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Please Cry/ Bitte Lachen The Neue Nationalgalerie presents Barbara Kruger's first institutional solo exhibition in Berlin. The American conceptual artist has developed a site-specific text installation for the Neue Nationalgalerie’s upper-level exhibition hall, making use of the entire space. The work seeks to engage visitors in public discussion about political and social topics.
In an expansive text installation, Barbara Kruger combines her own texts with quotes by three authors ‒ George Orwell, James Baldwin and Walter Benjamin ‒ whose writings each address major political issues: the violence of totalitarian states, the mechanisms behind societal discrimination and the dangers of biased historiography.
Through the stark graphic impact of her texts, reduced to just three colours (black, white and red), Kruger succeeds in introducing her own artistic language into Mies van der Rohe’s massive building. Aside from the topicality of the texts and their subject matter, the invitation extended to Barbara Kruger to develop this work also pays homage to her outstanding artistic contributions, whose feminist and political approaches have strongly influenced the art of the late 20th and early 21st centuries.Die Neue Nationalgalerie zeigt die erste institutionelle Einzelausstellung von Barbara Kruger in Berlin. Die US-amerikanische Konzeptkünstlerin entwickelt eigens für die Ausstellungshalle der Neuen Nationalgalerie eine Schrift-Installation, die den gesamten Boden des Ausstellungsraums bedeckt und die Besucher*innen zur gemeinsamen Diskussion über politische und gesellschaftliche Themen einlädt.
In der raumgreifenden Schriftinstallation kombiniert Barbara Kruger eigene Texte mit Zitaten der drei Schriftsteller George Orwell, James Baldwin und Walter Benjamin. Deren Texte beleuchten jeweils große politische Themen: die Gewalt totalitärer Staaten, die Mechanismen gesellschaftlicher Diskriminierung und die Gefahren einer einseitigen Geschichtsschreibung.
Mit der grafischen Wucht der auf nur drei Farben (Schwarz, Weiß und Rot) reduzierten Schrift gelingt es Kruger in den wuchtigen Bau Mies van der Rohes eine starke, eigene künstlerische Sprache einzubringen. Neben aller Aktualität der Texte und Themen ist mit der Einladung an Barbara Kruger auch eine Ehrung einer herausragenden künstlerischen Position verbunden, die mit ihren feministischen und politischen Ansätzen die Kunst des späten 20. und frühen 21. Jahrhunderts stark geprägt hat. Source: smb.museum
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Bella inspected another book about cats while waiting for me to prepare breakfast instead of taking photos.
Happy Caturday.
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BASTA ALLA STRAGE DEGLI AGNELLI !
Sono circa 400.000 gli agnelli e i capretti che vengono uccisi in Italia ogni anno a Pasqua, in contrasto con i sentimenti di compassione, di empatia e di rinascita che questa festa rappresenta. «Anche se negli ultimi anni il numero degli agnelli e dei capretti macellati è diminuito - passando dai 4.834.473 del 2010 ai 2.353.817 del 2015 (Fonte: Istat) -
«Gli agnelli - prosegue la nota dell'associazione animalista - vengono uccisi nel primo anno d'età: storditi, sgozzati e appesi a ganci di ferro a testa in giù per favorire il dissanguamento. Il tutto, davanti agli occhi di altri piccoli agnelli, che man mano assistono alla morte dei loro compagni. Animali fatti nascere al solo scopo di essere uccisi qualche mese più tardi in prossimità di questa festa. Ci appelliamo dunque alla sempre maggiore sensibilità degli Italiani affinchè sia una Pasqua davvero buona, anche con gli agnellini».
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Please kindly like which picture is your favorite, this picture is 'Morning in The City'. Previous picture is 'Night in The City'.
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What Next Colonna Hot Chocolate Station
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After a fire destroyed the original lodge in the winter of 1962, the two original lifts were removed in the 1970s. The BC government funded a new lodge on the ridge and an aerial tramway to the mountaintop from the valley below.
In 1976, new ownership funded a second aerial tramway, built by Garaventa, known as the Red Tram or Super Skyride which is one on the right. The larger tram cars (for about 100 passengers) arrive at a separate top terminal building a short walk from the lodge. The older Blue Tram, on the left, is now mainly used to transport supplies directly to the lodge structure.
Before the sun shone directly on the water in the morning and outshone it, I "played" a bit with exposure times and details.
The water has such a high falling speed that 1/8 to 1/10 exposure time is sufficient to make it soft and yet with a certain movement.
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