View allAll Photos Tagged pixelshift
Attempts to capture the early sunrise expedition to Palisades-Kepler State park to get in some fall photography. Experimenting with long exposures and pixel shift in the pre-sunrise moment.
Z8 (FW v3.0 - Beta)
Z 105mm MC (Micro)
Westcott Solix
Westcott Apollo (Octabox)
Focus Shift + Pixel Shift
I only used about 50 Focus Shift Images each with a 32-image pixel shift were captured in camera. Each of the pixel-shift images were combined and then exported as a 16-bit TIF (1.09GB) each of the 50 TIFs were then brought onto Helicon Soft stacking software. The software automatically stacked the TIFs into a single file that had the desired part of the frame in focus. That stacked image was brought into Photoshop for resizing and final adjustments.
Anciennement appelé la "Montagne à Roméo"
Pentax K-1 + HD Pentax-D FA 24-70mm F2.8 ED SDM WR @45mm
0,6s, ƒ/8, ISO 100
I discovered this cave after a rock slide impacted this area of the cliffs. In the ceiling the tunnel extends for several hundred feet up, total darkness except for a faint light at the end. Groundwater is constantly dripping down.
The photo was taken with Soviet’s Zorki-4K film camera with Jupiter-8 50mm f/2 lens on Kodak Porta 400 35mm film. Then the negative was photo-scanned with Fuji GFX100S camera / Carl Zeiss Distagon 60 mm f/3.5 CB lens, using “pixelshift” technology, and converted in Negative Lab Pro software.
Z8 (FW v3.0 - Beta)
Z 105mm MC (Micro)
Westcott Solix
Westcott Apollo (Octabox)
Focus Shift + Pixel Shift
Here the ranunculus were laid directly on the diffusion fabric of the Westcott Apollo.
50 Focus Shift Images each with a 32-image pixel shift were captured in camera. Each of the pixel-shift images were combined and then exported as a 16-bit TIF (1.09GB) each of the 50 TIFs were then brought onto Helicon Soft stacking software. The software automatically stacked the TIFs into a single file that had the desired part of the frame in focus. That stacked image was brought into Photoshop for resizing and final adjustments.
Ce site, ainsi que la pinède située près du canal de Chambly, est présentement sujet à une contestation citoyenne afin que la ville de Saint-Jean-sur-Richelieu rachète les lots en question pour une préservation à long terme. C'est un milieu très riche et il est caractéristique des peuplements qui se retrouvaient en montérégie, notamment le long de la rivière Richelieu. La plupart de ces peuplements ont été détruits par l'étalement urbain et il n'en reste presque plus dans notre région. Un comité pour la conservation de la pinède et du camping s'est formé afin de trouver des solutions pour sa préservation à long terme.
Avis de réserve pour conserver une partie de la pinède de l’île Sainte-Thérèse (Le Canada Français 10 juillet 2019)
www.canadafrancais.com/2019/07/10/avis-de-reserve-pour-co...
Etude d'inventaire des milieux naturels et évaluation de la valeur écologique Île Sainte-Thérèse : pinède et boisé central :
sjsr.ca/wp-content/uploads/2019/11/inventaire-milieux-nat...
At Los Palmares National Park, Entre Rios, Argentina.
Very early in the morning this little fellow was almost icy.
Pixelshift shot.
Some ordinary wispy cloud; some mist in the early stages of rising over Strathearn; and a noctilucent (night-shining) cloud (NLC) display.
Photographing part of the Brisbane CBD skyline from the 20th floor of Bowen Hills apartment using the High Resolution Capture mode on an Olympus OMD EM1.2. A single photograph weighs in at over 440 MB.
Pixel Shift is an option where theZ8 + FW 3.0 (beta)
Z 105mm MC (Micro)
Westcott Solix + Apollo (Octabox)
Pixel Shift with Nikon NX Studio
Focus stacking with Helicon
I was asked by Nikon to test shoot the 3.0 FW with a special interest in the new ability to use Pixel Shift and Focus Shift at the same time.
Pixel Shift is an option where the camera moves the sensor during a series of captures. This series is then merged in the Nikon NX Studio software. In this case, the pixel shift option was set to the maximum capture option of 32 images. The camera exposed an image then moved the sensor… about half the width of a single pixel… and exposed the next one. For 32 images. Those 32 NEF (RAW) files were merged into one massive NEFX raw file that now has a resolution of about 180,000,000 pixels.
Focus Shift Shooting is an option where the camera makes an exposure then shifts focus to a different plane and makes another exposure. The cool part is that the camera is automatically setting the shift movement so that a series of images can be stacked on post in such a way to increase the depth of the PLANE of focus. This results in a subject the can have a nearly unlimited amount of the subject focus. Not just more depth of field, but depth of actual in focus.
The Z8 FW 3.0 is the first time anyone has offered both at the same time on a full frame professional camera.
camera moves the sensor during a series of captures. This series is then merged in the Nikon NX Studio software. In this case, the pixel shift option was set to the maximum capture option of 32 images. The camera exposed an image then moved the sensor… about half the width of a single pixel… and exposed the next one. For 32 images. Those 32 NEF (RAW) files were merged into one massive NEFX raw file that now has a resolution of about 180,000,000 pixels.
Focus Shift Shooting is an option where the camera makes an exposure then shifts focus to a different plane and makes another exposure. The cool part is that the camera is automatically setting the shift movement so that a series of images can be stacked on post in such a way to increase the depth of the PLANE of focus. This results in a subject the can have a nearly unlimited amount of the subject focus. Not just more depth of field, but depth of actual in focus.
The Z8 FW 3.0 is the first time anyone has offered both at the same time on a full frame professional camera.
The very wet winter has resulted in huge areas covered by mushrooms. I hope their spores don't travel inside the lenses.
This was a frustrating one to digitize, I tried several times to stitch it from 3 shots, but I am not good enough at the software and I suppose the image had too much out of focus to do it automatically. So I resigned to a single frame.