 1955 model year. This was due to the combined factors of the relatively high re-engineering and re-tooling costs for this low-volume production vehicle, the continued potential for cancellation of the car, and the increased size and weight of the all-new suspension design for the full-size cars, which made it unsuitable for use in the lighter weight Corvette.

1956–1957

There was no doubt Chevrolet was in the sports car business with the release of the 1956 model. It featured a new body, a much better convertible top with power assist optional, real glass roll up windows (also with optional power assist), and an optional hardtop. The 3-speed manual transmission was standard. The Powerglide automatic was optional. The six-cylinder engine was gone. The V8 remained at 265 cubic inches but power ranged from 210 to 240 hp (160 to 180 kW). The volume was 3,467, a low number by any contemporary standard and still less than 1954s 3,640, meaning this was the third lowest-volume model in Corvette history. Delco Radio transistorized signal-seeking (hybrid) car radio, which used both vacuum tubes and transistors in its radio's circuitry (1956 option). Rare options: RPO 449 special camshaft with the 240 hp engine (111), RPO 426 power windows (547).

Visually the 1957 model was a near-twin to 1956. Engine displacement increased to 283 cu in (4.6 L), fuel injection became optional, and a 4-speed manual transmission was available after April 9, 1957. Fuel injection first saw regular use on a gasoline engine two years prior on the Mercedes-Benz 300SL "Gullwing". Although the Corvette's GM-Rochester injection used a constant flow system, as opposed to the diesel style nozzle metering system of the Mercedes', the Corvette's engine nevertheless produced about 290 bhp (220 kW). This was underrated by Chevrolet's advertising agency for the 283 hp (211 kW) 283 small-block V8 "One HP per cubic inch" (1 hp (0.75 kW) per 1 cu in (16 cc)) slogan, making it one of the first mass-produced engines in history to reach 1 hp/in³. Pushed toward high-performance and racing, principally by Zora Arkus-Duntov who had raced in Europe, 1957 Corvettes could be ordered ready-to-race with special options. Fuel injection was in short supply and 1,040 Corvettes with this option were sold. Rare options: RPO 579E 283 hp engine with fresh air/tach package (43), RPO 684 heavy-duty racing suspension (51), RPO 276 15 by 5.5 in (380 by 140 mm) wheels (51), RPO 426 power windows (379), RPO 685 4-speed transmission (664).

1958–1960

In an era of chrome and four headlamps, the Corvette succumbed to the look of the day. The 1958 model year and the four that followed all had the exposed four-headlamp treatment and prominent grills, but a faux-louvered hood and chrome trunk spears were unique to 1958. The interior and instruments were updated, including placing a tachometer directly in front of the driver. For the 1958 model, an 8000 rpm tachometer was used with the 270 hp (200 kW) and 290 hp engines, rather than the 6000 rpm units used in the lower horespower engines. Optional engine choices included two with twin carburetors (including a 270 hp model with Carter 2613S and 2614S WCFB four-barrels) and two with fuel injection. Power output for the highest rated fuel-injected engine was 290 hp. Displacement remained 283 cid. For the first time, seat belts were factory-installed rather than being dealer-installed as on previous models. Rare options were RPO 684 heavy-duty brakes and suspension (144), RPO 579 250 hp engine (554), RPO 276 15"×5.5" wheels (404).For the 1959 model, engines and horsepower ratings did not change. Interiors were revised slightly with different instrument graphics and the addition of a storage bin to the passenger side. A positive reverse lockout shifter with "T" handle was standard with 4-speed manual transmission. This was the only year a turquoise convertible top color could be ordered,[9] and all 24-gallon fuel tank models through 1962 could not be ordered with convertible tops due to inadequate space for the folding top mechanism. Rare options: RPO 684 heavy-duty brakes and suspension (142), RPO 686 metallic brakes (333), RPO 276 15"×5.5" wheels (214), RPO 426 power windows (547), RPO 473 power convertible top (661).Last features to appear in 1960 models included tailamps molded into the rear fenders and heavy grill teeth. New features include aluminum radiators, but only with 270 hp and 290 hp engines. Also for the first time, all fuel-injection engines required manual transmissions. The 1960s Cascade Green was metallic, unique to the year and the rarest color at 140 made. Rare options: RPO 579 250 hp engine (100), RPO 687 heavy-duty brakes and suspension (119), RPO 276 15"×5.5" wheels (246), RPO 473 power convertible top(512), RPO 426 power windows (544)

