View allAll Photos Tagged polarized
Brookhaven National Laboratory physicist Erdong Wang in a basement lab at Stony Brook University (SBU) with the high-voltage polarized electron gun that will put the "e" — or electrons — in the future Electron-Ion Collider (EIC). (Roger Stoutenburgh/Brookhaven National Laboratory)
Last Day of Summer 2024 - 33 images (S14) - Panasonic Lumix FZ200 & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
An analog version of this image was taken concurrently using a Pentax Spotmatic SLR (1964) with the (radioactive) Takumar 1:1.4 50mm Prime & Polarizer & AstrHori AH-M1 Light Meter & Harman Phoenix 200 35mm Colour Film
My photo walk of June 8, 2023 in Lyon, France by a stunning summer day with my Nikon F SLR camera (circa 1964-1965). The guiding idea was to use a circular polarizing filter with a color negative film for all outdoor pictures. I did my photo session between about 2pm to 5pm. The temperature reached 33°C in the afternoon and the atmosphere was very clear and dry.
My 60's Nikon F was equipped with its normal lens Nippon Kogaku Nikkor-S 1:2 f=5cm with is lighter than my later period Nikkor-S version 1:1.4 f=50mm from the early 70's. The lens was equipped with the original Nikkor F metal shade hood specific of the 1:2 f=5cm. For all outdoor views the lens was also equipped with a Hakura 52mm polarizing filter oriented for the best color saturation.
I used a Fujifilm 200 36-exposure negative color film (this film is made in the USA and given with the same technical characteristics of Kodak Gold 200). It was exposed for 50 ISO to compensate the polarizing filter absorption, using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas.
Quai de Pierre-Scize, June 8, 2023
69005 Lyon
France
After exposure, the film was developped by a local lab service using the C-41 protocol. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivo Y76 color pictures.
About the camera and the lens :
This exemplary of Nikon F (engraved "Nippon Kogaku Tokyo") has a serial number beginning by 658xxxx and was consequently manufactured in the mother Oi Nikon factory in Tokyo, Japan, between Dec. 1964 and April 1965. I bought the camera in Feb. 2022 from Japan. The Nikon F body came with the normal lens Nikkor-S 1:2 f=5 cm, branded "Nippon Kogagu". For the photo session the body was equipped with the body shell of a late Nikon F CTT ever ready bag. This body shell holds the original leather neck strap and is made of a metallic shell covered outside by a black leather and a dark-red velvet inside.
Last Day of Summer 2024 - 33 images (S13) - Panasonic Lumix FZ200 & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
An analog version of this image was taken concurrently using a Pentax Spotmatic SLR (1964) with the (radioactive) Takumar 1:1.4 50mm Prime & Polarizer & AstrHori AH-M1 Light Meter & Harman Phoenix 200 35mm Colour Film
I took the same shot twice.
The Top-Right and Bottom-Left quadrants have the polarizer set correctly.
The other corners have the polariser offset by 90 degrees, letting all the light through that would have been filtered in the first shot.
Everybody should own one.
The complete shot is here
Last Day of Summer 2024 - 33 images (S11) - Panasonic Lumix FZ200 & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
An analog version of this image was taken concurrently using a Pentax Spotmatic SLR (1964) with the (radioactive) Takumar 1:1.4 50mm Prime & Polarizer & AstrHori AH-M1 Light Meter & Harman Phoenix 200 35mm Colour Film
i just got my polarizing filter from ebay... It only cost 5.50$. I haven't tried it so much, but here is some examples
Finally a book that can compete with "Subway Art" that was published some 25 years ago. And prob it's better: more text and more pictures, which I could see in a quick scan. http://moby.to/g9klmy
Last Day of Summer 2024 - 33 images (S18) - Panasonic Lumix FZ200 & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
An analog version of this image was taken concurrently using a Pentax Spotmatic SLR (1964) with the (radioactive) Takumar 1:1.4 50mm Prime & Polarizer & AstrHori AH-M1 Light Meter & Harman Phoenix 200 35mm Colour Film
The polarizer on my lens making Niki a bit too blue on the afternoon of our arrival in Mexico
Walt IV's photos from Walt and Niki's trip to Playacar Palace Resort in Playa Del Carmen, Mexico.
My photo walk of June 8, 2023 in Lyon, France by a stunning summer day with my Nikon F SLR camera (circa 1964-1965). The guiding idea was to use a circular polarizing filter with a color negative film for all outdoor pictures. I did my photo session between about 2pm to 5pm. The temperature reached 33°C in the afternoon and the atmosphere was very clear and dry.
