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Please Cry/ Bitte Lachen The Neue Nationalgalerie presents Barbara Kruger's first institutional solo exhibition in Berlin. The American conceptual artist has developed a site-specific text installation for the Neue Nationalgalerie’s upper-level exhibition hall, making use of the entire space. The work seeks to engage visitors in public discussion about political and social topics.
In an expansive text installation, Barbara Kruger combines her own texts with quotes by three authors ‒ George Orwell, James Baldwin and Walter Benjamin ‒ whose writings each address major political issues: the violence of totalitarian states, the mechanisms behind societal discrimination and the dangers of biased historiography.
Through the stark graphic impact of her texts, reduced to just three colours (black, white and red), Kruger succeeds in introducing her own artistic language into Mies van der Rohe’s massive building. Aside from the topicality of the texts and their subject matter, the invitation extended to Barbara Kruger to develop this work also pays homage to her outstanding artistic contributions, whose feminist and political approaches have strongly influenced the art of the late 20th and early 21st centuries.Die Neue Nationalgalerie zeigt die erste institutionelle Einzelausstellung von Barbara Kruger in Berlin. Die US-amerikanische Konzeptkünstlerin entwickelt eigens für die Ausstellungshalle der Neuen Nationalgalerie eine Schrift-Installation, die den gesamten Boden des Ausstellungsraums bedeckt und die Besucher*innen zur gemeinsamen Diskussion über politische und gesellschaftliche Themen einlädt.
In der raumgreifenden Schriftinstallation kombiniert Barbara Kruger eigene Texte mit Zitaten der drei Schriftsteller George Orwell, James Baldwin und Walter Benjamin. Deren Texte beleuchten jeweils große politische Themen: die Gewalt totalitärer Staaten, die Mechanismen gesellschaftlicher Diskriminierung und die Gefahren einer einseitigen Geschichtsschreibung.
Mit der grafischen Wucht der auf nur drei Farben (Schwarz, Weiß und Rot) reduzierten Schrift gelingt es Kruger in den wuchtigen Bau Mies van der Rohes eine starke, eigene künstlerische Sprache einzubringen. Neben aller Aktualität der Texte und Themen ist mit der Einladung an Barbara Kruger auch eine Ehrung einer herausragenden künstlerischen Position verbunden, die mit ihren feministischen und politischen Ansätzen die Kunst des späten 20. und frühen 21. Jahrhunderts stark geprägt hat. Source: smb.museum
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pleaSe ... press L
it is not b&w composition ... on my computer it's a dark navy blue ...
in the summer flic.kr/p/oBpRTC
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Flower buds of the hybrid Grevillea "Poorinda Blondie". "Poorinda" is an Aboriginal word meaning light.
None of the flowers have opened fully. The plant about 3m tall was covered in inflorescences of different ages. The shape of the flowers is typical of Grevilleas. However, the colour combination of orange and red in the flowers is unusual and gives the impression that they are brown when seen at a distance. Taken in full sunlight.
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As summer draws to a close, I thought it would be very appropriate for the Macro Mondays theme 'Leaf' to show a tiny bit of the decimation of my hosta plants! I have given up on my Gastropod Relocation Programme, and the snails seem to be enjoying themselves immensely.
No snails were harmed in the making of this photograph.
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Explore 6/13/09 #129 Thank you :-))
"Person of strong character are usually the happiest. They do not blame others for troubles that can be traced to their own actions and lack of understanding. They know that no one has the power to add to their happiness or detract from it, unless they themselves allow the adverse thoughts or wicked actions of others to affect them." P. Yogananda
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#EXPLORE 20.09.2008 #
Bella inspected another book about cats while waiting for me to prepare breakfast instead of taking photos.
Happy Caturday.
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Not a safe game.... BE FAR AWAY FROM HERE!
Pic taken @ maps.secondlife.com/secondlife/Friends/56/160/36
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Fujairah is one of the seven emirates that make up UAE and the only one located in the east along the Persian Gulf.
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When our time has come
Then it’s time to go
Stop when it’s most beautiful
The clocks stop
The moment is so perfect
But time goes on
Wait a minute
I’m not ready
Time
Please stop, freeze
Time
[Please enlarge. This shot is intended to be expansive.]
I have to admit this photograph is exactly why I took the camera out that Sunday afternoon. Two things really interest me in landscapes: Light and the weather. It's why I love J.M.W. Turner's (1775-1851) paintings so much. Although this is more Constable (1776-1837) than Turner. The father of the Australian landscape, John Glover (1767-1849), knew both Turner and Constable very well before late in life embarking on a new career in Van Diemen's Land. Glover lived on his farm "Patterdale" at Deddington, in the foothills of Ben Lomond. But he would roam far and wide around Launceston and I'd like to think he would have seen the Tamar Valley from a point close to this. He'd be amazed at the developments.