1961–1962

Four taillights appeared on the 1961, a treatment that continues to this day. Engine displacement remained at 283 cubic inches, but power output increased for the two fuel-injected engines to 275 and 315 hp (205 and 235 kW). Power ratings for the dual-four barrel engines did not change (245 hp and 270 hp) but this was the last year of their availability. This was the last year for contrasting paint colors in cove areas, and the last two-tone Corvette of any type until 1978. Also debuting in 1961 was a new boat-tail design later used on the C2. Rare options: RPO 353 275 hp engine (118), RPO 687 heavy-duty brakes and steering (233), RPO 276 15"×5.5" wheels (357), RPO 473 power convertible top (442).

The 1962 model year was the last Corvette with a solid-rear-axle suspension that was used from the beginning. With two new engines it was also the quickest. Engine displacement increased with the indroduction of the 327 cu in (5,360 cc) engine, but dual 4-barrel carburetor engines were no longer available. Hydraulic valve lifters were used in the base 250 hp and optional 300 hp (220 kW) engines, solid lifters in the optional carbureted 340 hp and fuel-injected 360 hp (270 kW) versions. Rocker panel trim was seen for the first time, exposed headlights for the last, until 2005. This was the last Corvette model to offer an optional power convertible top mechanism. Rare options: RPO 488 24-gallon fuel tank (65), RPO 687 heavy-duty brakes and steering (246), RPO 473 power convertible top (350), RPO 276 15"×5.5" wheels (561).

1956–1957

There was no doubt Chevrolet was in the sports car business with the release of the 1956 model. It featured a new body, a much better convertible top with power assist optional, real glass roll up windows (also with optional power assist), and an optional hardtop. The 3-speed manual transmission was standard. The Powerglide automatic was optional. The six-cylinder engine was gone. The V8 remained at 265 cubic inches but power ranged from 210 to 240 hp (160 to 180 kW). The volume was 3,467, a low number by any contemporary standard and still less than 1954s 3,640, meaning this was the third lowest-volume model in Corvette history. Delco Radio transistorized signal-seeking (hybrid) car radio, which used both vacuum tubes and transistors in its radio's circuitry (1956 option). Rare options: RPO 449 special camshaft with the 240 hp engine (111), RPO 426 power windows (547).

Visually the 1957 model was a near-twin to 1956. Engine displacement increased to 283 cu in (4.6 L), fuel injection became optional, and a 4-speed manual transmission was available after April 9, 1957. Fuel injection first saw regular use on a gasoline engine two years prior on the Mercedes-Benz 300SL "Gullwing". Although the Corvette's GM-Rochester injection used a constant flow system, as opposed to the diesel style nozzle metering system of the Mercedes', the Corvette's engine nevertheless produced about 290 bhp (220 kW). This was underrated by Chevrolet's advertising agency for the 283 hp (211 kW) 283 small-block V8 "One HP per cubic inch" (1 hp (0.75 kW) per 1 cu in (16 cc)) slogan, making it one of the first mass-produced engines in history to reach 1 hp/in³. Pushed toward high-performance and racing, principally by Zora Arkus-Duntov who had raced in Europe, 1957 Corvettes could be ordered ready-to-race with special options. Fuel injection was in short supply and 1,040 Corvettes with this option were sold. Rare options: RPO 579E 283 hp engine with fresh air/tach package (43), RPO 684 heavy-duty racing suspension (51), RPO 276 15 by 5.5 in (380 by 140 mm) wheels (51), RPO 426 power windows (379), RPO 685 4-speed transmission (664).

