View allAll Photos Tagged polarized
Histological section of newly formed bone (called woven bone), polarized light, under the microscope, 20X mag.
CoolPix 990, Leitz Orthoplan
(C)2017 Jacek Staszczuk, all rights reserved
Photo-blog: staszczuk.blogspot.com/
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Wiem, że dla niektórych może się to wydawać przewrotne, takie pisanie "chwasty", ale choć dla nas maki i chabry są przepiękne, tak dla rolników to zwykłe chwasty. Na szczęście wśród pól rzepaków, a zwłaszcza na ich skrajach tych czerwonych i niebieskich, kwiatków zawsze trochę wyrośnie.
Dla mnie kolorowe maki i chabry to też znak, że w przyrodzie zaczyna się kolejny etap. Po kolorowym kwitnięciu, teraz czas na dojrzewanie. Wszędzie monotonny zielony kolor, ale pod wpływem słońca, szybko się to zmieni. Niestety ...
Last Day of Summer 2024 - 33 images - Panasonic Lumix FZ200 & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
An analog version of this image was taken concurrently using a Pentax Spotmatic SLR (1964) with the (radioactive) Takumar 1:1.4 50mm Prime & Polarizer & AstrHori AH-M1 Light Meter & Harman Phoenix 200 35mm Colour Film
West Coast - 1 (of 12) - Canon PowerShot G12 with Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
I don't know why, but I didn't pick up on the fact that I had my CPL still on while I was trying to shoot star trails last night. Looks like I have a reshoot up ahead.
Check out more of my work at:
I think it does look a little better than the one taken without the filter and far superior to the photo taken with the Vivitar zoom lens.
IMHO a polarizing filter should nearly always be used in landscape photography. Upper without, bottom with it: better sky, better contrast, better color balance.
Same technique as previous picture, but I flipped the polarizer over. I didn't realize circular polarizers were non-linear- they are different depending on how the light goes through- front to back, or back to front. This view is actuall wtih the polarizer mounted on the camera- the proper way- front-to-back. It is actually more dramatic that the other way, though I like both results.
These two images are from a test that I conducted with a cheap piece of polarized film, in order to test what I read in photography books about the benefits of using a polarizing filter.
I obtained my filter from a pair of paper 3D glasses that I got as a sample from the American Paper Optics company booth at Siggraph 2002 in San Antonio. I cut the glasses in half, and dissoved the paper with water, and then dissolved the glue with Elmer's "Sticky Out."
I held the filter in front of my tripod-mounted Vivitar 3 Megapixel, Fixed-focus, point and shoot camera. In one orientation the reflections from the glass on my poster are able to pass through, and obscure the photograph in the frame. In a different orientation the reflection is substantially subdued. The light blocked or absorbed by the polarizer never reaches the light meter built into the small digital camera, and it therefore automatically sets a longer exposure to compensate.
Like it? Would send me some bitcoin as a tip?
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Or QR code here: www.flickr.com/photos/sightrays/8672657341/
My clouds always came out a kind of misty foggy like taken through smog filled air.
Now thanks to a polarization filter Everything looks normal or even a touch more dramatic.
One of two shots I took to demonstrate the effect of a polarizer filter. In this shot, the polarizer is on and is eliminating most of the reflection, letting us "see through" the water very clearly. I love the shutter drag here, separating the leaves floating by on the surface with the ones that have sunk to the bottom.
Shot taken during a photowalk in Vancouver's Queen Elizabeth Park, October 2006.
By Lu Bodaczny. ©All Rights Reserved. 2011 and beyond. Don't use, copy or edit any of my photos without written permission.
Brisa wears Clear Lan for t-shirt and original Sunshine Holiday original outfit for shorts.
The Original "Nifty Fifty" on Canon 5D Mark II - 16 (of 28) - Canon EOS 5D Mark II with Canon FD 1:1.8 50mm and Fotodiox Pro FD-EOS Adapter & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
both taken at f/5.6, the top one without any filter at 1/400s, the bottom one 1/80s with circular polarizer. All other settings are the same. They are both straight out from raw without processing. The bottom one seem to have better saturation, contrast and information.
The setup is as follows, vertically mounted on the following order:
Camera + macro + linear polarizer filter + microscope lense + citric acid crystals on a glass slide + plastic polarizer sheet + light source.
Used Helicon Remote with time lapse mode. Shot 40 photos turning manually the linear POL-filter mounted on camera a bit between each shot, resulting in turning the filter a combined full circle, i.e. 360 degrees.