My 60's Nikon F was equipped with its normal lens Nippon Kogaku Nikkor-S 1:2 f=5cm with is lighter than my later period Nikkor-S version 1:1.4 f=50mm from the early 70's. The lens was equipped with the original Nikkor F metal shade hood specific of the 1:2 f=5cm. For all outdoor views the lens was also equipped with a Hakura 52mm polarizing filter oriented for the best color saturation.
I used a Fujifilm 200 36-exposure negative color film (this film is made in the USA and given with the same technical characteristics of Kodak Gold 200). It was exposed for 50 ISO to compensate the polarizing filter absorption, using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas.
Les Subsistances, June 8, 2023
Quai Saint-Vincent
69001 Lyon
France
After exposure, the film was developped by a local lab service using the C-41 protocol. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivo Y76 color pictures.
About the camera and the lens :
This exemplary of Nikon F (engraved "Nippon Kogaku Tokyo") has a serial number beginning by 658xxxx and was consequently manufactured in the mother Oi Nikon factory in Tokyo, Japan, between Dec. 1964 and April 1965. I bought the camera in Feb. 2022 from Japan. The Nikon F body came with the normal lens Nikkor-S 1:2 f=5 cm, branded "Nippon Kogagu". For the photo session the body was equipped with the body shell of a late Nikon F CTT ever ready bag. This body shell holds the original leather neck strap and is made of a metallic shell covered outside by a black leather and a dark-red velvet inside.
My photo walk of June 8, 2023 in Lyon, France by a stunning summer day with my Nikon F SLR camera (circa 1964-1965). The guiding idea was to use a circular polarizing filter with a color negative film for all outdoor pictures. I did my photo session between about 2pm to 5pm. The temperature reached 33°C in the afternoon and the atmosphere was very clear and dry.
My 60's Nikon F was equipped with its normal lens Nippon Kogaku Nikkor-S 1:2 f=5cm with is lighter than my later period Nikkor-S version 1:1.4 f=50mm from the early 70's. The lens was equipped with the original Nikkor F metal shade hood specific of the 1:2 f=5cm. For all outdoor views the lens was also equipped with a Hakura 52mm polarizing filter oriented for the best color saturation.
I used a Fujifilm 200 36-exposure negative color film (this film is made in the USA and given with the same technical characteristics of Kodak Gold 200). It was exposed for 50 ISO to compensate the polarizing filter absorption, using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas.
Les Subsistances, June 8, 2023
Quai Saint-Vincent
69001 Lyon
France
After exposure, the film was developped by a local lab service using the C-41 protocol. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivo Y76 color pictures.
About the camera and the lens :
This exemplary of Nikon F (engraved "Nippon Kogaku Tokyo") has a serial number beginning by 658xxxx and was consequently manufactured in the mother Oi Nikon factory in Tokyo, Japan, between Dec. 1964 and April 1965. I bought the camera in Feb. 2022 from Japan. The Nikon F body came with the normal lens Nikkor-S 1:2 f=5 cm, branded "Nippon Kogagu". For the photo session the body was equipped with the body shell of a late Nikon F CTT ever ready bag. This body shell holds the original leather neck strap and is made of a metallic shell covered outside by a black leather and a dark-red velvet inside.
I used a polarizer, a 25 red filter, and I pushed this 2 stops. I forget who it was, but somebody in one of the film-junkie groups was talking about how they love to shoot with a 25 red and a polarizer, so I gave it a try.
This is the mountainside along the highway between Sacramento and Reno.
I took this with the teleconverter, so it's a 410mm lens. With vignetting around the edges. :(
1) 30s pre-soak
2) HC-110 Dil B @ 12m, 68 F, with 5 figure-8 cycles every 60s
3) Two 30s changes of water for stop
4) Ilford Rapid Fixer for 6 minutes, with 5 figure-8 cycles every minute
5) Ilford recomended fast-archival-washing technique
6) Final wash with distilled water and 1:200 photo-flo.
Being an electronics nerd/studying electrical engineer, I have tons of random electrical components lying around.....recently I came into some "larger" polarized electrolytic capacitors....man they are cool...
Playing around with polarizing filter. Filter on camera, computer screen to place my objects on. This works with clear plastic. Fun effects!
Taken through Nicole's polarized (cheaply) sunglasses. They don't make things look this orange when you're wearing them.
This is a direct shot using a circular polarizer filter on the camera (Marumi digital), and another circular polarizer (cokin) in the hand. There's another polarizer in this photo: The LCD monitor.
As you see here, the ligth from the LCD is polarized.
It's nice that you can see some dust as small white points here, because the light reflected on them isn't polarized.