1958–1960

In an era of chrome and four headlamps, the Corvette succumbed to the look of the day. The 1958 model year and the four that followed all had the exposed four-headlamp treatment and prominent grills, but a faux-louvered hood and chrome trunk spears were unique to 1958. The interior and instruments were updated, including placing a tachometer directly in front of the driver. For the 1958 model, an 8000 rpm tachometer was used with the 270 hp (200 kW) and 290 hp engines, rather than the 6000 rpm units used in the lower horespower engines. Optional engine choices included two with twin carburetors (including a 270 hp model with Carter 2613S and 2614S WCFB four-barrels) and two with fuel injection. Power output for the highest rated fuel-injected engine was 290 hp. Displacement remained 283 cid. For the first time, seat belts were factory-installed rather than being dealer-installed as on previous models.[9] Rare options were RPO 684 heavy-duty brakes and suspension (144), RPO 579 250 hp engine (554), RPO 276 15"×5.5" wheels (404).For the 1959 model, engines and horsepower ratings did not change. Interiors were revised slightly with different instrument graphics and the addition of a storage bin to the passenger side. A positive reverse lockout shifter with "T" handle was standard with 4-speed manual transmission. This was the only year a turquoise convertible top color could be ordered, and all 24-gallon fuel tank models through 1962 could not be ordered with convertible tops due to inadequate space for the folding top mechanism. Rare options: RPO 684 heavy-duty brakes and suspension (142), RPO 686 metallic brakes (333), RPO 276 15"×5.5" wheels (214), RPO 426 power windows (547), RPO 473 power convertible top (661).Last features to appear in 1960 models included tailamps molded into the rear fenders and heavy grill teeth. New features include aluminum radiators, but only with 270 hp and 290 hp engines. Also for the first time, all fuel-injection engines required manual transmissions. The 1960s Cascade Green was metallic, unique to the year and the rarest color at 140 made. Rare options: RPO 579 250 hp engine (100), RPO 687 heavy-duty brakes and suspension (119), RPO 276 15"×5.5" wheels (246), RPO 473 power convertible top(512), RPO 426 power windows (544)

1961–1962

Four taillights appeared on the 1961, a treatment that continues to this day. Engine displacement remained at 283 cubic inches, but power output increased for the two fuel-injected engines to 275 and 315 hp (205 and 235 kW). Power ratings for the dual-four barrel engines did not change (245 hp and 270 hp) but this was the last year of their availability. This was the last year for contrasting paint colors in cove areas, and the last two-tone Corvette of any type until 1978. Also debuting in 1961 was a new boat-tail design later used on the C2. Rare options: RPO 353 275 hp engine (118), RPO 687 heavy-duty brakes and steering (233), RPO 276 15"×5.5" wheels (357), RPO 473 power convertible top (442).

The 1962 model year was the last Corvette with a solid-rear-axle suspension that was used from the beginning. With two new engines it was also the quickest. Engine displacement increased with the indroduction of the 327 cu in (5,360 cc) engine, but dual 4-barrel carburetor engines were no longer available. Hydraulic valve lifters were used in the base 250 hp and optional 300 hp (220 kW) engines, solid lifters in the optional carbureted 340 hp and fuel-injected 360 hp (270 kW) versions. Rocker panel trim was seen for the first time, exposed headlights for the last, until 2005. This was the last Corvette model to offer an optional power convertible top mechanism. Rare options: RPO 488 24-gallon fuel tank (65), RPO 687 heavy-duty brakes and steering (246), RPO 473 power convertible top (350), RPO 276 15"×5.5" wheels (561).

Zora Arkus-Duntov

Although not a part of the original Corvette project, Zora Arkus-Duntov made available late in the 1955 model year the 265 cu in (4.3 L) engine with a three-speed manual transmission. Duntov improved the car's positioning and image and helped the car compete with the new V8—engined Ford Thunderbird, and turned the Corvette from decidedly "lackluster" into a "credible performer". In 1956 he became the director of high-performance vehicle design and development for Chevrolet helping him earn the nickname "Father of the Corvette."