This testmovie exhibits the result of crossing the polarizers.
Testing my new B+W Circular Polarizer Multi-Coated (MC) Filter. This is with the EF-S 17-55 f/2.8 IS lens, an exceptionally sharp lens with L-quality glass. The Polarized image on the right definitely exhibits better contrast and better colors.
A goddess! A Jungian, archetypal beauty!
Nikon D800 Photographs of a Beautiful Sandy-Blonde Swimsuit Bikini Model shot with the brand new Nikon D800 and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Captured in both RAW and JPEG.
Check out the amazing detail in the full resolution photos! I was running out of CF & SD cards fast, as the files are huge!
A classic California Hero's Journey Mythology Goddess! Tall, pretty, thin, fit, with pretty blue eyes and long sandy-blonde hair, blowing on the spring sea breeze.
Modeling the brand new, black Gold 45 Revolver Hero's Journey Mythology Gold'N'Virtue bikinis!
On El Matador Beach in Malibu!
Enjoy the epic beauty of the mythological hero's journey, in great detail via the Nikon D800! :)
The full resolutions RAWs and JPEGs are amazing!
Modeling the new Hero's Journey Mythology Swimsuits on a sunny spring day in Malibu!
Enjoy!
With her wavy, curly hair blowing on the sea breeze!
May the goddess inspire you along your artistic hero's journey!
Wearing the 45surf bikini!
Standing in a sea cave in Malibu!
Finished in my new love Lightroom 4!
Spy's Cooper Polarized Sunglasses have a chilled-out, yet classy frame design that fits a wide range of faces, making all those faces look damn good. Polarized lenses cut down on the glare of the disco balls and party lights on the shiny dance floor, while the 8-base ARC lens curves naturally to match your eye, giving you a clear visual of all the honeys. Suddenly, AAAI Wear My Sunglasses at NightAAA seems like a perfectly reasonable idea.
SEE MORE DETAILS HERE : astore.amazon.com/spyoptic-20/detail/B002HWSAR4
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Got my first circular polarizer this week so I've been out playing around with it a bit. It's pretty amazing how it just completely removes the reflections off of water and floors and whatnot. Obviously, the shot on the left is the polarized version, where you can see the rocks in the pond. Pretty incredible difference if you ask me. Definitely haven't got this thing mastered yet, gotta do some reading/video watching to really see how to put this thing through it's paces.
If anyone is interested, it's a 67mm Hoya Pro-1 Digital. Shot with my D90 and 70-300mm VR lens.
Brendan Bellomo and I did some polarizer fruit backlit shots. We did cucumber, strawberry, and grape cross sections. It's not an original idea, but it was fun. We used Real D glasses for the fruit polarizer, and a legitimate polarizing filter for the lens. The canceling wasn't that good, but I prefer it this way as it gives the background a nice deep blue.
This is the grape.
man...
well, I got a polarizing filter. it's got a rotatable glass, and that just adds a whole new thing to adjust. I don't quite have the hang of it.
anyway: this is an HDR, and that compounded things. I think the polarizer was a little different on the component shots, and also: because of the filter, it's harder to focus correctly. and it was windy. anyway. oh, and the clouds weren't all that great. so: that's a testament to the filter. it made the flat boring clouds look cool. but it made taking the picture much more tricky. and it seems to compromise the photo in other ways that I haven't been able to nail down yet. possibly that's something that with practice I can minimize. but certainly it cuts down the amount of light coming in.
all in all, I'm happy with it.
This is a thin section of a meteorite called NWA 2864 (NorthWest Africa). It was found in the Sahara and exported from Morocco in 2000.
It is a brecciated chondrite. Brecciated means composed of mixed, crushed material. The brighter bits in the image are silicate minerals, including mostly olivine. The darker bits are the matrix material (the "glue" that holds it all together, and was once shock-melted rock).
The rounded area near the center is matrix surrounding a highly shocked chondrule. The small, dark circles with bright centers are air bubbles in the cement that holds the wafer-thin meteorite section to the microscope slide.
This is a 20X enlargement of the original.
Click on All Sizes to view Original Size and see the animation run. The animation is made by combining 17 different frames, each of which has a polarizer turned 5 degrees from the preceding frame. Note that the area in the lower right seems clear in the beginning but shows obvious radial shock lines as the polarization angle changes.
Thin section acquired from Mike Kagelmacher (Rock-Slides on eBay).