View allAll Photos Tagged polarized
both taken at f/5.6, the top one without any filter at 1/400s, the bottom one 1/80s with circular polarizer. All other settings are the same. They are both straight out from raw without processing. The bottom one seem to have better saturation, contrast and information.
Testing my new B+W Circular Polarizer Multi-Coated (MC) Filter. This is with the EF-S 17-55 f/2.8 IS lens, an exceptionally sharp lens with L-quality glass. The Polarized image on the right definitely exhibits better contrast and better colors.
Spy's Cooper Polarized Sunglasses have a chilled-out, yet classy frame design that fits a wide range of faces, making all those faces look damn good. Polarized lenses cut down on the glare of the disco balls and party lights on the shiny dance floor, while the 8-base ARC lens curves naturally to match your eye, giving you a clear visual of all the honeys. Suddenly, AAAI Wear My Sunglasses at NightAAA seems like a perfectly reasonable idea.
SEE MORE DETAILS HERE : astore.amazon.com/spyoptic-20/detail/B002HWSAR4
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Got my first circular polarizer this week so I've been out playing around with it a bit. It's pretty amazing how it just completely removes the reflections off of water and floors and whatnot. Obviously, the shot on the left is the polarized version, where you can see the rocks in the pond. Pretty incredible difference if you ask me. Definitely haven't got this thing mastered yet, gotta do some reading/video watching to really see how to put this thing through it's paces.
If anyone is interested, it's a 67mm Hoya Pro-1 Digital. Shot with my D90 and 70-300mm VR lens.
man...
well, I got a polarizing filter. it's got a rotatable glass, and that just adds a whole new thing to adjust. I don't quite have the hang of it.
anyway: this is an HDR, and that compounded things. I think the polarizer was a little different on the component shots, and also: because of the filter, it's harder to focus correctly. and it was windy. anyway. oh, and the clouds weren't all that great. so: that's a testament to the filter. it made the flat boring clouds look cool. but it made taking the picture much more tricky. and it seems to compromise the photo in other ways that I haven't been able to nail down yet. possibly that's something that with practice I can minimize. but certainly it cuts down the amount of light coming in.
all in all, I'm happy with it.
Epic bikini swimsuit model goddess on a clear, socal spring day.
Shot with a canon 5d Mark II using a circular polarizer filter and a fill flash.
With a black surfboard!
Sportin' the red shirt!
Only noticed this today, when looking through it in reverse to my LCD monitor. There's a small imperfection on the left.
And yes the photo is out of focus, the auto-focus couldn't cope and focussing well one handed was too much of a challenge.
This is the G7 with the Canon lens adapter and a circular polarizing filter mounted. Forget the compact and practical part. This has now become a very bulky, heavy, and not practical at all camera. It's still quite powerful though for a "point & shoot".
I'm very happy with this camera. It can be carried along pretty easily and still manages to be fun. It's a good alternative to an SLR when you don't want to lug all that stuff around. :) Also, the G7 is simply gorgeous!! Stunning!!! Love that retro look! Also feels very sturdy, well built, and a bit heavy on the hand.
The quality of this photo is very crappy. It was taken with an old Canon PowerShot A40 that was lying around.
A test to show how a polarizer can be used to minimize or even maximize reflections off of a surface.
The first picture is with no polarizer.
The second one has the polarizer aligned to allow the maximum amount of polarized light from the reflection through. The exposure time is 1.5 stops longer to equalize the overall exposure, since much of the light of the rest of the picture is now blocked.
Finally we have the image with the polarizer turned about 90 degrees to block the reflected light. Again I had to extend the exposure time by 1.5 stops to account for all the light I blocked.
I tried to give this a slightly industrial feel by shooting in the garage and using the sounds of the door closing.
It gives a new meaning to "fade to Black"
To see some truly amazing and beautiful works of art that use polarized light please visit the following site:
Works of the artist Austine Wood Comarow
Tantalum polarized capacitors. Low noise, good audio mixer console.
My values in stock (old stock, limited):
-0.15uF 25V
-0.22uF 35V
-1uF 35V
-1.5uF 35V
-2.2uF 35V
-3.3uF 16V
-3.3uF 25V
-6.8uF 35V
-15uF 16V
-15uF 35V
-22uF 10V
Go to Film/Foil Caps.
Back to GOA menu (all parts).
Contact me: Alex.
My photo walk of June 8, 2023 in Lyon, France by a stunning summer day with my Nikon F SLR camera (circa 1964-1965). The guiding idea was to use a circular polarizing filter with a color negative film for all outdoor pictures. I did my photo session between about 2pm to 5pm. The temperature reached 33°C in the afternoon and the atmosphere was very clear and dry.
My 60's Nikon F was equipped with its normal lens Nippon Kogaku Nikkor-S 1:2 f=5cm with is lighter than my later period Nikkor-S version 1:1.4 f=50mm from the early 70's. The lens was equipped with the original Nikkor F metal shade hood specific of the 1:2 f=5cm. For all outdoor views the lens was also equipped with a Hakura 52mm polarizing filter oriented for the best color saturation.
I used a Fujifilm 200 36-exposure negative color film (this film is made in the USA and given with the same technical characteristics of Kodak Gold 200). It was exposed for 50 ISO to compensate the polarizing filter absorption, using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas.
June 8, 2023
69001 Lyon
France
After exposure, the film was developped by a local lab service using the C-41 protocol. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivo Y76 color pictures.
About the camera and the lens :
This exemplary of Nikon F (engraved "Nippon Kogaku Tokyo") has a serial number beginning by 658xxxx and was consequently manufactured in the mother Oi Nikon factory in Tokyo, Japan, between Dec. 1964 and April 1965. I bought the camera in Feb. 2022 from Japan. The Nikon F body came with the normal lens Nikkor-S 1:2 f=5 cm, branded "Nippon Kogagu". For the photo session the body was equipped with the body shell of a late Nikon F CTT ever ready bag. This body shell holds the original leather neck strap and is made of a metallic shell covered outside by a black leather and a dark-red velvet inside.
McQueen’s aggressive and sexual fashions polarized audiences and he was often accused of misogyny. But his “perverse” and transgressive aesthetic was probably more about himself than about real women. After a collection inspired by Joan of Arc, McQueen said, “Anyone can be a martyr for their cause. Maybe I was a martyr for homosexuality when I was six.”
Silk, velvet, and bugle beads, Fall 2007, In memory of Elizabeth Howe, Salem 1692 collection, England,Museum purchase, 2013.2.1
Parksville - 10 (of 11) - Panasonic Lumix FZ200 & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.