WIKIPEDIA

celebrations with solar car Stella from the Dutch Solar Team Eindhoven at the official time-finish just outside Adelaide on day six of the 2013 Bridgestone World Solar Challenge, probably still leading in the Cruiser Class, although eVe Sunswift (UNSW) reached the finish earlier in total time count. Apart from time, in Cruiser Class also practicality and total driver-kliometers are counted (Stella usually took two to four people whereas Sunswift mostly one)

bevrijdende vreugde bij de studenten van zonne-auto Stella van Solar Team Eindhoven bij de officiële tijd-finish net buiten Adelaide tijdens de 2013 Bridgestone World Solar Challenge, waarschijnlijk aan de leiding in de Cruiser Class, alhoewel eVe Sunswift (UNSW) de finish eerder haalde, ook in totale tijdstelling. Echter behalve tijd wordt in de Cruiser Class ook de praktische ervaring van het rijden van de auto, en het aantal berijders-kilometers geteld (Stella had gewoonlijk twee tot vier berijders aan boord, terwijl Sunswift meestal met één reed)

Hundreds of African Refugees from Eritrea and Ethiopia make a pilgrimage to Bethlehem to visit Manger Square and the Church of the Nativity for a Coptic Christmas. Bethlehem, Palestine, 6th January 2012.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

Benjamin Stein, Die Leinwand (The Canvas)

An Event of the DAAD

Reading

Wed, 29.12.2010, 19:00

Goethe-Institut Jerusalem

in German

Based on the scandal of Benjamin Wilkomirski's falsified Holocaust memoir, this novel deals with the unreliability of memory and the struggle for identity. Two stories are told from both ends of the book. In one of the stories Amnon Zichroni, an Orthodox Jew who grew up in Israel and becomes a psychoanalyst in Zürich, encourages Minsky, a supposed Holocaust survivor, to write down his memories. The other story is about East German journalist Jan Wechsler who tries to expose Minsky's memoirs as false. In the centre of the book a confrontation takes place when the two narrators, Amnon Zichroni and Jan Wechsler, meet one another.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »

The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

Construction of the Mini first began in 1959, with the car designed by the British Motor Corporation's (BMC) chief designer Sir Alec Issigonis, who envisaged a car that had as much space as was humanly possible devoted to the passenger so as to combine the practicality of a big car with the nippy nature of a Dune Buggy. The result was that 80% of the car's platform was available for use by both passengers and luggage. The car was also designed to be fuel efficient, built in response to the 1956 Suez Crisis which resulted in rising fuel prices and petrol rationing. During this period it became apparent that German 'Bubble Car' equivalents such as the Heinkel Kabine and various Messerschmitt designs were starting to corner the market, and thus the Mini project was launched under project name ADO15 (Amalgamated Drawing Office project number 15). Great care was taken to make sure that as much space was saved for the passenger, including the instalment of compact rubber springs instead of conventional metal and the small but powerful BMC A-Series four-cylinder engine tucked away at the front.

In April 1959 the car was launched to the press under the designation of both the Austin Seven and the Morris Mini-Minor (due to the amalgamation of the Austin and Morris brands under BMC). By the time the car was let loose thousands had already been sent abroad in an audacious promotional campaign. Things however started slow for the Mini, but this rising star soon became an icon during the 1960's, selling 1,190,000 by 1967.

But, behind all the shining sales figures, there were some major problems for BMC and their wonderchild. Baffled by the car, Ford bought one for the base price of £497 and took it apart, desperate to know how their rivals were doing it for the money. As it turns out they weren't, and were able to determine that BMC was losing at least £30 on every single car they sold. Novelty was the only way to get the car properly moving in this competitive new world, and the Mini was all about that. By 1970 the car had appeared in a variety of movies and TV shows, the most famous of which was their charge to glory in the 1969 film 'The Italian Job', where a trio of Minis were used to plunder gold from under the noses of the Mafia and the Italian Authorities. A Leyland Mini holds a place in the heart of British TV under the ownership of Mr. Bean and his various clumsy antics, usually involving an unfortunate Reliant Regal. At the same time it was a car of choice for TV and Music Stars who wanted to show off their quirks!

From then on the car continued to keep up its notorious status as a British symbol of motoring, with a huge variety of cars being made including a spacious van, a country camper, a pickup truck and the Moke dune buggy! There were also two almost identical saloon versions of the car known as the Wolseley Hornet and the Riley Elf that were built between 1961 and 1969 as more luxurious alternatives to the original.

In 1969 the first major facelift came in the form of the Clubman, designed under British Leyland to give the car a new lease of life, but ended up being something of a mongrel. Although functionally the same, the boys at British Leyland couldn't help but get things off to a bad start by relocating construction from the Cowley Plant to the Longbridge Plant, which meant that all kits and tools had to be moved too and thus initial sales were very slow. British Leyland's reliability reputation was soon to follow, with the unfortunate Mini becoming a victim of the shoddy workmanship that had mired so many of its other products.

Eventually the Clubman was killed off in 1980, although the original Mini design had been built alongside and was still selling strong. British Leyland however had plans to kill off the Mini in 1980 by introducing its new small economy car, the Austin Metro. Built very much to the same principals of the Mini, the Metro was a much more angular design but still a capable little family hatchback. But the angular lines and big bulky body did nothing for the Metro, and the car failed to sell in the numbers domestically than those of the Mini internationally!

Towards the end of the 1980's and 1990's, the car came in a variety of different 'Special Editions' as the car became less of a mass-market machine and more a fashion item. The iconic nature of the car had sealed its fate with new owners of the Rover Group, BMW, who intended to keep the car going for as long as possible. At the same time the car was a major seller in Japan, which gave a boost of sales in the early 1990's with 40,000 new cars being exported there.

Eventually however, the design was starting to look very tired and with Rover Group making heavy losses, the Mini and its spiritual cousin the Metro were killed off in 2000 and 1999, respectively. Rover was granted the ability to run-out the model to the very end before Rover itself was sold off in 2000. During the breakup, BMW designed a new version of the Mini which was launched in 2000 and is still being built today as quite a sleek and popular machine, a little bit more bulky than the original but certainly keeping the novelty and charm. The originals however ended on the 4th October 2000, with a red Mini Cooper S bringing an end to 5,387,862 cars.

However, although the original Mini is now very much dead, the novelty that surrounds these tiny little cars is enough to keep thousands and thousands of these machines preserved or in continual everyday usage. Older Mini-Minors are a bit hard to come by and the Clubmans rusted away before you could get them home from the showroom, but the later Mini's sold in the 1980's and 1990's are still alive and kicking on the roads of Britain, and can still draw the attention of passers by even 56 years after the first ones left the production line!

There's not much I can say about the Rolls Royce Silver Shadow that hasn't already been said, a car that was styled and homed to perfection, a vehicle that took 3 months to build, comprised of 3 cow hides, 12 square feet of wood and laden with the finest Wilton carpets. If you owned a brand new one of these back in the 1960's and 70's, then you truly were someone special.

The Silver Shadow however, unlike its predecessors, was the most radical Rolls ever built, primarily due to the fact that unlike previous cars such as the Phantom and Silver Cloud, the car was built on a monocoque, with the body being built with the chassis, rather than in earlier instances where Rolls would provide the chassis, and then it was up to the owner to hire a coachbuilder such as Hoopers or HJ Muliner Park Ward, to build the body.

The Silver Shadow was also the first Rolls to be built with the idea of the owner being sat in the front rather than the back. The Silver Cloud was very much a passenger's car, being ferried from stately banquet to stately banquet by a chauffeur. This Silver Shadow on the other hand was a driver's car, powered by Rolls Royce's magnificent V8 engine it smoothly glided across the countryside with the grace and elegance of a stately home on wheels, and so popular was this chemistry of luxury and practicality, that they sold by the thousand. In total, 25,000 examples were built, and the design was incorporated into many other variations, including the Rolls Royce Corniche (a direct descendant of the Silver Shadow 2-door Coupe built by HJ Muliner Park Ward), the controversial Camargue (which was built on the same chassis as a Shadow), and the Bentley T series (basically a Shadow with Bentley badging and radiator grille).

Eventually, the Shadow ended production in 1980, being replaced by the simpler Silver Spirit and Silver Spur range, but the magnificent design of this classic British pedigree has kept it one of the most popular owner's cars in the world, now available for ownership at less that £10,000 in some instances!

Built in the final year of the Silver Shadow I, I consider Shadows such as this to be the last of the truly great Rolls Royces as following this the cars became much more run-of-the-mill.

For starters, the magnificent chrome bumpers that line this one were replaced on the Silver Shadow II by compound bumpers to address American safety legislation, and the two ditch lights seen under the headlamps were placed below the bumper on a rather vulgar looking chin spoiler. Although done in the best interests of road safety, it certainly made these cars look less than stellar.

But this wonderful little roadside gem though shows what the Silver Shadow was all about, chrome everywhere!

As a matter of practicality the chastity belt must provide limited means of ingress and egress. Ensure the fabricated hole alligns properly with the underlying anatomy.

celebrations with solar car Stella from the Dutch Solar Team Eindhoven at the ceremonial finish in the herart of Adelaide on day six of the 2013 Bridgestone World Solar Challenge, probably still leading in the Cruiser Class, although eVe Sunswift (UNSW) reached the finish earlier in total time count. Apart from time, in Cruiser Class also practicality and total driver-kliometers are counted (Stella usually took two to four people whereas Sunswift mostly one)

bevrijdende vreugde bij de studenten van zonne-auto Stella van Solar Team Eindhoven bij de ceremoniële finish in het centrum van Adelaide tijdens de 2013 Bridgestone World Solar Challenge, waarschijnlijk aan de leiding in de Cruiser Class, alhoewel eVe Sunswift (UNSW) de finish eerder haalde, ook in totale tijdstelling. Echter behalve tijd wordt in de Cruiser Class ook de praktische ervaring van het rijden van de auto, en het aantal berijders-kilometers geteld (Stella had gewoonlijk twee tot vier berijders aan boord, terwijl Sunswift meestal met één reed)

Hundreds of African Refugees from Eritrea and Ethiopia make a pilgrimage to Bethlehem to visit Manger Square and the Church of the Nativity for a Coptic Christmas. Bethlehem, Palestine, 6th January 2012.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

Hundreds of African Refugees from Eritrea and Ethiopia make a pilgrimage to Bethlehem to visit Manger Square and the Church of the Nativity for a Coptic Christmas. Bethlehem, Palestine, 6th January 2012.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »

The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

The Church of the Ascension at the "Kaiserin Auguste Victoria Foundation" on the Mount of Olives - together with our Center for Pilgrims and Tourists and the famous "Café Auguste Victoria".

It was built in 1907-1910, and named after Empress Augusta Victoria, the wife of German Kaiser Wilhelm II. Today it is an Arab Hospital.

The Christian community of Jerusalem has always been multi-ethnic, diverse and multi-lingual. Here, you will find Greeks and Armenians, Syrians, Coptic Christians from Egypt, Ethiopians, Maronites with Lebanese background, Orthodox Russians, Palestinians, and Hebrew Christians praying side by side. As a German speaking Protestant Church, we are a vital part of the ecumenical landscape of Christian churches in Jerusalem.

Shortly about me:

It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.

In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.

The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »

The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .

If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.

nrhp # 87000865- Fort Missoula Historic District- Fort Missoula was established by the United States Army in 1877 on land that is now part of the city of Missoula, Montana, to protect settlers in Western Montana from possible threats from the native American Indians, such as the Nez Perce.[2]

Beginning in 1888, the fort was home to the famous Buffalo Soldiers of the 25th Infantry Regiment (3rd Formation). While stationed at Fort Missoula, this unit tested the practicality of soldiers traveling by bicycles by conducting numerous training rides, with one ride all the way to St. Louis, Missouri. The Trans-America Bicycle Trail established in 1976 goes through Missoula, and covers some of the routes pedaled by the 25th Regiment.

During World War II Fort Missoula housed a prison camp for Italian POWs, who called the area Bella Vista.[3]

Fort Missoula was established as a permanent military post in 1877 and built in response to requests of local townspeople and settlers for protection in the event of conflict with western Montana Indian tribes. It was intended as a major outpost for the region; however, area residents also were quite aware of the payroll, contracts, and employment opportunities Fort Missoula would provide. Fort Missoula never had walls; rather, it was an "open fort," a design common for posts located west of the Mississippi. Open forts required troops to take the offensive and actively patrol the areas to which they were assigned.

Construction had barely begun when the Company Commander, Captain Charles Rawn, received orders to halt the advance of a group of non-treaty Nez Perce Indians. The Nez Perce, led by Chiefs Joseph, Looking Glass and others, simply went around the soldiers' hastily-constructed earth and log barricade in Lolo Canyon (later called "Fort Fizzle") and escaped up the Bitterroot Valley.

The 25th Infantry Regiment arrived at Fort Missoula in May 1888. The regiment was one of four created after the Civil War that were made up of black soldiers with white officers. In 1896, Lieutenant James Moss organized the 25th Infantry Bicycle Corps to test the military potential of bicycles.[4] The corps undertook several short journeys – up the Bitterroot Valley by bicycle to deliver dispatches, north to the St. Ignatius area, and through Yellowstone National Park – before making a 1,900-mile (3,100 km) trip from Fort Missoula to St. Louis in 1897. The Army concluded that while the bicycle offered limited military potential, it would never replace the horse. The 25th Infantry returned to Missoula by train. When the Spanish-American War broke out in 1898, the 25th was one of the first units called to fight. The regiment served bravely in Cuba and the Philippines, but was reassigned to other posts after the war's end.

The efforts of Congressman Joseph Dixon of Missoula led to the appropriation of $1 million in 1904 to remodel Fort Missoula. A modern complex of concrete buildings with red tile roofs was constructed between 1908 and 1914, including a new Officer's Row, barracks, and Post Hospital.

The fort was used as a military training center during World War I, but was almost abandoned by 1921. However, it was designated as the Northwest Regional Headquarters for the Civilian Conservation Corps in 1933.

Fort Missoula was turned over to the Department of Immigration and Naturalization in 1941 for use as an alien detention center for non-military Italian men (merchant seamen, World's Fair employees, and the crew of an Italian luxury liner seized in the Panama Canal).[5] Fort Missoula housed over 1,200 Italian internees, who referred to the fort as "Camp Bella Vista." The Italians worked on area farms, fought forest fires, and worked in Missoula until they were released in 1944. Following the bombing of Pearl Harbor, 650 Japanese-American men who were considered high risk were interned at the camp. These men were questioned and quickly transferred to other internment camps.

The camp was used as a prison for military personnel accused of military crimes and other personnel awaiting court-martial following World War II.[6] After the post was decommissioned in 1947, many of the buildings were sold, dismantled, and removed from the site. For a number of years, Fort Missoula was a subinstallation under the accountability of Fort Carson, Colorado. The majority of the land is now in the hands of non-military agencies, including the U.S. Forest Service, the Bureau of Land Management, and Missoula County (including the Historical Museum at Fort Missoula). Fort Missoula was formally decommissioned in April, 2001.[7]

from Wikipedia